VII (continued 2)

'Suddenly I heard the sound of an axe, and I can find no words to tell you how impressive its sound was in the still autumn day. "How soon will the tree fall?" I thought; and, desirous of seeing it fall, I walked on, guided by the sound, till I saw at the end of the glade—whom do you think? Do you remember an old man called Patsy Murphy? He had once been a very good carpenter, and had made and saved money. But he is now ninety-five, and I could hardly believe my eyes when I saw him trying to cut down a larch. What his object could be in felling the tree I could not tell, and, feeling some curiosity, I walked forward. He continued to chip away pieces of the bark till his strength failed him, and he had to sit down to rest. Seeing me, he took off his hat—you know the tall hat he wears—a hat given him twenty or thirty years ago by whom? Patsy Murphy's mind is beginning to wander. He tells stories as long as you will listen to him, and it appears now that his daughter-in-law turned him out of his house—the house he had built himself, and that he had lived in for half a century. This, however, is not the greatest wrong she had done him. He could forgive her this wrong, but he cannot forgive her stealing of his sword. "There never was a Murphy," he said, "who hadn't a sword." Whether this sword is an imagination of Patsy's fading brain, I cannot say; perhaps he had some old sword and lost it. The tale he tells to-day differs wholly from the tale he told yesterday and the tale he will tell to-morrow. He told me once he had been obliged to give up all his savings to his son. I went to interview the son, determined to sift the matter to the bottom, and discovered that Patsy had still one hundred and twenty pounds in the bank. Ten pounds had been taken out for—I needn't trouble you with further details. Sufficient has been said to enable you to understand how affecting it was to meet this old man in the red and yellow woods, at the end of a breathless autumn day, trying to fell a young larch. He talked so rapidly, and one story flowed so easily into another, that it was a long time before I could get in a word. At last I was able to get out of him that the Colonel had given him leave to build a house on the shore, where he would be out of everybody's way. "All my old friends are gone, the Colonel's father and his mother. God be merciful to her! she was a good woman, the very best. And all I want now is time to think of them that's gone.... Didn't I know the Colonel's grandfather and his grandmother? They're all buried in the cemetery yonder in Kiltoon, and on a fine evenin' I do like to be sittin' on a stone by the lake, thinking of them all."

'It was at once touching and impressive to see this old man, weak as a child, the only trembling thing in a moveless day, telling these wanderings of an almost insane brain. You will say, "But what matter? They may not be true in fact, but they are his truth, they are himself, they are his age." His ninety-five years are represented in his confused talk, half recollection, half complaints about the present. He knew my father and mother, too, and, peering into my face, he caught sight of a gray hair, and I heard him mutter:

'"Ah! they grow gray quicker now than they used to."

'As I walked home in the darkening light, I bethought myself of the few years left to me to live, though I am still a young man, that in a few years, which would pass like a dream, I should be as frail as Patsy Murphy, who is ninety-five. "Why should I not live as long?" I asked myself, losing my teeth one by one and my wits.'

'September.

'I was interrupted in my description of the melancholy season, and I don't know how I should have finished that letter if I had not been interrupted. The truth is that the season was but a pretext. I did not dare to write asking you to forgive me for having returned your letter. I do not do so now. I will merely say that I returned the letter because it annoyed me, and, shameful as the admission may be, I admit that I returned it because I wished to annoy you. I said to myself, "If this be so—if, in return for kind thought—Why shouldn't she suffer? I suffer." One isn't—one cannot be—held responsible for every base thought that enters the mind. How long the mind shall entertain a thought before responsibility is incurred I am not ready to say. One's mood changes. A storm gathers, rages for a while, and disperses; but the traces of the storm remain after the storm has passed away. I am thinking now that perhaps, after all, you were sincere when you asked me to leave Garranard and take my holiday in Rome, and the baseness of which for a moment I deemed you capable was the creation of my own soul. I don't mean that my mind, my soul, is always base. At times we are more or less unworthy. Our tempers are part of ourselves? I have been pondering this question lately. Which self is the true self—the peaceful or the choleric? My wretched temper aggravated my disappointment, and my failure to write the history of the lake and its castles no doubt contributed to produce the nervous depression from which I am suffering. But this is not all; it seems to me that I may point out that your—I hardly know what word to use: "irrelevancy" does not express my meaning; "inconsequences" is nearer, yet it isn't the word I want—well, your inconsequences perplex and distract my thoughts. If you will look through the letter you sent me last you will find that you have written many things that might annoy a man living in the conditions in which I live. You follow the current of your mood, but the transitions you omit, and the reader is left hopelessly conjecturing....'

