BOOK III.

THE CHOICE.

3.1.

It was at Naples, some two years later, that the circumstances of his flight were recalled to Odo Valsecca by the sound of a voice which at once mysteriously connected itself with the incidents of that wild night.

He was seated with a party of gentlemen in the saloon of Sir William Hamilton's famous villa of Posilipo, where they were sipping the ambassador's iced sherbet and examining certain engraved gems and burial-urns recently taken from the excavations. The scene was such as always appealed to Odo's fancy: the spacious room, luxuriously fitted with carpets and curtains in the English style, and opening on a prospect of classical beauty and antique renown; in his hands the rarest specimens of that buried art which, like some belated golden harvest, was now everywhere thrusting itself through the Neapolitan soil; and about him men of taste and understanding, discussing the historic or mythological meaning of the objects before them, and quoting Homer or Horace in corroboration of their guesses.

Several visitors had joined the party since Odo's entrance; and it was from a group of these later arrivals that the voice had reached him. He looked round and saw a man of refined and scholarly appearance, dressed en abbe, as was the general habit in Rome and Naples, and holding in one hand the celebrated blue vase cut in cameo which Sir William had recently purchased from the Barberini family.

"These reliefs," the stranger was saying, "whether cut in the substance itself, or afterward affixed to the glass, certainly belong to the Grecian period of cameo-work, and recall by the purity of their design the finest carvings of Dioskorides." His beautifully-modulated Italian was tinged by a slight foreign accent, which seemed to connect him still more definitely with the episode his voice recalled. Odo turned to a gentleman at his side and asked the speaker's name.

"That," was the reply, "is the abate de Crucis, a scholar and cognoscente, as you perceive, and at present attached to the household of the Papal Nuncio."

Instantly Odo beheld the tumultuous scene in the Duke's apartments, and heard the indictment of Heiligenstern falling in tranquil accents from the very lips which were now, in the same tone, discussing the date of a Greek cameo vase. Even in that moment of disorder he had been struck by the voice and aspect of the agent of the Holy Office, and by a singular distinction that seemed to set the man himself above the coil of passions in which his action was involved. To Odo's spontaneous yet reflective temper there was something peculiarly impressive in the kind of detachment which implies, not obtuseness or indifference, but a higher sensitiveness disciplined by choice. Now he felt a renewed pang of regret that such qualities should be found in the service of the opposition; but the feeling was not incompatible with a wish to be more nearly acquainted with their possessor.

The two years elapsing since Odo's departure from Pianura had widened if they had not lifted his outlook. If he had lost something of his early enthusiasm he had exchanged it for a larger experience of cities and men, and for the self-command born of varied intercourse. He had reached a point where he was able to survey his past dispassionately and to disentangle the threads of the intrigue in which he had so nearly lost his footing. The actual circumstances of his escape were still wrapped in mystery: he could only conjecture that the Duchess, foreseeing the course events would take, had planned with Cantapresto to save him in spite of himself. His nocturnal flight down the river had carried him to Ponte di Po, the point where the Piana flows into the Po, the latter river forming for a few miles the southern frontier of the duchy. Here his passport had taken him safely past the customs-officer, and following the indications of the boatman, he had found, outside the miserable village clustered about the customs, a travelling-chaise which brought him before the next night-fall to Monte Alloro.

Of the real danger from which this timely retreat had removed him, Gamba's subsequent letters had brought ample proof. It was indeed mainly against himself that both parties, perhaps jointly, had directed their attack; designing to take him in the toils ostensibly prepared for the Illuminati. His evasion known, the Holy Office had contented itself with imprisoning Heiligenstern in one of the Papal fortresses near the Adriatic, while his mistress, though bred in the Greek confession, was confined in a convent of the Sepolte Vive and his Oriental servant sent to the Duke's galleys. As to those suspected of affiliations with the forbidden sect, fines and penances were imposed on a few of the least conspicuous, while the chief offenders, either from motives of policy or thanks to their superior adroitness, were suffered to escape without a reprimand. After this, Gamba's letters reported, the duchy had lapsed into its former state of quiescence. Prince Ferrante had been seriously ailing since the night of the electrical treatment, but the Pope having sent his private physician to Pianura, the boy had rallied under the latter's care. The Duke, as was natural, had suffered an acute relapse of piety, spending his time in expiatory pilgrimages to the various votive churches of the duchy, and declining to transact any public business till he should have compiled with his own hand a calendar of the lives of the saints, with the initial letters painted in miniature, which he designed to present to his Holiness at Easter.

Meanwhile Odo, at Monte Alloro, found himself in surroundings so different from those he had left that it seemed incredible they should exist in the same world. The Duke of Monte Alloro was that rare survival of a stronger age, a cynic. In a period of sentimental optimism, of fervid enthusiasms and tearful philanthropy, he represented the pleasure-loving prince of the Renaissance, crushing his people with taxes but dazzling them with festivities; infuriating them by his disregard of the public welfare, but fascinating them by his good looks, his tolerance of old abuses, his ridicule of the monks, and by the careless libertinage which had founded the fortunes of more than one middle-class husband and father—for the Duke always paid well for what he appropriated. He had grown old in his pleasant sins, and these, as such raiment will, had grown old and dingy with him; but if no longer splendid he was still splendour-loving, and drew to his court the most brilliant adventurers of Italy. Spite of his preference for such company, he had a nobler side, the ruins of a fine but uncultivated intelligence, and a taste for all that was young, generous and high in looks and courage. He was at once drawn to Odo, who instinctively addressed himself to these qualities, and whose conversation and manners threw into relief the vulgarity of the old Duke's cronies. The latter was the shrewd enough to enjoy the contrast at the expense of his sycophants' vanity; and the cavaliere Valsecca was for a while the reigning favourite. It would have been hard to say whether his patron was most tickled by his zeal for economic reforms, or by his faith in the perfectibility of man. Both these articles of Odo's creed drew tears of enjoyment from the old Duke's puffy eyes; and he was never tired of declaring that only his hatred for his nephew of Pianura induced him to accord his protection to so dangerous an enemy of society.

Odo at first fancied that it was in response to a mere whim of the Duke's that he had been despatched to Monte Alloro; but he soon perceived that the invitation had been inspired by Maria Clementina's wish. Some three months after Odo's arrival, Cantapresto suddenly appeared with a packet of letters from the Duchess. Among them her Highness had included a few lines to Odo, whom she briefly adjured not to return to Pianura, but to comply in all things with her uncle's desires. Soon after this the old Duke sent for Odo, and asked him how his present mode of life agreed with his tastes. Odo, who had learned that frankness was the surest way to the Duke's favour, replied that, while nothing could be more agreeable than the circumstances of his sojourn at Monte Alloro, he must own to a wish to travel when the occasion offered.

"Why, this is as I fancied," replied the Duke, who held in his hand an open letter on which Odo recognised Maria Clementina's seal. "We have always," he continued, "spoken plainly with each other, and I will not conceal from you that it is for your best interests that you should remain away from Pianura for the present. The Duke, as you doubtless divine, is anxious for your return, and her Highness, for that very reason, is urgent that you should prolong your absence. It is notorious that the Duke soon wearies of those about him, and that your best chance of regaining his favour is to keep out of his reach and let your enemies hang themselves in the noose they have prepared for you. For my part, I am always glad to do an ill-turn to that snivelling friar, my nephew, and the more so when I can seriously oblige a friend; and, as you have perhaps guessed, the Duke dares not ask for your return while I show a fancy for your company. But this," added he with an ironical twinkle, "is a tame place for a young man of your missionary temper, and I have a mind to send you on a visit to that arch-tyrant Ferdinand of Naples, in whose dominions a man may yet burn for heresy or be drawn and quartered for poaching on a nobleman's preserves. I am advised that some rare treasures have lately been taken from the excavations there and I should be glad if you would oblige me by acquiring a few for my gallery. I will give you letters to a cognoscente of my acquaintance, who will put his experience at the disposal of your excellent taste, and the funds at your service will, I hope, enable you to outbid the English brigands who, as the Romans say, would carry off the Colosseum if it were portable."

In all this Odo discerned Maria Clementina's hand, and an instinctive resistance made him hang back upon his patron's proposal. But the only alternative was to return to Pianura; and every letter from Gamba urged on him (for the very reasons the Duke had given) the duty of keeping out of reach as the surest means of saving himself and the cause to which he was pledged. Nothing remained but a graceful acquiescence; and early the next spring he started for Naples.

His first impulse had been to send Cantapresto back to the Duchess. He knew that he owed his escape me grave difficulties to the soprano's prompt action on the night of Heiligenstern's arrest; but he was equally sure that such action might not always be as favourable to his plans. It was plain that Cantapresto was paid to spy on him, and that whenever Odo's intentions clashed with those of his would-be protectors the soprano would side with the latter. But there was something in the air of Monte Alloro which dispelled such considerations, or at least weakened the impulse to act on them. Cantapresto as usual had attracted notice at court. His glibness and versatility amused the Duke, and to Odo he was as difficult to put off as a bad habit. He had become so accomplished a servant that he seemed a sixth sense of his master's; and when the latter prepared to start on his travels Cantapresto took his usual seat in the chaise.

