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The Mirror of Literature, Amusement, and Instruction. Volume 13 — Index to Volume 13

Note (return) — THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

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Apart from the scientific value of Sir Humphry's labours and researches, they are pervaded by a tone and temper, and an enthusiastic love of nature which are as admirably expressed as their influence is excellent. In proof of this feeling we could almost from memory, quote many passages from his works. Thus, speaking of the divine Study of Nature, he has the following reflective truths:—"If we look with wonder upon the great remains of human works, such as the columns of Palmyra, broken in the midst of the desert, the temples of Paestum, beautiful in the decay of twenty centuries, or the mutilated fragments of Greek sculpture in the Acropolis of Athens, or in our own Museum, as proofs of the genius of artists, and power and riches of nations now past away; with how much deeper feeling of admiration must we consider those grand monuments of Nature, which mark the revolutions of the globe; continents broken into islands; one land produced, another destroyed; the bottom of the ocean become a fertile soil; whole races of animals extinct; and the bones and exuviae of one class, covered with the remains of another, and upon the graves of past generations—the marble or rocky tomb, as it were, of a former animated world—new generations rising, and order and harmony established, and a system of life and beauty produced, as it were out of chaos and death; proving the infinite power, wisdom, and goodness, of the GREAT CAUSE OF ALL BEING!" Here we cannot trace any co-mixture of science and scepticism, and in vain shall we look for the spawn of infidel doctrine. The same excellent feeling breathes throughout Salmonia, one of the most delightful labours of leisure we have ever seen. Not a few of the most beautiful phenomena of Nature are here lucidly explained, yet the pages have none of the varnish of philosophical unbelief or finite reasoning. "In my opinion," says one of the characters in the Dialogue, (to be identified as the author,) "profound minds are the most likely to think lightly of the resources of human reason; and it is the pert superficial thinker who is generally strongest in every kind of unbelief. The deep philosopher sees changes of causes and effects, so wonderfully and strangely linked together, that he is usually the last person to decide upon the impossibility of any two series of events being independent of each other; and in science, so many natural miracles, as it were, have been brought to light,—such as the fall of stones from meteors in the atmosphere, the disarming a thundercloud by a metallic point, the production of fire from ice by a metal white as silver, and referring certain laws of motions of the sea to the moon,—that the physical inquirer is seldom disposed to assert, confidently, on any abstruse subjects belonging to the order of natural things, and still less so on those relating to the more mysterious relations of moral events and intellectual natures."7

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