Front matter
Reading edition
The Music of Spain
BOOKS BY CARL VAN VECHTEN
MUSIC AFTER THE GREAT WAR 1915 MUSIC AND BAD MANNERS 1916 INTERPRETERS AND INTERPRETATIONS 1917 THE MERRY-GO-ROUND 1918 THE MUSIC OF SPAIN 1918
from a photograph by Mishkin
Mary Garden As Carmen, Act IV
The Music of Spain
CARL VAN VECHTEN
New York Alfred A. Knopf MCMXVIII
COPYRIGHT, 1918, BY ALFRED A. KNOPF, INC.
PRINTED IN THE UNITED STATES OF AMERICA
Pour Blanchette
Preface
When the leading essay of this book, "Music and Spain," first appeared it was, so far as I have been able to discover, the only commentary attempting to cover the subject generally in any language. It still holds that distinction, I believe. Little enough has been published about Spanish music in French or German, little enough indeed even in Spanish, practically nothing in English. It has been urged upon me, therefore, that its republication might meet with some success. This I have consented to although no one can be more cognizant of its faults than I am. The subject is utterly unclassified; there is no certain way of determining values at present. It is almost impossible to hear Spanish music outside of Spain; not easy even in Spain, unless one is satisfied with zarzuelas. Worse, it is impossible even to see most of it. Many important scores remain unpublished and our music dealers and our libraries have not an extensive collection of what is published. Under the circumstances I have worked under great difficulties, but my enthusiasm has not slackened on that account. My main purpose has been to open the ears of the world to these new sounds, to create curiosity regarding the music of the Iberian Peninsula. When more of this music is familiar will be time enough to write a more critical and more comprehensive work.
As "Music and Spain" is printed from the original plates I have made only slight typographical changes in the text; some of these are important, however. But I have added very voluminous notes incorporating information that has come to me since I wrote "Music and Spain." There is much new material included therein about Spanish dancing and modern composers and the index will make it possible for any one to find what he may be looking for in short order. The essay on Carmen, too, was written for this book and that on The Land of Joy, being entirely apposite, I have lifted from "The Merry-Go-Round." Mr. John Garrett Underhill has suggested many valuable changes and additions and I am deeply indebted to him.
The preparation of this book has given me an extraordinary interest in and a real love for the Iberian Peninsula. If I have succeeded in communicating a little of this feeling to my reader I shall be content.
CARL VAN VECHTEN.
New York, June 26, 1918.
CONTENTS
PAGE
SPAIN AND MUSIC 13
The Land of Joy 91
FROM GEORGE BORROW TO MARY GARDEN 105
NOTES ON THE TEXT 145
ILLUSTRATIONS
MARY GARDEN AS CARMEN, ACT IV Frontispiece
Facing Page
TARQUINIA TARQUINI AS CONCHITA 24
LA ARGENTINA 36
TOMÁS BRETÓN 80
DOLORETES 96
ZULOAGA'S PORTRAIT OF LUCIENNE BRÉVAL AS CARMEN, ACT II 130
OLIVE FREMSTAD AS CARMEN, ACT I 136
AMADEO VIVES 186
Spain and Music
"Il faut méditerraniser la musique." Nietzsche.