Captain Mayne Reid

"The Maroon"

Volume One—Chapter One.

A Jamaica Sugar Estate.

A sugar estate, and one of the finest in the “land of springs,” is that of “Mount Welcome.”

It is situated about ten miles from Montego Bay, in a broad valley, between two rounded ridges. These ridges, after running parallel for more than a mile, and gradually increasing in elevation, at length converge with an inward sweep—at their point of convergence, rising abruptly into a stupendous hill, that fairly merits the name which it bears upon the estate—the “mountain.”

Both the ridges are wooded almost down to their bases; the woods, which consist of shining pimento trees, ending on each side in groves and island copses, pleasantly interspersed over a park-like greensward.

The “great house” or “buff” of the estate stands under the foot of the mountain, just at the point of union between the two ridges—where a natural table or platform, elevated several feet above the level of the valley, had offered a tempting site to the builder.

In architectural style it is not very different from other houses of its kind, the well-known planter’s dwelling of the West Indies. One storey—the lower one, of course—is of strong stone mason-work; the second and only other being simply a wooden “frame” roofed with “shingles.”

The side and end walls of this second story cannot with propriety be termed walls: since most part of them are occupied by a continuous line of Venetian shutters—the “jalousies” of Jamaica.

These impart a singular cage-like appearance to the house, at the same time contributing to its coolness—a quality of primary importance in a tropical climate.

Outside in the front centre a flight of broad stone steps, resting upon arched mason-work, and bordered by strong iron balustrades, conducts to the level of the second storey—the real dwelling-house: since the ground-floor is entirely occupied by store-rooms and other “offices.”

The entrance door is from the landing of the aforesaid escalier, and conducts at once into the “hall”—a spacious apartment, of crucifix-shape, running clear across the building from side to side, and end to end. The current of air admitted by the open jalousies, passing constantly through this apartment, renders it at all times delightfully cool; while the lattice-work serves to mellow the glare of light, which, under the sky of the tropics, is almost as disagreeable as the heat. An uncarpeted floor, composed of the hardest sorts of native wood, and subjected to a diurnal polish, contributes to increase the coolness.

This great hall is the principal apartment of the dwelling. It is dining and drawing-room in one—where side-boards and cheffoniers may be seen in juxta-position with lounge chairs, fauteuils, and ottomans—a grand chandelier in the centre extending its branches over all.

The bed-chambers occupy the square spaces to one side of the cross; and these also have their jalousied windows to admit the air, and exclude, as much as possible, the sultry rays of the sun.

In Mount Welcome House, as in all other country mansions of Jamaica, a stranger would remark a want of correspondence between the dwelling itself and the furniture which it contains. The former might be regarded as slight, and even flimsy. But it is this very character which renders it appropriate to the climate, and hence the absence of substantiality or costliness in the style and materials of the building.

The furniture, on the other hand—the solid tables of mahogany, and other ornamental woods—the shining carved side-boards—the profuse show of silver and cut glass that rests upon them—the elegant couches and chairs—the glittering lamps and candelabras—all combine to prove that the quasi meanness of the Jamaica planter’s establishment extends no farther than to the walls of his house. If the case be a cheap one, the jewels contained in it are of the costliest kind.

Outside, the great house of Mount Welcome looks grand enough. Its broad façade, in which the deep green of the jalousies contrasts pleasantly with the white of the surrounding walls—the massive stone stairway in front—the wooded mountain sweeping up and forming a background of variegated green—the noble avenue of nearly a mile in length, with its double rows of tamarinds and cocoa-palms, leading up in front from the lower end of the valley—all contribute to produce a picture of almost palatial grandeur.

Nor does a nearer view detract from the splendour of this picture. The platform on which the house is built affords space for a large garden and shrubbery, extending rearward to the mountain-foot, from which they are separated by a high wall of stone.

The mountain is a conspicuous feature of the landscape. Not so much from its height: for there are others of equal elevation near to it; and further off, though still within sight, many still higher. Even the famed “Blue Peak” is visible, towering hundreds of feet above the surrounding summits.

Nor is it conspicuous from being isolated. On the contrary, it is only a spur of that vast elevated chain of hills, that, separated by deep gorge-like valleys, and soaring thousands of feet above the level of the Caribbean Sea, are known as the “Blue Mountains of Jamaica.”

Covering almost the entire area of the island—which is thus broken into an endless succession of gigantic corrugations—Jamaica presents a surface rough and irregular as the crumplings upon a cabbage-leaf; and “land of mountains” would be a title as appropriate as its ancient Indian appellation, “the land of fountains.”

The hill which overlooks the estate of Mount Welcome is less than two thousand feet above sea-level; but what renders it remarkable is the geometrical regularity of its outlines, and, still more, its singularly-shaped summit.

Viewed from the valley below, it presents the appearance of an exact and somewhat acute cone, up to within about fifty yards of its top. There the sloping outline ends—the line on each side thence trending vertically, and abruptly terminating in a square table-top, forty or fifty feet in diameter. In general appearance, this truncated summit is not unlike that of the famed “Cofre di Peroté” of Mexico.

The sloping sides of the mountain are densely wooded, especially that fronting the valley of Mount Welcome—towards which is presented a broad frowning façade, thickly clothed with a forest that appears primeval.

Alone at its top is it treeless—bare and bald as the crown of a Franciscan friar. There stands the square coffer-like summit, a mass of solid rock, which repels the approach of the vegetable giants that crowd closely around its base, some of them stretching out their huge arms as if to strangle or embrace it.

One tree alone has succeeded in scaling its steep rampart-like wall. A noble palm—the areca—has accomplished this feat, and stands conspicuously upon the table-top, its plumed leaves waving haughtily aloft, like a triumphal banner planted upon the parapet of some conquered castle.

This summit rock presents a singular appearance. Its seamed and scarred surface is mottled with a dark glaze, which during the sunlight, and even under the mellower beams of the moon, gives forth a coruscation, as if the light were reflected from scale armour.

To the denizens of the valley below it is known as the Jumbé Rock—a name characteristic of the superstitious ideas attached to it. Though constantly before their eyes, and accessible by an hour’s climbing up the forest path, there is not a negro on the estate of Mount Welcome, nor on any other for miles around, that would venture alone to visit the Jumbé rock; and to most, if not all of them, the top of this mountain is as much of a terra incognita as the summit of Chimborazo!

I am speaking of a period more than half a century ago. At that time the terror, that was attached to the Jumbé Rock, did not altogether owe its origin to a mere superstition. It had been partly inspired by the remembrance of a horrid history. The rock had been the scene of an execution, which for cruel and cold-blooded barbarity rather deserves to be called a crime.

That table-summit, like the blood-stained temples of the Moctezumas, had been used as an altar, upon which a human sacrifice had been offered up. Not in times long past, neither by the sanguinary priesthood of Azteca, but by men of white skin and European race—their victim a black and an African.

This incident, illustrating Jamaica justice during the dark days of slavery, deserves to be given in detail.

Volume One—Chapter Two.

The Myal-Man.

In the West Indies, a few years previous to the Emancipation, there was much agitation on the subject of Obeah-ism.

The practice of this horrid art had become appallingly common—so common that upon almost every extensive estate in the island there was a “professor” of it; in other words, an “Obeah-man.” “Professor,” though often used in speaking of these charlatans, is not a correct title. To have professed it—at least in the hearing of the whites—would have been attended with peril: since it was punishable by the death penalty. Practitioner is a more appropriate appellation.

These mysterious doctors were almost always men—very rarely women—and usually natives of Africa. Universally were they persons of advanced age and hideous aspect: the uglier the more successful in the pursuit of their criminal calling.

There was a class of them distinguished as “myal-men,” whose chief distinction consisted in their being able to restore life to a dead body.

Such was the belief of their ignorant fellow slaves, who little suspected that the defunct subject had been all the while only dormant, his death-like slumber secretly brought about by the myal-man himself, assisted by a prescription of the branched “calalue”—a species of caladium.

I cannot here enter into an explanation of the mysteries of Obi, which are simple enough when understood. I have met it in every land where it has been my lot to travel; and although it holds a more conspicuous place in the social life of the savage, it is also found in the bye-lanes of civilisation.

The reader, who may have been mystified about its meaning, will perhaps understand what it is, when I tell him that the obeah-man of the West Indies is simply the counterpart of the “medicine man” of the North-American Indians, the “piuche” of the South, the “rain-maker” of the Cape, the “fetish man” of the Guinea coast, and known by as many other titles as there are tribes of uncivilised men.

It is the first dawning of religion on the soul of the savage; but even when its malignant spirit has become changed to a purer aspiration after eternal life, it still lingers amidst the haunts of ignorance, its original form almost unaltered—witchcraft.

To the statement above made—that on every large plantation there was an obeah-man—the estate of Mount Welcome was no exception. It, too, was blessed, or rather cursed, by a follower of the art, an old Coromantee negro—Chakra by name—a man whose fell and ferocious aspect could not have failed to make him one of the most popular of its practitioners.

Such, to his misfortune, had he become.

He had long been suspected of having poisoned his master, the former owner of the estate, who had made an abrupt and mysterious exit from the world. The fate of this man, however, was not much lamented, as he bore the reputation of being a cruel slave-master. The present proprietor of Mount Welcome had least reason to regret it: since it gave him possession of an estate he had long coveted.

It was greater chagrin to him, that since entering upon the enjoyment of the property, several of his most valuable slaves had terminated their existence suddenly, and in a manner which could only be accounted for by the supposition that Obi had accomplished their destruction.

Chakra, the myal-man, was suspected of causing their deaths. He was arraigned and brought to trial.

His judges were three—three justices of the neighbourhood—for that number was sufficient to pass the death-sentence upon a slave. The president of the court was the man’s own master—Loftus Vaughan, Esquire, proprietor of Mount Welcome, and custos rotulorum of the precinct.

The substance of the crime charged against Chakra was “practising the arts of Obi.” The charge had no reference to the death of his former master.

The proofs were not very clear; but were deemed sufficiently so by the court to warrant a conviction.