To a traveller of Odo's temper there could be few more agreeable journeys than the one on which he was setting out, and the Duke being in no haste to have his commission executed, his messenger had full leisure to enjoy every stage of the way. He profited by this to visit several of the small principalities north of the Apennines before turning toward Genoa, whence he was to take ship for the South. When he left Monte Alloro the land had worn the bleached face of February, and it was amazing to his northern-bred eyes to find himself, on the sea-coast, in the full exuberance of summer. Seated by this halcyon shore, Genoa, in its carved and frescoed splendour, just then celebrating with the customary gorgeous ritual the accession of a new Doge, seemed to Odo like the richly-inlaid frame of some Renaissance "triumph." But the splendid houses with their marble peristyles, and the painted villas in their orange-groves along the shore, housed a dull and narrow-minded society, content to amass wealth and play biribi under the eyes of their ancestral Vandykes, without any concern as to the questions agitating the world. A kind of fat commercial dulness, a lack of that personal distinction which justifies magnificence, seemed to Odo the prevailing note of the place; nor was he sorry when his packet set sail for Naples.

Here indeed he found all the vivacity that Genoa lacked. Few cities could at first acquaintance be more engaging to the stranger. Dull and brown as it appeared after the rich tints of Genoa, yet so gloriously did sea and land embrace it, so lavishly the sun gild and the moon silver it, that it seemed steeped in the surrounding hues of nature. And what a nature to eyes subdued to the sober tints of the north! Its spectacular quality—that studied sequence of effects ranging from the translucent outline of Capri and the fantastically blue mountains of the coast, to Vesuvius lifting its torch above the plain—this prodigal response to fancy's claims suggested the boundless invention of some great scenic artist, some Olympian Veronese with sea and sky for a palette. And then the city itself, huddled between bay and mountains, and seething and bubbling like a Titan's cauldron! Here was life at its source, not checked, directed, utilised, but gushing forth uncontrollably through every fissure of the brown walls and reeking streets—love and hatred, mirth and folly, impudence and greed, going naked and unashamed as the lazzaroni on the quays. The variegated surface of it all was fascinating to Odo. It set free his powers of purely physical enjoyment, keeping all deeper sensations in abeyance. These, however, presently found satisfaction in that other hidden beauty of which city and plain were but the sumptuous drapery. It is hardly too much to say that to the trained eyes of the day the visible Naples hardly existed, so absorbed were they in the perusal of her buried past. The fever of excavation was on every one. No social or political problem could find a hearing while the subject of the last coin or bas-relief from Pompeii or Herculanaeum remained undecided. Odo, at first an amused spectator, gradually found himself engrossed in the fierce quarrels raging over the date of an intaglio or the myth represented on an amphora. The intrinsic beauty of the objects, and the light they shed on one of the most brilliant phases of human history, were in fact sufficient to justify the prevailing ardour; and the reconstructive habit he had acquired from Crescenti lent a living interest to the driest discussion between rival collectors.

Gradually other influences reasserted themselves. At the house of Sir William Hamilton, then the centre of the most polished society in Naples, he met not only artists and archeologists, but men of letters and of affairs. Among these, he was peculiarly drawn to the two distinguished economists, the abate Galiani and the cavaliere Filangieri, in whose company he enjoyed for the first time sound learning unhampered by pedantry. The lively Galiani proved that social tastes and a broad wit are not incompatible with more serious interests; and Filangieri threw the charm of a graceful personality over any topic he discussed. In the latter, indeed, courtly, young and romantic, a thinker whose intellectual acuteness was steeped in moral emotion, Odo beheld the type of the new chivalry, an ideal leader of the campaign against social injustice. Filangieri represented the extremest optimism of the day. His sense of existing abuses was only equalled by his faith in their speedy amendment. Love was to cure all evils: the love of man for man, the effusive all-embracing sympathy of the school of the Vicaire Savoyard, was to purge the emotions by tenderness and pity. In Gamba, the victim of the conditions he denounced, the sense of present hardship prevailed over the faith in future improvement; while Filangieri's social superiority mitigated his view of the evils and magnified the efficacy of the proposed remedies. Odo's days passed agreeably in such intercourse, or in the excitement of excursions to the ruined cities; and as the court and the higher society of Naples offered little to engage him, he gradually restricted himself to the small circle of chosen spirits gathered at the villa Hamilton. To these he fancied the abate de Crucis might prove an interesting addition; and the desire to learn something of this problematic person induced him to quit the villa at the moment when the abate took leave.

They found themselves together on the threshold; and Odo, recalling to the other the circumstances of their first meeting, proposed that they should dismiss their carriages and regain the city on foot. De Crucis readily consented; and they were soon descending the hill of Posilipo. Here and there a turn in the road brought them to an open space whence they commanded the bay from Procida to Sorrento, with Capri afloat in liquid gold and the long blue shadow of Vesuvius stretching like a menace toward the city. The spectacle was one of which Odo never wearied; but today it barely diverted him from the charms of his companion's talk. The abate de Crucis had that quality of repressed enthusiasm, of an intellectual sensibility tempered by self-possession, which exercises the strongest attraction over a mind not yet master of itself. Though all he said had a personal note he seemed to withhold himself even in the moment of greatest expansion: like some prince who should enrich his favourites from the public treasury but keep his private fortune unimpaired. In the course of their conversation Odo learned that though of Austrian birth his companion was of mingled English and Florentine parentage: a fact perhaps explaining the mixture of urbanity and reserve that lent such charm to his manner. He told Odo that his connection with the Holy Office had been only temporary, and that, having contracted a severe cold the previous winter in Germany, he had accepted a secretaryship in the service of the Papal Nuncio in order to enjoy the benefits of a mild climate. "By profession," he added, "I am a pedagogue, and shall soon travel to Rome, where I have been called by Prince Bracciano to act as governor to his son; and meanwhile I am taking advantage of my residence here to indulge my taste for antiquarian studies."

He went on to praise the company they had just left, declaring that he knew no better way for a young man to form his mind than by frequenting the society of men of conflicting views and equal capacity. "Nothing," said he, "is more injurious to the growth of character than to be secluded from argument and opposition; as nothing is healthier than to be obliged to find good reasons for one's beliefs on pain of surrendering them."

"But," said Odo, struck with this declaration, "to a man of your cloth there is one belief which never surrenders to reason."

The other smiled. "True," he agreed; "but I often marvel to see how little our opponents know of that belief. The wisest of them seem in the case of those children at our country fairs who gape at the incredible things depicted on the curtains of the booths, without asking themselves whether the reality matches its presentment. The weakness of human nature has compelled us to paint the outer curtain of the sanctuary in gaudy colours, and the malicious fancy of our enemies has given a monstrous outline to these pictures; but what are such vanities to one who has passed beyond, and beheld the beauty of the King's daughter, all glorious within?"

As though unwilling to linger on such grave topics, he turned the talk to the scene at their feet, questioning Odo as to the impression Naples had made on him. He listened courteously to the young man's comments on the wretched state of the peasantry, the extravagances of the court and nobility and the judicial corruption which made the lower classes submit to any injustice rather than seek redress through the courts. De Crucis agreed with him in the main, admitting that the monopoly of corn, the maintenance of feudal rights and the King's indifference to the graver duties of his rank placed the kingdom of Naples far below such states as Tuscany or Venetia; "though," he added, "I think our economists, in praising one state at the expense of another, too often overlook those differences of character and climate that must ever make it impossible to govern different races in the same manner. Our peasants have a blunt saying: Cut off the dog's tail and he is still a dog; and so I suspect the most enlightened rule would hardly bring this prompt and choleric people, living on a volcanic soil amid a teeming vegetation, into any resemblance with the clear-headed Tuscan or the gentle and dignified Roman."

As he spoke they emerged upon the Chiaia, where at that hour the quality took the air in their carriages, while the lower classes thronged the footway. A more vivacious scene no city of Europe could present. The gilt coaches drawn by six or eight of the lively Neapolitan horses, decked with plumes and artificial flowers and preceded by running footmen who beat the foot-passengers aside with long staves; the richly-dressed ladies seated in this never-ending file of carriages, bejewelled like miraculous images and languidly bowing to their friends; the throngs of citizens and their wives in holiday dress; the sellers of sherbet, ices and pastry bearing their trays and barrels through the crowd with strange cries and the jingling of bells; the friars of every order in their various habits, the street-musicians, the half-naked lazzaroni, cripples and beggars, who fringed the throng like the line of scum edging a fair lake;—this medley of sound and colour, which in fact resembled some sudden growth of the fiery soil, was an expressive comment on the abate's words.

"Look," he continued, as he and Odo drew aside to escape the mud from an emblazoned chariot, "at the gold-leaf on the panels of that coach and the gold-lace on the liveries of those lacqueys. Is there any other city in the world where gold is so prodigally used? Where the monks gild their relics, the nobility their servants, the apothecaries their pills, the very butchers their mutton? One might fancy their bright sun had set them the example! And how cold and grey all soberer tints must seem to these children of Apollo! Well—so it is with their religion and their daily life. I wager half those naked wretches yonder would rather attend a fine religious service, with abundance of gilt candles, music from gilt organ-pipes, and incense from gilt censers, than eat a good meal or sleep in a decent bed; as they would rather starve under a handsome merry King that has the name of being the best billiard-player in Europe than go full under one of your solemn reforming Austrian Archdukes!"

