Note 75 — B

Appearance and manners. 23. With the partial disappearance of the Banjâra carrier before our roads and railways a most picturesque element is being lost in the generally squalid life of our bâzârs. No one who sees them in their original state can help being struck by their resemblance in figure and dress to some of the Western gypsies. To Dr. Ball75 a camp of Labânas immediately recalled to his memory the Zingari of the lower Danube and Wallachia. And he was particularly impressed by the peculiar minor key of the music which is so characteristic of these people. In these Provinces the women are skilled in a peculiar form of woollen embroidery, and pride themselves on their bright coloured boddices (choli) and jackets (angi) ornamented in this way. Some wear a sort of horn made of wood in their hair, over which the sheet (châdar) is draped in a very peculiar and graceful fashion. The women, who are much taller and more robust than the people among whom they live, stride along the roads in a particularly bold and independent way. But their characteristic dress is seen to most advantage in their seats in the Dakkhin. Mr. Mullaly76 writes of the women as “comely and above the average height of the women of this country. They are easily distinguished by their dress and a profusion of jewellery they wear. Their costume is the gown (lahnga) of khârua cloth, red or green, with a quantity of embroidery. The boddice, with embroidery on the front and on the shoulders, covers the bosom, and is tied by variegated cords at the back, the ends of the cords being ornamented with cowries and beads; a covering cloth of khârua cloth, with embroidery, is fastened in at the waist, and hangs at the side with a quantity of tassels, and strings of cowries. Their jewels are very numerous, and include strings of beads of ten or twenty rows with a cowrie as a pendant threaded on horse hair, a silver necklace (hansli), a sign of marriage. They wear brass or horn bracelets, ten or twelve in number, extending to the elbow on either arm, with a piece of embroidered silk, one inch wide, tied to the right wrist. Anklets of ivory or bone are only worn by the married women; they are removed on the death of the husband. Silk embroidery adorned with tassels and cowries is also worn as an anklet by all women. Their other jewels are a nose ornament, a silver pendant from the upper part of the ear, attached to a silver chain which hangs to the shoulder, and a profusion of silver, brass, and lead rings. Their hair is, in the case of unmarried women, unadorned, brought up and tied in a knot at the top of the head; with married women it is fastened in like manner with a cowrie or a brass button, and heavy pendants are fastened to the temple. The latter is an essential sign of marriage, and its absence is a sign of widowhood.” There is no doubt that they have a patois of their own; but it has as yet not been fully collected. Dr. Ball says that he was “informed by a Russian Prince, who travelled in India in 1874, that one of his companions, a Hungarian nobleman, found himself able to converse with the Banjâras of Central India in consequence of his knowledge of the Zingari language.” He also states that “the Dîwân of Kudibuga told me that the strong-minded Banjâra women are in the habit of inflicting severe chastisement on their husbands with their very large sticks (bari bari lâthi), a custom which also prevails in the Nicobar Islands.”