INDEX
Reading edition
A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, R, S, T, U, V, W, Y.
A Abraham Receiving the Angels [Bol], 154 Actor’s instinct in art, 75 Adoration of the Shepherds [Rembrandt], 103, 159 Aertz, Pieter, 19; studied at Amsterdam, 43 Albert, Archduke, 45 Altman, Mr. B., owner of The Sleeping Girl [Vermeer], 136 Alva, Duke of, 22, 23, 46 Amsterdam, school of painting, 38, 43; artists born there: Aertz, 107; Eeckhout, 158; De Keyser, 165; Koninck, 172; Adriaen van de Velde, 184; school of: Scovel, 16; Rembrandt, 73; Maes, 115; Metsu, 117; Fabritius, 157; Eeckhout, 158; De Gelder, 160; De Keyser, 165; Koninck, 170; Hobbema, 190; residence of: Rembrandt, 76; Aertz, 107; Van Ostade, 109; Lairesse, 125; De Keyser, 165; Seghers, 170; Koninck, 170; Van der Neer, 176; Potter, 179; Van de Velde, Willem, Elder and Younger, 186; Van de Velde, Adriaen, 184; Berchem, 184; Hobbema, 190; Ruisdael, Jacob, 194 Angel and the Shepherds [Flinck], 152 Antwerp, glory of, 7; “Image-Breaking” at, 22; school of painting, 22; birthplace of Hals, 50 Antwerp Museum, Day of Judgment [Van Orley], 15 Art: the need of the people, 4; French at time of Revolution, 5; imitation death of national art, 6; decline of Dutch in eighteenth century, 6; affected by imperialism, influenced by Church, 11; by Renaissance, 12; condition at abdication of Charles V, 14; realism of Dutch, 27; moral and scientific character of, 28; commencement of great period of, 29; still-life, 31; portraiture, 49; beauty of inanimate things, 59; democratic ideal of Dutch, 72; Rembrandt’s compared to Greek, 72; actor’s instinct shown by painters, 75; abstract in, 94; decorative, 94; Barbizon, 171 Art-History Museum, Vienna. See Vienna Artist in his Studio [Vermeer], 140 Asking a Blessing [Maes], 114 Asselyn, Jan, 44; Enraged Swan, The, 44 Avenue of Middelharnis [Hobbema], 191 B Bakhuysen, Ludolf, 44 Balckeneijnde, Adriana, wife of Paul Potter, 179 Bank of a Canal [Van Goyen], 188 Banquet of the Civic Guard [Van der Helst], 164 Banquet of the Officers of the Archers of St. Andrew [Hals], 66 Banquet of the Officers of the Archers of St. George [Hals], 64 Banquet of the Officers of the Archers of St. George [Hals], 65 Barbizon artists, 171 Bartholdi’s Statue of Liberty, 87 Beach, The [Jacob van Ruisdael], 198 Bear Hunt, The [Potter], 180 Bega, Cornelis, 110 “Beggars, The,” 21 “Beggars of the Sea,” 23 Berchem, Nicolaes, 30, 39, 43, 174, 178, 184, 195 Berlaymont, 21 Berlin: pictures in gallery: St. Jerome in a Cave, Rembrandt, 76; Portrait of Himself, Rembrandt, 78; Portrait of Hendrickje Stoffels, Rembrandt, 89; Old Woman Peeling Apples, Maes, 115; Portrait of Old Woman, Metsu, 118; Family Geelvink, Metsu, 120; The Mother, De Hooch, 121; The Concert, Terborch, 130; Diana with her Nymphs, Vermeer, 135; Lady with a Pearl Necklace, Vermeer, 138; The Christening Party, Steen, 146; Portrait of a Young Woman, Flinck, 153; A Man Praying, Fabritius, 158; Raising of Jairus’s Daughter, Presentation of Christ in the Temple, Mercury and Argus, Eeckhout, 159; Old Lady and her Daughters, Old Man and his Sons, De Keyser, 166; Landscape and Cattle, Koninck, 173; Boar Hunt, Potter, 180; View of Arnheim, View of Nimwegen, Van Goyen, 188; View of Haarlem from the Dunes, Jacob van Ruisdael, 197 Biblical pictures, 74, 103-105, 150; by Steen, 148; Flinck, 151; Fabritius, 156; Bol, 163; Eeckhout, 158; De Gelder, 160; Van de Velde, 183 Big Wood, The [Jacob van Ruisdael], 199 Blacksmith, The [Metsu], 117 Boar Hunt, The [Potter], 180 Bode, W., quoted, 54, 114, 117, 134, 176-195 Bol, Ferdinand, 30; school, 43; appreciation, 153; Jacob Presented to Pharaoh, Rest of the Holy Family, Abraham Receiving the Angels, Salome Dancing before Herod, 154; Portrait of a Girl, Portraits in the Pinakothek, 155 Boston Museum, pictures in: An Interior, De Hooch, 122 Both, Johannes, 30 Boucher, 5 Bray, Jan de, 19 Bray, Salomon de, 39, 167 Brederode, feast at, 21 Bredius, Dr., 136; estimate of