Strange to say that of the three justices, the man’s own master—the president of the court—appeared the most anxious to bring the trial to this termination. So anxious indeed, that he used every effort to overrule the opinions of the other two: his superior position as custos giving him a certain power of controlling the decision. One of them had actually pronounced in favour of an acquittal; but after a whispering consultation with the custos, he retracted his former opinion, and gave his vote for the verdict.

There was a rumour at the time, that Loftus Vaughan, in this trial, was actuated by meaner motives than either a stern love of justice, or the desire to put down the practice of Obi. There was a whisper abroad of some secrets—family secrets—with which the Coromantee had become acquainted; some strange transaction, of which he was the sole living witness; and of such a character, that even the testimony of a negro would have been an inconvenience; and it was suspected that this, and not obeah-ism, was the crime for which Chakra had to answer with his life.

Whether this was true or not, the Coromantee was condemned to die.

The trial was not more irregular than the mode of execution, which these irresponsible justices thought fit to decree. It was almost as whimsical as it was cruel towards the wretched criminal.

He was to be taken to the top of the Jumbé rock, chained to the palm-tree, and there left to perish!

It may be asked why this singular mode of execution was selected. Why was he not hanged upon the scaffold, or burnt at the stake—a custom not unusual with condemned criminals of his kind?

The answer is easy. As already stated, at this particular period, much unpleasant feeling prevailed on the subject of obeah-ism. In almost every district mysterious deaths had occurred, and were occurring—not only of black slaves, but of white masters, and even mistresses—all attributed to the baneful influence of Obi.

The African demon was ubiquitous, but invisible. Everywhere could be witnessed his skeleton hand upon the wall, but nowhere himself. It had become necessary to make a conspicuous example of his worshippers. The voice of all planterdom called for it; and the myal-man, Chakra, was selected for that example—in the belief that his fearful fate would terrify the votaries of the vile superstition to their very hearts’ core.

The Jumbé rock suggested itself as the most appropriate place for the execution of the Coromantee. The terrors with which the place was already invested—added to those now to be inspired by the fearful form of punishment of which it was to be the scene—would exert a beneficial effect on the superstitious understandings of the slaves, and for ever destroy their belief in Obeah and Obboney.

Under this belief was the myal-man escorted up to the summit of the Jumbé rock; and, like a modern Prometheus, chained there.

No guards were placed near him—none were required to stay by the spot. His chains, and the terror inspired by the act, were deemed sufficient to prevent any interference with his fate.

In a few days, thirst and hunger, aided by the vultures, would perform the final and fatal ceremony—as surely as the rope of the hangman, or the axe of the executioner.

It was long before Loftus Vaughan ascended the mountain to ascertain the fate of the unfortunate negro, his ci-devant slave. When, stimulated by curiosity, and, perhaps, a motive still stronger—he, at length, climbed to the top of the Jumbé rock, his hopes and expectations were alike confirmed. A skeleton, picked clean by the John-crows, hung suspended to the stem of the tree!

A rusty chain, warped around the bones, kept the skeleton in place.

Loftus Vaughan had no inclination to dwell long upon the spot. To him the sight was fearful. One glance, and he hurried away; but far more fearful—far more terrifying—was that which he saw, or fancied he saw, in passing homeward down the forest path—either the ghost of the myal-man, or the man himself!

Volume One—Chapter Three.

A Jamaica Déjeuner.

On a tranquil morning in the fair month of May—fair in Jamaica, as elsewhere on the earth—a large bell ringing in the great hall of Mount Welcome announced the hour of breakfast.

As yet there were no guests around the table, nor in the hall—only the black and coloured domestics, who, to the number of half-a-dozen, had just come up from the kitchen with trays and dishes containing the viands that were to compose the meal.

Though but two chairs were placed by the table—and the disposition of the plates, knives, and forks indicated that it had been set for only that number of guests—the profusion of dishes, thickly covering the snow-white damask cloth, might have led to the belief that a large party was expected.

It was emphatically a déjeuner à la fourchette. There were cutlets plain, and with sauce piquante, cavished fish, entrées of devilled fowl and duck, broiled salmon, and the like. These hors d’oeuvres were placed around the table, while a cold ham on one dish, and a tongue on another, occupied the centre.

Of “bread kind” there were mealy yams—some mashed with milk and butter, and dished up in shapes—roast plantains, hot rolls, toast, cassada cakes, and sweet potatoes.

But that a splendid silver tea-service, and a large glittering urn were conspicuous, the spread might have been mistaken for a dinner, rather than the matutinal meal. The hour—nine o’clock a.m.—also precluded the idea of its being dinner.

Whoever were to be the guests at this table, it was intended they should fair sumptuously. So did they every day of their lives; for there was nothing occasional in that morning’s meal. Both the style and the profuseness were of diurnal occurrence—the mode of Jamaica.

Soon after the tones of the bell had ceased to vibrate through the hall, they for whom the summons was intended made their appearance—entering from opposite sides, not together, but one coming in a little before the other.

The first was a gentleman of somewhat over middle age, of a hale complexion, and fall, portly form.

He was dressed in a suit of nankeens—jacket and trousers, both of ample make—the former open in front, and displaying a shirt bosom of finest white linen, the broad plaits of which were uncovered by any vest. A wide turn-down collar was folded back, exhibiting a full development of throat—which, with the broad jaws of ruddy hue, appeared clean and freshly shaven.

From a fob in the waistband of his trousers hung a massive gold chain, with a bunch of seals and watch-keys at one end; while at the other was an immense chronometer watch of the old-fashioned “guinea gold,” with white dial, upon which the black figures were conspicuously painted. The watch itself could be seen; as, on entering, the wearer had drawn it out of its fob with a view of ascertaining whether his servants were punctual to the minute: for the gentleman in question was a very martinet in such matters.

Loftus Vaughan, Esquire, proprietor of Mount Welcome,—Justice of the Peace, and Custos Rotulorum,—was the man thus characterised.

After casting a scrutinising glance at the display of viands, and apparently satisfied with what he saw, the master of Mount Welcome seated himself before the table, his face beaming with a smile of pleasant anticipation.

He had scarce taken his seat when a fair apparition appeared entering from the further end of the hall—a young virgin-like creature, looking as fresh and roseate as the first rays of the Aurora.

She was habited in a dress, or rather an undress, of purest white: a morning wrapper of fine lawn, that, fitting closely behind, displayed the waving contour of her back. In front, the dress fell in loose folds—scarce, however, concealing the full, bold outlines of her bosom; and then draped gracefully downward, so low as to leave nothing visible but the tips of a pair of tiny satin slippers, alternately showing themselves like white mice as the young girl glided over the polished surface of the floor.

Her throat, full and finely rounded, was encircled with a string of amber beads; and a crimson blossom—the beautiful bell of the Quamoclit—glittered amidst the ample folds of her hair. This, of a rich chestnut colour, was parted on her forehead, and carried in a curving sweep over cheeks that rivalled the radiance of the flower.

It would have required an experienced eye—one well acquainted with the physiological characteristics of race—to have told that that young girl was not of the purest Caucasian blood. And yet the slight undulation of the hair; a rotund rather than an oval face; eyes of darkest umber, with a light gleaming perpetually in the pupils; a singular picturelike expression in the colouring of the cheeks—were all characteristics, that proclaimed the presence of the sang-mêlée.

Slight indeed was the taint; and it seems like profanation to employ the phrase, when speaking of a creature so beautifully fair—for beautifully fair was the daughter of Loftus Vaughan. She was his only daughter—the only member of his family: for the proprietor of Mount Welcome was a widower.

On entering the hall, the young girl did not proceed directly to seat herself; but, gliding behind the chair occupied by her father, she flung her arms around his neck, and imprinted a kiss upon his forehead.

It was her usual matutinal salute; and proved that, on that morning they had met for the first time.

Not that it was the first appearance of either: for both had been much earlier abroad—up with the sun, indeed, as is the universal custom in Jamaica.

Mr Vaughan had entered the hall from the front door, and the broad-brimmed Leghorn hat, and cane carried in his hand, told that he had been out for a walk—perhaps to inspect the labour going on at the “works,” or ascertain the progress made in the cultivation of his extensive cane-fields.

His daughter, on the contrary, might have been seen entering the house some half-hour before, in riding costume—hat, habit, and whip—proving that her morning exercise had been taken on horseback.

After saluting her father as described, the young girl took her seat in front of the coffee urn, and commenced performing the duties of the table.

In this she was assisted by a girl apparently of her own age, but of widely-different appearance. Her waiting-maid it was, who, having entered at the same time, had taken her station behind the chair of her mistress.

There was something strikingly peculiar in the aspect of this personage—as well in her figure as in the colour of her skin. She was of that slender classic shape which we find in antique sculptures—like the forms of the Hindoo women known in England as “ayahs” and differing altogether from the negro outline. Her complexion, too, was not that of a negress—still less of a mulatta or quadroon. It was an admixture of black and red, resulting in a chestnut or mahogany colour; which, with the deep damask tincture upon her cheeks, produced an impression not unpleasing.

Nor were the features at all of a negro type. On the contrary, far removed from it. The lips were thin, the face oval, and the nose of an aquiline shape—such features as may be traced on Egyptian sculptured stones, or may be seen in living forms in the lands of the Arab.

Her hair was not woolly, though it differed altogether from the hair of a European. It was straight, and jet-black, yet scarcely reaching to her shoulders. Not that it had been shortened by the scissors: for it appeared to be at its fullest growth; and, hanging, as it did, loosely over her ears, it imparted a youthful appearance to the brown-skinned damsel.

The girl was far from ill-looking; and, to an eye accustomed to her “style,” she may have appeared even handsome. Her elegant shape, exposed by the extreme scantiness of her costume—a sleeveless robe, with a Madras kerchief worn à la toque upon her head—her graceful attitudes, which seemed natural to her, either when in motion or standing poised behind the chair of her mistress; the quick glance of her fine, fiery eyes; and the pearl-like whiteness of her teeth; all contributed to make up a picture that was far from commonplace.

This young girl was a slave—the slave Yola.

Volume One—Chapter Four.

Two Letters.

