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The Works of Alexander Pope, Volume 2 (of 10), Poetry - Volume 2

THE ARGUMENT.

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Abelard and Eloisa flourished in the twelfth century. They were two of the most distinguished persons of their age in learning and beauty, but for nothing more famous than for their unfortunate passion. After a long course of calamities, they retired each to a several convent, and consecrated the remainder of their days to religion. It was many years after this separation, that a letter of Abelard's to a friend, which contained the history of his misfortune, fell into the hands of Eloisa. This, awakening all her tenderness, occasioned those celebrated letters (out of which the following is partly extracted) which give so lively a picture of the struggles of grace and nature, virtue and passion.

ELOISA TO ABELARD.

In these deep solitudes and awful cells, Where heav'nly-pensive contemplation dwells, And ever-musing melancholy reigns, What means this tumult in a vestal's veins? Why rove my thoughts beyond this last retreat? 5 Why feels my heart its long-forgotten heat? Yet, yet I love!—From Abelard it came,[578] And Eloisa yet must kiss the name.[579] Dear fatal name! rest ever unrevealed, Nor pass these lips in holy silence sealed: 10 Hide it, my heart, within that close disguise, Where, mixed with God's, his loved idea[580] lies: O write it not, my hand—the name appears Already written[581]—wash it out, my tears![582] In vain lost Eloisa weeps and prays, 15 Her heart still dictates, and her hand obeys. Relentless walls! whose darksome round contains[583] Repentant sighs, and voluntary pains: Ye rugged rocks, which holy knees have worn; Ye grots and caverns, shagged with horrid thorn![584] 20 Shrines! where their vigils pale-eyed virgins keep,[585] And pitying saints, whose statues learn to weep![586] Though cold like you, unmoved and silent grown, I have not yet forgot myself to stone.[587] All is not heaven's while Abelard has part;[588] 25 Still rebel nature holds out half my heart; Nor pray'rs nor fasts its stubborn pulse restrain, Nor tears, for ages taught to flow in vain. Soon as thy letters trembling I unclose, That well-known name awakens all my woes.[589] 30 Oh name for ever sad! for ever dear![590] Still breathed in sighs, still ushered with a tear.[591] I tremble too, where'er my own I find, Some dire misfortune follows close behind.[592] Line after line my gushing eyes o'erflow, 35 Led through a sad variety of woe:[593] Now warm in love, now with'ring in my bloom,[594] Lost in a convent's solitary gloom! There stern religion quenched th' unwilling flame, There died the best of passions, love and fame.[595] 40 Yet write, oh write me all, that I may join Griefs to thy griefs, and echo sighs to thine.[596] Nor foes nor fortune take this pow'r away;[597] And is my Abelard less kind than they? Tears still are mine, and those I need not spare; 45 Love but demands what else were shed in pray'r;[598] No happier task these faded eyes pursue; To read and weep is all they now can do.[599] Then share thy pain, allow that sad relief; Ah, more than share it, give me all thy grief.[600] 50 Heav'n first taught letters for some wretch's aid,[601] Some banished lover, or some captive maid; They live, they speak, they breathe what love inspires, Warm from the soul, and faithful to its fires, The virgin's wish without her fears impart, 55 Excuse the blush, and pour out all the heart,[602] Speed the soft intercourse from soul to soul, And waft a sigh from Indus to the Pole.[603] Thou know'st how guiltless first I met thy flame,[604] When love approached me under friendship's name;[605] 60 My fancy formed thee of angelic kind, Some emanation of th' all-beauteous Mind,[606] Those smiling eyes, attemp'ring ev'ry ray, Shone sweetly lambent with celestial day;[607] Guiltless I gazed; heav'n listened while you sung;[608] 65 And truths divine came mended from that tongue.[609] From lips like those, what precept failed to move? Too soon they taught me 'twas no sin to love: Back through the paths of pleasing sense I ran,[610] Nor wished an angel whom I loved a man.[611] 70 Dim and remote the joys of saints I see: Nor envy them that heav'n I lose for thee. How oft, when pressed to marriage, have I said, Curse on all laws but those which love has made![612] Love, free as air, at sight of human ties, 75 Spreads his light wings, and in a moment flies.