Steen, 142 Brueghel, Pieter the Elder, 107 Brunswick Gallery, pictures in: The Coquette, Vermeer, 140; Portrait, Eeckhout, 160; Oak Wood, Jacob van Ruisdael, 199 Brussels, scene of abdication of Charles V, 7; ancient grandeur of, 7; treaty of 1577 signed at, 23 Budapest, Fine Arts Museum, pictures in: Portrait of a Man, Maes, 116; Portrait of a Lady, Vermeer, 141; Esther and Mordecai, De Gelder, 161; Portrait of a Woman, De Keyser, 166; Portrait of a Young Lady, Moreelse, 168; Landscape, Cuyp, 183 Burial, The [Rembrandt], 103 C Cassel Gallery, picture in: Twelfth Night, Steen, 146 Castle Bentheim [Jacob van Ruisdael], 195 Cattle and Bathers [Potter], 186 Cavalier in a Shop [Van Mieris], 124 Charles V, abdication, 3-8; birth and education, 7; rule in the Netherlands, 7 Chiaroscuro, Rembrandt’s, 79 Christ with the Doctors [Eeckhout], 159 Christening Party, The [Steen], 146 Church, influence of, on art, 11; attempt to fasten Catholic on Holland, 20; schism in Protestant, 37 Codde, Pieter, 126 Concert, The [Terborch], 136 Cook, The [Vermeer], 137 Coquette, The [Vermeer], 139 Count of Orange, William, 8 Cradle, The [Maes], 115 Craftsmanship, Dutch love of, 32 Cuyp, Aelbert, 30, 178; appreciation, 182 Czernin Gallery, Vienna, pictures in: The Artist in his Studio, Vermeer, 140; The Company of Captain Cloeck, De Keyser, 166 D David Handing the Letter to Uriah [Flinck], 151 Day of Judgment [Van Orley], 15 Decapitation of St. John the Baptist [Fabritius], 157 Delft, School of, 38, 41; born in: Vermeer, 132; studied at: Vermeer, 132; residence in: Vermeer, 132; Steen, 144; Fabritius, 156 Descent from the Cross [Rembrandt], 103 Diana and her Nymphs [Vermeer], 135 Diana at her Toilet [Vermeer], 134 Disciples at Emmaus [Steen], 148 Doctor Visiting a Young Woman [Steen], 147 Doctor’s Visit, The [Steen], 147 Dordrecht, School of, 38, 43; De Gelder, 160; Cuyp, 182; residence of Cuyp, Hoogstraten, 43; of De Gelder, Potter, 179 Dort, assembly of Estates, 23 Dou, Gerard, 30; school, 40; life, 111; appreciation, 111; The Young Mother, 103; Old Woman Saying Grace, 103; The Dropsical Woman, 112; Lady at her Toilet, 112; Old Woman who has Lost her Thread, 112; Young Man and Girl in a Cellar, 113; Night School, 113 Dresden Gallery: Old Woman who has Lost her Thread, Dou, 112; Young Man and Girl in a Cellar, Still-life, Portrait of Himself, Dou, 113; Man and Woman Selling Poultry, Lovers at Breakfast, Metsu, 118; A Lady at her Clavichord, Netscher, 125; Officer Writing a Letter, Lady Washing her Hands, Terborch, 130; The Proposal, Vermeer, 134; The Marriage at Cana, The Expulsion of Hagar, Steen, 148; David Handing the Letter to Uriah, Flinck, 151; Jacob Presented to Pharaoh, Bol, 153; Rest of the Holy Family, Bol, 154; Presentation of Christ in the Temple, An Important Document, Portrait of a Halberdier, DeGelder, 160; Dutch Landscape, Koninck, 173; Castle Bentheim, Jacob van Ruisdael, 195; Village in the Wood, Jacob van Ruisdael, 196; Jewish Cemetery, Jacob van Ruisdael, 200 Dropsical Woman, The [Dou], 112 Dunes, Valley of the Rhine near Arnheim [Koninck], 173 Dürer, Albrecht, 15 Dusart, Cornelis, 110 Dutch, pioneers of modern era, 3; independence of, declared, 24; defeated Spain by sea, 26; love of genre, 30, 31; advance in commerce, science, agriculture, and the crafts, 36; political and religious dissensions, 37; art one of portraiture, 49; character of genre, 107-109; change of conditions of society, 124; society pictures, 126; landscape, 170; with cattle, 177; occasional tediousness of landscapes, 192 Dutch Courtyard [De Hooch], 122 Dutch Housewife [Maes], 115 Duyster, Willem Cornelisz, 121, 126 E Eeckhout, Gerbrandt van den, 30; school, 43, 151; life, 174; appreciation, 175; The Woman Taken in Adultery, 158; Christ with the Doctors, Raising of Jairus’s Daughter, Presentation of Christ in the Temple, Mercury and Argus, 159; The Wine Contract, 160 Egg Dance, The [Aertz], 107 Egmont, Count, 22, 46 Egmont, Maria van, 144 Elevation