Instead of standing in the middle of the floor, the breakfast table had been placed close to the front window—in order that, with the jalousies thrown open, the fresh air might be more freely felt, while at the same time a view could be obtained of the landscape outside. A splendid view it was, comprising the valley with its long palm-shaded avenue, a reach of the Montego river, the roofs and spires of the town, the shipping in the bay and roadstead, the bay itself, and the blue Caribbean beyond.

Striking as was this landscape, Mr Vaughan just then showed no inclination to look upon it. He was too busily occupied with the rich viands upon the table; and when he at length found time to glance over the window-sill, his glance extended no further than to the negro “gang” at work among the canes—to see if his drivers were doing their duty.

The eyes of Miss Vaughan were oftener directed to the outside view. It was at this hour that one of the servants usually returned from Montego Bay, bringing the letters from the post-office. There was nothing in her manner that betrayed any particular anxiety about his arrival; but simply that lively interest which young ladies in all countries feel when expecting the postman—hoping for one of those little letters of twelve sheets with closely-written and crossed lines, most difficult to decipher, and yet to them more interesting than even the pages of the newest novel.

Very soon a dark object, of rudely Centaurean form, appeared coming along the avenue; and, shortly after, an imp-like negro lad upon the back of a rough pony galloped up to the front entrance. This was Quashie—the post-boy, of Mount Welcome.

If Miss Vaughan expected a billet, she was doomed to disappointment. There were only two letters in the bag, with a newspaper; and all three were for the Custos himself.

All bore the English post-mark; and the superscription of one of the letters was by him at once recognised—a pleasant smile stealing over his features as he broke open the seal.

A few moments sufficed to make him master of its contents, when the smile increased to a look of vivid gratification; and, rising from his chair, he paced for some time back and forward, snapping his fingers, and ejaculating, “Good—good! I thought so!”

His daughter regarded this behaviour with surprise. Gravity was her father’s habit, at times amounting to austerity. Such an exhibition of gaiety was rare with Loftus Vaughan.

“Some pleasing news, papa?”

“Yes, you little rogue; very.”

“May I not hear it?”

“Yes—no—no—not yet a while.”

“Papa! It is cruel of you to keep it from me. I promise I shall share your joy.”

“Ah! you will when you hear the news—that is, if you’re not a little simpleton, Kate.”

“I a simpleton, papa? I shall not be called so.”

“Why, you’ll be a simpleton if you don’t be joyful—when you—never mind, child—I’ll tell you all about it by-and-by. Good, good!” continued he, in a state of ecstatic frenzy. “I thought so—I knew he would come.”

“Then you expect some one, papa?”

“I do. Guess who it is!”

“How could I? You know I am unacquainted with your English friends.”

“Not with their names? You have heard their names, and seen letters from some of them?”

“Oh, yes, I often hear you speak of one—Mr Smythje. A very odd name it is! I wouldn’t be called Smythje for the world.”

“Ta, ta, child! Smythje is a very pretty name, especially with Montagu before it. Montagu is magnificent. Besides, Mr Smythje is the owner of Montagu Castle.”

“Oh, papa! how can that make his name sound any better? Is it he whom you expect?”

“Yes, dear. He writes to say that he will come by the next ship—the Sea Nymph she is called. She was to sail a week after the letter was written, so that we may look out for his arrival in a few days. Gad! I must prepare for him. You know Montagu Castle is out of repair. He is to be my guest; and, hark you, Catherine!” continued the planter, once more seating himself at the table, and bending towards his daughter, so that his sotto voce might not be overheard by the domestics, “you must do your best to entertain this young stranger. He is said to be an accomplished gentleman, and I know he is a rich one. It is to my interest to be friendly with him,” added Mr Vaughan, in a still lower tone of voice, and as if in soliloquy, but loud enough for his daughter to hear what was said.

“Dear papa!” was the reply, “how could I be otherwise than polite to him? If only for your sake—”

“If only for your own,” said the father, interrupting her, and accompanying the remark with a sly look and laugh. “But, dear Catherine,” continued he, “we shall find time to talk of this again. I must read the other letter. Who on earth can it be from? Egad! I never saw the writing before.”

The announcement of the projected visit of Mr Montagu Smythje, with the trumpet-like flourish of his many accomplishments—which Kate Vaughan had not now listened to for the first time—appeared to produce in the heart of the young lady no very vivid emotions of pleasure. She received it with perfect indifference, not seeming to care much one way or the other. If there was a balance, it was rather against him: for it so chanced that much of what she had heard in relation to this gentleman was not at all calculated to prepossess her in his favour.

She had heard that he was an exquisite—a fop, in fact—perhaps of all other characters the one most repulsive to a young Creole: for, notwithstanding the natural disposition of these to become enamoured of fine personal appearance, it must be accompanied by certain qualities of mind, if not of the highest morality, or even intellectuality, yet differing altogether from the frivolous accomplishments of mere dandyism.

Nature, that inspires the creole maiden to give her whole heart away and without any reserve, has also taught her to bestow it with judgment. Instinct warns her not to lay her precious offering upon an altar unworthy of the sacrifice.

There was another circumstance calculated to beget within the heart of Kate Vaughan a certain feeling of repulsion towards the lord of Montagu Castle; and that was the conduct of her own father in regard to this matter. From time to time—when speaking of Mr Montagu Smythje—he had made use of certain expressions and innuendoes, which, though couched in ambiguous language, his daughter very easily comprehended.

The heart of woman is quick, as it is subtle, in the understanding of all that relates to the disposal of itself; and this even at the earliest age of maidenhood. It is prone to repel any effort to guide it from its natural inclinings, or rob it of its right to choose.

Mr Vaughan, in his ignorance of these rather recondite truths, was erecting a barrier to his own designs, all the while that he fancied he was successfully clearing the track of presumptive obstructions, and making the path smooth and easy.

At match-making he was likely to prove a bungler: for it was evident that match-making was in his mind.

“Never saw the handwriting before,” said he, in repetition, as he broke open the seal of the second epistle.

If the contents of the first had filled him with joy, those of the second produced an effect directly the opposite.

“’Sdeath!” exclaimed he, crushing the letter, as he finished reading it, and once more nervously springing to his feet. “Dead or living, that ill-starred brother of mine seems as if created to be a curse to me! While alive, always wanting money; and now that he is dead sending his son—a never-do-well, like himself—to trouble, and, perhaps, disgrace me.”

“Dear father!” said the young girl, startled more by his wild demeanour than what he was saying—for the words were muttered in a low voice, and rather in soliloquy—“has the other letter brought unpleasant news?”

“Ah! that it has. You may read for yourself.”

And once more seating himself, he tossed the unwelcome epistle across the table, and recommenced eating with apparent voracity—as if by that means to tranquillise his perturbed spirit.

Kate took up the rejected letter; and, smoothing out the paper, ran her eye over the contents.

The perusal did not require much time: for considering that the letter had made such a long journey, its contents were of the shortest:—

London, June 10, 18—.

“Dear Uncle,

“I have to announce to you the melancholy intelligence that your brother, my dear father, is no more. His last words were, that I should go over to you: and, acting in accordance with his wish, I have taken passage for Jamaica. The ship is the Sea Nymph, and is to sail upon the 18th instant. I do not know how long we shall be at sea, but I hope it will prove a short voyage: as poor father’s effects were all taken by the sheriffs officer, and I am compelled, for want of money, to take passage in the steerage, which I have been told is anything but a luxurious mode of travelling. But I am young and strong, and no doubt shall be able to endure it.

“Yours affectionately,

“Herbert Vaughan.”

Whatever effect the reading of the letter may have had upon Kate Vaughan, it certainly did not produce indignation. On the contrary, an expression of sympathy stole over her face as she mastered the contents or the epistle; and on finishing it, the phrase, “poor fellow!” dropped as if involuntarily, and just audibly, from her lips.

Not that she knew anything of Herbert Vaughan, more than the name, and that he was her cousin; but the word cousin has an attractive sound, especially in the ears of young people, equalling in interest—at times even surpassing—that of sister or brother.

Though uttered, as we have said, in a tone almost inaudible, the words reached the ears of her father.

“Poor fellow!” he repeated, turning sharply to his daughter, and regarding her with a glance of displeasure, “I am surprised, Kate, to hear you speak in that strain of one you know nothing about—one who has done nothing to deserve your compassion. An idle, good-for-nothing fellow—just as his father was before him. And only to think of it—coming over here a steerage passenger, in the very same ship with Mr Montagu Smythje! ’Sdeath! What a disgrace! Mr Smythje will be certain to know who he is—though he is not likely to associate with such canaille. He cannot fail to notice the fellow, however; and when he sees him here, will be sure to remember him. Ah! I must take some steps to prevent that. Poor fellow, indeed! Yes, poor enough, but not in that sense. Like his father, I suppose, who fiddled his life away among paint-brushes and palettes instead of following some profitable employment, and all for the sake of being called an artist! Poor fiddlestick! Bah! Don’t let me hear you talk in that strain again!”

And as Mr Vaughan ended his ill-natured harangue, he tore the wrapper off the newspaper, and endeavoured, among its contents, to distract his mind from dwelling longer on the unpleasant theme either of the epistle, or him who had written it.

The young girl, abashed and disconcerted by the unusual violence of the rebuke, sat with downcast eyes, and without making any reply. The red colour had deepened upon her cheeks, and mounted to her forehead; but, notwithstanding the outrage done to her feelings, it was easy to see that the sympathy she had expressed, for her poor but unknown cousin, was felt as sensibly as ever.

So far from having stifled or extinguished it, the behaviour of her father was more likely to have given it increase and strength: for the adage of the “stolen waters” is still true; and the forbidden fruit is as tempting now as upon the morning of creation. As it was in the beginning, so will it ever be.

Volume One—Chapter Five.

The Slaver.

A hot West Indian sun was rapidly declining towards the Caribbean Sea—as if hastening to cool his fiery orb in the blue water—when a ship, that had rounded Pedro Point, in the Island of Jamaica, was seen standing eastward for Montego Bay.

She was a three-masted vessel—a barque—as could be told by the lateen rig of her mizen-mast—and apparently of some three or four hundred tons burden.

