Book 5 — A NOTE ON THE TYPE IN WHICH THIS BOOK IS SET

This book is set (on the Linotype) in Elzevir No. 3, a French Old Style. For the modern revival of this excellent face we are indebted to Gustave Mayeur of Paris, who reproduced it in 1878, basing his designs, he says, on types used in a book which was printed by the Elzevirs at Leyden in 1634. The Elzevir family held a distinguished position as printers and publishers for more than a century, their best work appearing between about 1590 and 1680. Although the Elzevirs were not themselves type founders, they utilised the services of the best type designers of their time, notably Van Dijk, Garamond, and Sanlecque. Many of their books were small, or, as we should say now, “pocket” editions, of the classics, and for these volumes they developed a type face which is open and readable but relatively narrow in body, although in no sense condensed, thus permitting a large amount of copy to be set in limited space without impairing legibility.

SET UP, ELECTROTYPED, PRINTED AND BOUND BY THE VAIL-BALLOU PRESS, INC., BINGHAMTON, N. Y. · ESPARTO PAPER MANUFACTURED IN SCOTLAND AND FURNISHED BY W. F. ETHERINGTON & CO., NEW YORK.

FOOTNOTES:

Typographical errors corrected by the etext transcriber:

Baraglious got back to Paris=> Baragliouls got back to Paris {pg 46}

eyebrows bginning to frown=> eyebrows beginning to frown {pg 89}

however, notwithtanding=> however, notwithstanding {pg 122}

four or five minutes=> four or five minute {pg 142}

tug of clear water=> tub of clear water {pg 175}

have trottled her=> have throttled her {pg 206}