THE LETTERS. (continued 2)
Reading edition
Eleven days since I saw him. I have been conscious of every hour. We were busy here; there is much to do at Christmas time. I wrote to him that I could take no more lessons nor even walk with him for the present, as I must devote myself entirely to the Christmas work, and he has written to me twice. He would have me think that he sits there forlorn, cursing Yule-tide and charity; he says in the letter I received this morning, that it is time my charity were turned in his direction. I think I shall go to the cottage this afternoon; there is an end to all endurance. Or shall I wait until New Year’s day? Perhaps that were best. I like to try my strength, to see how much can be borne.
I can write no more now; I must try to get through a few other letters. I have sent no cards to Florence. What a worm I am!
Your words of love have helped me through these days; I carry the three dear letters, along with his, in my pocket.
Good-bye, dearest; blessings upon you. I think I shall set forth in search of you very soon. May the New Year be kind to us all!
Yours in deepest love, Emilia.
LETTER XXIII.
Graysmill, January 1st.
My pretty sweet, I have had much happiness to-day. First of all, a letter from you at breakfast, and one from Gabriel, then, sunshine all the morning, and all the morning a song in my heart; to-day I shall see him!
I set off immediately after early dinner, and walked across the Common to the Thatched Cottage. I cannot tell you what it was to me to catch sight of the chimney and the purling smoke again; I had to stand still and wait a while, my heart thumped so. (A fool, eh?) I crept noiselessly into the house, and through the hall, then stealthily opened the study door. There he sat on the ground by the fire, with his back to me, reading, of course.
“What a careless person!” said I, softly; “he’ll blind himself one of these days.”
Up he jumped.
“Emilia!” he cried, “dear Emilia!” and, catching me by both wrists, swung my arms up and down and to and fro.
“You faithless thing,” said he, “you false friend, I hate you!”
Here Richard Norton ran in from the kitchen, with the teapot in his hand, followed by Jane; they both covered me with welcomes and reproaches. I was very happy, I assure you. We went into the kitchen and had early tea, talking all the while and all together. Gabriel was in one of his impish moods, and made me laugh till I cried. The first thing I thought, when I had time to think, was that I had been a fool to keep away so long and allow myself to grow sentimental; that it was altogether much more healthful for me to be in his dear company.
I came home in a much better frame of mind, although Gabriel insisted on walking nearly as far as Graysmill with me, and said as we parted:
“You must never again leave me for so long, Emilia; I am lost without you, I am, indeed.”
I turned from him, half wishing he had not said this, feeling a little giddy, a little less strong; but, as I ran along, something hit me on the shoulder. I looked behind me, and there he stood, like an imp of mischief, pelting me with pine-cones, which it seems he had collected in his pocket for that purpose. So I had to laugh, and was cured again.
The year has at least begun well.
Adieu, my sweetest. Things are often not so bad as we imagine. With this truism I take my leave of you.
Your Emilia.
I think I forgot to send a New Year’s wish to Mrs. Rayner. For you, my love, again all the good that this world holds. May it rain upon you in ceaseless showers!
LETTER XXIV.
Graysmill, January 15th.
I have grown unutterably selfish. I only remembered this morning that you had asked me to send you those books. To think that a day should have come when I could forget to do something you had asked me! I have seen to it, with much penitence. Forgive me!
Your Emilia is a miserable specimen; she despises herself very much. I go up and down all day like something that has lost its balance, neither have I any. One hour I am absolutely happy; the next I am biting the dust. One day I say to myself, I will never walk or talk or read or sit alone with him again,—and perhaps for that one day I keep my word. But then, the next, I do all I meant not to do, I pine for it till I bring it about. And when I have sat beside him a little while, doing my lessons, the Greek loses its hold of my poor brain, my head swims, I make a blunder; then he laughs and says he cannot understand how such an apparently clever woman can have such a sieve for a brain. I laugh, and tell him he’s unmannerly. Then we both laugh, and I am well until I am ill again.