As she was running under one of the gentlest of breezes, all her canvas was spread; and the weather-worn appearance of her sails denoted that she was making land at the termination of a long ocean voyage. This was further manifest by the faded paint upon her sides, and the dark, dirt-coloured blotches that marked the position of her hawse-holes and scuppers.

Besides the private ensign that streamed, pennon-like from her peak, another trailed over her taffrail; which, unfolded by the motion of the vessel, displayed a blue starry field with white and crimson stripes. In this case the flag was appropriate—that is, in its stripes and their colour. Though justly vaunted as the flag of the free, here was it covering a cargo of slaves: the ship was a slaver.

After getting fairly inside the bay, but still at a long distance from the town, she was observed suddenly to tack; and, instead of continuing on towards the harbour, head for a point on the southern side, where the shore was uninhabited and solitary.

On arriving within a mile of the land she took in sail, until every inch of canvas was furled upon her yards. Then the sharp rattling of the chain, as it dragged through the iron ring of the hawse-hole, announced the dropping of an anchor.

In a few moments after the ship swung round; and, drifting till the chain cable became taut, lay motionless upon the water.

The object for which the slaver had thus anchored short of the harbour will be learnt by our going aboard of her—though this was a privilege not granted to the idle or curious. Only the initiated were permitted to witness the spectacle of which her decks now became the theatre: only those who had an interest in the disposal of her cargo.

Viewed from a distance, the slaver lay apparently inert; but for all that a scene of active life was passing upon her deck—a scene of rare and painful interest.

She carried a cargo of two hundred human beings—“bales,” according to the phraseology of the slave-trader. These bales were not exactly alike. It was, as her skipper jocularly styled it, an “assorted cargo”—that is, one shipped on different points of the African coast, and, consequently, embracing many distinct varieties of the Ethiopian race. There was the tawny, but intelligent Mandingo, and by his side the Jolof of ebon hue. There the fierce and warlike Coromantee, alongside the docile and submissive Pawpaw; the yellow Ebo, with the visage of a baboon, wretched and desponding, face to face with the cannibal Moco, or chained wrist to wrist with the light-hearted native of Congo and Angola.

None, however, appeared of light heart on board the slaver. The horrors of the “middle passage” had equally affected them all, until the dancing Congese, and the Lucumi, prone to suicide, seemed equally to suffer from dejection. The bright picture that now presented itself before their eyes—a landscape gleaming with all the gay colours of tropical vegetation—was viewed by them with very different emotions. Some seemed to regard it with indifference; others it reminded of their own African homes, from which they had been dragged by rude and ruffian men; while not a few gazed upon the scene with feelings of keen apprehension—believing it to be the dreaded Koomi, the land of the gigantic cannibals—and that they had been brought thither to be eaten!

Reflection might have convinced them that this would scarcely be the intention of the Tobon-doo—those white tyrants who had carried them across the ocean. The hard, unhusked rice, and coarse maize corn—their only food during the voyage—were not viands likely to fatten them for the feast of Anthropophagi; and their once smooth and shining skins now exhibited a dry, shrivelled appearance, from the surface coating of dandruff, and the scars of the hideous cra-cra.

The blacks among them, by the hardships of that fearful voyage, had turned ashy grey and the yellows of a sickly and bilious hue. Males and females—for there were many of the latter—appeared to have been alike the objects of ill-usage, the victims of a starved stomach and a stifled atmosphere.

Some half-dozen of the latter—seen in the precincts of the cabin—presented a different aspect. These were young girls, picked from the common crowd on account of the superiority of their personal charms; and the flaunting vestments that adorned their bodies—contrasting with the complete nudity of their fellow-voyagers—told too plainly why they had been thus distinguished. A horrid contrast—wantonness in the midst of woe!

On the quarter-deck stood the slave-skipper—a tall, lathy individual of sallow hue—and, beside him, his mate—a dark-bearded ruffian; while a score of like stamp, but lower grade, acting under their orders, were distributed in different parts of the ship.

These last, as they tramped to and fro over the deck, might be heard at intervals giving utterance to profane oaths—as often laying violent hands upon one or other of their unfortunate captives—apparently out of the sheer wantonness of cruelty!

Immediately after the anchor had been dropped, and the ropes belayed and coiled in their places, a new scene of this disgusting drama was entered upon. The living “bales,” hitherto restrained below, were now ordered, or rather driven, upon deck—not all at once, but in lots of three or four at a time. Each individual, as he came up the hatchway, was rudely seized by a sailor, who stood by with a soft brush in his hand and a pail at his feet; the latter containing a black composition of gunpowder, lemon-juice, and palm-oil. Of this mixture the unresisting captive received a coating; which, by the hand of another sailor, was rubbed into the skin, and then polished with a “dandybrush,” until the sable epidermis glistened like a newly-blacked boot.

A strange operation it might have appeared to those who saw it, had they not been initiated into its object and meaning. But to the spectators there present it was no uncommon sight. It was not the first time those unfeeling men had assisted at the spectacle of black bales being made ready for the market!

One after another were the dark-skinned victims of human cupidity brought from below, and submitted to this demoniac anointment—to which one and all yielded with an appearance of patient resignation, like sheep under the hands of the shearer.

In the looks of many of them could be detected the traces of that apprehension felt in the first hours of their captivity, and which had not yet forsaken them. Might not this process be a prelude to some fearful sacrifice?

Even the females were not exempted from this disgusting desecration of God’s image; and they too, one after another, were passed through the hands of the rough operators, with an accompaniment of brutal jests, and peals of ribald laughter!

Volume One—Chapter Six.

Jowler and Jessuron.

Almost on the same instant that the slave-barque had dropped anchor, a small boat shot out from the silent shore; which, as soon as it had got fairly clear of the land, could be seen to be steering in the direction of the newly-anchored vessel.

There were three men in the boat—two of whom were plying the oars. These were both black men—naked, with the exception of dirty white trousers covering their limbs, and coarse palm-leaf hats upon their heads.

The third occupant of the skiff—for such was the character of the boat—was a white, or more properly, a whitish man. He was seated in the stern-sheets, with a tiller-rope in each hand; and steering the craft—as his elbows held a-kimbo, and the occasional motion of his arms testified. He bore not the slightest resemblance to the oarsmen, either in the colour of his skin, or the costume that covered it. Indeed, it would not have been easy to have found his counterpart anywhere either on land or at sea.

He appeared to be about sixty years old—he might have been more or less—and had once been white; but long exposure to a West Indian sun, combined with the numerous dirt-bedaubed creases and furrows in his skin, had darkened his complexion to the hue of leaf-tobacco.

His features, naturally of an angular shape, had become so narrowed and sharpened by age as to leave scarce anything in front; and to get a view of his face it was necessary to step to one side, and scan it en profil.

Thus viewed, there was breadth enough, and features of the most prominent character—including a nose like the claw of a lobster—a sharp, projecting chin—with a deep embayment between, marking the locality of the lips: the outline of all suggesting a great resemblance to the profile of a parrot, but still greater to that of a Jew—for such, in reality was its type.

When the mouth was opened in a smile—a rare occurrence, however—only two teeth could be detected within, standing far apart, like two sentinels guarding the approach to the dark cavern within.

This singular countenance was lighted up by a pair of black, watery orbs, that glistened like the eyes of an otter; and eternally glistened, except when their owner was asleep—a condition in which it was said he was rarely or never caught.

The natural blackness of his eyes was rendered deeper by contrast with long white eyebrows running more than half-way around them, and meeting over the narrow ridge of the nose. Hair upon the head there was none—that is, none that was visible—a skull-cap of whitish cotton-stuff covering the whole crown, and coming down over both ears. Over this was a white beaver hat, whose worn nap and broken edges told of long service.

A pair of large green goggles, resting on the humped bridge of his nose, protected his eyes from the sun; though they might, perhaps, have been worn for another purpose—to conceal the villainous expression of the orbs that sparkled beneath them.

A sky-blue cloth coat, whitened by long wear, with metal buttons, once bright, now changed to the hue of bronze; small-clothes of buff kerseymere glistening with grease; long stockings, and tarnished top-boots, made up the costume of this unique individual. A large blue cotton umbrella rested across his knees, as both hands were occupied in steering the skiff.

The portrait here given—or, perhaps, it should be styled profile—is that of Jacob Jessuron, the slave-merchant; an Israelite of Germanic breed, but one in whom—it would not have been truth to say—there was “no guile.”

The two oarsmen were simply his slaves.

The little craft had put out from the shore—from a secluded spot at a distance from the town, but still within view of it. It was evidently making for the newly-anchored barque; and evidently rowed at its best speed. Indeed, the steersman appeared to be urging his blacks to the exertion of their utmost strength. From time to time he was seen to twist his body half round and look towards the town—as though he expected or dreaded to see a rival boat coming from that quarter, and was desirous to reach the barque ahead of her.

If such was his design it proved successful. Although his little skiff was a considerable time in traversing the distance from shore to ship—a distance of at least a mile—he arrived at the point of his destination without any other boat making its appearance.

“Sheep ahoy!” shouted he, as the skiff was pulled up under the larboard quarter of the barque.

“Ay, ay!” responded a voice from above. “Ish that Captain Showler I hearsh?”

“Hilloo! who’s there?” interrogated some one on the quarter-deck; and the moment after, the sallow face of Captain Aminadab Jowler presented itself at the gangway.

“Ah! Mister Jessuron, that you, eh? Determined to have fust peep at my blackeys? Well! fust kim, fust served; that’s my rule. Glad to see you, old fellow. How’d deo?”

“Fusht-rate!—fusht-rate! I hopsh you’re the same yourshelf, Captain Showler. How ish you for cargo?”

“Fine, old boy! got a prime lot this time. All sizes, colours, and sexes, too; ha! ha! You can pick and choose to suit yourself, I reckin. Come! climb aboard, and squint your eye over ’em!”

The slave-merchant, thus invited, caught hold of the rope-ladder let down for his accommodation; and scrambling up the ship’s side with the agility of an old ape, stepped upon the deck of the slaver.

