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The Works of Charles and Mary Lamb — Volume 1

Note 25 — CONFESSIONS OF A DRUNKARD

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When poor M—— painted his last picture, with a pencil in one trembling hand, and a glass of brandy and water in the other, his fingers owed the comparative steadiness, with which they were enabled to go through their task in an imperfect manner, to a temporary firmness derived from a repetition of practices, the general effect of which had shaken both them and him so terribly.

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