ART AND CRITICISM IN AMERICA

(from the New York Press)

Tribune: “Edith Wharton’s Summer (Appleton) is a masterpiece of accurate, graceful and fascinating composition ... a climax of graphic power is reached which has seldom been approximated in contemporary fiction. But then—the pity of it all! the pity of it all! Was it worth while to use such gifts, to employ such rare and exquisite an artistry, in the exploitation of so sordid and so seamy a side of life?... If now and then, and here and there, man must be so fallen and so lost, let us rather ‘Walk backward with averted gaze and hide the shame.’”

Times: “Mr. Lewis’s (The innocents, by Sinclair Lewis. Harper) native endowment is essentially Dickensian, because his mental affinity is stronger for what is sweet and clean and bright, upward looking and forward pressing, in human nature, than it is for the rotten, the dour and the hopeless. He sees and duly uses these poisoned and poisonous elements of human life, but in his estimate of the forces that inspire, etc., etc.”

(To get the full value of the reviews of Mr. Lewis’s work one must read his countless stories and novels. But it would be well, perhaps, to mention that he is a rising young manufacturer of literary all-day suckers, who turns out a novel in about the time it took Flaubert to write a paragraph of Madame Bovary)—I. S.

Roosevelt’s “The Foes of Our Own Household”

This is an invaluable book. It is a compilation of all the outworn thought of the last two generations.—jh.

WE WANT!

We want monthly eight pages more for French, eight pages more for painting and sculpture (when extant), sixteen pages more if we are to print both the Hueffer prose series and the new novel promised by James Joyce, at the same time. We see no reason why we should not publish music (not criticism of music) if any happens to be written. Even our most rabid detesters can not expect us to double our format unless we can, at about the same time, double our list of subscribers. It is, placid reader, up to you.

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A Fantasy in two scenes, Behind the Watteau Picture, by Robert E. Rogers, with Incidental music by W. Franke Harlinge.

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LUSTRA

by Ezra Pound

This, the first book of poems by Mr. Pound to appear in this country since 1912, opens with a number of pieces on modern subjects. These are followed by the now famous Cathay “translation” from the Fenollosa Chinese manuscripts. Then come some earlier poems, and the book closes with the long and new Three Cantos.

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“The volume is worthy of careful reading for it presents various tendencies found in our world to-day and also shows that it is dangerous to build one’s theology and religion in any one-sided fashion.”—International Journal of Ethics.

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A soldier, wounded, war weary, who has learned in the trenches to forget the meaning of hate; a village vicar, voicing the venom of those who do not fight; and John Smith, simple, determined, working for the brotherhood of man—around these three characters the author of “The Sailor” has written an amazing novel of the spiritual and ethical side of the War.

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Song poems of Democracy and the great Trails that sound a note of hope and honest labor.

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Out of Their Own Mouths

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An intimate account of the author’s experiences in France and Italy during the great war.

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Summer

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Susan Lenox: Her Fall and Rise

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“Hello Huck!”

Recall that golden day when you first read “Huck Finn”? How your mother said, “For goodness’ sake, stop laughing aloud over that book. You sound so silly.” But you couldn’t stop laughing.

Today when you read “Huckleberry Finn” you will not laugh so much. You will chuckle often, but you will also want to weep. The deep humanity of it—the pathos, that you never saw, as a boy, will appeal to you now. You were too busy laughing to notice the limpid purity of the master’s style.

MARK TWAIN

When Mark Twain first wrote “Huckleberry Finn” this land was swept with a gale of laughter. When he wrote “The Innocents Abroad” even Europe laughed at it itself.

But one day there appeared a new book from his pen, so spiritual, so true, so lofty that those who did not know him well were amazed. “Joan of Arc” was the work of a poet—a historian—a seer. Mark Twain was all of these. His was not the light laughter of a moment’s fun, but the whimsical humor that made the tragedy of life more bearable.

A Real American

Mark Twain was a steamboat pilot. He was a searcher for gold in the far West. He was a printer. He worked bitterly hard. All this without a glimmer of the great destiny that lay before him. Then, with the opening of the great wide West, his genius bloomed.

