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The Knickerbocker, Vol. 22, No. 3, September 1843

EDITOR'S TABLE. (continued 2)

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'The Clubs of New-York' we recognize to be from the pen of a lady. She writes, however, of clubs as they exist in London, not in this metropolis, where they are few, and far less exacting of the time and affections of their members. We quite agree with our fair correspondent in her animadversions upon the devotion which they attract from the heads of families. Mrs. Malaprop argues that married men ought to give up their clubs, 'because Hercules gave up his when he got spliced!' * * * A word to our friend 'H.' at 'H——, on the Hudson:' We have long cherished the intention to avail ourselves of your kind offer; but we shall lay down no more pieces of stone in the infernal pavement. Cordial thanks, however, in any event. * * * 'Lucy' is a very good versificatrix, but she greatly lacks condensation. Try again; and 'take your time, Miss Lucy.' * * * 'Neanias,' of Danville, Kentucky, is again unsuccessful. ''T is true 't is pity, and pity 't is 't is true.' Let him not be discouraged, however. * * * Perhaps our musical readers will relish a little intelligence 'from the other side,' touching their favorite science. We learn from that mad wag, Punch, that the society of Musical Antiquaries have traced the origin of Scottish Minstrelsy to Norway; so that it is possible the lays of Burns are remotely connected with the Scandinavian Scalds. We hear also of a remarkable concert given by an artist to whom a distinguished maëstro had bequeathed his sheet-iron fiddle. 'He has all the rapidity and tone of his master, and equals every other great solo-player of the day, in never knowing when to 'leave off!' * * * 'The beautiful sentence quoted in your last 'Gossip,'' writes a correspondent, ''That charity which Plenty gives to Poverty is human and earthly, but it becomes divine and heavenly when Poverty gives to Want,' has recalled to my mind an old song, which I should be glad to see in your pages:'

I.

Ho! why dost thou shiver and shake, Gaffer-Gray! And why doth thy nose look so blue? ''Tis the weather that's cold; 'Tis I'm grown very old. And my doublet is not very new, Well-a-day!'

II.

Then line thy worn doublet with ale, Gaffer-Gray; And warm thy old heart with a glass: 'Nay, but credit I've none; And my money's all gone; Then say how may that come to pass? Well-a-day!'

III.

Hie away to the house on the brow, Gaffer-Gray; And knock at the jolly priest's door. 'The priest often preaches Against worldly riches; But ne'er gives a mite to the poor, Well-a-day!'

IV.

The lawyer lives under the hill, Gaffer-Gray; Warmly fenced both in back and in front. 'He will fasten his locks, And will threaten the stocks, Should he ever more find me in want, Well-a-day!'

V.

The squire has fat beeves and brown ale, Gaffer-Gray; And the season will welcome you there. 'His fat beeves and his beer, And his merry new-year Are all for the flush and the fair, Well-a-day!'

VI.

My keg is but low I confess, Gaffer-Gray; What then? While it lasts man, we'll live. The poor man alone, When he hears the poor moan, Of his morsel a morsel will give, Well-a-day!

In the course of an article, some passages of which appear in preceding pages, an imaginary Gifford lashes Milton for his careless and ungrammatical style, his awkward ellipses, etc.; but even these are turned to beauties in his hands. What could be more forcible and striking than the last of the three following lines?—and yet who but Milton could brave such an indefensible ellipsis? It is not unlike that sublime grammatical error, 'Angels and God is here!' which few would venture to correct:

'Should God create another Eve, And I another rib afford, yet loss of thee Would never from my heart.'

The following papers are either filed for insertion or under consideration: the second and concluding part of the 'Innocent Galley-Slave;' 'Fiorello's Fiddlestick;' 'Thoughts on Immortality;' 'Letter from Boston;' 'Lines to Fanny;' 'The Doomed Ship;' 'On the Death of a Class-mate;' 'A Fourth of July Excursion;' 'Chronicles of the Past;' Lines by 'B. F. R.' 'Exercises of the Alumnæ of the Albany Female Academy,' etc. 'The Floral Resurrection' shall take place when 'the Spring-time o' the year is coming.' By a careless oversight, the beautiful lines of our favorite Ione, although in type, were excluded from the present number.

