Note 2 — Chapter XXXIV
Henry Yule translation
In 1871 I saw in Bond Street an exhibition of (so-called) “spirit” drawings, i.e. drawings alleged to be executed by a “medium” under extraneous and invisible guidance. A number of these extraordinary productions (for extraordinary they were undoubtedly) professed to represent the “Spiritual Flowers” of such and such persons; and the explanation of this as presented in the catalogue was in substance exactly that given in the text. It is highly improbable that the artist had any cognizance of Schott’s Essay, and the coincidence was assuredly very striking.