of the Cross [Rembrandt], 103, 104 Elias, Nicolaes, 165 Elizabeth of England assists Dutch, 25 Elkins, Mrs. William L., owner of Wooded Road, Hobbema, 191 Elsheimer, German painter who influenced Rembrandt, 74 Enraged Swan, The [Jan Asselyn], 44 Esther and Mordecai [De Gelder], 161 Etchings of Rembrandt, 74: Old Woman’s Head; Bust of Old Woman; Rembrandt, a Bust; Rembrandt with an Open Mouth; Rembrandt with an Air of Grimace; Rembrandt with Haggard Eyes; Rembrandt Laughing Everdingen, Allart van, 30; school, 39; paints in Sweden, 39; in Amsterdam, 43 Everdingen, Cæsar van, 175 Expulsion of Hagar [Steen], 148 F Fabritius, Carel, 30; school, 41; in Amsterdam, 43; teacher of Vermeer, 132; Biblical subjects, 150; appreciation, 156; tragic death, 157; Portrait of Abraham de Notte, 157; The Decapitation of St. John the Baptist, 157 Family Geelvink [Metsu], 120 Family Group [De Hooch], 122 Feast of St. Nicholas [Steen], 145 Fête of the Civic Guard, Münster, 1648 [Flinck], 153 Fiddler, The [Van Ostade], 110 Fishers for Souls, The [Van de Venne], 44 Flanders, School of, 100, 107 Flemish nobles aid Holland, 21 Flinck, Govert, 30; school, 43; Biblical pictures, 150; appreciation, 151; Isaac Blessing Jacob, David Handing the Letter to Uriah, 151; Angel and the Shepherds, Gray-Bearded Man, 152; Portrait of a Little Girl, of a Young Woman, of M. Johannes Wittenbogaert, Fête of the Civic Guard, Münster, 153 Fragonard, 5 Frederick Henry, Stadtholder, 37, 45 Frick, Henry C., owner of The Music Lesson, Vermeer, 140 Fromentin, quoted, 6, 49; on Rembrandt, 78-85; Terborch, 129 G Gallant Soldier, The [Terborch], 129 Gelder, Aert de, 151; appreciation of, 160; Presentation of Christ in the Temple, An Important Document, Portrait of a Halberdier, 160; Judah and Thamar, Esther and Mordecai, Three Portraits, 161 Genre painting, 107; inspiration from Hals, 100; high-water mark of, 120; decline of, 124; society picture, 126; of Terborch, 129; not realistic, 130; Valckenborch, Aertz, 107; Van Ostade, 108; Dou, 111; Maes, 114; Metsu, 117; De Hooch, 120; Willem and Frans (Elder and Younger) van Mieris, 122; Lairesse, Netscher, Schalcken, 125; Dirck Hals, Duyster, Palamedesz, Codde, Slingeland, 126; Terborch, 127; Vermeer, 132; Steen, 141 Gerard, Balthasar, assassin of William of Orange, 25 Ghent, birthplace of Charles V, 7 Girl before her Mirror [Van Mieris], 124 Girl with Water-Jug [Vermeer], 134 Gorkum, 176 Goyen, Jan Joseph van, 19, 39, 40, 42, 173, 174, 183; life, 187; appreciation, 188; compared to Ruisdael, 189; View of Dordrecht, of Arnheim, of Nimwegen, Landscape, 188; The River, Banks of a Canal, 189 Grand Pensionary, 47 Grange, Justus de la, employer of Pieter de Hooch, 121 Gray-Bearded Man [Flinck], 152 Greek art compared to Rembrandt’s, 72 Guild of St. Luke, the Painters’ Guild, at Delft, 121, 132; Haarlem, 51, 174, 194; Leyden, 111, 117, 144 H Haarlem, school, 39, 50; Scovel, 16; Hals, 50; Terborch, 127; De Bray, 167; Ruisdael, Salomon and Jacob, 174; Molyn, 174; Wynants, 174; Everdingen, 174; Van de Velde, 174; Berchem, 174; birthplace of Seghers, 170; Wouwerman, 180; Ruisdael, 194; residence of Hals, 51; Van Ostade, 110; De Hooch, 121; De Bray, 157; Seghers, 170; Van de Velde, 174; Wouwerman, 180 Haarlem Municipal Museum, 32, 39, 52; corporation pictures, Hals, 64: Banquet of the Officers of the Archers of St. George, 64; Banquet of the Officers of the Archers of St. George, 65; Banquet of the Officers of the Archers of St. Andrew, 66; Reunion of the Officers of the Archers of St. Andrew, 67; Officers of the Archers of St. George, 68; Regents of the Hospital for the Poor, 52; Regents of the Hospital of St. Elizabeth, 69 Hague: Dutch independence declared, 24; school, 38, 42; Ravesteyn, 167; Mierevelt, 167; residence of De Hooch, 121; Steen, 144; Seghers, 170; Potter, 179; Van Goyen, 187 Hague Royal Museum, 37; Portrait of a Young Man, St. Simeon in the Temple, The Lesson in Anatomy, Rembrandt, 76; The Young Mother, Dou, 