After some moments spent in handshaking and other forms of gratulation; proving that the trader and merchant were old friends—and as thick as two thieves could possibly be—the latter fixed the goggles more firmly on the ridge of his nose, and commenced his inspection of the “cargo.”

Volume One—Chapter Seven.

The Foolah Prince.

On the quarter-deck of the slaver, and near the “companion,” stood a man of unique appearance—differing not only from the whites who composed the crew, but also from the blacks and browns who constituted the cargo.

His costume, attitude, and some, other trivial circumstances, proclaimed him as belonging neither to one nor the other.

He had just stepped up from the cabin, and was lingering upon the quarter-deck.

Having the entrée of the first, and the privilege of remaining upon the second, he could not be one of the “bales” of this human merchandise; and yet both costume and complexion forbade the supposition that he was of the slaver’s crew. Both denoted an African origin—though his features were not of a marked African type. Rather were they Asiatic, or, more correctly, Arabian; but, in some respects, differing also from Arab features. In truth, they were almost European; but the complexion again negatived the idea that the individual in question belonged to any of the nationalities of Europe. His hue was that of a light Florentine bronze, with a tinge of chestnut.

He appeared to be about eighteen or nineteen years of age; with a person well proportioned, and possessing the following characteristics:—A fine arched eyebrow, spanning an eye full and rotund; a nose slightly aquiline; thin, well-modelled lips; white teeth—whiter from contrast with the dark shading on the upper lip—and over all an ample chevelure of jet-black hair, slightly curling, but not at all woolly.

In nothing did he differ more, from the dark-skinned helots of the hold, than in his costume. While none of these had any clothing upon their bodies, or next to none, he, on the contrary, was splendidly apparelled—his face, throat, arms, and limbs, from the knee to the ankle, being the only parts not covered by a garment.

A sort of sleeveless tunic of yellow satin, with a skirt that just reached below his knees, was bound around his waist by a scarf of crimson China crape, the ends of which, hanging still lower, were adorned with a fringe-work of gold. Over the left shoulder rested loosely another scarf of blue burnous cloth, concealing the arm over which it hung; while half hidden beneath its draping could be perceived a scimitar in its richly-chased scabbard, with a hilt of carved ivory. A turban on the head, and sandals of Kordofan leather upon the feet, completed his costume.

Notwithstanding the Asiatic character of the dress, and the resemblance of the wearer to those East Indians known as Lascars, he was a true African—though not of that type which we usually associate with the word, and which suggests a certain negroism of features. He was one of a people entirely distinct from the negro—the great nation of the Foolahs (Fellattas)—that race of shepherd warriors whose country extends from the confines of Darfur to the shores of the Atlantic—the lords of Sockatoo and Timbuctoo—those fanatic followers of the false prophet who conspired the death of Laing, and murdered Mungo Park upon the Quorra. Of such race was the individual who stood on the quarter-deck of the slaver.

He was not alone. Three or four others were around him, who also differed from the wretched creatures in the hold. But their dresses of more common material, as well as other circumstances, told that they were his inferiors in rank—in short, his attendants.

The humble mien with which they regarded him, and the watchful attention to his every look and gesture, proclaimed the habitual obedience to which they were accustomed; while the turbans which they wore, and their mode of salutation—the salaam—told of an obeisance Oriental and slavish.

To the richness of the young man’s attire was added a certain haughtiness of mien that proclaimed him a person of rank—perhaps the chieftain of some African tribe.

And such, in reality, he was—a Foolah prince, from the banks of the Senegal.

There, neither his presence nor appearance would have attracted more than passing observation; but here, on the western side of the Atlantic, on board a slave-ship, both required explanation.

It was evident that he was not in the same category with his unfortunate countrymen “between decks”—doomed to perpetual captivity. There were no signs that he had been treated as a captive, but the contrary.

How, then, was his presence on board the slave-barque to be accounted for? Was he a passenger? In what relationship did he stand to the people who surrounded him?

Such, though differently worded, were the interrogatories put by the slave-merchant, as, returning from the fore-deck, after completing his inspection of the cargo, his eyes for the first time fell upon the young Fellatta.

“Blesh my shtars, Captain Showler!” cried he, holding up both hands, and looking with astonishment at the turbaned individuals on the quarter-deck. “Blesh my shtars!” he repeated; “what ish all thish? S’help my Gott! theesh fellows are not shlaves, are they?”

“No, Mister Jessuron, no. They ain’t slaves, not all on ’em ain’t. That ’ere fine fellow, in silk and satin, air a owner o’ slaves hisself. He air a prince.”

“What dosh you say, Captin Showler? a prinshe?”

“Ye ain’t ’stonished at that, air ye? ’Tain’t the fust time I’ve had an African prince for a passenger. This yeer’s his Royal Highness the Prince Cingües, son o’ the Grand Sultan of Foota-toro. The other fellows you see thar by him are his attendants—courteers as waits on him. That with the yellow turban’s ‘gold stick;’ him in blue ’s ‘silver stick;’ an’ t’other fellow’s ‘groom o’ the chamber,’ I s’pose.”

“Sultan of Foota-toro!” exclaimed the slave-merchant, still holding up the blue umbrella in surprise; “King of the Cannibal Islandsh! Aha, a good shoke, Captain Showler! But, serious, mine friend, what for hash you tricked them out in this way? They won’t fetch a joey more in the market for all theesh fine feathers.”

“Seerus, Mister Jessuron, they’re not for the market. I sw’ar to ye the fellur’s a real Afrikin prince.”

“African fiddleshtick!” echoed the slave-merchant with an incredulous shrug. “Come, worthy captin, what’sh the mashquerade about?”

“Not a bit of that, ole fellur! ’Sure ye the nigger’s a prince, and my passenger—nothing more or less.”

“S’help you gott, ish it so?”

“So help me that!” emphatically replied the skipper. “It’s just as I’ve told ye, Mister Jessuron.”

“Blesh my soul!—a passenger, you shay?”

“Yes; and he’s paid his passage, too—like a prince, as he is.”

“But what’s hish business here in Shamaica?”

“Ah! that’s altogether a kewrious story, Mister Jessuron. You’ll hardly guess his bizness, I reckon?”

“Lesh hear it, friend Showler.”

“Well, then, the story air this: ’Bout twelve months ago an army o’ Mandingoes attacked the town of Old Foota-toro, and, ’mong other plunder, carried off one o’ his daughters—own sister to the young fellur you see there. They sold her to a West India trader; who, in course, brought the girl over here to some o’ the islands; which one ain’t known. Old Foota-toro, like the rest o’ ’em, thinks the slaves are all fetched to one place; and as he’s half beside himself ’bout the loss of this gurl—she war his favourite, and a sort of a court belle among ’em—he’s sent the brother to search her out, and get her back from whoever hez purchased her on this side. There’s the hul story for you.”

The expression that had been gathering on the countenance of the Jew, while this relation was being made to him, indicated something more than a common interest in the tale—something beyond mere curiosity. At the same time, he seemed as if trying to conceal any outward sign of emotion, by preserving, as much as possible, the rigidity of his features.

“Blesh my soul!” he exclaimed, as the skipper had concluded. “Ash I live, a wonderful shtory! But how ish he ever to find hish sister? He might ash well look for a needle in a hayshtack.”

“Wall, that’s true enough,” replied the slave-skipper. “As for that,” added he, with an air of stoical indifference, “’taint no business o’ mine. My affair hez been to carry the young fellur acrost the Atlantic; an’ I’m willin’ to take him back on the same tarms, and at the same price, if he kin pay it.”

“Did he pay you a goodsh price?” inquired the Jew, with evident interest in the answer.

“He paid like a prince, as I’ve told you. D’ye see that batch o’ yellow Mandingoes by the windlass yonder?”

“Yesh-yesh!”

“Forty there air—all told.”

“Wen?”

“Twenty on ’em I’m to have for fetchin’ him acrost. Cheap enough, ain’t it?”

“Dirt sheep, friend Showler. The other twenty?”

“They are hisn. He’s brought ’em with him to swop for the sister—when he finds her.”

“Ah, yesh! if he finds the girl.”

“In coorse, if he finds her.”

“Ach!” exclaimed the Jew, with a significant shrug of his shoulders; “that will not be an easy bishness, Captin Showler.”

“By Christopher Columbus, old fellow!” said the trader, apparently struck with an idea; “now I think of it, you might gie him some help in the findin’ o’ her. I know no man more likely than yourself to be able to pilot him. You know everybody in the island, I reckon. No doubt he will pay you well for your trouble. I’m rayther anxious he should succeed. King Foota-toro is one of my best sources of supply; and if the gurl could be found and took back, I know the old nigger would do the handsome to me on my next trip to the coast.”

“Well, worthy captin, I don’t know that there’s any hope, and won’t hold out any to hish royal highnesh the prince. I’m not as able to get about ash I ushed to was; but I’ll try my besht for you. As you shay, I might do something towardsh putting him in the way. Well, we’ll talk it over; but let ush first settle our other bishness, or all the world will be aboard. Twenty, you shay, are his?”

“Twenty of them ’ere Mandingoes.”

“Hash he anything besides?”

“In cash? no, not a red cent. Men and women are the dollars of his country. He hez the four attendants, you see. They air his slaves like the others.”

“Twenty-four, then, in all. Blesh my soul! What a lucky fellow ish this prinsh. Maybe I can do something for him; but we can talk it over in the cabin, and I’m ready for something to drink, worthy Showler.”

“Ah!” he exclaimed, as, on turning round, he perceived the group of girls before mentioned. “Blesh my soul! Some likely wenches. Just the sort for chambermaids,” added he, with a villainously significant look. “How many of that kind hash you got, good Showler?”

“About a dozen,” jocularly responded the skipper; “some splendid breeders among ’em, if you want any for that bizness.”

“I may—I may. Gad! it’s a valuable cargo—one thing with another! Well, let ush go below,” added he, turning towards the companion. “What’s in your locker? I musht have a drink before I can do bishness. Likely wenches! Gad—a valuable cargo!”

Smacking his lips, and snapping his fingers as he talked, the old reprobate descended the companion stairway—the captain of the slaver following close behind him.