The words recalled to Odo Crescenti's theory of the influence of character and climate on the course of history; and this subject soon engrossing both speakers, they wandered on, inattentive to their surroundings, till they found themselves in the thickest concourse of the Toledo. Here for a moment the dense crowd hemmed them in; and as they stood observing the humours of the scene, Odo's eye fell on the thick-set figure of a man in doctor's dress, who was being led through the press by two agents of the Inquisition. The sight was too common to have fixed his attention, had he not recognised with a start the irascible red-faced professor who, on his first visit to Vivaldi, had defended the Diluvial theory of creation. The sight raised a host of memories from which Odo would gladly have beaten a retreat; but the crowd held him in check and a moment later he saw that the doctor's eyes were fixed on him with an air of recognition. A movement of pity succeeded his first impulse, and turning to de Crucis he exclaimed:—"I see yonder an old acquaintance who seems in an unlucky plight and with whom I should be glad to speak."

The other, following his glance, beckoned to one of the sbirri, who made his way through the throng with the alacrity of one summoned by a superior. De Crucis exchanged a few words with him, and then signed to him to return to his charge, who presently vanished in some fresh shifting of the crowd.

"Your friend," said de Crucis, "has been summoned before the Holy Office to answer a charge of heresy preferred by the authorities. He has lately been appointed to the chair of physical sciences in the University here, and has doubtless allowed himself to publish openly views that were better expounded in the closet. His offence, however, appears to be a mild one, and I make no doubt he will be set free in a few days."

This, however, did not satisfy Odo; and he asked de Crucis if there were no way of speaking with the doctor at once.

His companion hesitated. "It can easily be arranged," said he; "but—pardon me, cavaliere—are you well-advised in mixing yourself in such matters?"

"I am well-advised in seeking to serve a friend!" Odo somewhat hotly returned; and de Crucis, with a faint smile of approval, replied quietly: "In that case I will obtain permission for you to visit your friend in the morning."

He was true to his word; and the next forenoon Odo, accompanied by an officer of police, was taken to the prison of the Inquisition. Here he found his old acquaintance seated in a clean commodious room and reading Aristotle's "History of Animals," the only volume of his library that he had been permitted to carry with him. He welcomed Odo heartily, and on the latter's enquiring what had brought him to this plight, replied with some dignity that he had been led there in the fulfilment of his duty.

"Some months ago," he continued, "I was summoned hither to profess the natural sciences in the University; a summons I readily accepted, since I hoped, by the study of a volcanic soil, to enlarge my knowledge of the globe's formation. Such in fact was the case, but to my surprise my researches led me to adopt the views I had formerly combated, and I now find myself in the ranks of the Vulcanists, or believers in the secondary origin of the earth: a view you may remember I once opposed with all the zeal of inexperience. Having firmly established every point in my argument according to the Baconian method of investigation, I felt it my duty to enlighten my scholars; and in the course of my last lecture I announced the result of my investigations. I was of course aware of the inevitable result; but the servants of Truth have no choice but to follow where she calls, and many have joyfully traversed stonier places than I am likely to travel."

Nothing could exceed the respect with which Odo heard this simple confession of faith. It was as though the speaker had unconsciously convicted him of remissness, of cowardice even; so vain and windy his theorising seemed, judged by the other's deliberate act! Yet placed as he was, what could he do, how advance their common end, but by passively waiting on events? At least, he reflected, he could perform the trivial service of trying to better his friend's case; and this he eagerly offered to attempt. The doctor thanked him, but without any great appearance of emotion: Odo was struck by the change which had transformed a heady and intemperate speaker into a model of philosophic calm. The doctor, indeed, seemed far more concerned for the safety of his library and his cabinet of minerals than for his own. "Happily," said he, "I am not a man of family, and can therefore sacrifice my liberty with a clear conscience: a fact I am the more thankful for when I recall the moral distress of our poor friend Vivaldi, when compelled to desert his post rather than be separated from his daughter."

The name brought the colour to Odo's brow, and with an embarrassed air he asked what news the doctor had of their friend.

"Alas," said the other, "the last was of his death, which happened two years since in Pavia. The Sardinian government had, as you probably know, confiscated his small property on his leaving the state, and I am told he died in great poverty, and in sore anxiety for his daughter's future." He added that these events had taken place before his own departure from Turin, and that since then he had learned nothing of Fulvia's fate, save that she was said to have made her home with an aunt who lived in a town of the Veneto.

Odo listened in silence. The lapse of time, and the absence of any links of association, had dimmed the girl's image in his breast; but at the mere sound of her name it lived again, and he felt her interwoven with his deepest fibres. The picture of her father's death and of her own need filled him with an ineffectual pity, and for a moment he thought of seeking her out; but the other could recall neither the name of the town she had removed to nor that of the relative who had given her a home.

To aid the good doctor was a simpler business. The intervention of de Crucis and Odo's own influence sufficed to effect his release, and on the payment of a heavy fine (in which Odo privately assisted him) he was reinstated in his chair. The only promise exacted by the Holy Office was that he should in future avoid propounding his own views on questions already decided by Scripture, and to this he readily agreed, since, as he shrewdly remarked to Odo, his opinions were now well-known, and any who wished farther instruction had only to apply to him privately.

The old Duke having invited Odo to return to Monte Alloro with such treasures as he had collected for the ducal galleries, the young man resolved to visit Rome on his way to the North. His acquaintance with de Crucis had grown into something like friendship since their joint effort in behalf of the imprisoned sage, and the abate preparing to set out about the same time, the two agreed to travel together. The road leading from Naples to Rome was at that time one of the worst in Italy, and was besides so ill-provided with inns that there was no inducement to linger on the way. De Crucis, however, succeeded in enlivening even this tedious journey. He was a good linguist and a sound classical scholar, besides having, as he had told Odo, a pronounced taste for antiquarian research. In addition to this, he performed agreeably on the violin, and was well-acquainted with the history of music. His chief distinction, however, lay in the ease with which he wore his accomplishments, and in a breadth of view that made it possible to discuss with him many subjects distasteful to most men of his cloth. The sceptical or licentious ecclesiastic was common enough; but Odo had never before met a priest who united serious piety with this indulgent temper, or who had learning enough to do justice to the arguments of his opponents.

On his venturing one evening to compliment de Crucis on these qualities, the latter replied with a smile: "Whatever has been lately advanced against the Jesuits, it can hardly be denied that they were good school-masters; and it is to them I owe the talents you have been pleased to admire. Indeed," he continued, quietly fingering his violin, "I was myself bred in the order: a fact I do not often make known in the present heated state of public opinion, but which I never conceal when commended for any quality that I owe to the Society rather than to my own merit."

Surprise for the moment silenced Odo; for though it was known that Italy was full of former Jesuits who had been permitted to remain in the country as secular priests, and even to act as tutors or professors in private families, he had never thought of de Crucis in this connection. The latter, seeing his surprise, went on: "Once a Jesuit, always a Jesuit, I suppose. I at least owe the Society too much not to own my debt when the occasion offers. Nor could I ever see the force of the charge so often brought against us: that we sacrifice everything to the glory of the order. For what is the glory of the order? Our own motto has declared it: Ad majorem Dei gloriam—who works for the Society works for its Master. If our zeal has been sometimes misdirected, our blood has a thousand times witnessed to its sincerity. In the Indies, in America, in England during the great persecution, and lately on our own unnatural coasts, the Jesuits have died for Christ as joyfully as His first disciples died for Him. Yet these are but a small number in comparison with the countless servants of the order who, labouring in far countries among savage peoples, or surrounded by the heretical enemies of our faith, have died the far bitterer death of moral isolation: setting themselves to their task with the knowledge that their lives were but so much indistinguishable dust to be added to the sum of human effort. What association founded on human interests has ever commanded such devotion? And what merely human authority could count on such unquestioning obedience, not in a mob of poor illiterate monks, but in men chosen for their capacity and trained to the exercise of their highest faculties? Yet there have never lacked such men to serve the Order; and as one of our enemies has said—our noblest enemy, the great Pascal—'je crois volontiers aux histoires dont les temoins se font egorger.'"

He did not again revert to his connection with the Jesuits; but in the farther course of their acquaintance Odo was often struck by the firmness with which he testified to the faith that was in him, without using the jargon of piety, or seeming, by his own attitude, to cast a reflection on that of others. He was indeed master of that worldly science which the Jesuits excelled in imparting, and which, though it might sink to hypocrisy in smaller natures, became in a finely-tempered spirit, the very flower of Christian courtesy.

Odo had often spoken to de Crucis of the luxurious lives led by many of the monastic orders in Naples. It might be true enough that the monks themselves, and even their abbots, fared on fish and vegetables, and gave their time to charitable and educational work; but it was impossible to visit the famous monastery of San Martino, or that of the Carthusians at Camaldoli, without observing that the anchoret's cell had expanded into a delightful apartment, with bedchamber, library and private chapel, and his cabbage-plot into a princely garden. De Crucis admitted the truth of the charge, explaining it in part by the character of the Neapolitan people, and by the tendency of the northern traveller to forget that such apparent luxuries as spacious rooms, shady groves and the like are regarded as necessities in a hot climate. He urged, moreover, that the monastic life should not be judged by a few isolated instances; and on the way to Rome he proposed that Odo, by way of seeing the other side of the question, should visit the ancient foundation of the Benedictines on Monte Cassino.

