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The poetic Edda

Volume 1 — The Wise-Woman’s Prophecy

Henry Adams Bellows translation

Introductory Note

At the beginning of the collection in the Codex Regius stands the Voluspo, the most famous and important, as it is likewise the most debated, of all the Eddic poems. Another version of it is found in a huge miscellaneous compilation of about the year 1300, the Hauksbok, and many stanzas are included in the Prose Edda of Snorri Sturluson. The order of the stanzas in the Hauksbok version differs materially from that in the Codex Regius, and in the published editions many experiments have been attempted in further rearrangements. On the whole, however, and allowing for certain interpolations, the order of the stanzas in the Codex Regius seems more logical than any of the wholesale “improvements” which have been undertaken.

The general plan of the Voluspo is fairly clear. Othin, chief of the gods, always conscious of impending disaster and eager for knowledge, calls on a certain “Volva,” or wise-woman, presumably bidding her rise from the grave. She first tells him of the past, of the creation of the world, the beginning of years, the origin of the dwarfs (at this point there is a clearly interpolated catalogue of dwarfs’ names, stanzas 10–16), of the first man and woman, of the world-ash Yggdrasil, and of the first war, between the gods and the Vanir, or, in Anglicized form, the Wanes. Then, in stanzas 27–29, as a further proof of her wisdom, she discloses some of Othin’s own secrets and the details of his search for knowledge. Rewarded by Othin for what she has thus far told (stanza 30), she then turns to the real prophesy, the disclosure of the final destruction of the gods. This final battle, in which fire and flood overwhelm heaven and earth as the gods fight with their enemies, is the great fact in Norse mythology; the phrase describing it, ragna rök, “the fate of the gods,” has become familiar, by confusion with the word rökkr, “twilight,” in the German Götterdämmerung. The wise-woman tells of the Valkyries who bring the slain warriors to support Othin and the other gods in the battle, of the slaying of Baldr, best and fairest of the gods, through the wiles of Loki, of the enemies of the gods, of the summons to battle on both sides, and of the mighty struggle, till Othin is slain, and “fire leaps high about heaven itself” (stanzas 31–58). But this is not all. A new and beautiful world is to rise on the ruins of the old; Baldr comes back, and “fields unsowed bear ripened fruit” (stanzas 59–66).

This final passage, in particular, has caused wide differences of opinion as to the date and character of the poem. That the poet was heathen and not Christian seems almost beyond dispute; there is an intensity and vividness in almost every stanza which no archaizing Christian could possibly have achieved. On the other hand, the evidences of Christian influence are sufficiently striking to outweigh the arguments of Finnur Jonsson, Müllenhoff and others who maintain that the Voluspo is purely a product of heathendom. The roving Norsemen of the tenth century, very few of whom had as yet accepted Christianity, were nevertheless in close contact with Celtic races which had already been converted, and in many ways the Celtic influence was strongly felt. It seems likely, then, that the Voluspo was the work of a poet living chiefly in Iceland, though possibly in the “Western Isles,” in the middle of the tenth century, a vigorous believer in the old gods, and yet with an imagination active enough to be touched by the vague tales of a different religion emanating from his neighbor Celts.

How much the poem was altered during the two hundred years between its composition and its first being committed to writing is largely a matter of guesswork, but, allowing for such an obvious interpolation as the catalogue of dwarfs, and for occasional lesser errors, it seems quite needless to assume such great changes as many editors do. The poem was certainly not composed to tell a story with which its early hearers were quite familiar; the lack of continuity which baffles modern readers presumably did not trouble them in the least. It is, in effect, a series of gigantic pictures, put into words with a directness and sureness which bespeak the poet of genius. It is only after the reader, with the help of the many notes, has familiarized himself with the names and incidents involved that he can begin to understand the effect which this magnificent poem must have produced on those who not only understood but believed it.

1. Hearing I ask | from the holy races,

From Heimdall’s sons, | both high and low;

Thou wilt, Valfather, | that well I relate

Old tales I remember | of men long ago.

2. I remember yet | the giants of yore,

Who gave me bread | in the days gone by;

Nine worlds I knew, | the nine in the tree

With mighty roots | beneath the mold.

3. Of old was the age | when Ymir lived;

Sea nor cool waves | nor sand there were;

Earth had not been, | nor heaven above,

But a yawning gap, | and grass nowhere.