She seemed so strange, so inconclusive. There seemed to be at least two, if not three, different women in the letters she had written to him, and he sat wondering how a woman with cheeks like hers, and a voice like hers, and laughter like hers, could take an interest in such arid studies. Her very name, Nora Glynn, seemed so unlike the woman who would accompany Mr. Poole into National Libraries, and sit by him surrounded by learned tomes. Moreover a mistress does not read Hebrew in a National Library with her paramour. But what did he know about such women? He had heard of them supping in fashionable restaurants covered with diamonds, and he thought of them with painted faces and dyed hair, and he was sure that Nora did not dye her hair or paint her face. No, she was not Poole's mistress. It was only his ignorance of life that could have led him to think of anything so absurd.... And then, weary of thinking and debating with himself, he took down a book that was lent some months ago, a monograph on a learned woman, a learned philosophical writer and translator of exegetical works from the German. Like Nora, she came from the middle classes, and, like Nora, she transgressed, how often he did not know, but with another woman's husband certainly. A critical writer and exponent of serious literature. Taste for learned studies did not preclude abstinence from those sins which in his ignorance of life he had associated with worldlings! Of course, St. Augustine was such a one. But is a man's truth also woman's truth? Apparently it is, and if he could believe the book he had been reading, Nora might very well be Poole's mistress. Therewith the question came up again, demanding answer: Why did she write declining any correspondence with him, and three weeks afterwards write another letter inveigling him, tempting him, bringing him to this last pitch of unhappiness? Was the letter he returned to her prompted by Mr. Poole and by a spirit of revenge? Three days after he took up his pen and added this paragraph to his unfinished letter:

'I laid aside my pen, fearing I should ask what are your relations with Mr. Poole. I have tried to keep myself from putting this question to you, but the torture of doubt overcomes me, and even if you should never write to me again, I must ask it. Remember that I am responsible to God for the life you lead. Had it not been for me, you would never have known Poole. You must grant to every man his point of view, and, as a Christian, I cannot put my responsibility out of mind. If you lose your soul, I am responsible for it. Should you write that your relations with Mr. Poole are not innocent, I shall not be relieved of my responsibility, but it will be a relief to me to know the truth. I shall pray for you, and you will repent your sins if you are living in sin. Forgive me the question I am putting to you. I have no right to do so whatever. Whatever right I had over you when you were in my parish has passed from me. I exceeded that right, but that is the old story. Maybe I am repeating my very fault again. It is not unlikely, for what do we do all through our lives but to repeat ourselves? You have forgiven me, and, having forgiven me once, maybe you will forgive me again. However this may be, do not delay writing, for every day will be an agony till I hear from you. At the end of an autumn day, when the dusk is sinking into the room, one lacks courage to live. Religion seems to desert one, and I am thinking of the leaves falling, falling in Derrinrush. All night long they will be falling, like my hopes. Forgive me this miserable letter. But if I didn't write it, I should not be able to get through the evening. Write to me. A letter from Italy will cheer me and help me to live. All my letters are not like this one. Not very long ago I wrote to you about a hermit who never wearied of life, though he lived upon an island in this lake. Did you receive that letter? I wonder. It is still following you about maybe. It was a pleasant letter, and I should be sorry if you did not get it. Write to me about Italy—about sunshine, about statues and pictures.

'Ever sincerely yours,

'OLIVER GOGARTY.'

From Father Oliver Gogarty to Miss Nora Glynn.

'GARRANARD, BOHOLA,

'October 20, 19—.

'DEAR MISS GLYNN,

'I wrote last week apologizing for troubling you again with a letter, pleading that the melancholy of autumn and the falling of the leaf forced me to write to someone. I wrote asking for a letter, saying that a letter about Italian sunshine would help me to live. I am afraid my letter must have seemed exaggerated. One writes out of a mood. The mood passes, but when it is with one, one is the victim of it. And this letter is written to say I have recovered somewhat from my depression of spirits.... I have found consolation in a book, and I feel that I must send it to you, for even you may one day feel depressed and lonely. Did you ever read "The Imitation of Christ"? There is no book more soothing to the spirit than it; and on the very first page I found some lines which apply marvellously well to your case:

'"If thou didst know the whole Bible outwardly, and the sayings of all the philosophers, what would it all profit thee without charity and the grace of God?"

'Over the page the saint says: "Every man naturally desireth to know; but what doth knowledge avail without the fear of God?"

'"Truly, a lowly rustic that serveth God is better than a proud philosopher who pondereth the course of the stars and neglecteth himself."

'"He that knoweth himself becometh vile to himself, and taketh no delight in the praises of men."

'"If I knew all things that are in the world, and were not in charity, what would it profit me in the sight of God, who will judge according to deeds?"

'"Cease from overweening desire of knowledge, because many distractions are found there, and much delusion."

'I might go on quoting till I reached the end, for on every page I note something that I would have you read. But why quote when I can send you the book? You have lost interest in the sentimental side of religion, but your loss is only momentary. You will never find anyone who will understand you better than this book. You are engaged now in the vain pursuit of knowledge, but some day, when you are weary of knowledge, you will turn to it. I do not ask you to read it now, but promise me that you will keep it. It will be a great consolation to me to know that it is by you.

'Very sincerely yours,

'OLIVER GOGARTY, P.P.'

From Father Oliver Gogarty to Miss Nora Glynn.

'GARRANARD, BOHOLA,

'November 3, 19—.

'DEAR MISS GLYNN,

'I sent you—I think it must be a fortnight ago—a copy of "The Imitation of Christ." The copy I sent is one of the original Elizabethan edition, a somewhat rare book and difficult to obtain. I sent you this copy in order to make sure that you would keep it; the English is better than the English of our modern translations. You must not think that I feel hurt because you did not write to thank me at once for having sent you the book. My reason for writing is merely because I should like to know if it reached you. If you have not received it, I think it would be better to make inquiries at once in the post. It would be a pity that a copy of the original Elizabethan edition should be lost. Just write a little short note saying that you have received it.

'Very sincerely yours,

'OLIVER GOGARTY, P.P.'