The venerable monastery, raised on its height over the busy vale of Garigliano, like some contemplative spirit above the conflicting problems of life, might well be held to represent the nobler side of Christian celibacy. For nearly a thousand years its fortified walls had been the stronghold of the humanities, and generations of students had cherished and added to the treasures of the famous library. But the Benedictine rule was as famous for good works as for learning, and its comparative abstention from dogmatic controversy and from the mechanical devotion of some of the other orders had drawn to it men of superior mind, who sought in the monastic life the free exercise of the noblest activities rather than a sanctified refuge from action. This was especially true of the monastery of Monte Cassino, whither many scholars had been attracted and where the fathers had long had the highest name for learning and beneficence. The monastery, moreover, in addition to its charitable and educational work among the poor, maintained a school of theology to which students came from all parts of Italy; and their presence lent an unwonted life to the great labyrinth of courts and cloisters.

The abbot, with whom de Crucis was well-acquainted, welcomed the travellers warmly, making them free of the library and the archives and pressing them to prolong their visit. Under the spell of these influences they lingered on from day to day; and to Odo they were the pleasantest days he had known. To be waked before dawn by the bell ringing for lauds—to rise from the narrow bed in his white-washed cell, and opening his casement look forth over the haze-enveloped valley, the dark hills of the Abruzzi and the remote gleam of sea touched into being by the sunrise—to hasten through hushed echoing corridors to the church, where in a grey resurrection-light the fathers were intoning the solemn office of renewal—this morning ablution of the spirit, so like the bodily plunge into clear cold water, seemed to attune the mind to the fullest enjoyment of what was to follow: the hours of study, the talks with the monks, the strolls through cloister or garden, all punctuated by the recurring summons to devotion. Yet for all its latent significance it remained to him a purely sensuous impression, the vision of a golden leisure: not a solution of life's perplexities, but at best an honourable escape from them.

3.2.

"To know Rome is to have assisted at the councils of destiny!" This cry of a more famous traveller must have struggled for expression in Odo's breast as the great city, the city of cities, laid her irresistible hold upon him. His first impression, as he drove in the clear evening light from the Porta del Popolo to his lodgings in the Via Sistina, was of a prodigious accumulation of architectural effects, a crowding of century on century, all fused in the crucible of the Roman sun, so that each style seemed linked to the other by some subtle affinity of colour. Nowhere else, surely, is the traveller's first sight so crowded with surprises, with conflicting challenges to eye and brain. Here, as he passed, was a fragment of the ancient Servian wall, there a new stucco shrine embedded in the bricks of a medieval palace; on one hand a lofty terrace crowned by a row of mouldering busts, on the other a tower with machicolated parapet, its flanks encrusted with bits of Roman sculpture and the escutcheons of seventeenth-century Popes. Opposite, perhaps, one of Fuga's golden-brown churches, with windy saints blowing out of their niches, overlooked the nereids of a barocco fountain, or an old house propped itself like a palsied beggar against a row of Corinthian columns; while everywhere flights of steps led up and down to hanging gardens or under archways, and each turn revealed some distant glimpse of convent-walls on the slope of a vineyard or of red-brown ruins profiled against the dim sea-like reaches of the Campagna.

Afterward, as order was born out of chaos, and he began to thread his way among the centuries, this first vision lost something of its intensity; yet it was always, to the last, through the eye that Rome possessed him. Her life, indeed, as though in obedience to such a setting, was an external, a spectacular business, from the wild animation of the cattle-market in the Forum or the hucksters' traffic among the fountains of the Piazza Navona, to the pompous entertainments in the cardinals' palaces and the ever-recurring religious ceremonies and processions. Pius VI., in the reaction from Ganganelli's democratic ways, had restored the pomp and ceremonial of the Vatican with the religious discipline of the Holy Office; and never perhaps had Rome been more splendid on the surface or more silent and empty within. Odo, at times, as he moved through some assemblage of cardinals and nobles, had the sensation of walking through a huge reverberating palace, decked out with all the splendours of art but long since abandoned of men. The superficial animation, the taste for music and antiquities, all the dilettantisms of an idle and irresponsible society, seemed to him to shrivel to dust in the glare of that great past that lit up every corner of the present.

Through his own connections, and the influence of de Crucis, he saw all that was best not only among the nobility, but in that ecclesiastical life now more than ever predominant in Rome. Here at last he was face to face with the mighty Sphinx, and with the bleaching bones of those who had tried to guess her riddle. Wherever he went these "lost adventurers" walked the streets with him, gliding between the Princes of the Church in the ceremonies of Saint Peter's and the Lateran, or mingling in the company that ascended the state staircase at some cardinal's levee.

He met indeed many accomplished and amiable ecclesiastics, but it seemed to him that the more thoughtful among them had either acquired their peace of mind at the cost of a certain sensitiveness, or had taken refuge in a study of the past, as the early hermits fled to the desert from the disorders of Antioch and Alexandria. None seemed disposed to face the actual problems of life, and this attitude of caution or indifference had produced a stagnation of thought that contrasted strongly with the animation of Sir William Hamilton's circle in Naples. The result in Odo's case was a reaction toward the pleasures of his age; and of these Rome had but few to offer. He spent some months in the study of the antique, purchasing a few good examples of sculpture for the Duke, and then, without great reluctance, set out for Monte Alloro.

Here he found a changed atmosphere. The Duke welcomed him handsomely, and bestowed the highest praise on the rarities he had collected; but for the moment the court was ruled by a new favourite, to whom Odo's coming was obviously unwelcome. This adroit adventurer, whose name was soon to become notorious throughout Europe, had taken the old prince by his darling weaknesses, and Odo, having no mind to share in the excesses of the precious couple, seized the first occasion to set out again on his travels.

His course had now become one of aimless wandering; for prudence still forbade his return to Pianura, and his patron's indifference left him free to come and go as he chose. He had brought from Rome—that albergo d'ira—a settled melancholy of spirit, which sought refuge in such distractions as the moment offered. In such a mood change of scene was a necessity, and he resolved to employ the next months in visiting several of the mid-Italian cities. Toward Florence he was specially drawn by the fact that Alfieri now lived there; but, as often happens after such separations, the reunion was a disappointment. Alfieri, indeed, warmly welcomed his friend; but he was engrossed in his dawning passion for the Countess of Albany, and that lady's pitiable situation excluded all other interests from his mind. To Odo, to whom the years had brought an increasing detachment, this self-absorption seemed an arrest in growth; for Alfieri's early worship of liberty had not yet found its destined channel of expression, and for the moment his enthusiasms had shrunk to the compass of a romantic adventure. The friends parted after a few days of unsatisfying intercourse; and it was under the influence of this final disenchantment that Odo set out for Venice.

It was the vintage season, and the travellers descended from the Apennines on a landscape diversified by the picturesque incidents of the grape-gathering. On every slope stood some villa with awnings spread, and merry parties were picnicking among the vines or watching the peasants at their work. Cantapresto, who had shown great reluctance at leaving Monte Alloro, where, as he declared, he found himself as snug as an eel in a pasty, was now all eagerness to press forward; and Odo was in the mood to allow any influence to decide his course. He had an invaluable courier in Cantapresto, whose enormous pretensions generally assured him the best lodging and the fastest conveyance to be obtained, and who was never happier than when outwitting a rival emissary, or bribing a landlord to serve up on Odo's table the repast ordered in advance for some distinguished traveller. His impatience to reach Venice, which he described as the scene of all conceivable delights, had on this occasion tripled his zeal, and they travelled rapidly to Padua, where he had engaged a burchiello for the passage down the Brenta. Here, however, he found he had been outdone at his own game; for the servant of an English Duke had captured the burchiello and embarked his noble party before Cantapresto reached the wharf. This being the season of the villeggiatura, when the Venetian nobility were exchanging visits on the mainland, every conveyance was in motion and no other boat to be had for a week; while as for the "bucentaur" or public bark, which was just then getting under way, it was already packed to the gunwale with Jews, pedlars and such vermin, and the captain swore by the three thousand relics of Saint Justina that he had no room on board for so much as a hungry flea.

Odo, who had accompanied Cantapresto to the water-side, was listening to these assurances and to the soprano's vain invectives, when a well-dressed young man stepped up to the group. This gentleman, whose accent and dress showed him to be a Frenchman of quality, told Odo that he was come from Vicenza, whither he had gone to engage a company of actors for his friend the Procuratore Bra, who was entertaining a distinguished company at his villa on the Brenta; that he was now returning with his players, and that he would be glad to convey Odo so far on his road to Venice. His friend's seat, he added, was near Oriago, but a few miles above Fusina, where a public conveyance might always be found; so that Odo would doubtless be able to proceed the same night to Venice.

This civil offer Odo at once accepted, and the Frenchman thereupon suggested that, as the party was to set out the next day at sunrise, the two should sup together and pass the intervening hours in such diversions as the city offered. They returned to the inn, where the actors were also lodged, and Odo's host having ordered a handsome supper, proposed, with his guest's permission, to invite the leading members of the company to partake of it. He departed on this errand; and great was Odo's wonder, when the door reopened, to discover, among the party it admitted, his old acquaintance of Vercelli, the Count of Castelrovinato. The latter, whose dress and person had been refurbished, and who now wore an air of rakish prosperity, greeted him with evident pleasure, and, while their entertainer was engaged in seating the ladies of the company, gave him a brief account of the situation.

