Note 21 — Brāhman1

“With this prayer the morning service ends. Now, remember that this worship is daily, that these formulas must be pronounced, these movements of the hands made with mechanical precision; that if the worshipper forgets one of the incarnations of Vishnu which he is to figure with his fingers, if he stop his left nostril when it should be the right, the entire ceremony loses its efficacy; that, not to go astray amid this multitude of words and gestures required for each rite, he is obliged to use mnemotechnic methods; that there are five of these for each series of formulas; that his attention always strained and always directed toward the externals of the cult, does not leave his mind a moment in which to reflect upon the profound meaning of some of these prayers, and you will comprehend the extraordinary scene that the banks of the Ganges at Benāres present every morning; this anxious and demented multitude, these gestures, eager and yet methodical, this rapid movement of the lips, the fixed gaze of these men and women who, standing in the water, seem not even to see their neighbours, and count mentally like men in the delirium of a fever. Remember that there are ceremonies like these in the afternoon and also in the evening, and that in the intervals, in the street, in the house at meals, when going to bed, similar rites no less minute pursue the Brāhman, all preceded by the exercises of respiration, the enunciation of the syllable OM, and the invocation of the principal gods. It is estimated that between daybreak and noon he has scarcely an hour of rest from the performance of these rites. After the great powers of nature, the Ganges, the Dawn, and the Sun, he goes to worship in their temples the representations of divinity, the sacred trees, finally the cows, to whom he offers flowers. In his own dwelling other divinities await him, five black stones,21 representing Siva, Ganesa, Surya, Devi and Vishnu, arranged according to the cardinal points: one towards the north, a second to the south-east, a third to the south-west, a fourth to the north-west, and one in the centre, this order changing according as the worshipper regards one god or another as most important; then there is a shell, a bell—to which, kneeling, he offers flowers—and, lastly, a vase, whose mouth contains Vishnu, the neck Rudra, the paunch Brahma, while at the bottom repose the three divine mothers, the Ganges, the Indus, and the Jumna.