4. Then Bur’s sons lifted | the level land,

Mithgarth the mighty | there they made;

The sun from the south | warmed the stones of earth,

And green was the ground | with growing leeks.

5. The sun, the sister | of the moon, from the south

Her right hand cast | over heaven’s rim;

No knowledge she had | where her home should be,

The moon knew not | what might was his,

The stars knew not | where their stations were.

6. Then sought the gods | their assembly-seats,

The holy ones, | and council held;

Names then gave they | to noon and twilight,

Morning they named, | and the waning moon,

Night and evening, | the years to number.

7. At Ithavoll met | the mighty gods,

Shrines and temples | they timbered high;

Forges they set, | and they smithied ore,

Tongs they wrought, | and tools they fashioned.

8. In their dwellings at peace | they played at tables,

Of gold no lack | did the gods then know,—

Till thither came up | giant-maids three,

Huge of might, | out of Jotunheim.

9. Then sought the gods | their assembly-seats,

The holy ones, | and council held,

To find who should raise | the race of dwarfs

Out of Brimir’s blood | and the legs of Blain.

10. There was Motsognir | the mightiest made

Of all the dwarfs, | and Durin next;

Many a likeness | of men they made,

The dwarfs in the earth, | as Durin said.

11. Nyi and Nithi, | Northri and Suthri,

Austri and Vestri, | Althjof, Dvalin,

Nar and Nain, | Niping, Dain,

Bifur, Bofur, | Bombur, Nori,

An and Onar, | Ai, Mjothvitnir.

12. Vigg and Gandalf, | Vindalf, Thrain,

Thekk and Thorin, | Thror, Vit and Lit,

Nyr and Nyrath,— | now have I told—

Regin and Rathsvith— | the list aright.

13. Fili, Kili, | Fundin, Nali,

Heptifili, | Hannar, Sviur,

Frar, Hornbori, | Fræg and Loni,

Aurvang, Jari, | Eikinskjaldi.

14. The race of the dwarfs | in Dvalin’s throng

Down to Lofar | the list must I tell;

The rocks they left, | and through wet lands

They sought a home | in the fields of sand.

15. There were Draupnir | and Dolgthrasir,

Hor, Haugspori, | Hlevang, Gloin,

Dori, Ori, | Duf, Andvari,

Skirfir, Virfir, | Skafith, Ai.

16. Alf and Yngvi, | Eikinskjaldi,

Fjalar and Frosti, | Fith and Ginnar;

So for all time | shall the tale be known,

The list of all | the forbears of Lofar.

17. Then from the throng | did three come forth,

From the home of the gods, | the mighty and gracious;

Two without fate | on the land they found,

Ask and Embla, | empty of might.

18. Soul they had not, | sense they had not,

Heat nor motion, | nor goodly hue;

Soul gave Othin, | sense gave Hönir,

Heat gave Lothur | and goodly hue.

19. An ash I know, | Yggdrasil its name,

With water white | is the great tree wet;

Thence come the dews | that fall in the dales,

Green by Urth’s well | does it ever grow.

20. Thence come the maidens | mighty in wisdom,

Three from the dwelling | down ’neath the tree;

Urth is one named, | Verthandi the next,—

On the wood they scored,— | and Skuld the third.

Laws they made there, | and life allotted

To the sons of men, | and set their fates.

21. The war I remember, | the first in the world,

When the gods with spears | had smitten Gollveig,

And in the hall | of Hor had burned her,—

Three times burned, | and three times born,

Oft and again, | yet ever she lives.

22. Heith they named her | who sought their home,

The wide-seeing witch, | in magic wise;

Minds she bewitched | that were moved by her magic,

To evil women | a joy she was.

23. On the host his spear | did Othin hurl,

Then in the world | did war first come;

The wall that girdled | the gods was broken,

And the field by the warlike | Wanes was trodden.

24. Then sought the gods | their assembly-seats,

The holy ones, | and council held,

Whether the gods | should tribute give,

Or to all alike | should worship belong.

25. Then sought the gods | their assembly-seats,

The holy ones, | and council held,

To find who with venom | the air had filled,

Or had given Oth’s bride | to the giants’ brood.