It is only since I knew Gabriel that I know how to laugh. I don’t mean to say that I never laughed before. Do you remember how we sometimes screamed up in my room at Florence? I remember, too, as a child, going into wild fits of laughter, and mamma and I having to wipe each other’s eyes. But these days were few and far between. I have learned to laugh with my years. Very fine wit is lost upon me, and I have certainly no native humour of my own; but I do know how to laugh about nothing at all, how to make merry over the thorns of life! Laughter was not meant for the joyful; it was made for us, the sombre of soul, to save our heart-strings here and there; like the song of a lark in the sky, to bid us lift our eyes from the dust of the road.
Sometimes, when I have been laughing very much, and then remember my pain, I see the vision of a child that dances on a grave-mound in the sun.
Sweet, I’ll go on to-morrow.
January 20th.
I distinguished myself to-day! It came on to pour while I was at the Cottage, and, in spite of a certain caution that has crept into my actions of late, I stayed there the whole afternoon.
Jane was actually making herself a new dress, so I offered to help her, and we sewed by lamplight at the kitchen table, it being a very dark afternoon. Gabriel joined us after a while; he thought we looked so cosy that he brought his books and sat at the table too, just opposite me.
You have never really loved any man, you, so perhaps you don’t know what it is to be afraid of your own eyes, because you feel that every time they rest on that thing you love, your poor heart runs and looks out of window.
I seldom look at Gabriel now,—I dare not. But there he sat opposite me, poring over his book. Jane was bent over her sewing. I forgot her, and I forgot my work too; it slipped from my fingers and fell into my lap. Suddenly he raised his head,—it seemed as if all the blood in my body rushed to my face; he had caught me all unguarded; what he might not know was laid bare before him. With a dull, wide gaze he stared at me, then bent over his book again; he had not seen me; he had merely looked up to get a better view, as it were, of something he had in mind.
Then I, too, bent my head low, for hot tears stood in my silly eyes, and, to my surprise, I felt a soft hand tuck my hair behind my ears, caressingly. I looked up and saw a world of pity in Jane Norton’s face. When presently Gabriel left the room to fetch another volume, I said:
“Jane, he must never know it.”
“My child,” she answered, speaking as softly as I had done, “there is no fear that he should learn it from me.”
“From me, then?” asked I; “is it so plain?”
“You are as pale as the table,” she said. “Take care of yourself, Em,—don’t be unhappy, all’s well.”
Just then Gabriel came in, and I left soon after. You see what an enemy I am to myself.
Good night, dearest; I am your
Emilia.
LETTER XXV.
Graysmill, January 29th.
It is so easy to imagine the bright side of things when one is too far away to see the truth. Silly Constance, cruel Constance, what is the use of sending me such words of false hope? It does not follow, because you love me best of all the world, that another should do likewise. No, no; you know nothing at all about it, and yet in spite of all reason, I catch at every straw you send drifting towards me. Once and for all, of course he loves me, but it stands just so. He loves me too well in one way to love me in another. If he loved me less, he might love me more. I have said all this to Jane. She declares that the only reason why he is not in love with me is that an obstacle stands in the way which has stood in the way all along, and which he has never dreamed of surmounting. She means my accursed money. I told her she was completely mistaken; that love, inevitable love, knows nothing of obstacles; besides, this could not be an obstacle between him and me,—he is too unworldly to be the slave of such prejudice. If I thought she was right, who knows but what I should send my money spinning into the lap of Charity, and let that lady dispense it as indiscriminately and wastefully as she pleases. No, no; the fault lies in another direction. There has been a little mistake somewhere; I am not the lost half of his soul, for all that he is mine.
Little Constance, I think now that perhaps you were right when you said that I was not altogether a woman. I am certainly not made as a woman should be. A woman may return love, but she must never dare to give it. I have been guilty of this folly, and now, what is to become of me?
