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The Little Review, May 1916 (Vol. 3, No. 3)

Three Flesh-tints

Reading edition

BEN HECHT

The Incense Burner

A bending flower rises from its mouth And sways like the vein of a zephyr. Threads of moonlight float entangled over it, Delicate as the breath of a dying woman. Souls come whispering from its ancient lips, Laden with thin secrets, And torn by the long nails of idiot Gods.... Pale dancers arise, whirling listlessly, Expiring in a writhing languor. Heavy-lidded eyes crawl out and open vacantly and close.... Dried whisps of water break into blue wings. A sleeping woman’s arm reaches up and curves into a sigh And scratches at the air with opalescent claws. Dead pearls drift in a dead circle—till, quivering, A slow finger rises, balancing a grey moon on its tip. And then a severed face squeezes out and lolls to and fro, Its washed purple lips leering with a grotesque sin.

The Goldfish in a Bowl

A tiny shimmering courtesan Dressed in red spangles, Weaves a monotonous thread of painted rubies Through the stagnant curtains of her room. Stifling under faint rags, A dumb enchanted nightingale Tosses in droll anguish, Dreaming of the sapphire roses and the crystal fringe and the topaz silks That were her lovers.

A Nude

The rich brocade of night, Sewn with the red dust of roses And the topaz breath of the sleeping sun Hangs from the cool ivoried silk of her shoulders. The winged beacons of her breasts Gleam with golden moonlight. And her eyes are like purple bosomed birds That circle and beat against the azure gloom. Her nakedness is an opal mirror, Quivering with splintered images. Her nakedness is a white kiss. Burning on the shadowed lips of the night. Her nakedness is the flowing of ghostly water Under fierce moons— The poplar silver of the wind that dances in the gardens at night. Her nakedness is the golden fabric woven out of bloody grapes And the dead mists of incense.

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