26. In swelling rage | then rose up Thor,—

Seldom he sits | when he such things hears,—

And the oaths were broken, | the words and bonds,

The mighty pledges | between them made.

27. I know of the horn | of Heimdall, hidden

Under the high-reaching | holy tree;

On it there pours | from Valfather’s pledge

A mighty stream: | would you know yet more?

28. Alone I sat | when the Old One sought me,

The terror of gods, | and gazed in mine eyes:

“What hast thou to ask? | why comest thou hither?

Othin, I know | where thine eye is hidden.”

29. I know where Othin’s | eye is hidden,

Deep in the wide-famed | well of Mimir;

Mead from the pledge | of Othin each morn

Does Mimir drink: | would you know yet more?

30. Necklaces had I | and rings from Heerfather,

Wise was my speech | and my magic wisdom;

. . . . . . . . . .

Widely I saw | over all the worlds.

31. On all sides saw I | Valkyries assemble,

Ready to ride | to the ranks of the gods;

Skuld bore the shield, | and Skogul rode next,

Guth, Hild, Gondul, | and Geirskogul.

Of Herjan’s maidens | the list have ye heard,

Valkyries ready | to ride o’er the earth.

32. I saw for Baldr, | the bleeding god,

The son of Othin, | his destiny set:

Famous and fair | in the lofty fields,

Full grown in strength | the mistletoe stood.

33. From the branch which seemed | so slender and fair

Came a harmful shaft | that Hoth should hurl;

But the brother of Baldr | was born ere long,

And one night old | fought Othin’s son.

34. His hands he washed not, | his hair he combed not,

Till he bore to the bale-blaze | Baldr’s foe.

But in Fensalir | did Frigg weep sore

For Valhall’s need: | would you know yet more?

35. One did I see | in the wet woods bound,

A lover of ill, | and to Loki like;

By his side does Sigyn | sit, nor is glad

To see her mate: | would you know yet more?

36. From the east there pours | through poisoned vales

With swords and daggers | the river Slith.

. . . . . . . . | . . . . . . . .

. . . . . . . . | . . . . . . . .

37. Northward a hall | in Nithavellir

Of gold there rose | for Sindri’s race;

And in Okolnir | another stood,

Where the giant Brimir | his beer-hall had.

38. A hall I saw, | far from the sun,

On Nastrond it stands, | and the doors face north;

Venom drops | through the smoke-vent down,

For around the walls | do serpents wind.

39. I saw there wading | through rivers wild

Treacherous men | and murderers too,

And workers of ill | with the wives of men;

There Nithhogg sucked | the blood of the slain,

And the wolf tore men; | would you know yet more?

40. The giantess old | in Ironwood sat,

In the east, and bore | the brood of Fenrir;

Among these one | in monster’s guise

Was soon to steal | the sun from the sky.

41. There feeds he full | on the flesh of the dead,

And the home of the gods | he reddens with gore;

Dark grows the sun, | and in summer soon

Come mighty storms: | would you know yet more?

42. On a hill there sat, | and smote on his harp,

Eggther the joyous, | the giants’ warder;

Above him the cock | in the bird-wood crowed,

Fair and red | did Fjalar stand.

43. Then to the gods | crowed Gollinkambi,

He wakes the heroes | in Othin’s hall;

And beneath the earth | does another crow,

The rust-red bird | at the bars of Hel.

44. Now Garm howls loud | before Gnipahellir,

The fetters will burst, | and the wolf run free;

Much do I know, | and more can see

Of the fate of the gods, | the mighty in fight.

45. Brothers shall fight | and fell each other,

And sisters’ sons | shall kinship stain;

Hard is it on earth, | with mighty whoredom;

Axe-time, sword-time, | shields are sundered,

Wind-time, wolf-time, | ere the world falls;

Nor ever shall men | each other spare.

46. Fast move the sons | of Mim, and fate

Is heard in the note | of the Gjallarhorn;

Loud blows Heimdall, | the horn is aloft,

In fear quake all | who on Hel-roads are.

47. Yggdrasil shakes, | and shiver on high

The ancient limbs, | and the giant is loose;

To the head of Mim | does Othin give heed,

But the kinsman of Surt | shall slay him soon.

48. How fare the gods? | how fare the elves?

All Jotunheim groans, | the gods are at council;

Loud roar the dwarfs | by the doors of stone,

The masters of the rocks: | would you know yet more?