103; Peasants’ Holiday, Peasants at an Inn, Marriage Proposal, The Fiddler, Van Ostade, 110; Diana at her Toilet, New Testament, Head of a Girl, Vermeer, 135; View of Delft, Vermeer, 136; While the Old Ones Sing, etc., Steen, 146; Doctor Visiting a Sick Woman, Steen, 147; Judah and Thamar, De Gelder, 161; The Young Bull, Potter, 179; Cattle and Bathers, Potter, 180; View of Dordrecht, Van Goyen, 188; View of Haarlem from the Dunes, Jacob van Ruisdael, 197; The Beach, Jacob van Ruisdael, 198 Hals, Dirck, 5; place in art, 126 Hals, Frans, 19; birth, 29; life, 50; Guild of St. Luke, 51; death and burial, 51; personal character, 52; technique, 52; humor, 53; point of view, 54; still-life, 57; compared with Van der Helst, 57; an Impressionist, 59; use of values, 63; light, 63; brushwork, 64; color, 64; simplicity of gesture, 67; decline of power, 69; Hals and Rembrandt, 96; modern influence, 97; overestimated, 97; pupils, 99; Banquet of the Officers of the Archers of St. George, 64; Banquet of the Officers of the Archers of St. George, 65; Banquet of the Officers of the Archers of St. Andrew, 66; Reunion of the Officers of the Archers of St. Andrew, 67; Officers of the Archers of St. George, 68; Regents of the Hospital for the Poor, 52; Regents of the Hospital of St. Elizabeth, 69 Hals, Harmen, 58 Happy Family, A [Steen], 145 Harmen van Rijn, father of Rembrandt, 73 Head and Bust of Oriental [Rembrandt], 104 Head of a Girl [Vermeer], 135 Helst, Bartholomeus van der, 43; compared with Hals, 57; appreciation, 164; Banquet of the Civic Guard, 57, 164; Portrait of Paul Potter, 163, 178 Hendrickje, 78; Portrait of, 89 Hermanszoon, Anneke, 50 Heyden, Jan van der, 31 Hobbema, Meindert, 31, 39, 43; life, 190; appreciation, 192; The Water Mill, 191, 192; Avenue of Middelharnis, Wooded Landscape, Water-Mill (Louvre), Wooded Road, 191 Holland, growth of, 3; pioneer of modern era, 3; misrule of Philip, 19; independence of, 24; birthplace of new art, 26; Duchess Isabella, 45; consolidated, 45; Stadtholdership hereditary, 46; family of Orange entangled with Stuarts, 47 Holy Family [Rembrandt], 102 Homely Scene, A [Steen], 145 Hondecoeter, Melchior d’, 31; school, 38; in Amsterdam, 43 Hooch, Pieter de, 31; school, 41; in Amsterdam, 43; life, 120; influence of other painters, 138; The Mother, Interior, The Pantry, A Dutch Courtyard, Family Group, 122; The Visit, 138 Hoogstraten, Samuel van, 43 Horn, Count van, 22, 46 Horses at the Door of a Cottage [Potter], 180 Houbraken, historian-painter, 52, 120, 144 Huntington, Mrs. Collis P., owner of Lady with a Lute, Vermeer, 139 I Important Document, An [De Gelder], 160 Impressionism, 59, 60; of Rembrandt, 86, 92, 93 Interior [De Hooch], 122 Isaac Blessing Jacob [Flinck], 151 Isabella, Duchess, 45 Israels, Josef, 106 J Jacob Presented to Pharaoh by Joseph [Bol], 154 Jerome in a Cave, St. [Rembrandt], 76 Jesus Disputing with the Doctors [Rembrandt], 75 Jewish Cemetery [Jacob van Ruisdael], 200 Johnson, Mr. John G., collector of Philadelphia, 114 Judah and Thamar [De Gelder], 160 Judith with the Head of Holofernes [Mantegna], 157 K Kalf, Willem, 31 Keyser, Thomas de, 43; appreciation, 165; Company of Captain Cloeck, Family Meebeeck Cruywaghen, Portrait of Pieter Schout, Old Lady and her Three Daughters, Old Man and his Two Sons, Portrait of a Woman, 166 Koninck, Philips, 30; in Amsterdam, 43, 174; appreciation, 172; The Dunes, Valley of the Rhine near Arnheim, Dutch Landscape, Landscape with Cattle (Berlin), Landscape with Cattle (Rijks), Four Portraits of Joost van den Vondel, 173 L Lace-Maker, The [Vermeer], 139 Lady and her Doctor [Van Mieris], 124 Lady at a Spinet [Vermeer], 140 Lady at her Toilet [Dou], 112 Lady at the Clavichord [Netscher], 125 Lady Washing her Hands [Terborch], 136 Lady with a Lute [Vermeer], 139 Lady with the Pearl Necklace [Vermeer], 138 Lady Writing [Vermeer], 139 Lairesse, Gerard de, 125 Landscape, 169; painters of: Seghers, 169; Rembrandt, 173; Jacob van