We know not, except by implication, the details of the bargaining that took place below. The negotiation was a secret one—as became the nature of any transaction between two such characters as a slave-dealer and a slave-stealer.

It resulted, however, in the purchase of the whole cargo; and in so short a time, that just as the sun sank into the sea, the gig, cutter, and long-boat of the slaver were lowered into the water; and, under the darkness of night, the “bales” were transported to the shore, and landed in the little cove whence the skiff of the slave-merchant had put out.

Amongst them were the twenty Mandingoes, the attendants of the prince, and the “wenches,” designed for improving the breed on Jessuron’s plantation: for the slave-merchant was also a land-proprietor and planter.

The skiff was seen returning to the shore, a cable’s-length in the wake of the other boats. Now, however, a fourth personage appeared in it, seated in the stern, face to face with the owner. The gaily-coloured costume, even in the darkness, shining over the calm shadowy surface of the sea, rendered it easy to recognise this individual as the Foolah prince. The wolf and the lamb were sailing in the same boat.

Volume One—Chapter Eight.

A Handsome Offer.

On the day after the slave-ship had landed her cargo, and at an early hour in the morning, Mr Vaughan, looking from the front window of his house, perceived a solitary horseman approaching by the long avenue.

As the stranger drew nearer, the animal he bestrode appeared gradually to transform itself into a mule; and the rider was seen to be an old gentleman in a blue coat, with metal buttons, and ample outside pockets—under which were breeches and top-boots, both sullied by long wear. A damaged brown beaver hat upon his head, with the edge of a white cotton skull-cap showing beneath it—green goggles upon the nose—and a large blue umbrella, instead of a whip, grasped in the right hand—enabled Mr Vaughan to identify one of his nearest neighbours: the penn-keeper Jacob Jessuron, who, among other live stock, was also known as an extensive speculator in slaves.

“The old Jew!” muttered Mr Vaughan, with an accent that betokened a certain degree of discontent. “What can he want at this early hour? Some slave stock for sale, I suppose? That looked like a trader I saw yesterday in the offing; and he’s sure to have had a lot or two out of her. Well, he won’t find a market here. Fortunately, I’m stocked. Morning, Mr Jessuron!” continued he, hailing his visitor as the latter dismounted by the bottom of the stairway. “As usual, you are early abroad. Business, eh?”

“Ach, yesh, Mishter Vochan! Bishness must be minded. A poor man like me can’t afford to shleep late theesh hard times!”

“Ha! ha! Poor man, indeed! That’s a capital joke, Mr Jessuron! Come in. Have you breakfasted?”

“Yesh, thanks, Mishter Vochan,” replied the Jew, as he climbed up the steps. “I always breakfasht at six.”

“Oh, that is early! A glass of swizzle, then?”

“Thanks, Mishter Vochan; you ish very kind. A glash of shwizzell will be better ash anything else. Itsh warm thish morning.” The swizzle, a mixture of rum, sugar, water, and lime-juice, was found in a large punch-bowl that stood upon the sideboard, with a silver ladle resting across the rim, and glasses set around it. This is a standing drink in the dwelling of a Jamaica planter—a fountain that may be said never to go dry, or, at all events, renewed as soon as exhausted.

Stepping up to the sideboard, where he was attended to by a black butler, the penn-keeper briskly quaffed off a tumbler of the swizzle; and then smacking his lips, and adding the observation, “’Tish goot!” he returned towards the window, where a chair had been placed for him beside the one already occupied by his host.

The visitor removed his beaver hat, though the white skull-cap—not over clean—was still permitted to keep its place upon his head.

Mr Vaughan was a man possessed of considerable courtesy, or at least, an affectation of it. He remained silent, therefore, politely waiting for his guest to initiate the conversation.

“Well, Mishter Vochan,” began the Jew, “I hash come over to see you on a shmall bishness—a very shmall bishness it is, shcarcely worth troubling you about.”

Here the speaker hesitated, as if to put some proposition into shape.

“Some black stock for sale, eh? I think I’ve heard that a cargo came in yesterday. You got part, I suppose?”

“Yesh, yesh, I bought a shmall lot, a very shmall lot. I hadn’t the monish to buy more. S’help me gott! the shlaves ish getting so dear ash I can’t afford to buy. This talk about shtoppin’ the trade ish like to ruin ush all. Don’t you think so, Mishter Vochan?”

“Oh, as for that, you needn’t fear. If the British Government should pass the bill, the law will be only a dead letter. They could never guard the whole of the African coast—no, nor that of Jamaica neither. I think, Mr Jessuron, you would still contrive to land a few bales, eh?”

“Ach, no, Mishter Vochan! dear, oh dear, no! I shouldn’t venture againsht the laws. If the trade ish to be stop, I musht give up the bishness. Slaves would be too dear for a poor Jewsh man like me to deal in: s’help me, yesh! they’re too dear ash it ish.”

“Oh, that’s all nonsense about their getting dearer! It’s very well for you to talk so, Mr Jessuron: you have some to sell, I presume?”

“Not now, Mishter Vochan, not now. Posshible, I may have a shmall lot to dishpose of in a day or two; but joosht now, I haven’t a shingle head ready for the market. Thish morning I want to buy, instead of shell.”

“To buy! From me, do you mean?”

“Yesh, Mishter Vochan, if you’re disposed to shell.”

“Come, that’s something new, neighbour Jessuron! I know you’re always ready for a trade; but this is the first time I ever heard of you buying slaves on a plantation.”

“Well, the truth ish, Mishter Vochan, I hash a cushtomer, who wants a likely wench for waiting at hish table. Theresh none among my shtock, he thinks good enough for hish purposh. I wash thinking you hash got one, if you could shpare her, that would suit him nishely.”

“Which do you mean?”

“I mean that young Foolah wench ash I sold you lasht year—joosh after crop time.”

“Oh! the girl Yola?”

“Yesh, I think that wosh her name. Ash you had her dirt sheep, I don’t mind giving you shomething on your bargain—shay ten pounds currenshy?”

“Poh, poh, poh!” replied the planter, with a deprecating shrug. “That would never do—even if I meant to sell the girl. But I have no wish to part with her.”

“Shay twenty, then?”

“Nor twice twenty, neighbour. I wouldn’t, under any circumstances, take less than two hundred pounds for that girl. She has turned out a most valuable servant—”

“Two hunder poundsh!” interrupted the Jew, starting up in his chair. “Och! Mishter Vochan, theresh not a black wench in the island worth half the monish. Two hunder poundsh! Blesh my soul, that ish a prishe! I wish I could shell some of my shtock at that prishe! I’d be glad to give any two I hash for two hunder poundsh.”

“Why, Mr Jessuron! I thought you said just now slaves were getting very dear?”

“Dear, yesh; but that is doublish dear. S’help me gott! You don’t mean it, Mishter Vochan?”

“But I do mean it; and even if you were to offer me two hundred—”

“Don’t shay more about it,” said the slave-merchant, hurriedly interrupting the hypothetical speech; “don’t shay more; I agreesh to give it. Two hunder poundsh!—blesh my shtars! it’ll make a bankrup’ of me.”

“No, it will not do that: since I cannot agree to take it.”

“Not take two hunder poundsh?”

“No—nor twice that sum.”

“Gott help ush, Mishter Vochan; you ish shurely shokin? Why will you not take two hunder? I hash the monish in my pocket.”

“I am sorry to disappoint you, neighbour; but the fact is, I could not sell the girl Yola at any price, without the consent of my daughter—to whom I have given her.”

“Mish Vochan?”

“Yes—she is her maid; and I know that my daughter is very fond of her. It is not likely she would consent to the girl’s being sold.”

“But, Mishter Vochan! you shurely don’t let your daughter shtand between you and a good bargain? Two hunder poundsh is big monish—big monish, Cushtos. The wench ish not worth half ash much, and, for myshelf, I wouldn’t give half; but I don’t want to dishappoint a good cushtomer, who’sh not so particular ash to prishe.”

“Your customer fancies the girl, eh?” said Mr Vaughan, glancing significantly at his guest. “She is very good-looking—no wonder. But, if that be the reason for his wanting to buy her, I may as well tell you, I should myself not be inclined to part with her; and, as for my daughter, if she suspected such a purpose, all the money you have got, Mr Jessuron, wouldn’t reach the price of Yola.”

“S’help me gott, Mishter Vochan, you’re mishtaken! The cushtomer I speak of never shet hish eyes on the wench. Itsh only a waiting-maid he wants for hish table; and I thought of her, ash she’sh joost what he deshcribes. How do you know that Mish Vochan might not conshent to let her go? I promish to get her another young girl ash goot or better ash Yola.”

“Well,” replied the planter, after a moment’s reflection, and apparently tempted by the handsome offer, “since you seem so determined upon buying the wench, I’ll consult my daughter about it. But I can hold out very little hope of success. I know that she likes this young Foolah. I have heard that the girl was some king’s daughter in her own country; and I am as good as certain Kate won’t consent to her being sold.”

“Not if you wished it, Mishter Vochan?”

“Oh, if I insisted upon it, of course; but I gave my daughter a promise not to part with the girl against her wish, and I never break my word, Mr Jessuron—not to my own child.”

With this rather affected profession, the planter walked out of the room, leaving the slave-merchant to his reflections.

“May the diffel strike me dead if that man ishn’t mad!” soliloquised the Jew, when left to himself; “shtark shtarin mad! refuse two hunder poundsh for a she wench ash brown ash a cocoa-nut! Blesh my shtars!”

“As I told you, Mr Jessuron,” said the planter, re-entering the hall, “my daughter is inexorable. Yola cannot be sold.”

“Good morning, Mishter Vochan,” said the slave-merchant, taking up his hat and umbrella, and making for the door. “Good morning, shir: I hash no other bishness to-day.”

Then, putting on his hat and grasping his umbrella, with an air of spitefulness he was unable to conceal, he hurried down the stone steps, scrambled upon the back of his mule, and rode away in sullen silence.

“Unusually free with, his money this morning,” said the planter, looking after him. “Some shabby scheme, I have no doubt. Well, I suppose I have thwarted it; besides, I am glad of an opportunity of disobliging the old curmudgeon: many’s the time he has done as much for me!”

