Part 4 — INDEX
Reading edition
Acoustics of voice, 188, 216.
Anatomy of vocal organs, 211.
Attack, 51, 53.
Breathing, 20, 130.
Breath, singing on the, 14, 27, 32, 72, 194.
Candle-flame test, 221.
Coloratura, 195, 282.
Decline of singing, 341.
Ear training, 276, 281, 319, 351.
Emission, 68, 125, 188.
Empirical knowledge, 151, 176, 181, 359. basis of, 155. in modern instruction, 75, 199, 207. in traditional precepts, 184.
Enunciation, 88.
Exercises for breath-control, 26, 31. for breathing, 22. for muscular movements, 46, 50. for relaxing muscles, 90, 272. on vowels and consonants, 85.
Forward tone, 14, 68, 71, 125, 187.
Garcia, 16, 22, 34, 35, 56, 328.
Glottic stroke, 30, 52.
History of voice culture, 8, 322.
Howard, John, 43.
Imitation, 134, 166, 291, 298, 307, 309, 324, 332.
Intonation, 265, 311, 314, 352.
Laryngeal action, 34, 36, 44.
Laryngoscope, 16, 35, 56, 214, 215, 258, 336.
Lessons, 103, 366.
Local effort, 273.
Mancini, 12, 156, 307, 314, 323.
Mask, singing in the, 74, 81.
Mechanical vocal management, 83, 102, 109, 113, 135, 271, 287, 297, 299, 321, 329, 333, 346.
Mechanics of voice, 118, 220, 325, 335.
Mental voice, 180, 183.
Messa di voce, 40, 312.
Method, 92, 96, 99. Old Italian, 10, 304, 316, 320.
Méthode de Chant, 326.
Muscular sense, 143, 170. stiffness, 240, 251. strain, 267.
Nasal tone, 62, 129, 205.
Nervousness, 249, 256.
Old Italian masters, 9, 11, 14, 54, 306, 320. method, 10, 304, 316, 320.
Open throat, 14, 60, 86, 191.
Placing the voice, 38, 41, 93, 310.
Practice, 5, 105, 281, 366.
Precepts, 13, 72, 76, 184, 186, 317.
Problem of voice, 4, 7, 287, 324, 337, 338.
Psychology of muscular guidance, 136, 227. of sympathetic sensations, 165. of vocal management, 144, 229, 297.
Pure vowel theory, 88.
Quality of tone, 40, 62, 156, 179, 182, 314, 346.
Radiation of nerve impulse, 251, 259.
Reflex actions, 247, 255.
Registers, 34, 38, 55, 312, 315.
Relaxing exercises, 90, 272.
Resonance, 54, 58. chest, 61, 127. mouth-pharynx, 59. nasal, 62, 87, 127, 204. sounding-board, 44, 65.
Sensations of singing, 160. direct, 161, 173. in modern instruction, 78, 84, 114. muscular, 78. sympathetic, 161, 162, 176. of vibration, 54, 55, 58, 80.
Sight reading, 309, 310, 313.
Singing in the mask, 74, 81. on the breath, 14, 27, 32, 72, 194.
Sol-fa, 310, 314.
Stiffness, muscular, 240, 251. throat, 89, 243, 260, 262, 285, 356, 358.
Support of tone, 14, 27, 32, 73, 192.
Sympathetic sensations, 161, 162, 165, 176.
Technique, 6, 94, 282.
Throat stiffness, 89, 243, 260, 262, 285, 356, 358.
Tone-production, 4. problem of 7, 287, 324, 337, 338.
Tosi, 12, 55, 63, 156, 307, 308, 322.
Traditional precepts, 13, 14, 76, 186, 317. empirical basis, 184. in modern instruction, 72, 77.
Tremolo, 265, 272.
Vocal action, 5, 17, 92, 112, 246.
Vocal Science, 17, 19, 37, 98, 152, 339, 361, 367.
Wearing voice into place, 101.