We are such fools, we women. When a man loves, he is all that he was, plus love; when we love, we throw ourselves headlong into the flood, and are nothing that we were.
So now you know all about it, and can prepare yourself for a gay companion. I have made up my mind to leave England, and join you in Vienna. No, it must be Italy; you must leave Vienna and come towards me.
You cannot see that between the last sentence and this there is a pause of ten minutes. It is all very well for me to talk of leaving Graysmill; I do talk of it, the words are words, but I don’t understand them. I cannot leave; I ought to,—yet, Constance, I cannot leave him!
Write, you, and tell me where we shall meet; not in Florence, I could not bear that. And yet, perhaps, yes, in Florence. It will have to be, and I shall not realise that I have left him until I am with you again. There is comfort in that thought. One can do anything, after all, with a little determination, can’t one, Constantia? Not that you can judge, you who never had any. Perhaps I have none myself, who knows? I have so deceived myself in loving Gabriel, and laid bare such great and unknown weakness in my own bosom, that all the world is upside down for me, and I can find my way no longer.
Write and tell me soon where we shall meet.
Your Emilia.
LETTER XXVI.
Graysmill, February 7th.
So it’s all settled. You are very good to me, my pretty Constance. Now I say to myself hourly, “In sixteen days I shall see her,” and oh, believe me, I am glad! I think I am beginning to lose my head, that I am fit for all folly. We walked together yesterday; we were not very talkative. In the lane, when we were coming home, a man on a bicycle turned sharply round the corner, and I was lost in thought, so that I was caught unawares, and in fact knew nothing of the matter until I felt myself pulled aside by Gabriel. I thought he would let go my arm, but he did not, and for the few yards of road that remained I could not see out of my eyes. I said to myself, “He is holding my arm,—perhaps he loves me.” I was a fool; of course, it meant nothing; and I am certain, too, that it was imagination on my part led me to believe he looked differently at me when he said good-bye.
That is what frightens me. Of course, it was pure self-delusion; but, if I am going to begin that sort of folly, it is high time to come away. Indeed, the folly of it. Besides, I suppose I ought to feel ashamed. I am sure he knows now quite well that I love him, and perhaps that is why he looked strangely at me when he said good-bye. But I don’t want his pity; O God forbid! Nor his, nor anybody’s. Do you hear? Never pity me, Constance.
Your little Emilia.
LETTER XXVII.
February 12th.
Could you meet me a little sooner, perhaps, and not wait until the twenty-third? I must leave Graysmill at once. I shall go to the Cottage to-morrow afternoon, and tell them. I shall tell the others tonight, and on Monday I shall leave Graysmill forever. If you think you cannot reach Florence by Wednesday or Thursday, never mind, you will join me as soon as you can; only send me a telegram. I can go and stay with Marianna until you come.
I can bear it no longer! The world holds but one thought; the day and the night are lost in the constant reiteration of every word he ever said to me, in the resuscitation of every glance, every touch. And, poring over these in my memory, I try to read between the lines the words that are not there, to read “I love you.”
Oh, I am very weak, yet, believe me, it is all against my will. I have fought this folly, I despise myself utterly, and yet now I am swept away by the flood, I can struggle no more. I shall die of this, or run mad.
I met him out to-day. We had not arranged to meet; but, as I went out at the blue door, there he stood. We went a little way together; then I left him; it was unbearable. It was so beautiful once to be with him, when we could talk freely of all that is best and noblest in life. I cannot talk to him now, sometimes I cannot even hear what he says to me. I cannot see the sky, the broad white earth; I see him only. I cannot hear the life-sounds about me; I only hear his footfall in the snow. It is all pain, all dreadful pain, dreadful, unbearable longing.
Why can’t I put an end to all this? Why can’t I go to him and say, I love you, tell me the truth? I know it,—the truth,—he does not love me; and yet, until I hear his lips say it, a false hope that reason cannot kill will linger on in my heart,—linger on, I know it, even when I have placed time and space between him and me.
