Note 47 — Front matter (continued 5)
Reading edition
The Siamese are naturally very fond of music, and even persons of high rank think it no disparagement to acquire a proficiency in the art. Whence their great skill in music and in architecture it would be difficult to explain, more especially as their music exhibits great poetical genius and has a remarkably pleasing measure. It might naturally be supposed that they had derived their music from the same source that they have their religion; the softness, the playful sweetness and simplicity of the former, seeming to harmonize in great measure with the humane tenets, the pure morality, and the beauty of the latter.
The music of the Siamese Peguans and of Laos differs from that of most Indian nations in being played upon different keys, a feature which characterizes the pathetic music of certain European, and in particular the Scottish and Welsh nations. There is certainly no harsh or disagreeable sound, no abrupt transition, no grating sharpness; all is soft, lively, sweet, and harmonious to a degree which seemed to me quite surprising. They have certainly arrived far beyond the point of being merely pleased with sound. They have far a higher aim, that of interesting the feelings, of awakening thought or emotion.
Their pieces of music are very numerous; some of the women who perform before the king know by heart a hundred and fifty tunes; their memory and their performance are equally remarkable and surprising.