Giles's Oration before the Natchez Fencibles.—A thin, brief pamphlet lies before us, containing an oration delivered at Natchez, (Miss.,) on the fourth of July last, before the corps of the 'Natchez Invincibles' and other citizens, by William Mason Giles, Esq. We regard it with favor and with dislike. Its spirit is truly American, patriotic, in all respects unexceptionable, and most honorable to the writer. Its style, however, is not creditable to the writer's taste: it is in many parts of the oration stilted and inflated. There is a lack of care and revision also; but this may be attributed to the great haste and bodily disability which we are informed attended its production, and which indeed we cannot doubt; since in the brief letter which announces the yielding of the orator to the solicitations of his friends, of a copy for publication, there are at least two errors which would favor a verdict of damages in an action for assault and battery upon old Priscian. We allude to the substitution of 'will' for 'shall,' and vice versa. Speaking of days sacred to Liberty, the Sabbath-days of Freedom, the orator remarks: 'All nations, where freedom and knowledge have found an asylum, have had such anniversaries; days when the strife and bustle of business have ceased; when all cares being laid aside, and every energy concentered and tuned in unison to the jubilant strain which should arise from hearts grateful to the past for its valor and virtue, and, nerved for the future, prepared to transmit to posterity the precious casket of freedom unsullied by any cloud of dishonor, and unsoiled by any losel whether from domestic or foreign hands.' A style like this 'permeates the inmost recesses' of the realms of taste, Mr. Giles, 'allow us to say.' A common error is here forcibly alluded to by the orator: 'We are apt to talk of our release from Great Britain on the fourth of July, 1776, as a 'liberation from slavery.' We never were in slavery. As men, as Anglo-Saxons, as subjects of the British empire, we, in this country, were always freemen, and never yielded our birth-right; it was the attempt to curtail our rights, to interfere with our domestic polity, and to check our career of greatness, that led to the Declaration of Independence; but the eternal and immutable truths of that sacred instrument were written upon our hearts, were embodied in the colonial charters and institutions, were the household words of the nation for generations before they were penned by a committee of Congress. Every where, for a century and more previous to the date of our Independence, in the primary assemblies of the people, in the legislative halls, in judicial tribunals, from the press, and by word of mouth, the colonists knew and proclaimed their rights; and thus Great Britain came to believe that we were determined on severing every tie which bound us to the land from whence we came. Does this look like slavery?' We commend this oration warmly to our readers, for its truly American tendency and spirit.

'Life and Speeches of Henry Clay.'—Two superb volumes thus entitled, executed in a style of typographical neatness which would be remarkable in any other press save that of the printer, Dickinson of Boston, have just been issued by Messrs. Robert P. Bixby and Company of this city. They reach us at a late hour; leaving us only time and space to state, that here, in addition to a copious biography, are gathered together a far larger and better collection of Mr. Clay's public performances than has heretofore been given to the public. The speeches, addresses, etc., amount to eighty in number; and cover all the ground, and embrace all the prominent events, of his public life. 'No labor,' says the compiler, in an inflated and carelessly written preface, 'has been spared in seeking for them; and it is believed that few if any which have been reported will be found wanting in the collection.' A brief but comprehensive memoir is prefixed to each, illustrative of the subject and occasion on which it was delivered, and the fate of the question. Mr. Clay's eloquence, however, is said to be of that order, that no written or verbal report of his words can do any justice to it. The ease of his delivery, the music of his unsurpassed voice, and the 'grace beyond the reach of art' which characterizes his carriage and gesture, are described as calculated to win the applause of all who have ever had the good fortune to hear him in public debate. We must not neglect to notice the pictorial attractions of these volumes. They contain a full-length portrait of Mr. Clay; a view of his birth-place in Virginia; of his present seat at Ashland, Kentucky; and of the fine monument erected in his honor, near Wheeling, Virginia; the whole transferred to steel from original paintings, by our excellent engraver, Mr. Dick. The volumes are destined to a wide sale.

'The Bland Papers.'—We have received from the hands of Mr. H. Barnum, of Virginia, a copy of a handsome book, of some two hundred and ninety pages, printed at Petersburg, Virginia, bearing the title of 'The Bland Papers; being a selection from the manuscripts of Theodorick Bland, Jr., of Prince George county, Virginia. To which are prefixed an Introduction, and a Memoir of Colonel Bland. Edited by Charles Campbell.' The volumes before us contain a great number of important manuscripts and letters connected with our revolutionary struggle, written by persons of the highest distinction, from General Washington downward, whose confidence and friendship, we may add, Colonel Bland had the happiness to enjoy, without abatement or interruption, during his whole life. We anticipate no small degree of pleasure from the perusal of these rare and accidentally-discovered documents. The work is divided into three parts, with an appendix. The three parts consist wholly of letters; the appendix comprises not only letters but other miscellaneous writings, such as military orders, congressional papers, etc. The first part is composed of correspondence held prior to the revolutionary war; the second part of correspondence held during the war; and the third part of correspondence held subsequently. The 'Bland Papers' are on sale in this city at Messrs. Bartlett and Welford's, Number seven, Astor-House.

New Poem, by Robert Tyler, Esq.—The Brothers Harper have published, quite in a model style of drawing-paper and typography, a poem by Robert Tyler, Esq., entitled 'Death, or Medorus' Dream.' We receive the volume at the moment of closing our pages, and have not as yet found time to examine it with a leisurely eye. If we may judge of its character, however, from the extract entitled 'Death,' which appeared originally in these pages, and which was widely copied and commended, we may safely predict that the poem will find favor with the public, and add to the author's reputation. We shall recur to the volume on another and more convenient occasion.

FOOTNOTES:

Transcriber's note:

Minor typographical and punctuation errors have been corrected without note. Irregularities and inconsistencies in the text have been retained as printed.

Mismatched quotes are not fixed if it's not sufficiently clear where the missing quote should be placed.

The cover for the eBook version of this book was created by the transcriber and is placed in the public domain.

Page 230: "but gave her hand to John, then run to"—the transcriber has changed "run" to "ran".

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