Only one life, and there we stand, two spirits under the sky, two that believe in Truth and Freedom, parted by insincerity. The vile weed has crept up around us; we are parted by falsehood, even we. Goodnight. Perhaps I shall not write again. I shall send you a telegram before I start, on Monday.
Come to me, dear, as soon as you can.
Emilia.
LETTER XXVIII.
February 13th.
Dearest, I have had a strange, wonderful dream. To-morrow morning, when I awake, I shall find it was not true. Shall I tell it you?
I handle it as some frail treasure that I fear to touch. I keep wondering on which side to turn it, so that, when I hold it up, you may see it shine. The earth is very beautiful to-night; from my window I see the moon and a mighty host of glittering worlds,—even Emilia is beautiful to-night! I went to the glass just now, to look upon the face of happiness, and, instead of myself I saw—Oh, but why say all this? Why not tell you? I cannot; words are weak, but I think you can feel it, Constance. Oh, sweetest, I think you can, I think you know. I am half mad to-night; that is why I write so queerly. But now I will set it down. I wonder what it looks like, written down. I shall write it very neatly; it will look pretty. Gabriel loves me. Do you see? Gabriel loves me. I think I shall write it again,—Gabriel loves me. I never wrote anything that pleased me so well, and my heart sings it within me unceasingly. Oh, of course it is not true; it is just a dream. I think this is how the dream went.
I sat in the study at the Thatched Cottage; we were all four there; I had not spoken for a while; the thing I had to say weighed me down. I said it suddenly, “I am going back to Florence; I shall leave Graysmill on Monday.”
Richard Norton cried, “What?” and Jane cried, “Emilia!” It was only Gabriel that said nothing.
He sprang up, and looked at me in silence. Thank Heaven, my back was to the window, for I could not take my eyes away from his. I thought he grew a little pale; I even thought his lips moved a little. Then he spoke.
“No, no; who said that? We cannot spare you. Emilia, Emilia, you must never leave us!”
That is how the dream goes. I put my head down on the table.
“God knows,” I said, “I do not want to leave you.”
There was a long silence; I sat there bowed, struggling with my tears; I think I heard footsteps and a closing door. Then a hand was laid upon my shoulder,—I knew whose hand it was, and I shook beneath it.
I only know one thing more that I can tell you. I heard a voice. It was not a loud voice, but it rang through the darkness; it swept the world away.
“Emilia!” it said, “Emilia, you must not leave us! Stay with me,—I love you!”
And then some cloud fell upon us.
Good night, dear, good night.
LETTER XXIX.
The Thatched Cottage, February 19th.
Gabriel and I are sitting in the study; we have your letter before us. These few lines are to thank you, if we can, for your most precious words. Now nothing fails us.
Your most loving, grateful, Emilia Fletcher.
Your servant, Gabriel Norton.
P.S. The blot is Gabriel’s.
P.S. 2. In answer to yours. Gabriel is not so inconsistent as you suppose, nor is Emilia. We have made a provision to which you, Constance Norris, shall bear witness. Namely this: that, in accordance with the absolute Sincerity and Truthfulness which we believe to be not only possible, but necessary to the Conduct of a Noble Life, we have solemnly promised each other to confess the truth, should we at any future period—through altered Love or other causes—consider Mutual Life inconsistent with perfect Honesty.
There! We have worded that beautifully, I think, although Gabriel insists that “Mutual Life” is an incorrect expression. I don’t care; it says what I mean. Needless to add that, in our case, such a prevision is as good as superfluous, but we feel bound to act up to our principles!
LETTER XXX.
Graysmill, February 19th.