[613] Let wealth, let honour, wait the wedded dame, August her deed, and sacred be her fame;[614] Before true passion all those views remove; Fame, wealth, and honour! what are you to love? 80 The jealous god, when we profane his fires, Those restless passions in revenge inspires, And bids them make mistaken mortals groan, Who seek in love for aught but love alone.[615] Should at my feet the world's great master fall, 85 Himself, his throne, his world, I'd scorn them all; Not Cæsar's empress would I deign to prove;[616] No, make me mistress to the man I love; If there be yet another name more free,[617] More fond than mistress,[618] make me that to thee. 90 Oh! happy state! when souls each other draw, When love is liberty, and nature, law:[619] All then is full, possessing and possessed, No craving void left aching in the breast:[620] Ev'n thought meets thought, ere from the lips it part, 95 And each warm wish springs mutual from the heart. This sure is bliss, if bliss on earth there be, And once the lot of Abelard and me.[621] Alas, how changed! what sudden horrors rise! A naked lover bound and bleeding lies![622] 100 Where, where was Eloise? her voice, her hand, Her poniard, had opposed the dire command.[623] Barbarian, stay! that bloody stroke[624] restrain; The crime was common, common be the pain.[625] I can no more; by shame, by rage suppressed,[626] 105 Let tears, and burning blushes speak the rest.[627] Canst thou forget that sad, that solemn day, When victims at yon[628] altar's foot we lay? Canst thou forget what tears that moment fell, When, warm in youth, I bade the world farewell?[629] 110 As with cold lips I kissed the sacred veil,[630] The shrines all trembled, and the lamps grew pale:[631] Heav'n scarce believed the conquest it surveyed, And saints with wonder heard the vows I made. Yet then, to those dread altars as I drew, 115 Not on the cross my eyes were fixed, but you;[632] Not grace, or zeal, love only was my call, And if I lose thy love, I lose my all. Come! with thy looks, thy words, relieve my woe;[633] Those still at least are left thee to bestow.[634] 120 Still on that breast enamoured let me lie, Still drink delicious poison from thy eye,[635] Pant on thy lip, and to thy heart be pressed; Give all thou canst—and let me dream the rest. Ah no! instruct me other joys to prize, 125 With other beauties charm my partial eyes, Full in my view set all the bright abode, And make my soul quit Abelard for God. Ah, think at least thy flock deserves thy care,[636] Plants of thy hand, and children of thy pray'r; 130 From the false world in early youth they fled, By thee to mountains, wilds, and deserts led.[637] You raised these hallowed walls;[638] the desert smiled, And Paradise was opened in the wild.[639] No weeping orphan saw his father's stores 135 Our shrines irradiate, or emblaze the floors:[640] No silver saints, by dying misers giv'n, Here bribed the rage of ill-requited heav'n: But such plain roofs as piety could raise,[641] And only vocal with the Maker's praise.[642] 140 In these lone walls (their day's eternal bound), These moss-grown domes with spiry turrets crowned, Where awful arches make a noon-day night, And the dim windows shed a solemn light,[643] Thy eyes diffused a reconciling ray,[644] 145 And gleams of glory brightened all the day.[645] But now no face divine contentment wears, 'Tis all blank sadness, or continual tears. See how the force of others' pray'rs I try,[646] O pious fraud of am'rous charity! 150 But why should I on others' pray'rs depend?[647] Come thou, my father, brother, husband, friend! Ah, let thy handmaid, sister, daughter, move,[648] And all those tender names in one, thy love![649] The darksome pines that, o'er yon rocks reclined,[650] 155 Wave high, and murmur to the hollow wind,[651] The wand'ring streams that shine between the hills,[652] The grots that echo to the tinkling rills,[653] The dying gales that pant upon the trees,[654] The lakes that quiver to the curling breeze;[655] 160 No more these scenes my meditation aid, Or lull to rest the visionary maid.[656] But o'er the twilight groves[657] and dusky caves, Long-sounding aisles, and intermingled graves, Black Melancholy sits, and round her throws 165 A death-like silence, and a dread repose:[658] Her gloomy presence saddens all the scene, Shades ev'ry flow'r, and darkens ev'ry green,[659] Deepens the murmur of the falling floods, And breathes a browner horror on the woods.[660] 170 Yet here for ever, ever must I stay; Sad proof how well a lover can obey![661] Death, only death, can break the lasting chain; And here, ev'n then, shall my cold dust remain;[662] Here all its frailties, all its flames resign, 175 And wait till 'tis no sin to mix with thine.