The young French gentleman (whom he named as the Marquis de Coeur-Volant) had come to Italy some months previously on the grand tour, and having fallen a victim to the charms of Venice, had declared that, instead of continuing on his travels, he meant to complete his education in that famous school of pleasure. Being master of his own fortune, he had hired a palace on the Grand Canal, had dispatched his governor (a simple archaeologist) on a mission of exploration to Sicily and Greece, and had devoted himself to an assiduous study of Venetian manners. Among those contributing to his instruction was Mirandolina of Chioggia, who had just completed a successful engagement at the theatre of San Moise in Venice. Wishing to detain her in the neighbourhood, her adorer had prevailed on his friend the Procuratore to give a series of comedies at his villa of Bellocchio and had engaged to provide him with a good company of performers. Miranda was of course selected as prima amorosa; and the Marquess, under Castelrovinato's guidance, had then set out to collect the rest of the company. This he had succeeded in doing, and was now returning to Bellocchio, where Miranda was to meet them. Odo was the more diverted at the hazard which had brought him into such company, as the Procuratore Bra was one of the noblemen to whom the old Duke had specially recommended him. On learning this, the Marquess urged him to present his letter of introduction on arriving at Bellocchio, where the Procuratore, who was noted for hospitality to strangers, would doubtless insist on his joining the assembled party. This Odo declined to do; but his curiosity to see Mirandolina made him hope that chance would soon throw him in the Procuratore's way.

Meanwhile supper was succeeded by music and dancing, and the company broke up only in time to proceed to the landing-place where their barge awaited them. This was a private burchiello of the Procuratore's with a commodious antechamber for the servants, and a cabin cushioned in damask. Into this agreeable retreat the actresses were packed with all their bags and band-boxes; and their travelling-cloaks being rolled into pillows, they were soon asleep in a huddle of tumbled finery.

Odo and his host preferred to take the air on deck. The sun was rising above the willow-clad banks of the Brenta, and it was pleasant to glide in the clear early light past sleeping gardens and villas, and vineyards where the peasants were already at work. The wind setting from the sea, they travelled slowly and had full leisure to view the succession of splendid seats interspersed with gardens, the thriving villages, and the poplar-groves festooned with vines. Coeur-Volant spoke eloquently of the pleasures to be enjoyed in this delightful season of the villeggiatura. "Nowhere," said he, "do people take their pleasures so easily and naturally as in Venice. My countrymen claim a superiority in this art, and it may be they possessed it a generation ago. But what a morose place is France become since philosophy has dethroned enjoyment! If you go on a visit to one of our noblemen's seats, what do you find there, I ask? Cards, comedies, music, the opportunity for an agreeable intrigue in the society of your equals? No—but a hostess engaged in suckling and bathing her brats, or in studying chemistry and optics with some dirty school-master, who is given the seat of honour at table and a pavilion in the park to which he may retire when weary of the homage of the great; while as for the host, he is busy discussing education or political economy with his unfortunate guests, if, indeed, he is not dragging them through leagues of mud and dust to inspect his latest experiments in forestry and agriculture, or to hear a pack of snuffling school-children singing hymns to the God of Nature! And what," he continued, "is the result of it all? The peasants are starving, the taxes are increasing, the virtuous landlords are ruining themselves in farming on scientific principles, the tradespeople are grumbling because the nobility do not spend their money in Paris, the court is dull, the clergy are furious, the Queen mopes, the King is frightened, and the whole French people are yawning themselves to death from Normandy to Provence."

"Yes," said Castelrovinato with his melancholy smile, "the test of success is to have had one's money's worth; but experience, which is dried pleasure, is at best a dusty diet, as we know. Yonder, in a fold of those hills," he added, pointing to the cluster of Euganean mountains just faintly pencilled above the plain, "lies the little fief from which I take my name. Acre by acre, tree by tree, it has gone to pay for my experiments, not in agriculture but in pleasure; and whenever I look over at it from Venice and reflect on what each rood of ground or trunk of tree has purchased, I wonder to see my life as bare as ever for all that I have spent on it."

The young Marquess shrugged his shoulders. "And would your life," he exclaimed, "have been a whit less bare had you passed it in your ancestral keep among those windy hills, in the company of swineherds and charcoal-burners, with a milk-maid for your mistress and the village priest for your partner at picquet?"

"Perhaps not," the other agreed. "There is a tale of a man who spent his life in wishing he had lived differently; and when he died he was surrounded by a throng of spectral shapes, each one exactly like the other, who, on his asking what they were, replied: 'We are all the different lives you might have lived.'"

"If you are going to tell ghost-stories," cried Coeur-Volant, "I will call for a bottle of Canary!"

"And I," rejoined the Count good-humouredly, "will try to coax the ladies forth with a song;" and picking up his lute, which always lay within reach, he began to sing in the Venetian dialect:—

The players soon emerged at this call and presently the deck resounded with song and laughter. All the company were familiar with the Venetian bacaroles, and Castelrovinato's lute was passed from hand to hand, as one after another, incited by the Marquess's Canary, tried to recall some favourite measure—"La biondina in gondoleta" or "Guarda, che bella luna."

Meanwhile life was stirring in the villages and gardens, and groups of people appearing on the terraces overhanging the water. Never had Odo beheld a livelier scene. The pillared houses with their rows of statues and vases, the flights of marble steps descending to the gilded river-gates, where boats bobbed against the landings and boatmen gasped in the shade of their awnings; the marble trellises hung with grapes, the gardens where parterres of flowers and parti-coloured gravel alternated with the dusk of tunnelled yew-walks; the company playing at bowls in the long alleys, or drinking chocolate in gazebos above the river; the boats darting hither and thither on the stream itself, the travelling-chaises, market-waggons and pannier-asses crowding the causeway along the bank—all were unrolled before him with as little effect of reality as the episodes woven in some gaily-tinted tapestry. Even the peasants in the vineyards seemed as merry and thoughtless as the quality in their gardens. The vintage-time is the holiday of the rural year and the day's work was interspersed with frequent intervals of relaxation. At the villages where the burchiello touched for refreshments, handsome young women in scarlet bodices came on board with baskets of melons, grapes, figs and peaches; and under the trellises on the landings, lads and girls with flowers in their hair were dancing the monferrina to the rattle of tambourines or the chant of some wandering ballad-singer. These scenes were so engaging to the comedians that they could not be restrained from going ashore and mingling in the village diversions; and the Marquess, though impatient to rejoin his divinity, was too volatile not to be drawn into the adventure. The whole party accordingly disembarked, and were presently giving an exhibition of their talents to the assembled idlers, the Pantaloon, Harlequin and Doctor enacting a comical intermezzo which Cantapresto had that morning composed for them, while Scaramouch and Columbine joined the dancers, and the rest of the company, seizing on a train of donkeys laden with vegetables for the Venetian market, stripped these patient animals of their panniers, and mounting them bareback started a Corso around the village square amid the invectives of the drivers and the applause of the crowd.

Day was declining when the Marquess at last succeeded in driving his flock to their fold, and the moon sent a quiver of brightness across the water as the burchiello touched at the landing of a villa set amid close-massed foliage high above the river. Gardens peopled with statues descended from the portico of the villa to the marble platform on the water's edge, where a throng of boatmen in the Procuratore's livery hurried forward to receive the Marquess and his companions. The comedians, sobered by the magnificence of their surroundings, followed their leader like awe-struck children. Light and music streamed from the long facade overhead, but the lower gardens lay hushed and dark, the air fragrant with unseen flowers, the late moon just burnishing the edges of the laurel-thickets from which, now and again, a nightingale's song gushed in a fountain of sound. Odo, spellbound, followed the others without a thought of his own share in the adventure. Never before had beauty so ministered to every sense. He felt himself lost in his surroundings, absorbed in the scent and murmur of the night.

3.3.

On the upper terrace a dozen lacqueys with wax lights hastened out to receive the travellers. A laughing group followed, headed by a tall vivacious woman covered with jewels, whom Odo guessed to be the Procuratessa Bra. The Marquess, hastening forward, kissed the lady's hand, and turned to summon the actors, who hung back at the farther end of the terrace. The light from the windows and from the lacquey's tapers fell full on the motley band, and Odo, roused to the singularity of his position, was about to seek shelter behind the Pantaloon when he heard a cry of recognition, and Mirandolina, darting out of the Procuratessa's circle, fell at that lady's feet with a whispered word.

The Procuratessa at once advanced with a smile of surprise and bade the Cavaliere Valsecca welcome. Seeing Odo's embarrassment, she added that his Highness of Monte Alloro had already apprised her of the cavaliere's coming, and that she and her husband had the day before despatched a messenger to Venice to enquire if he were already there to invite him to the villa. At the same moment a middle-aged man with an air of careless kindly strength emerged from the house and greeted Odo.

"I am happy," said he bowing, "to receive at Bellocchio a member of the princely house of Pianura; and your excellency will no doubt be as well-pleased as ourselves that accident enables us to make acquaintance without the formalities of an introduction."

