Note 58 — The Art of Violoncello Playing In the Eighteenth Century.
Isobella S. E. Stigand translation
Mattheson says, in his “Neu eröffneten Orchestre,” that this instrument (Basse de Viole) was singularly prized and cultivated.
Isobella S. E. Stigand translation
Mattheson says, in his “Neu eröffneten Orchestre,” that this instrument (Basse de Viole) was singularly prized and cultivated.