[663] Ah wretch! believed the spouse of God in vain, Confessed within the slave of love and man. Assist me, heav'n! but whence arose that pray'r? Sprung it from piety, or from despair?[664] 180 Ev'n here, where frozen chastity retires, Love finds an altar for forbidden fires.[665] I ought to grieve, but cannot what I ought; I mourn the lover, not lament the fault;[666] I view my crime, but kindle at the view, 185 Repent old pleasures, and solicit new;[667] Now turned to heav'n, I weep my past offence, Now think of thee, and curse my innocence. Of all affliction taught a lover yet, 'Tis sure the hardest science to forget![668] 190 How shall I lose the sin, yet keep the sense, And love th' offender, yet detest th' offence?[669] How the dear object from the crime remove, Or how distinguish penitence from love?[670] Unequal task! a passion to resign, 195 For hearts so touched, so pierced, so lost as mine. Ere such a soul regains its peaceful state, How often must it love, how often hate![671] How often hope, despair, resent, regret, Conceal, disdain,—do all things but forget. 200 But let heav'n seize it, all at once 'tis fired; Not touched, but rapt; not wakened, but inspired![672] Oh come! oh teach me nature to subdue, Renounce my love, my life, myself—and you.[673] Fill my fond heart with God alone, for he 205 Alone can rival, can succeed to thee.[674] How happy is the blameless vestal's lot! The world forgetting, by the world forgot:[675] Eternal sun-shine of the spotless mind! Each pray'r accepted, and each wish resigned; 210 Labour and rest, that equal periods keep; "Obedient slumbers that can wake and weep;"[676] Desires composed, affections ever even; Tears that delight, and sighs that waft to heav'n. Grace shines around her, with serenest beams, 215 And whisp'ring angels prompt her golden dreams. For her, th' unfading rose of Eden blooms, And wings of seraphs shed divine perfumes, For her the spouse prepares the bridal ring, For her white virgins hymeneals sing, 220 To sounds of heav'nly harps she dies away,[677] And melts in visions of eternal day.[678] Far other dreams my erring soul employ, Far other raptures, of unholy joy: When at the close of each sad, sorrowing day, 225 Fancy restores what vengeance snatched away, Then conscience sleeps, and leaving nature free, All my loose soul unbounded springs to thee. Oh cursed, dear horrors of all-conscious night! How glowing guilt exalts the keen delight![679] 230 Provoking demons all restraint remove, And stir within me ev'ry source of love. I hear thee, view thee, gaze o'er all thy charms, And round thy phantom glue my clasping arms. I wake:—no more I hear, no more I view, 235 The phantom flies me, as unkind as you. I call aloud; it hears not what I say: I stretch my empty arms; it glides away. To dream once more I close my willing eyes; Ye soft illusions, dear deceits, arise;[680] 240 Alas, no more!—methinks we wand'ring go Through dreary wastes, and weep each other's woe,[681] Where round some mould'ring tow'r pale ivy creeps, And low-browed rocks hang nodding o'er the deeps. Sudden you mount, you beckon from the skies; 245 Clouds interpose, waves roar, and winds arise. I shriek, start up, the same sad prospect find, And wake to all the griefs I left behind. For thee the fates, severely kind,[682] ordain A cool suspense from pleasure and from pain; 250 Thy life a long dead calm of fixed repose; No pulse that riots, and no blood that glows;[683] Still as the sea, ere winds were taught to blow, Or moving spirit bade the waters flow;[684] Soft as the slumbers of a saint forgiv'n, 255 And mild as op'ning gleams of promised heav'n.[685] Come, Abelard! for what hast thou to dread? The torch of Venus burns not for the dead.[686] Nature stands checked; religion disapproves; Ev'n thou art cold—yet Eloisa loves. 260 Ah hopeless, lasting flames! like those that burn To light the dead, and warm th' unfruitful urn.[687] What scenes appear where'er I turn my view? The dear ideas, where I fly, pursue, Rise in the grove, before the altar rise,[688] 265 Stain all my soul, and wanton in my eyes. I waste the matin lamp in sighs for thee, Thy image steals between my God and me,[689] Thy voice I seem in ev'ry hymn to hear, With ev'ry bead I drop too soft a tear.[690] 270 When from the censer clouds of fragrance roll, And swelling organs lift the rising soul, One thought of thee puts all the pomp to flight, Priests, tapers, temples, swim before my sight;[691] In seas of flame my plunging soul is drowned, 275 While altars blaze, and angels tremble round.