This, then, was the famous Procuratore Bra, whose house had given three Doges to Venice, and who was himself regarded as the most powerful if not the most scrupulous noble of his day. Odo had heard many tales of his singularities, for in a generation of elegant triflers his figure stood out with the ruggedness of a granite boulder in a clipped and gravelled garden. To hereditary wealth and influence he added a love of power seconded by great political sagacity and an inflexible will. If his means were not always above suspicion they at least tended to statesmanlike ends, and in his public capacity he was faithful to the highest interests of the state. Reports differed as to his private use of his authority. He was noted for his lavish way of living, and for a hospitality which distinguished him from the majority of his class, who, however showy in their establishments, seldom received strangers, and entertained each other only on the most ceremonious occasions. The Procuratore kept open house both in Venice and on the Brenta, and in his drawing-rooms the foreign traveller was welcomed as freely as in Paris or London. Here, too, were to be met the wits, musicians and literati whom a traditional morgue still excluded from many aristocratic houses. Yet in spite of his hospitality (or perhaps because of it) the Procuratore, as Odo knew, was the butt of the very poets he entertained, and the worst satirised man in Venice. It was his misfortune to be in love with his wife; and this state of mind (in itself sufficiently ridiculous) and the shifts and compromises to which it reduced him, were a source of endless amusement to the humorists. Nor were graver rumours wanting; for it was known that the Procuratore, so proof against other persuasions, was helpless in his wife's hands, and that honest men had been undone and scoundrels exalted at a nod of the beautiful Procuratessa. That lady, as famous in her way as her husband, was noted for quite different qualities; so that, according to one satirist, her hospitality began where his ended, and the Albergo Bra (the nickname their palace went by) was advertised in the lampoons of the day as furnishing both bed and board. In some respects, however, the tastes of the noble couple agreed, both delighting in music, wit, good company, and all the adornments of life; while, with regard to their private conduct, it doubtless suffered by being viewed through the eyes of a narrow and trivial nobility, apt to look with suspicion on any deviation from the customs of their class. Such was the household in which Odo found himself unexpectedly included. He learned that his hosts were in the act of entertaining the English Duke who had captured his burchiello that morning; and having exchanged his travelling-dress for a more suitable toilet he was presently conducted to the private theatre where the company had gathered to witness an improvised performance by Mirandolina and the newly-arrived actors.

The Procuratessa at once beckoned him to the row of gilt armchairs where she sat with the noble Duke and several ladies of distinction. The little theatre sparkled with wax-lights reflected in the facets of glass chandeliers and in the jewels of the richly-habited company, and Odo was struck by the refined brilliancy of the scene. Before he had time to look about him the curtains of the stage were drawn back, and Mirandolina flashed into view, daring and radiant as ever, and dressed with an elegance which spoke well for the liberality of her new protector. She was as much at her ease as before the vulgar audience of Vercelli, and spite of the distinguished eyes fixed upon her, her smiles and sallies were pointedly addressed to Odo. This made him the object of the Procuratessa's banter, but had an opposite effect on the Marquess, who fixed him with an irritated eye and fidgeted restlessly in his seat as the performance went on.

When the curtain fell the Procuratessa led the company to the circular saloon which, as in most villas of the Venetian mainland, formed the central point of the house. If Odo had been charmed by the graceful decorations of the theatre, he was dazzled by the airy splendour of this apartment. Dance-music was pouring from the arched recesses above the doorways, and chandeliers of coloured Murano glass diffused a soft brightness over the pilasters of the stuccoed walls, and the floor of inlaid marbles on which couples were rapidly forming for the contradance. His eye, however, was soon drawn from these to the ceiling which overarched the dancers with what seemed like an Olympian revel reflected in sunset clouds. Over the gilt balustrade surmounting the cornice lolled the figures of fauns, bacchantes, nereids and tritons, hovered over by a cloud of amorini blown like rose-leaves across a rosy sky, while in the centre of the dome Apollo burst in his chariot through the mists of dawn, escorted by a fantastic procession of the human races. These alien subjects of the sun—a fur-clad Laplander, a turbaned figure on a dromedary, a blackamoor and a plumed American Indian—were in turn surrounded by a rout of Maenads and Silenuses, whose flushed advance was checked by the breaking of cool green waves, through which boys wreathed with coral and seaweed disported themselves among shoals of flashing dolphins. It was as though the genius of Pleasure had poured all the riches of his inexhaustible realm on the heads of the revellers below.

The Procuratessa brought Odo to earth by remarking that it was a master-piece of the divine Tiepolo he was admiring. She added that at Bellocchio all formalities were dispensed with, and begged him to observe that, in the rooms opening into the saloon, recreations were provided for every taste. In one of these apartments silver trays were set out with sherbets, cakes, and fruit cooled in snow, while in another stood gaming-tables around which the greater number of the company were already gathering for tresette. A third room was devoted to music; and hither Mirandolina, who was evidently allowed a familiarity of intercourse not accorded to the other comedians, had withdrawn with the pacified Marquess, and perched on the arm of a high gilt chair was pinching the strings of a guitar and humming the first notes of a boatman's song...

After completing the circuit of the rooms Odo stepped out on the terrace, which was now bathed in the whiteness of a soaring moon. The colonnades detached against silver-misted foliage, the gardens spectrally outspread, seemed to enclose him in a magic circle of loveliness which the first ray of daylight must dispel. He wandered on, drawn to the depths of shade on the lower terraces. The hush grew deeper, the murmur of the river more mysterious. A yew-arbour invited him and he seated himself on the bench niched in its inmost dusk. Seen through the black arch of the arbour the moonlight lay like snow on parterres and statues. He thought of Maria Clementina, and of the delight she would have felt in such a scene as he had just left. Then the remembrance of Mirandolina's blandishments stole over him and spite of himself he smiled at the Marquess's discomfiture. Though he was in no humour for an intrigue his fancy was not proof against the romance of his surroundings, and it seemed to him that Miranda's eyes had never been so bright or her smile so full of provocation. No wonder Frattanto followed her like a lost soul and the Marquess abandoned Rome and Baalbec to sit at the feet of such a teacher! Had not that light philosopher after all chosen the true way and guessed the Sphinx's riddle? Why should today always be jilted for tomorrow, sensation sacrificed to thought?

As he sat revolving these questions the yew-branches seemed to stir, and from some deeper recess of shade a figure stole to his side. He started, but a hand was laid on his lips and he was gently forced back into his seat. Dazzled by the outer moonlight he could just guess the outline of the figure pressed against his own. He sat speechless, yielding to the charm of the moment, till suddenly he felt a rapid kiss and the visitor vanished as mysteriously as she had come. He sprang up to follow, but inclination failed with his first step. Let the spell of mystery remain unbroken! He sank down on the seat again lulled by dreamy musings...

When he looked up the moonlight had faded and he felt a chill in the air. He walked out on the terrace. The moon hung low and the tree-tops were beginning to tremble. The villa-front was grey, with oblongs of yellow light marking the windows of the ball-room. As he looked up at it, the dance-music ceased and not a sound was heard but the stir of the foliage and the murmur of the river against its banks. Then, from a loggia above the central portico, a woman's clear contralto notes took flight:

The days at Bellocchio passed in a series of festivities. The mornings were spent in drinking chocolate, strolling in the gardens and visiting the fish-ponds, meanders and other wonders of the villa; thence the greater number of guests were soon drawn to the card-tables, from which they rose only to dine; and after an elaborate dinner prepared by a French cook the whole company set out to explore the country or to exchange visits with the hosts of the adjoining villas. Each evening brought some fresh diversion: a comedy or an operetta in the miniature theatre, an al fresco banquet on the terrace or a ball attended by the principal families of the neighbourhood. Odo soon contrived to reassure the Marquess as to his designs upon Miranda, and when Coeur-Volant was not at cards the two young men spent much of their time together. The Marquess was never tired of extolling the taste and ingenuity with which the Venetians planned and carried out their recreations. "Nature herself," said he, "seems the accomplice of their merry-making, and in no other surroundings could man's natural craving for diversion find so graceful and poetic an expression."

The scene on which they looked out seemed to confirm his words. It was the last evening of their stay at Bellocchio, and the Procuratessa had planned a musical festival on the river. Festoons of coloured lanterns wound from the portico to the water; and opposite the landing lay the Procuratore's Bucentaur, a great barge hung with crimson velvet. In the prow were stationed the comedians, in airy mythological dress, and as the guests stepped on board they were received by Miranda, a rosy Venus who, escorted by Mars and Adonis, recited an ode composed by Cantapresto in the Procuratessa's honour. A banquet was spread in the deck-house, which was hung with silk arras and Venetian mirrors, and, while the guests feasted, dozens of little boats hung with lights and filled with musicians flitted about the Bucentaur like a swarm of musical fireflies...