Beloved, we wrote you a few lines together this afternoon, but I must write again, I alone, to thank you for your letter and tell you all you ask to know. Yet, indeed, I know not what to tell you. I am happy; the sun is in my heart. I tried to write to you before, but the words failed me; besides—my own self is a stranger to me. This marvel of marvels, a perfectly happy woman, has nothing in common with Emilia Fletcher, as you and I have known her.
I believe that Lethe was Joy’s well. The past has floated from me like a bank of mist, I stand flooded in light. And if I look behind me I see nothing. Two phantoms merely,—my love for my mother, my love for you,—all else is gone. Where are they now, the clouds that pressed so close upon me? Three words, and lo! the sky is clear. I have even forgotten what it felt like to stand there in the gloom with breaking heart.
We have made no plans yet; that is to say, we have made so many that choice between them is impossible. Still, although we build fresh castles in the air each time we meet, they all float towards Italy, in the springtime, halting a while where Constance is. If, indeed, there be a cloud remaining in my heaven, it is that you two, my soul’s monarchs, know each other only through the medium of my love. My eyes long to hold you both; I want to walk in the body, as I do in the spirit, clasping a hand of each.
And to think that she is dead! Shall I tell you something very strange, almost inconceivable? I cannot help feeling as if she knew. Surely, Death cannot wholly part a mother from her child.
Good night, my dear little one.
Emilia.
LETTER XXXI.
Graysmill, February 24th.
I showed some parts of your letter to Gabriel, and we laughed very much. What a bird she is, my Constance! He is ever so much taller than I. We compared our height with the utmost care, this morning, for your especial benefit. Do you remember—what should I do to you, by the way, if you didn’t?—that when your head is on my shoulder, my chin just makes a little roof for your curls, so that you always used to say, “How nicely we fit!” Well, there is just about the same difference between Gabriel and me, as between me and you. I call that very nice.
Now, as to the rest of the world. My two old dears are very sweet to me, and to Gabriel also. Indeed, every one is pleasant to us, and if it does come to my ears that I am looked upon by Graysmill generally in the light of a harmless lunatic, why, what of that? I take joy in the thought that none but myself knows the value of the treasure that is mine. One good soul said to me yesterday: “We think it very nice of you, very nice and modest. Such a rich young lady as you are, you might have had any one you pleased!”
We went on Sunday to pay a formal visit to Uncle George. That was a terrible ordeal, but we got some fun out of it.
I went to fetch Gabriel, for Uncle George lives just beyond Miltonhoe. I found him in the study, sitting with his head in his hands, a picture of misery.
“Emilia,” said he, “you dare not be so cruel as to expect this of me. I cannot go and see your uncle, indeed, I cannot.”
“You must,” said I; “I am very good to you on the whole; this is the only call I expect you to pay, but this one must be. Up with you, and make yourself look respectable.”
So off he went, with despair in his eye, and Jane and I waited for him in the kitchen. At the end of half an hour he reappeared. He had merely put on a horrible black coat; for the rest, I could see no improvement.
There he stood, without hat or gloves.
“I am ready,” said he.
“You imp!” I cried; “you’ve been playing about! What have you been at all this time? Do you suppose I can present such a scarecrow to my relations?”
“Emilia,” answered the poor dear, very solemnly, “I have washed!”
There was nothing for it but to make him fetch the clothes-brush, and other implements of torture. Jane and I marched him out into the hall, and there we prepared the victim. We brushed his clothes, and straightened his necktie. Even Richard Norton was so excited by the scene that he fetched the blacking-bottle and polished Gabriel’s boots, whilst Jane acted hairdresser and I held him down by both hands. This in the midst of so much laughter that the tears stood in our eyes.
When at last we turned him round for inspection, smooth-haired and stiff with the consciousness of his respectability, I could have wept at my own handiwork.
“You poor dear!” I cried. “Oh, Jane, doesn’t he look horrible!”
But Gabriel went into the parlour to look at himself in the mirror, and declared that he pleased himself mightily.
