Note 13 — THE MORAL AND INTELLECTUAL DIVERSITY OF RACES.

Unwilling to introduce statistic pedantry into a composition of so humble pretensions as an introduction, I have refrained to give the figures—not always very accurate, I admit—upon which the preceding gradation is based, viz: the number of persons able to read and write in each of the above-named countries. How far England and France are behindhand in this respect, compared either with ourselves, or with other European nations, is tolerably well known; but the fact that not only in China proper, but in Thibet, Japan, Anam, Tonquin, etc., few can be found devoid of that acquirement, will probably meet with many incredulous readers, though it is mentioned by almost every traveller. (See J. Mohl's Annual Report to the Asiatic Society, 1851.) But, it may be safely asserted that, in the whole of that portion of Asia lying south of the Altai Mountains, including Japan, altogether the most populous region of the globe, the percentage of males unable to read and write is by far smaller than in the entire population of Europe. Be it well understood, that I do not, therefore, claim any superiority for the inhabitants of the former region over those of the latter. "In China," says M. Huc, "there are not, as in Europe, public libraries and reading-rooms; but those who have a taste for reading, and a desire to instruct themselves, can satisfy their inclinations very easily, as books are sold here at a lower price than in any other country. Besides, the Chinese find everywhere something to read; they can scarcely take a step without seeing some of the characters of which they are so proud. One may say, in fact, that all China is an immense library; for inscriptions, sentences, moral precepts, are found in every corner, written in letters of all colors and all sizes. The façades of the tribunals, the pagodas, the public monuments, the signs of the shops, the doors of the houses, the interior of the apartments, the corridors, all are full of fine quotations from the best authors. Teacups, plates, vases, fans, are so many selections of poems, often chosen with much taste, and prettily printed. A Chinese has no need to give himself much trouble in order to enjoy the finest productions of his country's literature. He need only take his pipe, and walk out, with his nose in the air, through the principal streets of the first town he comes to. Let him enter the poorest house in the most wretched village; the destitution may be complete, things the most necessary will be wanting; but he is sure of finding some fine maxims written out on strips of red paper. Thus, if those grand large characters, which look so terrific in our eyes, though they delight the Chinese, are really so difficult to learn, at least the people have the most ample opportunities of studying them, almost in play, and of impressing them ineffaceably on their memories."—A Journey through the Chinese Empire, vol. i. pp. 327-328. [13]