49. Now Garm howls loud | before Gnipahellir,

The fetters will burst, | and the wolf run free;

Much do I know, | and more can see

Of the fate of the gods, | the mighty in fight.

50. From the east comes Hrym | with shield held high;

In giant-wrath | does the serpent writhe;

O’er the waves he twists, | and the tawny eagle

Gnaws corpses screaming; | Naglfar is loose.

51. O’er the sea from the north | there sails a ship

With the people of Hel, | at the helm stands Loki;

After the wolf | do wild men follow,

And with them the brother | of Byleist goes.

52. Surt fares from the south | with the scourge of branches,

The sun of the battle-gods | shone from his sword;

The crags are sundered, | the giant-women sink,

The dead throng Hel-way, | and heaven is cloven.

53. Now comes to Hlin | yet another hurt,

When Othin fares | to fight with the wolf,

And Beli’s fair slayer | seeks out Surt,

For there must fall | the joy of Frigg.

54. Then comes Sigfather’s | mighty son,

Vithar, to fight | with the foaming wolf;

In the giant’s son | does he thrust his sword

Full to the heart: | his father is avenged.

55. Hither there comes | the son of Hlothyn,

The bright snake gapes | to heaven above;

. . . . . . . . . .

Against the serpent | goes Othin’s son.

56. In anger smites | the warder of earth,—

Forth from their homes | must all men flee;—

Nine paces fares | the son of Fjorgyn,

And, slain by the serpent, | fearless he sinks.

57. The sun turns black, | earth sinks in the sea,

The hot stars down | from heaven are whirled;

Fierce grows the steam | and the life-feeding flame,

Till fire leaps high | about heaven itself.

58. Now Garm howls loud | before Gnipahellir,

The fetters will burst, | and the wolf run free;

Much do I know, | and more can see

Of the fate of the gods, | the mighty in fight.

59. Now do I see | the earth anew

Rise all green | from the waves again;

The cataracts fall, | and the eagle flies,

And fish he catches | beneath the cliffs.

60. The gods in Ithavoll | meet together,

Of the terrible girdler | of earth they talk,

And the mighty past | they call to mind,

And the ancient runes | of the Ruler of Gods.

61. In wondrous beauty | once again

Shall the golden tables | stand mid the grass,

Which the gods had owned | in the days of old,

. . . . . . . . | . . . . . . . .

62. Then fields unsowed | bear ripened fruit,

All ills grow better, | and Baldr comes back;

Baldr and Hoth dwell | in Hropt’s battle-hall,

And the mighty gods: | would you know yet more?

63. Then Hönir wins | the prophetic wand,

. . . . . . . . | . . . . . . . .

And the sons of the brothers | of Tveggi abide

In Vindheim now: | would you know yet more?

64. More fair than the sun, | a hall I see,

Roofed with gold, | on Gimle it stands;

There shall the righteous | rulers dwell,

And happiness ever | there shall they have.

65. There comes on high, | all power to hold,

A mighty lord, | all lands he rules.

. . . . . . . . . | . . . . . . . . .

. . . . . . . . . | . . . . . . . . .

66. From below the dragon | dark comes forth,

Nithhogg flying | from Nithafjoll;

The bodies of men | on his wings he bears,

The serpent bright: | but now must I sink.

NOTES

“The gods shall find there, | wondrous fair,

The golden tables | amid the grass.”

No lacuna (line 4) is indicated in the manuscripts. Golden tables: cf. stanza 8 and note.

“Rule he orders, | and rights he fixes,

Laws he ordains | that ever shall live.”

The name of this new ruler is nowhere given, and of course the suggestion of Christianity is unavoidable. It is not certain, however, that even this stanza refers to Christianity, and if it does, it may have been interpolated long after the rest of the poem was composed.