The visit itself was comparatively uneventful. They have asked us to dine next Friday, but I doubt whether we shall go. Gabriel suggests that we should get married at once and fly from such terrors.
Good-bye now, my sweet one.
Yours more than ever, in spite of all,
Emilia.
LETTER XXXII.
Graysmill, March 3d.
I don’t know how it comes, but it is a positive effort to me to write a letter, even to you. If I had not been reminded by the calendar that a new month is already on the growth, I should not perhaps have written to-day.
There is nothing to tell you, I am too happy; and how it comes I know not, but joy is difficult to express. Perhaps because it is so rare that we have hardly learned its language.
And yet, how soon one gets accustomed to the greatest marvels! At first, I was filled with doubt and wonder at the miracle that had transformed me; now, I take it all as a matter of course. That’s the worst of it; a clay-fed mortal is lifted to Elysium and forgets at the end of a week that he ever tasted coarser food than ambrosia! I am spoilt for life; if ever any grief falls upon me in the future, I shall be beaten to earth.
The other night, as I lay in bed, there came to me, for the first time in my remembrance, that horror of death of which you sometimes spoke to me. I thought to myself: I shall lie thus in the dark, only this heart will be still, this blood will be cold, and there will be no dawn for me,—yet the world will spin on as before, and those who loved me will smile again. I feared death for the first time, because, for the first time, life is dear to me. It is the outcome of my great content; I cling to my happiness, and Death is my only enemy, the only power that could knock this cup of bliss out of my hands. Oh, Constance, to die before one has drunk that full measure, how horrible!
Another shadow there is that flits from time to time across my eyes. Why, if such content can be, is it not universal? Why is not every face I meet stamped with a similar joy? I lay awake long last night, thinking of you. I do not look upon you as actually unhappy, that is not in your nature, you sunbeam, yet you lack in your dear life the best light, that of another’s shedding. Now that I know what it is to be loved, I look upon the blankness of your existence with dismay.
No more to-day, but I shall write again soon, I promise.
Yours ever and always, Emilia.
LETTER XXXIII.
Graysmill, March 5th.
Thank you, sweet one, for the eight dear pages. I feel ashamed of the scrap I sent you the day before yesterday. I never felt so lazy in my life as I feel now. One thing is certain, happiness is not altogether good. Blake says somewhere, “Damn braces, bless relaxes.” Perhaps he was right.
I am losing myself completely. Every time I part from him I feel that he has taken yet a little more of me away. He absorbs me, heart and soul. I do not complain. I feel a little ashamed of myself from time to time, when I realise how callous I have become to everything else, when, no matter what book I take down from the shelf, I find I cannot read half a page connectedly; otherwise I am perfectly content that it should be so. Impersonal things—Nature, Music—have perhaps strengthened their hold on me; because they flatter my selfishness, so to speak, they are always in tune with my heart. Gabriel more than makes up for my degeneracy; of course that should be, seeing that he has taken unto himself all my intellectual faculties!
He is writing a simply astounding poem; he reads it to me as it grows. I tell him he is much more in love with it than with me! When we are out, he falls into deep dreams; sometimes, when they are of the kind that words can fetter, he brings them within my reach, and then we float together into the realms of air.
But, although we are hand in hand, I know that he has sight of things I cannot see, hears voices I cannot hear; I only clearly see one vision, him; hear but one voice, my own, that says, I love you.
Shall I tell you something? I would not tell him for the world; he would deny it; he would not understand; but you I will tell. It is this: I love him more than he loves me, and in that thought I find content. When two love, one must love more than the other, and blessed is he who loves best. I think that if I felt his love o’ershadowed mine, I should be miserable, I should have some sensation of unpayable debt. As it stands, he does not know he is my debtor; only I know it, and I delight in the knowledge. Let him love me and love me, he will never love me enough; on the other hand, I yearn so for his love that all he gives me I cherish and am grateful for; by this means, whether he love me much or little, I shall always be satisfied.
