The Little Review Book Shop
Reading edition
The Little Review Bookshop is now open.
You may order any book you want from us and we have the facilities for delivering or mailing it to you at whatever time you specify.
You may come in and look over our stock and take your selections with you.
Some of the books you will want are these:
James Joyce’s Portrait of the Artist as a Young Man. $1.50
Nexo’s Pelle the Conqueror. Four volumes, $6.00
Gilbert Cannan’s Mendel. $1.50
Romain Rolland’s Jean Christophe. Three volumes, $5.00
D. H. Lawrence’s Prussian Officer and Twilight in Italy, $1.50 each.
Ethel Sidgwick’s Promise and Succession. Each $1.50
Ezra Pound’s Memoir of Gaudier-Brzeska. $3.50
The Imagist Anthology, 1917. 75 cents
Verharen’s Love Poems, translated by F. S. Flint. $1.00
The Plays of Emile Verharen, translated by Flint, Arthur Symons, etc. $1.50
Willard Huntington Wright’s Modern Painting and The Creative Will. $2.50 and $1.50
Tagore’s Reminiscences and Personality. Each $1.50
The complete works of Anatole France. Per volume, $1.25
The Works of Henri Fabre. 6 volumes. Each $1.50
The Works of Mark Twain. 25 volumes, $25.00
Creative Intelligence, by John Dewey and others. $2.00
Carl Sandburg’s Chicago Poems. $1.25
Joseph Conrad’s The Shadow Line. $1.35
Maurice Hewlett’s Thorgils. $1.35
Andreyev’s The Little Angel, The Crushed Flower, etc. $1.35 and $1.50
Kuprin’s A Slave Soul. $1.50
Tchekoff The Kiss, The Darling, The Duel, The Black Monk. Each $1.25
Gorky’s Confession and Twenty-Six Men and a Girl. $1.35
Dostoevsky’s The Eternal Husband. $1.50
Gogol’s Dead Souls, Taras Bulba, The Mantle. $1.40, $1.35.
Sologub’s The Sweet-Scented Name. $1.50
Artzibashef’s Sanine, The Millionaire, The Breaking-Point. Each $1.50
The Works of Freud and Jung.
Max Eastman’s Journalism versus Art, Understanding Germany. $1.00 and $1.25
John Cowper Powy’s Confessions, Suspended Judgments. $1.50 and $2.00
Paul Geraldy’s The War, Madame. 75 cents.
Amy Lowell’s Men, Women and Ghosts. $1.25
H. D.’s Sea Garden. 75 cents.
D. H. Lawrence’s Amores. $1.25
W. W. Gibson’s Livelihood. $1.25
The Stories of A. Neil Lyons. Each $1.25
Sherwood Anderson’s Windy McPherson’s Son. $1.40
I, Mary MacLane. $1.40
NOTE.—We have some interesting discussion for the Reader Critic this month, but owing to lack of space it will have to be held over until the next issue.

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BERTHA HOLLEY
Twenty-one East Forty-ninth Street New York City Telephone: Plaza 1495
Mason & Hamlin
The Stradivarius of Pianos
Mason & Hamlin Co.
313 5th Avenue New York

THE MOUSE TRAP.
TEAS & LUNCHES
We move to 3 Sheridan Square Tuesday, May the fifteenth. You are cordially invited to have lunch, tea, or dinner. Open from twelve-thirty to eight.
Orders Taken for Studio Teas 3 Sheridan Square
STATEMENT OF OWNERSHIP, MANAGEMENT, CIRCULATION, ETC., REQUIRED BY THE ACT OF CONGRESS, OF AUGUST 24, 1912.
Of THE LITTLE REVIEW, published monthly at New York, N. Y., for April 1st, 1916.
State of New York, County of New York—ss.
Before me, a Notary Public in and for the State and county aforesaid, personally appeared Margaret C. Anderson, who, having been duly sworn according to law, deposes and says that she is the Publisher, Editor, Owner, Business Manager of THE LITTLE REVIEW, and that the following is, to the best of her knowledge and belief, a true statement of the ownership, management (and if a daily paper, the circulation), etc., of the aforesaid publication for the date shown in the above caption, required by the Act of August 24, 1912, embodied in section 443, Postal Laws and Regulations, printed on the reverse of this form; to wit:
1. That the names and addresses of the publisher, editor, managing editor, and business managers are:
Publisher, Margaret C. Anderson, 31 W. Fourteenth St., New York; Editor, Margaret C. Anderson, 31 W. Fourteenth St., New York; Managing Editor, Margaret C. Anderson, 31 W. Fourteenth St., New York; Business Manager, Margaret C. Anderson, 31 W. Fourteenth St., New York.
2. That the owner is, Margaret C. Anderson.
3. That the known bondholders, mortgagees, and other security holders owning or holding 1 per cent. or more of total amount of bonds, mortgages, or other securities are: None.
4. That the two paragraphs next above, giving the names of owners, stockholders, and security holders, if any, contain not only the list of stockholders and security holders as they appear upon the books of the company but also, in cases where the stockholder or security holder appears upon the books of the company as trustee or in any other fiduciary relation, the name of the person or corporation for whom such trustee is acting, is given; also that the said two paragraphs contain statements embracing affiant’s full knowledge and belief as to the circumstances and conditions under which stockholders and security holders who do not appear upon the books of the company as trustees, hold stock and securities in a capacity other than that of a bona fide owner; and this affiant has no reason to believe that any other person, association, or corporation, has any interest direct or indirect in the said stock, bonds, or other securities than as so stated by her.
MARGARET C. ANDERSON.
Sworn to and subscribed before me this 9th day of April, 1917.
WALTER HEARN, Notary Public. (My commission expires March 30th, 1918.)
“Hello Huck!”