His fame spread through the nation. It flew to the ends of the earth, until his work was translated into strange tongues. From then on, the path of fame lay straight to the high places. At the height of his fame he lost all his money. He was heavily in debt, but though 60 years old, he started afresh and paid every cent. It was the last heroic touch that drew him close to the hearts of his countrymen.

The world has asked is there an American literature? Mark Twain is the answer. He is the heart, the spirit of America. From his poor and struggling boyhood to his glorious, splendid old age, he remained as simple, as democratic as the plainest of our forefathers.

He was, of all Americans, the most American. Free in soul, and dreaming of high things—brave in the face of trouble—and always ready to laugh. That was Mark Twain.

The Price Goes Up

25 VOLUMES Novels—Stories—Humor—Essays—Travel—History

This is Mark Twain’s own set. This is the set he wanted in the home of each of those who love him. Because he asked it, Harpers have worked to make a perfect set at a reduced price.

Before the war we had a contract price for paper, so we could sell this set of Mark Twain at half price.

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Send me, all charges prepaid, a set of Mark Twain’s works in 25 volumes, illustrated, bound in handsome green cloth, stamped in gold, gold tops and untrimmed edges. If not satisfactory, I will return them at your expense. Otherwise I will send you $1.00 within 5 days and $2.00 a month for 12 months, thus getting the benefit of your half-price sale.

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The last of the edition is in sight. The price of paper has gone up. There can be no more Mark Twain at the present price. There never again will be any more Mark Twain at the present price. Get the 25 volumes now, while you can. Every American has got to have a set of Mark Twain in his home. Get yours now and save money.

Your children want Mark Twain. You want him. Send this coupon today—now—while you are looking at it.

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A SELECTION OF BOOKS from THE LITTLE REVIEW BOOKSHOP

Poetry and Drama

Prufrock and other Observations, by T. S. Eliot.

Noh: A Study of the Classical Stage of Japan, by Ernest Fenollosa and Ezra Pound. $2.75.

The Love Poems of Verhæren, translated by Flint, Symons, and others. $1.50.

A Night at an Inn, by Lord Dunsany. 50 cents.

Psychology

Psychology of the Unconscious by Dr. C. G. Jung. $4.00.

The Psychoanalytic Method, by Dr. Oskar Pfister. $4.00.

Wit and Its Relation to the Unconscious, by Dr. Sigmund Freud. $2.50.

The Neurotic Constitution, by Dr. Alfred Adler. $3.00.

Fiction

A Portrait of the Artist as a Young Man, by James Joyce. $1.50.

Pelle the Conqueror, by Martin Anderson Nexø. 4 volumes. $6.00.

Mendel, by Gilbert Cannan. $1.50.

Dubliners, by James Joyce. $1.50.

Miscellaneous

Le Feu, by Henri Barbusse.

Chamber Music, by James Joyce.

The Works of Anatole France. Each $1.25.

Oscar Wilde: His life and Confessions, by Frank Harris. 2 volumes. $10.00.

All mail orders must be accompanied by an average of ten cents per book for postage.

THE LITTLE REVIEW

THE MAGAZINE THAT IS READ BY THOSE WHO WRITE THE OTHERS

Some features of the coming issues:

November: Hanrahan’s Oath: A Play, by Lady Gregory Poems from the Chinese of Li Po, by Maxwell Bodenheim Imaginary Letters, VI., by Ezra Pound Reproductions of Modern Sculpture and Drawings

December: A Letter from Remy de Gourmont A Soldier of Humour, by Wyndham Lewis T. S. Eliot: A Criticism, by May Sinclair

January: Women and Men, by Ford Madox Hueffer

James Joyce will begin a new novel either in the February or March number.

Editorials in The Little Review will respect no vested interests, no publishers’ interests, no aged magazines and reviews, nor staffs of the same.

THE LITTLE REVIEW BOOKSHOP

It is often impossible even in the large cities to get books on special subjects. We can deliver to you any book on any subject.

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Advertisements were collected at the end of the text.

The table of contents on the title page was adjusted in order to reflect correctly the headings in this issue of The Little Review.

The original spelling was mostly preserved. A few obvious typographical errors were silently corrected. All other changes are shown here (before/after):

... I have come too late. She is dead. ... ... DR T.: I have come too late. She is dead. ...