Ruisdael, 173, 193; Salomon van Ruisdael, 174; Molyn, 173; Berchem, 174; Wouwerman, 174, 180; Wynants, 175; Van der Neer, 176; Van de Velde, 183; with cattle, Potter, 179 Landscape with Cattle [Koninck], 173 Landscape with Cattle [Potter], 180 Landscape with Fence [Jacob van Ruisdael], 199 Landscape with Waterfall [Jacob van Ruisdael], 194 Last Judgment [Van Leyden], 74 Lastman, Pieter, 73 League of Nobles, 21 Lesson in Anatomy [Rembrandt], 76 Letter, The [Vermeer], 138 Leyden, founding of university, 35; School of, 38, 40; Dou, 111; Steen, 144; birthplace of Rembrandt, 73; Dou, 111; Metsu, 117; Mieris, 122; Steen, 144; Willem van de Velde, Elder and Younger, 186; Van Goyen, 187; residence of Rembrandt, 74; Dou, 111; Steen, 144 Liberty, Statue of, 87 Liechtenstein Gallery, Vienna: Portrait of a Girl, Bol, 155 Louvre: The Supper at Emmaus, The Good Samaritan, Rembrandt, 82; The Dropsical Woman, Dou, 112; Vegetable Market, Metsu, 118; The Gallant Soldier, Terborch, 129; Angel and the Shepherds, Flinck, 152; Portrait of a Little Girl, Flinck, 153; Portrait of a Mathematician, Bol, 154; Horses at the Door of a Cottage, Potter, 180; The River, Banks of a Canal, Van Goyen, 189; Water Mill, Hobbema, 191 Lovers at Breakfast [Metsu], 118 Lucas van Leyden, 15, 74; The Last Judgment, 74 Luminarist, 80 M Maas, River, 182 Maes, Nicolaes, 31, 144; school, 43; influenced by Rembrandt, 105; life, 114; appreciation, 115; A Reverie, Asking a Blessing, Nurse and Children, 114; The Young Card-Players, 114, 116; Old Woman Peeling Apples, The Cradle, Dutch Housewife, 115; Old Woman Spinning, 115, 116; Portrait of a Man, 116 Man and Woman Selling Poultry [Metsu], 118 Manet, Edouard, 60 Mantegna, Judith with the Head of Holofernes, 157 Marine-painters, 44; Vlieger, 44, 185; Bakhuysen, 44; Verschuier, 185; Willem van de Velde, Elder and Younger, 44, Vroom, 185 Marriage at Cana [Steen], 148 Marriage Proposal, The [Van Ostade], 110 Matisse, French artist, 93 Maurice, Stadtholder, 37, 45 Mercury and Argus [Eeckhout], 159 Metropolitan Museum, New York, 88, 90; A Music Party, Metsu, 119; Girl with Water-Jug, Vermeer, 135 Metsu, Gabriel, 31; school, 40; in Amsterdam, 43; pupil of Hals, 99; influenced by Dou, 111; life, 117; appreciation, 117-119; The Blacksmith, 117; Old Woman in Meditation, Man and Woman Selling Poultry, Lovers at Breakfast, 118; A Music Party, Visit to the Nursery, 119; Family Geelvink, 120 Meyer, Baron A., photographs of, 58 Mierevelt, Michiel Jansz van, 19, 41, 167 Mieris, Frans van, the Elder, 40; influenced by Dou, 111; life, 122; appreciation, 123; The Sick Woman, The Oyster Breakfast, 123; The Girl before a Mirror, A Lady and her Doctor, Cavalier in a Shop, 124 Mill near Wyk-by-Duurstede [Jacob van Ruisdael], 199 Models, Rembrandt’s use of, 104, 150 Monet, Claude, 60 Moral character of Dutch painting, 27 Moreelse, Paulus, 167 Morgan, Mr. J. Pierpont, owner of Visit to the Nursery, Metsu, 119; Lady Writing, The Lace-Maker, Vermeer, 139; The Water Mill, Hobbema, 184, 191; Wooded Landscape, Hobbema, 191 Moro, Antonio, 16 Mother, The [De Hooch], 122 Munich Pinakothek. See Pinakothek Music Lesson, The [Vermeer], 140 N National Gallery, London: Peace of Münster, Terborch, 39, 127; The Young Card-Players, Maes, 114, 116; The Cradle, Dutch Housewife, Maes, 115; An Interior, De Hooch, 121; A Dutch Courtyard, Family Group, De Hooch, 122; Lady at a Spinet, Vermeer, 140; The Doctor’s Visit, Steen, 147; The Wine Contract, Eeckhout, 160; Tobit and the Angel, Rembrandt, 172; Moonlight Landscape, Landscape with Trees, Landscape with Cattle, Van der Neer, 177; Landscape with Cattle, Potter, 180; Landscape with Cattle, Cuyp, 182; Avenue of Middelharnis, Hobbema, 191; Landscape with Waterfall, Jacob van Ruisdael, 194; Shore at Scheveningen, Ruisdael, 198 Neer, Aert van der, 30; school, 43; appreciation, 176; Moonlight Scenes, in National Gallery and Imperial Art Museum, Vienna, 177; Winter Scene, Scene with Cattle, 177 Netscher, Caspar, school, 