The next day Odo accompanied the Procuratessa to Venice. Had he been a traveller from beyond the Alps he could hardly have been more unprepared for the spectacle that awaited him. In aspect and customs Venice differed almost as much from other Italian cities as from those of the rest of Europe. From the fanciful stone embroidery of her churches and palaces to a hundred singularities in dress and manners—the full-bottomed wigs and long gowns of the nobles, the black mantles and head-draperies of the ladies, the white masks worn abroad by both sexes, the publicity of social life under the arcades of the Piazza, the extraordinary freedom of intercourse in the casini, gaming-rooms and theatres—the city proclaimed, in every detail of life and architecture, her independence of any tradition but her own. This was the more singular as Saint Mark's square had for centuries been the meeting-place of East and West, and the goal of artists, scholars and pleasure-seekers from all parts of the world. Indeed, as Coeur-Volant pointed out, the Venetian customs almost appeared to have been devised for the convenience of strangers. The privilege of going masked at almost all seasons and the enforced uniformity of dress, which in itself provided a kind of incognito, made the place singularly favourable to every kind of intrigue and amusement; while the mild temper of the people and the watchfulness of the police prevented the public disorders that such license might have occasioned. These seeming anomalies abounded on every side. From the gaming-table where a tinker might set a ducat against a prince it was but a few steps to the Broglio, or arcade under the ducal palace, into which no plebeian might intrude while the nobility walked there. The great ladies, who were subject to strict sumptuary laws, and might not display their jewels or try the new French fashions but on the sly, were yet privileged at all hours to go abroad alone in their gondolas. No society was more haughty and exclusive in its traditions, yet the mask leveled all classes and permitted, during the greater part of the year, an equality of intercourse undreamed of in other cities; while the nobles, though more magnificently housed than in any other capital of Europe, generally sought amusement at the public casini or assembly-rooms instead of receiving company in their own palaces. Such were but a few of the contradictions in a city where the theatres were named after the neighbouring churches, where there were innumerable religious foundations but scarce an ecclesiastic to be met in company, and where the ladies of the laity dressed like nuns, while the nuns in the aristocratic convents went in gala habits and with uncovered heads. No wonder that to the bewildered stranger the Venetians seemed to keep perpetual carnival and Venice herself to be as it were the mere stage of some huge comic interlude.

To Odo the setting was even more astonishing than the performance. Never had he seen pleasure and grace so happily allied, all the arts of life so combined in the single effort after enjoyment. Here was not a mere tendency to linger on the surface, but the essence of superficiality itself; not an ignoring of what lies beneath, but an elimination of it; as though all human experience should be beaten thin and spread out before the eye like some brilliant tenuous plaque of Etruscan gold. And in this science of pleasure—mere jeweller's work though it were—the greatest artists had collaborated, each contributing his page to the philosophy of enjoyment in the form of some radiant allegory flowering from palace wall or ceiling like the enlarged reflection of the life beneath it. Nowhere was the mind arrested by a question or an idea. Thought slunk away like an unmasked guest at the ridotto. Sensation ruled supreme, and each moment was an iridescent bubble fresh-blown from the lips of fancy.

Odo brought to the spectacle the humour best fitted for its enjoyment. His weariness and discouragement sought refuge in the emotional satisfaction of the hour. Here at least the old problem of living had been solved, and from the patrician taking the air in his gondola to the gondolier himself, gambling and singing on the water-steps of his master's palace, all seemed equally satisfied with the solution. Now if ever was the time to cry "halt!" to the present, to forget the travelled road and take no thought for the morrow...

The months passed rapidly and agreeably. The Procuratessa was the most amiable of guides, and in her company Odo enjoyed the best that Venice had to offer, from the matchless music of the churches and hospitals to the petits soupers in the private casini of the nobility; while Coeur-Volant and Castelrovinato introduced him to scenes where even a lady of the Procuratessa's intrepidity might not venture.

Such a life left little time for thoughtful pleasures; nor did Odo find in the society about him any sympathy with his more personal tastes. At first he yielded willingly enough to the pressure of his surroundings, glad to escape from thoughts of the past and speculations about the future; but it was impossible for him to lose his footing in such an element, and at times he felt the lack of such companionship as de Crucis had given him. There was no society in Venice corresponding with the polished circles of Milan or Naples, or with the academic class in such University towns as Padua and Pavia. The few Venetians destined to be remembered among those who had contributed to the intellectual advancement of Italy vegetated in obscurity, suffering not so much from religious persecution—for the Inquisition had little power in Venice—as from the incorrigible indifference of a society which ignored all who did not contribute to its amusement. Odo indeed might have sought out these unhonoured prophets, but that all the influences about him set the other way, and that he was falling more and more into the habit of running with the tide. Now and then, however, a vague ennui drove him to one of the bookshops which, throughout Italy were the chief meeting-places of students and authors. On one of these occasions the dealer invited him into a private room where he kept some rare volumes, and here Odo was surprised to meet Andreoni, the liberal bookseller of Pianura.

Andreoni at first seemed somewhat disconcerted by the meeting; but presently recovering his confidence, he told Odo that he had been recently banished from Pianura, the cause of his banishment being the publication of a book on taxation that was supposed to reflect on the fiscal system of the duchy. Though he did not name the author, Odo at once suspected Gamba; but on his enquiring if the latter had also been banished, Andreoni merely replied that he had been dismissed from his post, and had left Pianura. The bookseller went on to say that he had come to Venice with the idea of setting up his press either there or in Padua, where his wife's family lived. Odo was eager to hear more; but Andreoni courteously declined to wait on him at his lodgings, on the plea that it might harm them both to be seen together. They agreed, however, to meet in San Zaccaria after low mass the next morning, and here Andreoni gave Odo a fuller report of recent events in the duchy.

It appeared that in the incessant see-saw of party influences the Church had once more gained on the liberals. Trescorre was out of favour, the Dominican had begun to show his hand more openly, and the Duke, more than ever apprehensive about his health, was seeking to conciliate heaven by his renewed persecution of the reformers. In the general upheaval even Crescenti had nearly lost his place; and it was rumoured that he kept it only through the intervention of the Pope, who had represented to the Duke that the persecution of a scholar already famous throughout Europe would reflect little credit on the Church.

As for Gamba, Andreoni, though unwilling to admit a knowledge of his exact whereabouts, assured Odo that he was well and had not lost courage. At court matters remained much as usual. The Duchess, surrounded by her familiars, had entered on a new phase of mad expenditure, draining the exchequer to indulge her private whims, filling her apartments with mountebanks and players, and borrowing from courtiers and servants to keep her creditors from the door. Trescorre was no longer able to check her extravagance, and his influence with the Duke being on the wane, the court was once more the scene of unseemly scandals and disorders.

The only new figure to appear there since Odo's departure was that of the little prince's governor, who had come from Rome a few months previously to superintend the heir's education, which was found to have been grievously neglected under his former masters. This was an ecclesiastic, an ex-Jesuit as some said, but without doubt a man of parts, and apparently of more tolerant views than the other churchmen about the court.

"But," Andreoni added, "your excellency may chance to recall him; for he is the same abate de Crucis who was sent to Pianura by the Holy Office to arrest the German astrologer."

Odo heard him with surprise. He had had no news of de Crucis since their parting in Rome, where, as he supposed, the latter was to remain for some years in the service of Prince Bracciano. Odo was at a loss to conceive how or why the Jesuit had come to Pianura; but, whatever his reasons for being there, it was certain that his influence must make itself felt far beyond the range of his immediate duties. Whether this influence would be exerted for good or ill it was impossible to forecast; but much as Odo admired de Crucis, he could not forget that the Jesuit, by his own avowal, was still the servant of the greatest organised opposition to moral and intellectual freedom that the world had ever known. That this opposition was not always actively manifested Odo was well aware. He knew that the Jesuit spirit moved in many directions and that its action was often more beneficial than that of its opponents; but it remained an incalculable element in the composition of human affairs, and one the more to be feared since, in ceasing to have a material existence, it had acquired the dread pervasiveness of an idea.

With the Epiphany the wild carnival-season set in. Nothing could surpass the excesses of this mad time. All classes seemed bitten by the tarantula of mirth, every gondola hid an intrigue, the patrician's tabarro concealed a noble lady, the feminine hood and cloak a young spark bent on mystification, the friar's habit a man of pleasure and the nun's veil a lady of the town. The Piazza swarmed with merry-makers of all degrees. The square itself was taken up by the booths of hucksters, rope-dancers and astrologers, while promenaders in travesty thronged the arcades, and the ladies of the nobility, in their white masks and black zendaletti, surveyed the scene from the windows of the assembly-rooms in the Procuratie, or, threading the crowd on the arms of their gallants, visited the various peep-shows and flocked about the rhinoceros exhibited in a great canvas tent in the Piazzetta. The characteristic contrasts of Venetian life seemed to be emphasised by the vagaries of the carnival, and Odo never ceased to be diverted by the sight of a long line of masqueraders in every kind of comic disguise kneeling devoutly before the brilliantly-lit shrine of the Virgin under the arches of the Procuratie, while the friar who led their devotions interrupted his litany whenever the quack on an adjoining platform began to bawl through a tin trumpet the praise of his miraculous pills.