Notes in this chapter

Note 1 · A few editors, following Bugge, in an effort to clarify the poem, place stanzas 22, 28 and 30 before stanzas 1–20, but the arrangement in boNote 2 · Nine worlds: the worlds of the gods (Asgarth), of the Wanes (Vanaheim, cf. stanza 21 and note), of the elves (Alfheim), of men (Mithgarth), Note 3 · Ymir: the giant out of whose body the gods made the world; cf. Vafthruthnismol, 21. In this stanza as quoted in Snorri’s Edda the first lineNote 4 · Bur’s sons: Othin, Vili, and Ve. Of Bur we know only that his wife was Bestla, daughter of Bolthorn; cf. Hovamol, 141. Vili and Ve are mentiNote 5 · Various editors have regarded this stanza as interpolated; Hoffory thinks it describes the northern summer night in which the sun does not sNote 6 · Possibly an interpolation, but there seems no strong reason for assuming this. Lines 1–2 are identical with lines 1–2 of stanza 9, and line Note 7 · Ithavoll (“Field of Deeds”?): mentioned only here and in stanza 60 as the meeting-place of the gods; it appears in no other connection.Note 8 · Tables: the exact nature of this game, and whether it more closely resembled chess or checkers, has been made the subject of a 400-page treaNote 9 · Here apparently begins the interpolated catalogue of the dwarfs, running through stanza 16; possibly, however, the interpolated section doesNote 10 · Very few of the dwarfs named in this and the following stanzas are mentioned elsewhere. It is not clear why Durin should have been singled oNote 11 · The order of the lines in this and the succeeding four stanzas varies greatly in the manuscripts and editions, and the names likewise appearNote 12 · Dvalin: in Hovamol, 144, Dvalin seems to have given magic runes to the dwarfs, probably accounting for their skill in craftsmanship, while iNote 13 · Andvari: this dwarf appears prominently in the Reginsmol, which tells how the god Loki treacherously robbed him of his wealth; the curse whiNote 14 · Here the poem resumes its course after the interpolated section. Probably, however, something has been lost, for there is no apparent connecNote 15 · Hönir: little is known of this god, save that he occasionally appears in the poems in company with Othin and Loki, and that he survives the Note 16 · Yggdrasil: cf. stanza 2 and note, and Grimnismol, 29–35 and notes. Urth (“The Past”): one of the three great Norns. The world-ash is kept grNote 17 · The maidens: the three Norns; possibly this stanza should follow stanza 8. Dwelling: Regius has “sæ” (sea) instead of “sal” (hall, home), anNote 18 · This follows stanza 20 in Regius; in the Hauksbok version stanzas 25, 26, 27, 40 and 41 come between stanzas 20 and 21. Editors have attemptNote 19 · Heith (“Shining One”?): a name often applied to wise-women and prophetesses. The application of this stanza to Gollveig is far from clear, tNote 20 · This stanza and stanza 24 have been transposed from the order in the manuscripts, for the former describes the battle and the victory of theNote 21 · Possibly, as Finn Magnusen long ago suggested, there is something lost after stanza 24, but it was not the custom of the Eddic poets to suppNote 22 · Thor: the thunder-god, son of Othin and Jorth (Earth); cf. particularly Harbarthsljoth and Thrymskvitha, passim. Oaths, etc.: the gods, by vNote 23 · Here the Volva turns from her memories of the past to a statement of some of Othin’s own secrets in his eternal search for knowledge (stanzaNote 24 · The Hauksbok version omits all of stanzas 28–34, stanza 27 being there followed by stanzas 40 and 41. Regius indicates stanzas 28 and 29 as Note 25 · The first line, not in either manuscript, is a conjectural emendation based on Snorri’s paraphrase. Bugge puts this stanza after stanza 20.Note 26 · This is apparently the transitional stanza, in which the Volva, rewarded by Othin for her knowledge of the past (stanzas 1–29), is induced tNote 27 · Valkyries: these “Choosers of the Slain” (cf. stanza 1, note) bring the bravest warriors killed in battle to Valhall, in order to re-enforceNote 28 · Baldr: The death of Baldr, the son of Othin and Frigg, was the first of the great disasters to the gods. The story is fully told by Snorri. Note 29 · The lines in this and the following stanza have been combined in various ways by editors, lacunæ having been freely conjectured, but the manNote 30 · Frigg: Othin’s wife. Some scholars have regarded her as a solar myth, calling her the sun-goddess, and pointing out that her home in FensaliNote 31 · The translation here follows