[692] While prostrate here in humble grief I lie, Kind, virtuous drops just gath'ring in my eye, While praying, trembling, in the dust I roll, And dawning grace is op'ning on my soul: 280 Come, if thou dar'st, all charming as thou art! Oppose thyself to heav'n; dispute my heart: Come, with one glance of those deluding eyes Blot out each bright idea of the skies; Take back that grace, those sorrows, and those tears; 285 Take back my fruitless penitence and pray'rs; Snatch me, just mounting, from the bless'd abode; Assist the fiends, and tear me from my God![693] No, fly me, fly me, far as pole from pole;[694] Rise alps between us! and whole oceans roll![695] 290 Ah, come not, write not, think not once of me, Nor share one pang of all I felt for thee. Thy oaths I quit, thy memory resign;[696] Forget, renounce me, hate whate'er was mine. Fair eyes, and tempting looks, (which yet I view!) 295 Long loved, adored ideas, all adieu! Oh grace serene! oh virtue heav'nly fair! [697] Divine oblivion of low-thoughted care! [698] Fresh-blooming hope, gay daughter of the sky! And faith, our early immortality! [699] 300 Enter, each mild, each amicable guest: Receive, and wrap me in eternal rest. See in her cell sad Eloisa spread, Propped on some tomb, a neighbour of the dead. [700] In each low wind methinks a spirit calls, 305 And more than echoes talk along the walls.[701] Here, as I watched the dying lamps around, From yonder shrine I heard a hollow sound. "Come, sister, come! (it said, or seemed to say).[702] "Thy place is here, sad sister, come away;[703] 310 "Once like thyself, I trembled, wept, and prayed, Love's victim then, though now a sainted maid:[704] But all is calm in this eternal sleep;[705] Here grief forgets to groan, and love to weep, Ev'n superstition loses every fear: 315 For God, not man, absolves our frailties here." I come, I come![706] prepare your roseate bow'rs, Celestial palms, and ever-blooming flow'rs; Thither, where sinners may have rest, I go, Where flames refined in breasts seraphic glow: 320 Thou, Abelard! the last sad office pay,[707] And smooth my passage to the realms of day:[708] See my lips tremble, and my eye-balls roll, Suck my last breath, and catch my flying soul![709] Ah no—in sacred vestments may'st thou stand, 325 The hallowed taper trembling in thy hand, Present the cross before my lifted eye, Teach me at once, and learn of me to die.[710] Ah then, thy once-loved Eloisa see! It will be then no crime to gaze on me. 330 See from my cheek the transient roses fly![711] See the last sparkle languish in my eye! 'Till ev'ry motion, pulse, and breath be o'er; And ev'n my Abelard be loved no more. Oh death all-eloquent! you only prove 335 What dust we doat on, when 'tis man we love.[712] Then too, when fate shall thy fair fame destroy, (That cause of all my guilt, and all my joy)[713] In trance ecstatic may thy pangs be drowned, Bright clouds descend, and angels watch thee round, 340 From op'ning skies may streaming glories shine, And saints embrace thee with a love like mine. May one kind grave unite each hapless name,[714] And graft my love immortal on thy fame! Then, ages hence, when all my woes are o'er, 345 When this rebellious heart shall beat no more; If ever chance two wand'ring lovers brings To Paraclete's white walls and silver springs, O'er the pale marble shall they join their heads, And drink the falling tears each other sheds;[715] 350 Then sadly say, with mutual pity moved, "Oh may we never love as these have loved!" From the full choir[716] when loud hosannas rise, And swell the pomp of dreadful sacrifice,[717] Amid that scene if some relenting eye 355 Glance on the stone where our cold relics lie, Devotion's self shall steal a thought from heav'n, One human tear shall drop, and be forgiv'n. And sure if fate some future bard shall join In sad similitude of griefs to mine, 360 Condemned whole years in absence to deplore, And image charms he must behold no more; Such if there be, who loves so long, so well; Let him our sad, our tender story tell; The well-sung woes will sooth my pensive ghost;[718] 365 He best can paint them who shall feel them most.[719]

Notes in this chapter

