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The Sanskrit drama

Note 36 — XI THE DECLINE OF THE SANSKRIT DRAMA

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The Saṭṭaka with its demand for Prākrit was too exacting for the average poet; we have only the Ānandasundarī36 of the tedious Ghanaçyāma, minister of the Marāṭha Tukkojī and the Çṛn̄gāramañjarī37 of the Almora poet Viçveçvara of the eighteenth century.

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