42; appreciation, 125; A Lady at the Clavichord, 125 New Testament, The [Vermeer], 136 Night School, The [Dou], 113 Night Watch, The [Rembrandt], 77, 79, 81, 84 Nurse and Children [Maes], 114 O Officer Writing a Letter [Terborch], 136 Old Lady and her Three Daughters [De Keyser], 166 Old Man and his Two Sons [De Keyser], 166 Old Woman in Meditation [Metsu], 118 Old Woman Peeling Apples [Maes], 116 Old Woman Peeling Apples [Terborch], 136 Old Woman Saying Grace [Dou], 103 Old Woman Spinning [Maes], 114 Old Woman who has Lost her Thread [Dou], 112 Orange, Prince William of, 23, 29, 46 Oriental art, 94 Oriental Figure [Rembrandt], 104 Orley, Barend van, 15; The Day of Judgment, 15 Ostade, Adriaen van, 30; school, 39; pupil of Hals, 99; life, 108; appreciation, 109; pupils, 110; The Peasants’ Holiday, Peasants at an Inn, Marriage Proposal, The Fiddler, 110 Ostade, Isaac van, 110 Oyster Breakfast, The [Mieris], 123 P Palamedesz, Antonie, school, 41; appreciation, 126 Pantry, The [De Hooch], 122 Paul, St. [Rembrandt], 76 Peace of Münster, 46 Peace of Münster [Terborch], 39, 127 Peasants at an Inn [Van Ostade], 110 Peasants’ Holiday [Van Ostade], 110 Petersburg, St., The Swamp in the Wood, Jacob van Ruisdael, 199 Philip I, 3, 9, 10 Philip II: misrule of Netherlands, 19; nobles resist, 21; ambition, 25; close of reign, 26 Pieter Schout, Portrait of [De Keyser], 166 Pinakothek, Munich: Holy Family, Rembrandt, 102; The Descent from the Gross, The Elevation of the Cross, Rembrandt, 103, 104; The Burial, The Resurrection, Rembrandt, 103; The Adoration of the Shepherds, Rembrandt, 104, 159; Old Woman Saying Grace, Dou, 103; Lady at her Toilet, Dou, 112; The Sick Woman, The Oyster Breakfast, Van Mieris, 123; Girl before a Mirror, Van Mieris, 124; Portraits of Man and Wife, three others, Bol, 155 Plein-air, 63, 131, 170, 171 Portrait of a Girl [Bol], 155 Portrait of a Little Girl [Flinck], 153 Portrait of a Man [Maes], 116 Portrait of a Woman [De Keyser], 160 Portrait of a Young Man [Flinck], 152 Portrait of A. de Notte [Fabritius], 157 Portrait of Elizabeth Bas [Rembrandt], 89 Portrait of Himself [Rembrandt], 78 Portrait of M. Johannes Wittenbogaert [Flinck], 152 Portrait of Old Woman [Metsu], 118 Portrait of Paul Potter [Van der Helst], 178 Portraits, painters of, 33; school of Haarlem, 39; Delft, 41; The Hague, 42; Hals, 49; Rembrandt, 89; Maes, 116; Terborch, 128; Vermeer, 141; Santvoort, 151, 161; Flinck, 151; Bol, 155; Fabritius, 156; Eeckhout, 160; De Gelder, 160; Van der Helst, 162; De Keyser, 165; Mierevelt, 167; Ravesteyn, De Bray, Moreelse, 167 Portraits of Man and Wife, three other portraits [Bol], 155 Portraiture, 150 Potter, Paul, appreciation, 178; life, 179; The Young Bull, 179; Bear Hunt, Boar Hunt, Cattle and Bathers, Horses at the Door of a Cottage, Landscape with Cattle, 180 Pourbus, Pieter, 16 Presentation of Christ in the Temple [De Gelder], 160 Presentation of Christ in the Temple [Eeckhout], 159 Presentation with the Angel [Rembrandt], 75 Prince’s Birthday [Steen], 146 Proposal, The [Vermeer], 134 R Raising of Jairus’s Daughter [Eeckhout], 159 Ravesteyn, Jan Anthonisz van, 19; school, 42, 167 Regents of the Hospital for the Poor [Hals], 52 Regents of the Hospital of St. Elizabeth [Hals], 69 Rembrandt, Harmensz van Rijn, 71; individuality, 4; birth, 30; School of Leyden, 40; Amsterdam, 43; Holland’s leading painter, 49; life, 72; etchings, 74: personality, 75; in Amsterdam, 76; beginning of fame, 77; marriage and death of Saskia, second marriage, 77; bankruptcy, 78; Fromentin’s criticism, 79, 85; chiaroscuro, 80; abstract idea, 88; color, 91; symbolism, 92; Impressionist, 93; compared with Hals, 96; influence on genre, 102; use of the arch, 104; St. Paul, St. Jerome in a Cave, St. Simeon in the Temple, 76; The Lesson in Anatomy, 76, 85; Sortie of the Frans Banning Cock Company (The Night Watch), 77, 79, 81, 84; The Syndics of the Cloth Guild, 78; Portrait of Himself, 78; Supper at Emmaus, 