Note 1 · The letter which Abelard addressed to his friend, and which had fallen into the hands of Eloisa.Note 2 · Dryden's Don Sebastian: And when I say Sebastian, dear Sebastian! I kiss the name I speak.—Steevens.Note 3 · That is, a lively representation of his person was retained in her mind. So Drayton where he speaks of his departed love: Clear Ankor, on whNote 4 · Claudian, De Nupt. Honor. et Mar. ver. 9: Nomenque beatum Injussæ scripsere manus.—Wakefield.Note 5 · Drayton's Heroical Epistle of Rosamond to Henry: My hapless name with Henry's name I found— Then do I strive to wash it out with tears, But Note 6 · Some of these circumstances have perhaps a little impropriety when introduced into a place so lately founded as was the Paraclete; but are sNote 7 · This is borrowed from Milton's Comus, ver. 428: By grots and caverns shagged with horrid shades.—Wakefield.Note 8 · A suspected poem of the Duke of Wharton on the Fear of Death: Where feeble tapers shed a gloomy ray And statues pity feign; Where pale-eyed Note 9 · A puerile conceit from the dew which runs down stone and metals in damp weather.—Wakefield. A writer in the Gentleman's Magazine for OctoberNote 10 · He followed Milton in the Penseroso: Forget thyself to marble.—Wakefield. Heloisa to Abelard: "O vows! O convent! I have not lost my humanitNote 11 · In every edition till that of Warburton the reading was, Heav'n claims me all in vain while he has part.Note 12 · Heloisa to Abelard: "By that melancholy relation to your friend you have awakened all my sorrows."Note 13 · Dryden's Æneis, v. 64: A day for ever sad, for ever dear.—Wakefield.Note 14 · Heloisa to Abelard: "Shall my Abelard be never mentioned without tears? Shall the dear name be never spoken but with sighs?"Note 15 · Heloisa to Abelard: "I met with my name a hundred times. I never saw it without fear; some heavy calamity always followed it. I saw yours toNote 16 · Pomfret in his Vision: For sure that flame is kindled from below Which breeds such sad variety of woe.—Wakefield. Steevens quotes from DrydeNote 17 · Dryden, Palamon and Arcite: Now warm in love, now with'ring in the grave.—Wakefield.Note 18 · Fame is not a passion.—Warton. Ambition is the passion, and fame is the object of the passion.Note 19 · Heloisa to Abelard: "Let me have a faithful account of all that concerns you. I would know everything, be it ever so unfortunate. Perhaps byNote 20 · Heloisa to Abelard: "We may write to each other. Let us not lose through negligence the only happiness which is left us, and the only one peNote 21 · Heloisa to Abelard: "Tell me not by way of excuse you will spare our tears; the tears of women shut up in a melancholy place, and devoted toNote 22 · Denham of Prudence: To live and die is all we have to do.—Wakefield. Prior's Celia to Damon: And these poor eyes No longer shall their littlNote 23 · Heloisa to Abelard: "Be not then unkind, nor deny me that little relief. All sorrows divided are made lighter."Note 24 · Heloisa to Abelard: "Letters were first invented for comforting such solitary wretches as myself."Note 25 · Heloisa to Abelard: "What cannot letters inspire? They have souls; they can speak; they have in them all that force which expresses the tranNote 26 · Otway's translation of Phædra to Hippolytus: Thus secrets safe to farthest shores may move: By letters foes converse, and learn to love.—WakNote 27 · This is the most exquisite description of the first commencement of passion that our language, or perhaps any other, affords.—Bowles.Note 28 · Prior's Celia to Damon: In vain I strove to check my growing flame, Or shelter passion under friendship's name.Note 29 · The Divinity himself. Dryden, in his 12th Elegy: So faultless was the frame, as if the whole Had been an emanation of the soul.—Wakefield.Note 30 · Heloisa to Abelard: "That life in your eyes which so admirably expressed the vivacity of your mind; your conversation, which gave everythingNote 31 · She says herself, "You had, I confess, two qualities in great perfection with which you could instantly captivate the heart of any woman,—a Note 32 · He was her preceptor in philosophy and divinity.—Pope. Dryden, Epistle, 14: The fair themselves go mended from thy hand.—Wakefield.Note 33 · Dryden's Œdipus, end of Act iii.: And backward trod the paths I sought to shun.Note 34 · Thy holy precepts and the sanctity of thy character had made me conceive of thee as of a being more venerable than man, and approaching the Note 35 · Dryden, Ovid's Met. x.: And own no laws but those which love ordains.—Wakefield. Heloisa to Abelard: "The bonds of matrimony, however honourNote 36 · Love will not be confined by maisterie: When maisterie comes, the lord of Love anon Flutters his wings, and forthwith is he gone. Chaucer.Note 37 · Heloisa to Abelard: "It is not love but the desire of riches and honour which makes women run into the embraces of an indolent husband: ambiNote 38 · Heloisa to Abelard: "This restless tormenting passion"—ambition—"punishes them for aiming at other advantages by love than love itself."Note 39 · Heloisa to Abelard: "How often I have made protestations that it was infinitely preferable to me to live with Abelard as his mistress than wNote 40 · Heloisa to Abelard: "Though I knew that the name of wife was honourable in the world, and holy in religion, yet the name of your mistress haNote 41 · Heloisa to Abelard: "We are called your sisters, and if it were possible to think of any expressions which would signify a dearer relation wNote 42 · Denham, Cooper's Hill: Happy when both to the same centre move, When kings give liberty, and subjects love.