The Mirror of Taste, and Dramatic Censor, Vol. I, No. 6, June 1810
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1. THE MIRROR OF TASTE,2. Vol. I. JUNE, 1810. No. 6.3. CHAPTER VI.4. BIOGRAPHY.5. LIFE OF WILLIAM GIFFORD, ESQ. AUTHOR OF THE BAEVIAD AND MAEVIAD, AND TRANSLATOR OF JUVENAL.6. SKETCH OF THE LIFE OF THE LATE MR. HODGKINSON.7. MISCELLANY.8. Satis parva res est. Amphitrion, Act 2, Sce. 2.9. SPORTING INTELLIGENCE.10. DRAMATICUS.11. LITERARY INTELLIGENCE.12. THE FREE KNIGHTS,13. THE FREE KNIGHTS.14. SCENE I.—A spacious cavern, veined with ore, marking the remains of a sulphur mine. In the back a sheet of water, with a lamp hanging over it; and cells with iron grating before them. At the right wing a large brazen door, at the left wing another with steps leading up to it. Everard discovered—knocking and trumpets.15. SCENE II.—An open country, Corbey Abbey in the distance. At the right wing the gates of the town of Corbey; at the left wing the chateau of baron Ravensburg.16. SCENE III.—A splendid gothic hall in the baron's chateau. Large folding doors in the centre. Two state chairs are brought on by two of the baron's servants.17. SCENE I.—An apartment in the baron's chateau. A door in the back scene, leading to a chamber.18. SCENE II.—A vaulted cavern belonging to the free knights—nearly in the centre a large brazen door, in the archway a practicable parapet, and occasional apertures in the broken fragments of the rock.19. SCENE III.—A wood.—Enter Falconers, severally.20. SCENE IV.—The garden of Corbey abbey, with practicable gates, over which is a projecting tablet, with an inscription nearly effaced. In the back, an ascending avenue through pine trees: in the centre a statue of Charlemagne; on the base of which is written, "Charlemagne grants the power of sanctuary and of pardon to the abbots of Corbey forever."21. SCENE I.—View of corbey abbey, open country and chateau.22. SCENE II.—The interior of the abbey.23. SCENE III.—a road near Corbey.24. SCENE IV.—The grand aisle of the abbey, in the upper part of the sanctuary.