You must not suppose, because of what I say, that he does not love me intensely; my love is unmatchable, that is all. He tells me every day that he could not live without me, and, indeed, it is true. He relies upon me entirely, calls upon my care incessantly; and very sweet it is to feel that the supreme God of my Heaven is as a child in my arms. Ah, I am happy, the world is good, and now the spring is coming. We rejoice in the growth of the year; Gabriel longs for the first primrose. He is so hard at work that I think it unlikely we shall get married before the end of April; the poem is writing itself at present; it would be a sin to interfere with its progress. I think, too, that if he can possibly finish it, he will be able to go away with a greater content upon him, with the satisfaction that only achievement brings. It is, in fact, very long since he last completed anything.
And then I shall take him away, I, in his full content, to the sunshine, to the land of dreams.
There are still some things I can hardly realise.
Good-bye, dearest. Emilia.
LETTER XXXIV.
Graysmill, March 20th.
My beloved Constance, I am glad your letter of this morning has made me a little unhappy; I have been a selfish brute, thinking of none but myself, and him. I little thought, whilst I lay basking in the sun, that you stood there shrouded in densest fog. I wish I had written every day, you poor sweet!
But now I have evolved a plan, and Gabriel thinks with me that it is a good one. You will find me rather prosaic, yet indeed, sweetheart, I think you cannot be well; these doleful dumps have nothing in common with your nature. You are not well, you have no friend to cheer you, and this melancholy is the result.
Come to us! Gabriel and I are the most undecided beings in creation; ten days ago he threw up his poem in disgust; there was nothing for it but to get married at once and start for Italy. A few days later, inspiration set in, and now he is again so deep in his verse that we shall stay here until the poem is finished. Come to us! You will find us excellent company. Yes, dearest, you must do this; who knows when we may be together again? Besides, there would be a blank in your knowledge of my life, had you never seen me in this home, grown dear to me beyond all expectation, through my great happiness. Besides, I want you and Gabriel to know each other.
Mrs. Rayner—if you must bring her—will find enough society at Graysmill to keep her busy for a month or two; I think she would get on splendidly with Uncle George and his people.
You and I, my darling, will be happy together as of old. I have told grandmamma and Aunt Caroline that I have invited the pretty friend whose photographs they admire so much, to come and stay with me; they ask me to add their importunities to mine.
Come, dearest, and without delay, for your own sake and mine. Come, and let us be happy together whilst I am still your lover of old years.
Emilia.
Answer immediately, will you, Mrs. Norris?
LETTER XXXV.
Graysmill, March 26th.
You are the best friend that ever lived! I am quite restless with impatience, so is Gabriel, so are my old ones. And who most of all? Oh! little white face, how I long to hold you in my hands again, and what warmth of love and happiness I long to pour into your heart!
I shall not scold you, because you are not well, but what do you mean by saying that you will come, “although of course we shall never see each other”? Dear silly, do you imagine that I spend the whole day with that creature you pretend to be so jealous of?
Not a bit of it! Sometimes, just by way of a little salutary training in renunciation, we don’t even meet every day. No, the bulk of my time will be yours and mine; we will sit up here in my room, beneath my mother’s portrait; we will make the old days live again, weld the old and the new into one. Then, Gabriel and I will take you with us for walks fitting a fairy, in the woods; how you will love them! The trees are misty already with the promise of leaves, and all manner of sweet things are beginning to pierce the ground. How we shall spoil you, we two!
So you are coming,—I can hardly believe it. Never say again that I shall forget you. Let me remind you, Madam, if all else fail to convince you, that we two are women, and that there is one tender love, one yearning, which can only be betwixt woman and woman.
There is something infinitely pathetic in this truth; a man may be the dearest, the nearest he can never be.
But I must bless and leave thee. I have promised to meet Gabriel at the Post-office.
My last letter. No need to write again. Oh, Constantia, can it be true? Yours in all truth,
Emilia.