Volume One—Chapter Nine.

Judith Jessuron.

In the most unamiable of tempers did the slave-speculator ride back down the avenue. So out of sorts was he at the result of his interview, that he did not think of unfolding his blue umbrella to protect himself from the hot rays of the sun, now striking vertically downward. On the contrary, he used the parapluie for a very different purpose—every now and then belabouring the ribs of his mule with it: as if to rid himself of his spleen by venting it on the innocent mongrel.

Nor did he go in silence, although he was alone. In a kind of involuntary soliloquy he kept muttering, as he rode on, long strings of phrases denunciatory of the host whose roof he had just quitted.

The daughter, too, of that host came in for a share of his muttered denunciations, which at times, assumed the form of a menace.

Part of what he said was spoken distinctly and with emphasis:—

“The dusht off my shoosh, Loftish Vochan—I flingsh it back to you! Gott for damsch! there wash a time when you would be glad for my two hunder poundsh. Not for any monish? Bosh! Grand lady, Mish Kate—Mish Quasheby! Ha! I knowsh a thing—I knowsh a leetle thing. Some day, may be, yourshelf sell for lesh ash two hunder poundsh. Ach! I not grudgsh twice the monish to see that day!

“The dusht off my shoosh to both of yoush!” he repeated, as he cleared the gate-entrance. “I’sh off your grounds, now; and, if I hash you here, I shay you something of my mind—something ash make you sell your wench for lesh ash two hunder poundsh! I do so, some time, pleash gott! Ach!”

Uttering this last exclamation with a prolonged aspirate, he raised himself erect in his stirrups; and, half turning his mule, shook his umbrella in a threatening manner towards Mount Welcome—his eye accompanying the action with a glance that expressed some secret but vindictive determination.

As he faced back into the road, another personage appeared upon the scene—a female equestrian, who, trotting briskly up, turned her horse, and rode along by his side.

She was a young girl, or, rather a young woman—a bright, beautiful creature—who appeared an angel by the side of that demonlike old man.

She had evidently been waiting for him at the turning of the road; and the air of easy familiarity, with the absence of any salutation as they met, told that they had not long been separated.

Who was this charming equestrian?

A stranger would have asked this question, while his eye rested upon the object of it with mingled feelings of wonder and admiration: admiration at such rare beauty—wonder at beholding it in such rude companionship!

It was a beauty that need not be painted in detail. The forehead of noble arch; the scimitar-shaped eyebrows of ebon blackness; the dark-brown flashing pupils; the piquant prominence of the nose, with its spiral curving nostrils; were all characteristics of Hebraic beauty—a shrine before which both Moslem and Christian have ofttimes bent the knee in humblest adoration.

Twenty cycles have rolled past—twenty centuries of outrage, calumny, and wrong—housed in low haunts—pillaged and persecuted—oft driven to desperation—rendered roofless and homeless—still, amid all, and in spite of all, lovely are Judah’s dark-eyed daughters—fair as when they danced to the music of cymbal and timbrel, or, to the accompaniment of the golden-stringed harp, sang the lays of a happier time.

Here, in a new world, and canopied under an occidental sky, had sprung up a very type of Jewish beauty: for never was daughter of Judah lovelier than the daughter of Jacob Jessuron—she who was now riding by his side.

A singular contrast did they present as they rode together—this fair maid and that harsh-featured, ugly old man—unlike as the rose to its parent thorn.

Sad are we to say, that the contrast was only physical morally, it was “like father like daughter.” In external form, Judith Jessuron was an angel; in spirit—and we say it with regret—she was the child of her father—devilish as he.

“A failure?” said this fair she, taking the initiative. “Pah! I needn’t have asked you: it’s clear enough from your looks—though, certes, that beautiful countenance of yours is not a very legible index to your thoughts. What says Vanity Vaughan? Will he sell the girl?”

“No.”

“As I expected.”

“S’help me, he won’t!”

“How much did you bid for her?”

“Och! I’sh ashamed to tell you, Shoodith.”

“Come, old rabbi, you needn’t be backward before me. How much?”

“Two hunder poundsh.”

“Two hundred pounds! Well, that is a high figure! If what you’ve told me be true, his own daughter isn’t worth so much. Ha! ha! ha!”

“Hush, Shoodith, dear! Don’t shpeak of that—for your life don’t shpeak of it. You may shpoil some plansh I hash about her.”

“Have no fear, good father. I never spoiled any plan of yours yet—have I?”

“No, no! You hash been a good shild, my daughter!—a good shild, s’help me gott, you hash.”

“But tell me; why would the Custos not sell? He likes money almost as well as yourself. Two hundred pounds is a large price for this copper-coloured wench—quite double what she’s worth.”

“Ach, Shoodith dear, it wash not Vochan hishelf that refused it.”

“Who then?”

“Thish very daughter you speaksh of.”

“She!” exclaimed the young Jewess, with a curl of the lip, and a contemptuous twist of her beautiful nostril, that all at once changed her beauty into very ugliness. “She, you say? I wonder what next! The conceited mustee—herself no better than a slave!”

“Shtop—shtop, Shoodith,” interrupted the Jew, with a look of uneasiness. “Keep that to yourshelf, my shild. Shay no more about it—at leasht, not now, not now. The trees may have earsh.”

The burst of angry passion hindered the fair “Shoodith” from making rejoinder, and for some moments father and daughter rode on in silence.

The latter was the first to re-commence the conversation.

“You are foolish, good father,” said she; “absurdly foolish.”

“Why, Shoodith?”

“Why? In offering to buy this girl at all.”

“Ay—what would you shay?” inquired the old Jew, as if the interrogatory had been an echo to his own thoughts. “What would you shay?”

“I would say that you are silly, old rabbi Jacob; and that’s what I do say.”

“Blesh my shoul! What dosh you mean, Shoodith?”

“Why, dear and worthy papa, you’re not always so dull of comprehension. Answer me: what do you want the Foolah for?”

“Och! you know what I wants her for, Thish prinshe will give hish twenty Mandingoes for her. There ish no doubt but that she’s his sister. Twenty good shtrong Mandingoes, worth twenty hunder poundsh. Blesh my soul! it’sh a fortune?”

“Well; and if it is a fortune, what then?”

“If it ish? By our fathers! you talk of twenty hunder poundsh ash if monish was dirt.”

“My worthy parent, you misunderstand me.”

“Mishunderstand you, Shoodith?”

“You do. I have more respect for twenty hundred pounds than you give me credit for. So much, as that I advise you to get it.”

“Get it! why, daughter, that ish shoosht what I am trying to do.”

“Ay, and you’ve gone about it in such a foolish fashion, that you run a great risk of losing it.”

“And how would you have me go about it, mine Shoodith?”

“By taking it.”

The slave-merchant suddenly jerked upon the bridle, and pulled his mule to a stand—as he did so darting towards his daughter a look half-puzzled, half-penetrating.

“Good father Jacob,” continued she, halting at the same time, “you are not wont to be so dull-witted. While waiting for you at the gate of this pompous sugar-planter, I could not help reflecting; and my reflections led me to ask the question: what on earth had taken you to his house?”

“And what answer did you find, Shoodith?”

“Oh, not much; only that you went upon a very idle errand.”

“Yesh, it hash been an idle errand: I did not get what I went for.”

“And what matters if you didn’t?”

“Mattersh it? Twenty Mandingoes mattersh a great deal—twenty hunder poundsh currenshy. That ish what it mattersh, Shoodith mine darling!”

“Not the paring of a Mandingo’s toe-nail, my paternal friend.”

“Hach! what shay you, mine wise Shoodith?”

“What say I? Simply, that these Mandingoes might as well have been yours without all this trouble. They may be yet—ay, and their master too, if you desire to have a prince for your slave. I do.”

“Speak out, Shoodith; I don’t understand you.”

“You will presently. Didn’t you say, just now, that Captain Jowler has reasons for not coming ashore?”

“Captain Showler! He would rather land in the Cannibal Islands than in Montego Bay. Well, Shoodith?”

“Rabbi Jessuron, you weary my patience. For the Foolah prince—as you say he is—you are answerable only to Captain Jowler. Captain Jowler comes not ashore.”

“True—it ish true,” assented the Jew, with a gesture that signified his comprehension of these preliminary premises.

“Who, then, is to hinder you from doing as you please in the matter of these Mandingoes?”

“Wonderful Shoodith!” exclaimed the father, throwing up his arms, and turning upon his daughter a look of enthusiastic admiration. “Wonderful Shoodith! Joosh the very thing!—blesh my soul!—and I never thought of it!”

“Well, father; luckily it’s not too late. I have been thinking of it. I knew very well that Kate Vaughan would not part with the girl Yola. I told you she wouldn’t; but, by the bye, I hope you’ve said nothing of what you wanted her for? If you have—”

“Not a word, Shoodith! not a word!”

“Then no one need be a word the wiser. As to Captain Jowler—”

“Showler daren’t show hish face in the Bay: that’sh why he landed hish cargo on the coast. Besides, there wash an understanding between him and me. He doeshn’t care what ish done with the prinshe—not he. Anyhow, he’ll be gone away in twenty-four hours.”

“Then in twenty-four hours the Mandingoes may be yours—prince, attendants, and all. But time is precious, papa. We had better hasten home at once, and strip his royal highness of those fine feathers before some of our curious neighbours come in and see them. People will talk scandal, you know. As for our worthy overseer—”

“Ah, Ravener! he knowsh all about it. I wash obliged to tell him ash we landed.”

“Of course you were; and it will cost you a Mandingo or two to keep his tongue tied: that it will. For the rest, there need be no difficulty. It won’t matter what these savages may say for themselves. Fortunately, there’s no scandal in a black man’s tongue.”

“Wonderful Shoodith!” again exclaimed the admiring parent. “My precious daughter, you are worth your weight in golden guinish! Twenty-four shlaves for nothing, and one of them a born prinshe! Two thousand currenshy! Blesh my soul! It ish a shplendid profit—worth a whole year’s buyin’ and shellin’.” And with this honest reflection, the slave-merchant hammered his mule into a trot, and followed his “precious Shoodith”—who had already given the whip to her horse, and was riding rapidly homeward.