—Cunningham.Note 43 · Heloisa to Abelard: "If there is anything which may properly be called happiness here below, I am persuaded it is in the union of two personNote 44 · Heloisa to Abelard: "If I could believe you as truly persuaded of my merit as I am of yours, I might say there has been a time when we were Note 45 · Mrs. Rowe in her Elegy: A dying lover pale and gasping lies.— Wakefield.Note 46 · Heloisa to Abelard: "Where was I? where was your Heloise then? What joy should I have had in defending my lover. I would have guarded you frNote 47 · For "stroke" Pope, in all editions till that of 1736, read "hand," the word in the translation. He had used "hand" in the rhyme of the previNote 48 · Careless readers may misapprehend the sense. "Pain" here means punishment, pœna.—Holt White. Like a verse of Drummond's: The grief was commoNote 49 · Heloisa to Abelard: "Oh whither does the excess of passion hurry me! Here love is shocked, and modesty joined with despair deprive me of speNote 50 · A writer in the Gentleman's Magazine quotes Settle's Empress of Morocco: Muly Hamet.—Speak. Empress.—Let my tears and blushes speak the restNote 51 · The altar of Paraclete, says Mr. Berrington, did not then exist. They were not professed at the same time or place; one was at Argenteuil, tNote 52 · Abelard to Heloisa: "I accompanied you with terror to the foot of the altar, and while you stretched out your hand to touch the sacred clothNote 53 · Her kissing the veil with "cold lips" strongly marks her want of that fervent zeal and devotion which should influence those votaries who reNote 54 · Prior, in Henry and Emma, has a verse of similar pauses, and similar phraseology: Thy lips all trembling, and thy cheeks all pale.—WakefieldNote 55 · Abelard to Heloisa: "I saw your eyes when you spoke your last farewell fixed upon the cross." Heloisa to Abelard: "It was your command only,Note 56 · Heloisa to Abelard: "You may see me, hear my sighs, and be a witness of all my sorrows, without incurring any danger, since you can only relNote 57 · Roscoe remarks that the lines which follow cannot be justified by anything in the letters of Eloisa. Sentiments equally gross are however exNote 58 · Concannen's Match at Football, Canto iii.: And drank in poison from her lovely eye. Creech, at the beginning of his Lucretius: Where on thy Note 59 · "If thou canst forget me, think at least upon thy flock," says Wakefield, in explanation of the train of thought; and he adds a passage fromNote 60 · Heloisa to Abelard: "The innocent sheep, tender as they are, would yet follow you through deserts and mountains."Note 61 · He founded the monastery.—Pope. Heloisa to Abelard: "You only are the founder of this house. You by inhabiting here have given fame and sancNote 62 · So Dryden says of Absalom, And Paradise was opened in his face. The original of the image in the text is in Isaiah li. 3: He will make her wNote 63 · The writer in the Gentleman's Magazine quotes Boileau, Le Moine: Là les salons sont peints, les meubles sont dorés Des larmes et du sang desNote 64 · Heloisa to Abelard: "These cloisters owe nothing to public charities; our walls were not raised by the usury of publicans, nor their foundatNote 65 · There were no benefactors whose praises were celebrated in the services, but the building was vocal only with the praise of the Deity.Note 66 · Our author imitates Milton: And storied windows richly dight Casting a dim religious light.—Wakefield.Note 67 · Dryden had said of his Good Parson: His eyes diffused a venerable grace.—Wakefield.Note 68 · Mrs. Rowe on the Creation: And kindling glories brighten all the skies.—Wakefield.Note 69 · By pretending that she desires Abelard to visit the Paraclete in obedience to the call of her sister nuns.Note 70 · Heloisa to Abelard: "But why should I entreat you in the name of your children? Is it possible I should fear obtaining anything of you when Note 71 · From the superscription of Heloisa's letter to Abelard: "To her lord, her father, her husband, her brother; his servant, his child, his wifeNote 72 · Our poet is indebted to a translation of the Virgilian cento of Ausonius in Dryden's Miscellanies, vi. p. 143: My love, my life, And every tNote 73 · Mr. Mills, a clergyman, who visited the Paraclete about the year 1765, says, "Mr. Pope's description is ideal. I saw neither rocks, nor pineNote 74 · Addison's translation of book iii, of the Æneis: The hollow murmurs of the winds that blow.Note 75 · The little river Ardusson glittered along the valley of the Paraclete.