Recall that golden day when you first read “Huck Finn”? How your mother said, “For goodness’ sake, stop laughing aloud over that book. You sound so silly.” But you couldn’t stop laughing.
Today when you read “Huckleberry Finn” you will not laugh so much. You will chuckle often, but you will also want to weep. The deep humanity of it—the pathos, that you never saw, as a boy, will appeal to you now. You were too busy laughing to notice the limpid purity of the master’s style.
MARK TWAIN
When Mark Twain first wrote “Huckleberry Finn” this land was swept with a gale of laughter. When he wrote “The Innocents Abroad” even Europe laughed at it itself.
But one day there appeared a new book from his pen, so spiritual, so true, so lofty that those who did not know him well were amazed. “Joan of Arc” was the work of a poet—a historian—a seer. Mark Twain was all of these. His was not the light laughter of a moment’s fun, but the whimsical humor that made the tragedy of life more bearable.
A Real American
Mark Twain was a steamboat pilot. He was a searcher for gold in the far West. He was a printer. He worked bitterly hard. All this without a glimmer of the great destiny that lay before him. Then, with the opening of the great wide West, his genius bloomed.
His fame spread through the nation. It flew to the ends of the earth, until his work was translated into strange tongues. From then on, the path of fame lay straight to the high places. At the height of his fame he lost all his money. He was heavily in debt, but though 60 years old, he started afresh and paid every cent. It was the last heroic touch that drew him close to the hearts of his countrymen.
The world has asked is there an American literature? Mark Twain is the answer. He is the heart, the spirit of America. From his poor and struggling boyhood to his glorious, splendid old age, he remained as simple, as democratic as the plainest of our forefathers.
He was, of all Americans, the most American. Free in soul, and dreaming of high things—brave in the face of trouble—and always ready to laugh. That was Mark Twain.
The Price Goes Up
25 VOLUMES Novels—Stories—Humor—Essays—Travel—History
This is Mark Twain’s own set. This is the set he wanted in the home of each of those who love him. Because he asked it, Harpers have worked to make a perfect set at a reduced price.
Before the war we had a contract price for paper, so we could sell this set of Mark Twain at half price.
Send the Coupon Without Money
L. R. 5 HARPER & BROTHERS
Franklin Sq., N. Y.
Send me, all charges prepaid, a set of Mark Twain’s works in 25 volumes, illustrated, bound in handsome green cloth, stamped in gold, gold tops and untrimmed edges. If not satisfactory, I will return them at your expense. Otherwise I will send you $1.00 within 5 days and $2.00 a month for 12 months, thus getting the benefit of your half-price sale.
Little Review
Name ....................
Address .................
The last of the edition is in sight. The price of paper has gone up. There can be no more Mark Twain at the present price. There never again will be any more Mark Twain at the present price. Get the 25 volumes now, while you can. Every American has got to have a set of Mark Twain in his home. Get yours now and save money.
Your children want Mark Twain. You want him. Send this coupon today—now—while you are looking at it.
HARPER & BROTHERS, New York
Special Offer
JAMES JOYCE’S A Portrait of the Artist as a Young Man and a year’s subscription to The Little Review for $2.50.
We are happy to announce that through the courtesy of Mr. Huebsch we are able to make the following unusual offer, open to any one who sends in a subscription (or a renewal) to The Little Review:
Mr. Joyce’s Portrait of the Artist as a Young Man, the most important and beautiful piece of novel writing to be found in English today, retails for $1.50. The subscription price of The Little Review is $1.50. We will cut the latter to $1.00, for this special offer, and you may have the book and the subscription for $2.50. Or you may have Mr. Joyce’s Dubliners instead.
This is an offer you cannot afford to miss. Send your order at once to
THE LITTLE REVIEW 31 West 14th Street New York City.
Foreign Subscriptions received at English office of
The Little Review
5 Holland Place Chambers Kensington, London, W. 8.
Advertisements were collected at the end of the text.
The table of contents on the title page was adjusted in order to reflect correctly the headings in this issue of The Little Review.
The original spelling was mostly preserved. A few obvious typographical errors were silently corrected. All other changes are shown here (before/after):
... There was likewise a common see-saw or teeter, a green house, ... ... There was likewise a common see-saw or teeter, a greenhouse, ...
... that time connected did no arrive on the instant, he considered ... ... that time connected did not arrive on the instant, he considered ...
... may be. When he hears a similar Baa he pricks his ears up, and ... ... may be). When he hears a similar Baa he pricks his ears up, and ...