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The Modes of Ancient Greek Music

Note 18 — § 20. Tonality of the Greek musical scale.

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So in the Euclidean Sectio Canonis the propositions which deal with the 'movable' notes, viz. Paranêtê and Lichanos (Theor. xvii) and Parhypatê and Tritê (Theor. xviii), begin by postulating the Mesê (estô gar mesê ho B k.t.l.).

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