—Mills.Note 76 · Philips, in his fourth Pastoral: Nor dropping waters which from rocks distil, And welly grots with tinkling echoes fill.—Wakefield.Note 77 · Milton's Penseroso: When the gust hath blown his fill Ending on the rustling leaves.—Wakefield.Note 78 · Dryden, Virg. Geo. iv. 432: When western winds on curling waters play.Note 79 · Dryden, Virg. Æn. iii. 575: Most upbraid The madness of the visionary maid.—Wakefield.Note 80 · Milton's Penseroso: To arched walks of twilight groves.—Wakefield.Note 81 · Waller's version of Æneid iv.: A death-like quiet, and deep silence fell. Dryden's Astræa Redux: A dreadful quiet felt.—Wakefield. Charles BNote 82 · Fenton in his version of Sappho to Phaon: With him the caves were cool, the grove was green, But now his absence withers all the scene.—WakeNote 83 · Dryden's Theodore and Honoria: With deeper brown the grove was overspread.—Steevens. Dryden, Æn. vii. 40: The Trojan from the main beheld a Note 84 · In allusion to this sacrifice of herself at his will she says in her first letter: "You are of all mankind most abundantly indebted to me; aNote 85 · Heloisa to Abelard: "Death only can make me leave the place where you have fixed me, and then too my ashes shall rest there, and wait for yoNote 86 · Abelard to Heloisa: "I hope you will be contented when you have finished this mortal life to be buried near me. Your cold ashes need then feNote 87 · Heloisa to Abelard: "Among those who are wedded to God I serve a man. What a prodigy am I! Enlighten me, O Lord! Does thy grace or my despaiNote 88 · Heloisa to Abelard: "I am sensible I am in the temple of chastity only with the ashes of that fire which has consumed us."Note 89 · This couplet, and its wretched rhymes, seem derived from an elegy of Walsh in Dryden's Miscellanies: I know I ought to hate you for the faulNote 90 · Heloisa to Abelard: "I am here a sinner, but one, who far from weeping for her sins, weeps only for her lover; far from abhorring her crimesNote 91 · Abelard to Heloisa: "To forget in the case of love is the most necessary penitence, and the most difficult."Note 92 · Dryden's Cymon and Iphigenia: Then impotent of mind, with altered sense She hugged th' offender, and forgave th' offence.—Wakefield.Note 93 · Abelard to Heloisa: "How can I separate from the person I love the passion I must detest? Will the tears I shed be sufficient to render it oNote 94 · Heloisa to Abelard: "A heart which has been so sensibly affected as mine cannot soon be indifferent. We fluctuate long between love and hatrNote 95 · Heloisa to Abelard: "God has a peculiar right over the hearts of great men. When he pleases to touch them he ravishes them, and lets them noNote 96 · Heloisa to Abelard: "Yes, Abelard, I conjure you teach me the maxims of divine love. Oh! for pity's sake help a wretch to renounce her desirNote 97 · Heloisa to Abelard: "When I shall have told you what rival hath ravished my heart from you, you will praise my inconstancy, and will pray thNote 98 · Horace, Epist. Lib. i. xi. 9: Oblitusque meorum, obliviscendus et illis. My friends forgetting, by my friends forgot.—Wakefield.Note 99 · Taken from Crashaw.—Pope. Wakefield gives the complete couplet from Crashaw's Description of a religious House: A hasty portion of prescribeNote 100 · The idea of the "wings of seraphs shedding perfumes" is from Milton, Par. Lost, v. 286, where Raphael "shakes heavenly fragrance" from "his Note 101 · Adapted from Dryden's Britannia Redivivus: As star-light is dissolved away And melts into the brightness of the day.Note 102 · Dryden's Cinyras and Myrrha, translated from Ovid: For guilty pleasure gives a double gust.Note 103 · Heloisa to Abelard: "I will own to you what makes the greatest pleasure I have in my retirement. After having passed the day in thinking of Note 104 · Dryden, Æneis, iv. 677, supplied the idea: She seems, alone, To wander in her sleep through ways unknown, Guideless and dark; or in a desertNote 105 · The writer in the Gentleman's Magazine quotes the same expression from Steele's Miscellanies: No more severely kind affect to put That lovelNote 106 · Heloisa to Abelard: "You are happy, Abelard, and your misfortunes have been the occasion of your finding rest. The punishment of your body hNote 107 · Dryden's Ovid, Met. i.: Then, with a breath, he gave the winds to blow, And bade the congregated waters flow.