the Regius version. The Hauksbok has the same final two lines, but in place of the first pair has, “I know thatNote 32 · Stanzas 36–39 describe the homes of the enemies of the gods: the giants (36), the dwarfs (37), and the dead in the land of the goddess Hel (Note 33 · Nithavellir (“the Dark Fields”): a home of the dwarfs. Perhaps the word should be “Nithafjoll” (“the Dark Crags”). Sindri: the great worker Note 34 · Stanzas 38 and 39 follow stanza 43 in the Hauksbok version. Snorri quotes stanzas 38, 39, 40 and 41, though not consecutively. Nastrond (“CoNote 35 · The stanza is almost certainly in corrupt form. The third line is presumably an interpolation, and is lacking in most of the late paper manuNote 36 · The Hauksbok version inserts after stanza 39 the refrain-stanza (44), and puts stanzas 40 and 41 between 27 and 21. With this stanza begins Note 37 · In the third line many editors omit the comma after “sun,” and put one after “soon,” making the two lines run: “Dark grows the sun | in summNote 38 · In the Hauksbok version stanzas 42 and 43 stand between stanzas 44 and 38. Eggther: this giant, who seems to be the watchman of the giants, Note 39 · Gollinkambi (“Gold-Comb”): the cock who wakes the gods and heroes, as Fjalar does the giants. The rust-red bird: the name of this bird, who Note 40 · This is a refrain-stanza. In Regius it appears in full only at this point, but is repeated in abbreviated form before stanzas 50 and 59. In Note 41 · From this point on through stanza 57 the poem is quoted by Snorri, stanza 49 alone being omitted. There has been much discussion as to the sNote 42 · Regius combines the first three lines of this stanza with lines 3, 2, and 1 of stanza 47 as a single stanza. Line 4, not found in Regius, isNote 43 · In Regius lines 3, 2, and 1, in that order, follow stanza 46 without separation. Line 4 is not found in Regius, but is introduced from the HNote 44 · This stanza in Regius follows stanza 51; in the Hauksbok it stands, as here, after 47. Jotunheim: the land of the giants.Note 45 · Identical with stanza 44. In the manuscripts it is here abbreviated.Note 46 · Hrym: the leader of the giants, who comes as the helmsman of the ship Naglfar (line 4). The serpent: Mithgarthsorm, one of the children of LNote 47 · North: a guess; the manuscripts have “east,” but there seems to be a confusion with stanza 50, line 1. People of Hel: the manuscripts have “Note 48 · Surt: the ruler of the fire-world. The scourge of branches: fire. This is one of the relatively rare instances in the Eddic poems of the typNote 49 · Hlin: apparently another name for Frigg, Othin’s wife. After losing her son Baldr, she is fated now to see Othin slain by the wolf Fenrir. BNote 50 · As quoted by Snorri the first line of this stanza runs: “Fares Othin’s son | to fight with the wolf.” Sigfather (“Father of Victory”): OthinNote 51 · This and the following stanza are clearly in bad shape. In Regius only lines 1 and 4 are found, combined with stanza 56 as a single stanza. Note 52 · The warder of earth: Thor. The son of Fjorgyn: again Thor, who, after slaying the serpent, is overcome by his venomous breath, and dies. FjoNote 53 · With this stanza ends the account of the destruction.Note 54 · Again the refrain-stanza (cf. stanza 44 and note), abbreviated in both manuscripts, as in the case of stanza 49. It is probably misplaced heNote 55 · Here begins the description of the new world which is to rise out of the wreck of the old one. It is on this passage that a few critics haveNote 56 · The third line of this stanza is not found in Regius. Ithavoll: cf. stanza 7 and note. The girdler of earth: Mithgarthsorm, who, lying in thNote 57 · The Hauksbok version of the first two lines runs:Note 58 · Baldr: cf. stanza 32 and note. Baldr and his brother, Hoth, who unwittingly slew him at Loki’s instigation, return together, their union beiNote 59 · No lacuna (line 2) indicated in the manuscripts. Hönir: cf. stanza 18 and note. In this new age he has the gift of foretelling the future. TNote 60 · This stanza is quoted by Snorri. Gimle: Snorri makes this the name of the hall itself, while here it appears to refer to a mountain on whichNote 61 · This stanza is not found in Regius, and is probably spurious. No lacuna is indicated in the Hauksbok version, but late paper manuscripts addNote 62 · This stanza, which fits so badly with the preceding ones, may well have been interpolated. It has been suggested that the dragon, making a l
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