82, 148; Good Samaritan, 82; Portrait of Elizabeth Bas, 89; Holy Family, 102; Descent from the Cross, 103; Elevation of the Cross, 103, 104; Burial, Resurrection, Adoration of the Shepherds, Oriental Figure, Head and Bust of an Oriental, 104; Tobit and the Angel, 172 Renaissance art, 72 Rest of the Holy Family [Bol], 154 Resurrection, The [Rembrandt], 104 Reunion of the Officers of the Archers of St. Andrew [Hals], 66, 67 Reverie [Maes], 114 Reyniers, Lysbeth, 51 Rijks Museum, Amsterdam, 44, 59; The Enraged Swan, Asselyn, 44; Fishers for Souls, Van de Venne, 44; Syndics of the Cloth Guild, Rembrandt, 78; Sortie of the Frans Banning Cock Company, Rembrandt, 78, 79, 81, 84; Portrait of Elizabeth Bas, Rembrandt, 89; The Egg Dance, Aertz, 107; The Night School, Dou, 113; A Reverie, Metsu, 114; Asking a Blessing, Old Woman Spinning, Metsu, 115, 116; The Blacksmith, Metsu, 117; Old Woman in Meditation, Metsu, 118; The Interior, The Pantry, De Hooch, 122; The Cook, Vermeer, 137; Young Woman Reading a Letter, Vermeer, 138; A Homely Scene, The Happy Family, The Feast of St. Nicholas, Steen, 145; The Prince’s Birthday, The Sick Lady, Steen, 146; The Disciples at Emmaus, Steen, 148; Isaac Blessing Jacob, Flinck, 151; Portrait of M. Johannes Wittenbogaert, Fête of the Civic Guard, Münster, 1648, Flinck, 153; Abraham Receiving the Angels, Salome Dancing before Herod, Bol, 154; Six Governors of the Huiszittenhuis, Four Governors of the Leper House, Roelof Meulenaar, Maria Rey, Artus Quellinus, Bol, 156; Portrait of Abraham de Notte, Decapitation of St. John the Baptist, Fabritius, 157; Woman Taken in Adultery, Eeckhout, 158; Three Portraits, De Gelder, 161; Portrait of Dirck Bas Jacobsz Family, Four Ladies of the Spinhuis, Santvoort, 161; Banquet of the Civic Guard, Van der Helst, 57, 164; Portrait of Paul Potter, Van der Helst, 163; Company of Captain Cloeck, Family Meebeeck Cruywaghen, Portrait of Pieter Schout, De Keyser, 166; Maria van Utrecht, The Little Princess, Moreelse, 167; Four Portraits of Joost van den Vondel, Two Landscapes with Cattle, Koninck, 173; Landscape, Everdingen, 175; The Bear Hunt, Potter, 180; Portrait of the Van de Velde Family, Van de Velde, 183; Charles II Entering Rotterdam, 24 May, 1660, Verschuier, 186; Landscape, Van Goyen, 188; View of Haarlem from the Dunes, Jacob van Ruisdael, 197; Mill near Wyk-by-Duurstede, Jacob van Ruisdael, 199 River [Van Goyen], 188 Rotterdam, birthplace of De Hooch, 120; Vlieger, 185; Verschuier, 185 Rubens, Peter Paul, 18 Ruisdael, Jacob van, compared to Goyen, 189; appreciation, 193; life, 194; increase of power, 196; compared to Rembrandt, 200; Landscape with Waterfall, 194; Castle Bentheim, 195; Village in the Wood, 196; View of Haarlem from the Hill of Overveen, 197; The Beach, Shore at Scheveningen, 198; The Mill near Wyk-by-Duurstede, The Swamp in the Wood, The Oak Wood, The Big Wood, Landscape with Fence, 199; Jewish Cemetery, 200 Ruisdael, Salomon van, 174 S St. Simeon in the Temple [Rembrandt], 76 Salome Dancing before Herod [Bol], 151 Santvoort, Dirck Dircksz, 151; appreciation, 161; Portrait of Dirck Bas Jacobsz Family, Four Ladies of the Spinhuis, 161; Four Governors of the Serge Hall, Frederick Dircksz Alewyn, Agatha Geelvinck, Martinus Alewyn, Clara Alewyn, 162 Saskia van Uylenborch, 77 Schalcken, Godfried, 42; influenced by Dou, 111; appreciation, 125 Schatter, Captain Johan, 66 Scovel, Jan van, life, 16; appreciation, 17; portrait group of twelve Knights Templars, 17 Seghers, Hercules, 19; born at Amsterdam, 43; appreciation, 169; influenced Koninck, 173, 174; Holland Landscape with the Hamlet of Rhenen, Landscape, 169 Shore at Scheveningen [Jacob van Ruisdael], 198 Sick Woman, The [Van Mieris], 123 Sidney, Sir Philip, 25 Sleeping Girl [Vermeer], 136 Slingeland, Pieter Cornelisz van, influenced by Dou, 111, 126 Sortie of the Frans Banning Cock Company [Rembrandt], 77, 79 Spain, downfall of, 26 Spanish Fury, 22 Steen, Jan, 31; school, 39, 40; appreciation, 