—Wakefield.Note 108 · Sir William Davenant's Address to the Queen: Smooth as the face of waters first appeared, Ere tides began to strive, or winds were heard; KiNote 109 · Heloisa to Abelard: "When we love pleasures we love the living and not the dead." In all editions till that of 1736 this couplet followed: CNote 110 · Hudibras, Part ii. Canto i. 309: Love in your heart as idly burns As fire in antique Roman urns To warm the dead, and vainly light Those onlNote 111 · Heloisa to Abelard: "Whatever endeavours I use, on whatever side I turn me, the sweet idea still pursues me, and every object brings to my mNote 112 · Abelard to Heloisa: "In spite of severe fasts your image appears to me, and confounds all my resolutions."Note 113 · Sedley's verses on Don Alonzo: The gentle nymph, Drops tears with every bead.—Wakefield. The force of the line is, however, in the phrase "tNote 114 · Smith's Phædra and Hippolytus, Act i.: All the idle pomp, Priests, altars, victims swam before my sight.—Steevens.Note 115 · How finely does this glowing imagery introduce the transition, While prostrate here, &c.—Bowles.Note 116 · The whole of this paragraph is from Abelard's letter to Heloisa: "I am a miserable sinner prostrate before my judge, and with my face presseNote 117 · Abelard to Heloisa: "Let me remove far from you, and obey the apostle who hath said, fly."Note 118 · Wakefield quotes the lines of Hopkins to a lady, where, speaking of her beauties, he entreats that she will Drive 'em somewhere, as far as pNote 119 · Abelard to Heloisa: "It will always be the highest love to show none: I here release you of all your oaths and engagements to me."Note 120 · The combination "heavenly-fair" is also found in Sandys, Congreve, and Tickell.—Wakefield.Note 121 · "Low-thoughted care" is from Milton's Comus.—Warton.Note 122 · This resembles a passage in Crashaw: Fair hope! our earlier heaven.—Wakefield.Note 123 · "It should," says Mr. Mills, "be near her cell. The doors of all cells open into the common cloister. In that cloister are often tombs." SteNote 124 · Dryden's Palamon and Arcite: And issuing sighs that smoked along the wall.—Wakefield. Addison's translation of a passage from Claudian: Oft Note 125 · Fenton's translation of Sappho to Phaon: Here, while by sorrow lulled to sleep I lay, Thus said the guardian nymph, or seemed to say.—WakefiNote 126 · Pope owes much throughout this poem to the character of Dido as drawn by Virgil, and this passage seems directly formed upon one in Dryden, Note 127 · It is well contrived that this invisible speaker should be a person that had been under the very same kind of misfortunes with Eloisa.—WartoNote 128 · Dryden's version of the latter part of the third book of Lucretius: But all is there serene in that eternal sleep.—Wakefield.Note 129 · In the first edition: I come ye ghosts.—Wakefield.Note 130 · Ogilby, Virg. Æn. xi.: And to the dead our last sad duties pay. Dryden, Æn. xi. 322: Perform the last sad office to the slain.—Wakefield.Note 131 · Dryden's Aurengezebe at the commencement of Act iv.: I thought before you drew your latest breath, To sooth your passage, and to soften deatNote 132 · Oldham's translation of Bion on the death of Adonis: Kiss, while I watch thy swimming eye-balls roll, Watch thy last gasp, and catch thy sprNote 133 · Rowe's ode to Delia: When e'er it comes, may'st thou be by, Support my sinking frame, and teach me how to die.—Wakefield.Note 134 · Dryden Æn., xi. 1194: And from her cheeks the rosy colour flies.Note 135 · Abelard to Heloisa: "You shall see me to strengthen your piety by the horror of this carcase, and my death, then more eloquent than I can beNote 136 · Spenser, Faerie Queen, i. 4, 45: Cause of my new grief, cause of new joy.—Wakefield.Note 137 · Abelard and Eloisa were interred in the same grave, or in monuments adjoining, in the monastery of the Paraclete. He died in the year 1142, Note 138 · Dryden, in his translation of Canace to Macareus: I restrained my cries And drunk the tears that trickled from my eyes.—Wakefield.Note 139 · Milton, Il Penseroso: There let the pealing organ blow To the full-voiced choir below.Note 140 · "Dreadful sacrifice" is the ritual term. So in the History of Loretto, 1608, ch. 20, p. 278, "The priest, as the use is, assisted the cardinNote 141 · Warton says that the eight concluding lines of the Epistle "are rather flat and languid." It is indeed an absurd supposition that a woman whNote 142 · The last line is imitated from Addison's Campaign. Marlb'rough's exploits appear divinely bright— Raised of themselves their genuine charms
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