Volume One—Chapter Ten.

The Sea Nymph.

On the third day after the slaver had cast anchor in the Bay of Montego, a large square-rigged vessel made her appearance in the offing; and, heading shoreward, with all sail set, stood boldly in for the harbour. The Union Jack of England, spread to the breeze, floated freely above her taffrail; and various boxes, bales, trunks, and portmanteaus, that could be seen on her deck—brought up for debarkation—as well as the frank, manly countenances of the sailors who composed her crew, proclaimed the ship to be an honest trader. The lettering upon her stern told that she was the “Sea Nymph, of Liverpool.”

Though freighted with a cargo of merchandise, and in reality a merchantman, the presence on board of several individuals in the costume of landsmen, denoted that the Sea Nymph also accommodated passengers.

The majority of these were West India planters, with their families, returning from a visit to the mother country—their sons, perhaps, after graduating at an English university, and their daughters on having received their final polish at some fashionable metropolitan seminary.

Here and there an “attorney”—a constituent element of West Indian society, though not necessarily, as the title suggests, a real limb of the law. Of the latter there might have been one or two, with a like number of unpractised disciples of Aesculapius; both lawyer and doctor bent on seeking fortune—and with fair prospects of finding it in a land notorious for crime as unwholesome in clime. These, with a sprinkling of nondescripts, made up the list of the Sea Nymph’s cabin-passengers.

Among these nondescripts was one of peculiarities sufficiently distinctive to attract attention. A single glance at this personage satisfied you that you looked upon a London Cockney, at the same time a West-End exquisite of the very purest water. He was a young man who had just passed the twenty-first anniversary of his birth; although the indulgence of youthful dissipation had already brushed the freshness from his features, giving them the stamp of greater age. In complexion he was fair—pre-eminently so—with hair of a light yellowish hue, that presented the appearance of having been artificially curled, and slightly darkened by the application of some perfumed oil. The whiskers and moustache were nearly of the same colour; both evidently cultivated with an elaborate assiduity, that proclaimed excessive conceit in them on the part of their owner.

The eyebrows were also of the lightest shade; but the hue of the eyes was not so easily told: since one of them was kept habitually closed; while a glancing lens, in a frame of tortoise-shell, hindered a fair view of the other. Through the glass, however, it appeared of a greenish grey, and decidedly “piggish.”

The features of this individual were regular enough, though without any striking character; and of a cast rather effeminate than vulgar. Their prevailing expression was that of a certain superciliousness, at times extending to an affectation of sardonism.

The dress of the young man was in correspondence with the foppery exhibited in the perfumed locks and eye-glass. It consisted of a surtout of broadcloth, of a very light drab, with a cape that scarce covered the shoulders; a white beaver hat; vest and pants of spotless huff kerseymere; kid gloves on his hands; and boots, blight as lacquer could make them, on his feet. These items of apparel, made in a style of fashion and worn with an air of savoir faire, loudly proclaimed the London fop of the time.

The affected drawl in which the gentleman spoke, whenever he condescended to hold communion with his fellow-passengers, confirmed this character.

Notwithstanding a certain ill-disguised contempt with which he was regarded by some of his fellow-voyagers, not a few treated him with marked deference; and the obeisance paid him by the steward and cabin boys of the Sea Nymph gave evidence of his capability to bestow a liberal largess. And such capability did he possess: for Mr Montagu Smythje, the individual in question, was a youth of good family and fortune—the latter consisting of a magnificent sugar estate in Jamaica, left him by a deceased relative, to visit which was the object of his voyage.

The estate he had never seen, as this was his first trip across the Atlantic; but he had no reason to doubt the existence of the property. The handsome income which it had afforded him, during several years of his minority, and which had enabled him to live in magnificent style in the most fashionable circles of London society, was a substantial proof that Montagu Castle—such was the name of the estate—was something more than a castle in the air. During his minority, the estate had been managed by a trustee resident in the island: one Mr Vaughan, himself a sugar-planter, whose plantation adjoined that of Montagu Castle.

Mr Smythje had not come over the water with any intention of settling upon his Jamaica estate. “Such an ideaw,” to use his own phraseology, “nevwaw entawed ma bwain. To exchange London and its pwesyaws for a wesidence among those haw-ed niggaws—deaw, no—I could nevwaw think of such a voluntawy banishment; that would be a baw—a decided baw!” “A meaw twip to see something of the twopics, of which I’ve heard such extwaor’nary stowies—have a look at my sugaw plantation and the dem’d niggaws—besides, I have a stwong desire to take a squint at these Queeole queetyaws, who are said to be so doocèd pwetty. Haw! haw!”

After such fashion did Mr Montagu Smythje explain the purpose of his voyage to such of his fellow-passengers as chanced to take an interest in it.

There were but few travellers in the steerage of the Sea Nymph. They who are compelled to adopt that irksome mode of voyaging across the Atlantic have but little errand to the West Indies, or elsewhere to tropical lands—where labour is monopolised by the thews and sinews of the slave. Only three or four of this class had found accommodation on board the Sea Nymph; and yet among these humble voyagers was one destined to play a conspicuous part in our story.

The individual in question was a young man, in appearance of the same age as Mr Montagu Smythje, though differing from the latter in almost everything else. In stature he was what is termed “middle height,” with limbs well set and rounded, denoting activity and strength. His complexion, though not what is termed brunette, was dark for a native of Britain, though such was he.

His features were nobly defined; and his whole countenance sufficiently striking to attract the attention of even an indifferent observer. Dark-brown eyes, and hair of like colour, curling jauntily over his cheeks, were characteristic points of gracefulness; and, take him all in all, he was what might justly be pronounced a handsome young fellow.

The garments he wore were his best—put on for the first time during the voyage, and for the grand occasion of landing. A dark blue tunic frock, faced with black braid, skirting down over a pair of close-fitting tights, and Hessian boots, gave him rather a distingué air, notwithstanding a little threadbarishness apparent along the seams.

The occupation in which the young man was engaged betrayed a certain degree of refinement. Standing near the windlass, in the blank leaf of a book, which appeared to be his journal, he was sketching the harbour into which the ship was about to enter; and the drawing exhibited no inconsiderable degree of artistic skill.

For all that, the sketcher was not a professional artist. Professionally, indeed, and to his misfortune, he was nothing. A poor scholar—without trick or trade by which he might earn a livelihood—he had come out to the West Indies, as young men go to other colonies, with that sort of indefinite hope, that Fortune, in some way or other, might prove kinder abroad than she had been at home.

Whatever hopes of success the young colonist may have entertained, they were evidently neither sanguine nor continuous. Though naturally of a cheerful spirit, as his countenance indicated, a close observer might have detected a shadow stealing over it at intervals.

As the ship drew near to the shore, he closed the book, and stood scanning the gorgeous picture of tropical scenery, now, for the first time, disclosed to his eyes.

Despite the pleasant emotions which so fair a scene was calculated to call forth, his countenance betrayed anxiety—perhaps a doubt as to whether a welcome awaited him in that lovely land upon which he was looking.

Only a few moments had he been thus occupied, when a strange voice falling upon his ear caused him to turn towards the speaker—in whom he recognised the distinguished cabin-passenger, Mr Montagu Smythje.

As this gentleman had voyaged all the way from Liverpool to Jamaica without once venturing to set his foot across the line which separates the sacred precincts of the quarter from the more plebeian for’ard deck, his presence by the windlass might have been matter of surprise.

A circumstance, however, explained it. It was the last hour of the voyage. The Sea Nymph was just heading into the harbour; and the passengers of all degrees had rushed forward, in order to obtain a better view of the glorious landscape unfolding itself before their eyes. Notwithstanding his often-expressed antipathy to the “abom’nable smell of taw” it was but natural that Mr Smythje should yield to the general curiosity, and go forward among the rest.

Having gained an elevated stand-point upon the top of the windlass, he had adjusted the glass to his eye, and commenced ogling the landscape, now near enough for its details to be distinguished.

Not for long, however, did Mr Smythje remain silent. He was not one of a saturnine habit. The fair scene was inspiring him with a poetical fervour, which soon found expression in characteristic speech.

“Doocèd pwetty, ’pon honaw!” he exclaimed; “would make a spwendid dwop-scene faw a theataw! Dawnt yaw think so, ma good fwend?”

The person thus appealed to chanced to be the young steerage passenger; who, during the long voyage, had abstained from going abaft of the main-mast with as much scrupulousness as Mr Smythje had observed about venturing forward. Hence it was that the voice of the exquisite was as strange to him, as if he had never set eyes on that illustrious, personage.

On perceiving that the speech was meant for himself, he was at first a little nettled at its patronising tone; but the feeling of irritation soon passed away, and he fixed his eyes upon the speaker, with a good-humoured, though somewhat contemptuous expression.

“Aw—haw—it is yaw, my young fellaw,” continued the exquisite, now for the first time perceiving to whom he had made his appeal. “Aw, indeed! I’ve often observed yaw from the quawter-deck. Ba Jawve! yes—a veway stwange individwal!—incompwehensibly stwange! May I ask—pawdon the liberty—what is bwinging yaw out heaw—to Jamaica, I mean?”

“That,” replied the steerage passenger, again somewhat nettled at the rather free style of interrogation, “which is bringing yourself—the good ship Sea Nymph.”

“Aw, haw! indeed! Good—veway good! But, my deaw sir, that is not what I meant.”

“No?”

“No, I ashaw yaw. I meant what bisness bwings yaw heaw. P’waps you have some pwofession?”

“No, not any,” replied the young man, checking his inclination to retaliate the impertinent style of his interrogator.

“A twade, then?”

“I am sorry to say I have not even a trade.”

“No pwofession! no twade! what the dooce daw yaw intend dawing in Jamaica? P’waps yaw expect the situation of book-keepaw on a pwantation, or niggaw-dwivaw. Neithaw, I believe, requiaws much expewience, as I am told the book-keepaw has pwositively no books to keep—haw! haw! and shawly any fellaw, howevaw ignowant, may dwive a niggaw. Is that yaw expectation, my worthy fwend?”