The mounting madness culminated on Giovedi Grasso, the last Thursday before Lent, when the Piazzetta became the scene of ceremonies in which the Doge himself took part. These opened with the decapitation of three bulls: a rite said to commemorate some long-forgotten dispute between the inveterate enemies, Venice and Aquileia. The bulls, preceded by halberdiers and trumpeters, and surrounded by armed attendants, were led in state before the ducal palace, and the executioner, practised in his bloody work, struck off each head with a single stroke of his huge sword. This slaughter was succeeded by pleasanter sights, such as the famous Vola, or flight of a boy from the bell-tower of Saint Mark's to a window of the palace, where he presented a nosegay to his Serenity and was caught up again to his airy vaulting-ground. After this ingenious feat came another called the "Force of Hercules," given by a band of youths who, building themselves into a kind of pyramid, shifted their postures with inexhaustible agility, while bursts of fireworks wove yellow arches through the midday light. Meanwhile the crowds in the streets fled this way and that as a throng of uproarious young fellows drove before them the bulls that were to be baited in the open squares; and wherever a recessed doorway or the angle of a building afforded shelter from the rout, some posture-maker or ballad-singer had gathered a crowd about his carpet.

Ash Wednesday brought about a dramatic transformation. Every travesty laid aside, every tent and stall swept away, the people again gathered in the Piazza to receive the ashes of penitence on their heads, the churches now became the chief centres of interest. Venice was noted for her sacred music and for the lavish illumination of her favourite shrines and chapels; and few religious spectacles were more impressive than the Forty Hours' devotion in the wealthier churches of the city. All the magic of music, painting and sculpture were combined in the service of religion, and Odo's sense of the dramatic quality of the Catholic rites found gratification in the moving scenes where, amid the imperishable splendours of his own creation, man owned himself but dust. Never before had he been so alive to the symbolism of the penitential season, so awed by the beauty and symmetry of that great structure of the Liturgical Year that leads the soul up, step by step, to the awful heights of Calvary. The very carelessness of those about him seemed to deepen the solemnity of the scenes enacted—as though the Church, after all her centuries of dominion, were still, as in those early days, but a voice crying in the wilderness.

The Easter bells ushered in the reign of another spirit. If the carnival folly was spent, the joy of returning life replaced it. After the winter diversions of cards, concerts and theatres, came the excursions to the island-gardens of the lagoon and the evening promenade of the fresca on the Grand Canal. Now the palace-windows were hung with awnings, the oleanders in the balconies grew rosy against the sea-worn marble, and yellow snap-dragons blossomed from the crumbling walls. The market-boats brought early fruits and vegetables from the Brenta and roses and gilly-flowers from the Paduan gardens; and when the wind set from shore it carried with it the scent of lime-blossoms and flowering fields. Now also was the season when the great civic and religious processions took place, dyeing the water with sunset hues as they swept from the steps of the Piazzetta to San Giorgio, the Redentore or the Salute. In the fashionable convents the nuns celebrated the festivals of their patron saints with musical and dramatic entertainments to which secular visitors were invited. These entertainments were a noted feature of Venetian life, and the subject of much scandalous comment among visitors from beyond the Alps. The nuns of the stricter orders were as closely cloistered as elsewhere; but in the convents of Santa Croce, Santa Chiara, and a few others, mostly filled by the daughters of the nobility, an unusual liberty prevailed. It was known that the inmates had taken the veil for family reasons, and to the indulgent Venetian temper it seemed natural that their seclusion should be made as little irksome as possible. As a rule the privileges accorded to the nuns consisted merely in their being allowed to receive visits in the presence of a lay-sister, and to perform in concerts on the feast-days of the order; but some few convents had a name for far greater license, and it was a common thing for the noble libertine returned from Italy to boast of his intrigue with a Venetian nun.

Odo, in the Procuratessa's train, had of course visited many of the principal convents. Whether it were owing to the malicious pleasure of contrasting their own state with that of their cloistered sisters, or to the discreet shelter which the parlour afforded to their private intrigues, the Venetian ladies were exceedingly partial to these visits. The Procuratessa was no exception to the rule, and as was natural to one of her complexion, she preferred the convents where the greatest freedom prevailed. Odo, however, had hitherto found little to tempt him in these glimpses of forbidden fruit. The nuns, though often young and pretty, had the insipidity of women secluded from the passions and sorrows of life without being raised above them; and he preferred the frank coarseness of the Procuratessa's circle to the simpering graces of the cloister.

Even Coeur-Volant's mysterious boast of a conquest he had made among the sisters failed to excite his friend's curiosity. The Marquess, though still devoted to Miranda, was too much the child of his race not to seek variety in his emotions; indeed he often declared that the one fault of the Italian character was its unimaginative fidelity in love-affairs.

"Does a man," he asked, "dine off one dish at a gourmet's banquet? And why should I restrict myself to one course at the most richly-spread table in Europe? One must love at least two women to appreciate either; and, did the silly creatures but know it, a rival becomes them like a patch."

Sister Mary of the Crucifix, he went on to explain, possessed the very qualities that Miranda lacked. The daughter of a rich nobleman of Treviso, she was skilled in music, drawing and all the operations of the needle, and was early promised in marriage to a young man whose estates adjoined her father's. The jealousy of a younger sister, who was secretly in love with the suitor, caused her to accuse Coeur-Volant's mistress of misconduct and thus broke off the marriage; and the unhappy girl, repudiated by her bridegroom, was at once despatched to a convent in Venice. Enraged at her fate, she had repeatedly appealed to the authorities to release her; but her father's wealth and influence prevailed against all her efforts. The abbess, however, felt such pity for her that she was allowed more freedom than the other nuns, with whom her wit and beauty made her a favourite in spite of her exceptional privileges. These, as Coeur-Volant hinted, included the liberty of leaving the convent after night-fall to visit her friends; and he professed to be one of those whom she had thus honoured. Always eager to have his good taste ratified by the envy of his friends, he was urgent with Odo to make the lady's acquaintance, and it was agreed that, on the first favourable occasion, a meeting should take place at Coeur-Volant's casino. The weeks elapsed, however, without Odo's hearing further of the matter, and it had nearly passed from his mind when one August day he received word that the Marquess hoped for his company that evening.

He was in that mood of careless acquiescence when any novelty invites, and the heavy warmth of the summer night seemed the accomplice of his humour. Cloaked and masked, he stepped into his gondola and was swept rapidly along the Grand Canal and through winding channels to the Giudecca. It was close on midnight and all Venice was abroad. Gondolas laden with musicians and hung with coloured lamps lay beneath the palace windows or drifted out on the oily reaches of the lagoon. There was no moon, and the side-canals were dark and noiseless but for the hundreds of caged nightingales that made every byway musical. As his prow slipped past garden walls and under the blackness of low-ached bridges Odo felt the fathomless mystery of the Venetian night: not the open night of the lagoons, but the secret dusk of nameless waterways between blind windows and complaisant gates.

At one of these his gondola presently touched. The gate was cautiously unbarred and Odo found himself in a strip of garden preceding a low pavilion in which not a light was visible. A woman-servant led him indoors and the Marquess greeted him on the threshold.

"You are late!" he exclaimed. "I began to fear you would not be here to receive our guests with me."

"Your guests?" Odo repeated. "I had fancied there was but one."

The Marquess smiled. "My dear Mary of the Crucifix," he said, "is too well-born to venture out alone at this late hour, and has prevailed on her bosom friend to accompany her.—Besides," he added with his deprecating shrug, "I own I have had too recent an experience of your success to trust you alone with my enchantress; and she has promised to bring the most fascinating nun in the convent to protect her from your wiles."

As he spoke he led Odo into a room furnished in the luxurious style of a French boudoir. A Savonnerie carpet covered the floor, the lounges and easy-chairs were heaped with cushions, and the panels hung with pastel drawings of a lively or sentimental character. The windows toward the garden were close-shuttered, but those on the farther side of the room stood open on a starlit terrace whence the eye looked out over the lagoon to the outer line of islands.

"Confess," cried Coeur-Volant, pointing to a table set with delicacies and flanked by silver wine-coolers, "that I have spared no pains to do my goddess honour and that this interior must present an agreeable contrast to the whitewashed cells and dismal refectory of her convent! No passion," he continued, with his quaint didactic air, "is so susceptible as love to the influence of its surroundings; and principles which might have held out against a horse-hair sofa and soupe a l'oignon have before now been known to succumb to silk cushions and champagne."

He received with perfect good-humour the retort that if he failed in his designs his cook and his upholsterer would not be to blame; and the young men were still engaged in such banter when the servant returned to say that a gondola was at the water-gate. The Marquess hastened out and presently reappeared with two masked and hooded figures. The first of these, whom he led by the hand, entered with the air of one not unaccustomed to her surroundings; but the other hung back, and on the Marquess's inviting them to unmask, hurriedly signed to her friend to refuse.

"Very well, fair strangers," said Coeur-Volant with a laugh; "if you insist on prolonging our suspense we shall avenge ourselves by prolonging yours, and neither my friend nor I will unmask till you are pleased to set us the example."

The first lady echoed his laugh. "Shall I own," she cried, "that I suspect in this unflattering compliance a pretext to conceal your friend's features from me as long as possible? For my part," she continued, throwing back her hood, "the mask of hypocrisy I am compelled to wear in the convent makes me hate every form of disguise, and with all my defects I prefer to be known as I am." And with that she detached her mask and dropped the cloak from her shoulders.

The gesture revealed a beauty of the laughing sensuous type best suited to such surroundings. Sister Mary of the Crucifix, in her sumptuous gown of shot-silk, with pearls wound through her reddish hair and hanging on her bare shoulders, might have stepped from some festal canvas of Bonifazio's. She had laid aside even the light gauze veil worn by the nuns in gala habit, and no vestige of her calling showed itself in dress or bearing.