141; humor, 143; life, 144; stories of reckless life, 145; A Homely Scene, Feast of St. Nicholas, Happy Family, 145; The Christening Party, While the Old Ones Sing the Young Ones Pipe, Twelfth Night, The Prince’s Birthday, The Sick Lady, 146; Doctor Visiting a Sick Young Woman, A Doctor’s Visit, 147; The Marriage at Cana, Expulsion of Hagar, Disciples at Emmaus, 148 Still-life, Dutch interest in, 31; Van Heem, Weenix, Kalf, Hondecoeter, 31, 38 Stoffels, Hendrickje, 78 Supper at Emmaus [Rembrandt], 82, 148 Swamp in the Wood [Jacob van Ruisdael], 199 Swanenburch, Jacob van, 41; teacher of Rembrandt, 73 Symbolism, 95, 197, 200 Syndics of the Cloth Guild [Rembrandt], 56 T Technique, as a motive, 28 Terborch, Gerard, 30; school, 39; pupil of Hals, 99; appreciation, 127; life, 128; influence of Hals, Rembrandt, and Velasquez, 128; portraits, 128; color, 131; The Peace of Münster, 127; The Gallant Soldier, 129; The Concert, Officer Writing a Letter, Lady Washing her Hands, Old Woman Peeling Apples, 130 Tintoretto, 14 Titian, 14 Tobit and the Angel [Rembrandt], 172 Tulp, Dr., 76 Twelfth Night [Steen], 146 U Uffizi Gallery, Florence, Landscape, Seghers, 169 Union of Utrecht, 23 Utrecht, school of painting: Scovel, 16; birthplace of Moreelse, 167; residence of Scovel, 16; Moreelse, 167; Seghers, 170 Uylenborch, Saskia van, 77 V Valckenborch, Lucas van, 107; appreciation, 126 Values, 134 Vanderbilt, W. K., collector, 104 Vegetable Market, The [Metsu], 118 Velasquez, 60; influenced Rembrandt, 93; Hals, 97 Velde, Adriaen van de, 31, 43, 178; appreciation, 183, 196; Family of Van de Velde, 183 Velde, Esaias van de, 39, 187 Velde, Willem van de, the Elder, 30, 184; appreciation, 186 Velde, Willem van de, the Younger, 44; appreciation, 186 Venne, Adriaen van de, 44 Vermeer, Johannes, 31; school, 41; life, 132; appreciation, 132; comparison with Rembrandt, 133; plein-air, 170; The Proposal, 134; Girl with Water-Jug, 135, 139; Diana at her Toilet, New Testament, Head of a Girl, Diana and her Nymphs, 135; Sleeping Girl, View of Delft, 136; The Cook, 137; The Letter, Young Woman Reading a Letter, Lady with Pearl Necklace, 138; Lady with a Lute, Lady Writing, The Lace-Maker, 139; The Coquette, Lady at a Spinet, The Music Lesson, The Artist in his Studio, 140; Portrait of a Lady, 141 Veronese, Paolo, 14 Verschuier, Lieve, 185; Charles II Entering Rotterdam, 186 Veth, Jan, 182 Vienna Art-History Museum, 107; A Lady and her Doctor, Cavalier in a Shop, Mieris, 124; Old Woman Peeling Apples, Terborch, 130; Gray-Bearded Man, Flinck, 152; The Big Wood, Ruisdael, 199 Vienna Imperial Art Museum: Moonlight and Winter Landscapes, Van der Neer, 177; Landscape with Fence, Jacob van Ruisdael, 199 View of Arnheim [Van Goyen], 188 View of Delft [Vermeer], 137 View of Dordrecht [Van Goyen], 188 View of Nimwegen [Van Goyen], 188 Visit, The [De Hooch], 138 Visit to the Nursery [Metsu], 119 Vlieger, Simon de, 34, 44; appreciation, 185 Vondel, Joost van den, Portrait of [Koninck], 173 Vroom, Hendrick Cornelisz, 185 W Wagner, quotation on art, 4 Wallace Collection: Winter Scene, Van der Neer, 177; Landscape with Cattle, Cuyp, 182 Water Mill [Hobbema], 191 Water Mill (Louvre) [Hobbema], 191 Watteau, 5 Weenix, Jan, 31; school, 38, 43 Westphalia, Treaty of, 46 When the Old Ones Sing the Young Ones Pipe [Steen], 146 Whistler, 95 William, Prince of Orange, 8; resists Spain, 21; price put on his head, 23; offered the crown, 24; death, 25 William III of England, 47 Wine Contract, The [Eeckhout], 160 Witt, Johan de, 46 Woman Taken in Adultery [Eeckhout], 158 Wooded Landscape [Hobbema], 191 Wooded Road [Hobbema], 191 Wouwerman, Philips, 30, 174; school, 39; pupil of Hals, 99, 178; appreciation, 180, 184, 195 Wynants, Jan, 30, 174, 175; school, 39, 43, 84 Y Young Bull, The [Potter], 179 Young Card-Players, The [Maes], 114, 116 Young Man and Girl in a Cellar [Dou], 113 Young Mother, The [Dou], 103 Young Woman Reading a Letter [Vermeer], 138

FOOTNOTES: