EDITOR'S TABLE

Early Writings of the late R. C. Sands: Third Notice.—Through the continued kindness of the co-member of the 'Literary Confederacy,' of which the lamented Sands was so bright an ornament, we are enabled to set before our readers another Salmagundi from that gifted writer's facile pen. We have lately touched in these pages upon the character and proceedings of the early Puritans; and as a pleasant illustration of their peculiar views, manners, and customs, we shall venture to select a few passages from 'Salem Witchcraft, an Eastern Tale,' in which Sands's love of the ludicrous and the burlesque is forcibly exhibited. The era of the story is that annus mirabilis, 1692; the scene the town of Salem, (Mass.,) into which a stranger, mounted on a charger, descended from John of Gaunt's ploughing team, enters at a devout gait. This is Faithful Handy, an ordained teacher of the Word, who has 'a recommend' from a reverend brother to Deliverance Hobbes; which 'recommend' in some degree superseded the formalities of courtship in those primitive days. Miss Hobbes was no Hebe, if we may judge from this sketch of her person and features, taken as she turned round, while drawing water at a well, to reconnoitre the new comer: 'She squinted in the peculiar mode described by the poet, 'when one eye looked up, the other looked down;' and was terribly deformed in her person. Nature, in elaborating this rare article, seemed to have been trying an optical experiment; as if to show, by adapting her crooked figure to a parabolical reflector, how symmetry may be produced from the most hideous and uncouth distortion. Her head, shaped like a broad-axe, was garnished with a tuft of red wool, which 'streamed like a meteor to the troubled air,' and would, if transplanted, like the locks of Berenice, have affrighted the nations, threatening pestilence and war. Her green eyes were set deep in her head, and seemed affected, like the grass, by the hot weather. A huge hawked nose covered half her face. Her ears were set like a dog's in the back of her head; and her broad concave cheeks were rivelled with seams, stigmatized with scars, and riddled with the small-pox. Thin skinny lips, and a Bavarian poke of the chin, completed the nomenclature of her charms; and the rest of her person tallied with her face. Such was the dragon that answered in a shrill voice to the parson's inquiries, 'Yes, Deliverance Hobbes lives here; and I am her daughter Beautiful!' This was confirmed by the apparition of the matron herself; who was the exemplar of her daughter's attractions, except that her own charms had become mellowed by age, and contrary to the usual course of nature, matured into something rather less ghastly and horrible. She seemed to be informed of the purport of her visiter's mission; for her first inquiry was: 'Be you the minister that's got a recommend from Hugh Peters?' Faithful groaned in the spirit, as he replied, he was; and as he entered the house, could not repress an inward ejaculation: 'Hugh Peters had not ought to have did this! The Lord deliver me from Deliverance Hobbes, and the Gorgon, her beautiful daughter!' Deliverance expresses her willingness that the preacher should 'keep company with her daughter Beautiful,' in which the latter acquiesces, with a supernatural leer; whereat the preacher is greatly perturbed. 'She is too bitter ornary!' he exclaims, mentally; and even a plentiful repast of bread, butter, milk, hominy, pork, sweet-meats, pumpkin-pie, and onions, cannot blind him to that fact; hence he makes an excuse to depart for a brief season, to visit his friend Goody Mercy Peabody, who lives hard by, promising soon to return:

'Goody Peabody was very glad to see Faithful, whom she had not beheld before since he was a child; and he was much pleased with her daughter Patience, who was the very reverse of Beautiful Hobbes; being a healthy, clean-limbed, tidy, good-natured looking housewife. He now learned that Beautiful was as ugly as she was bitter; being a vast virago, and an intolerable slut. In short, it was soon settled that he should keep company with Patience, and let Beautiful shift for herself. As soon as Faithful had left the mansion of Goody Hobbes, which he did as fast as fear and his horse could carry him, the damsel whom he thus uncourteously shunned, having devoured him and his charger with her eyes, till they were out of the sphere of their vision, incontinently swallowed the remaining segment of the pumpkin-pie to which he had paid his most earnest devoirs, and waddled off to her dressing-room, to adorn her person for his expected return. In about half an hour she made her reäppearance in the parlor, which had been in the mean while swept and garnished. But not as she went out did Beautiful now return. She had exchanged the dishabille in which she was accustomed to perform her domestic duties for the whole paraphernalia of her toilet; and she now appeared arrayed in shreds and patches of as many different colors as are found in the neck of a turkey-cock, and loaded with every article of her wardrobe, which she imagined could give zest to her appearance, or add intensity to her charms. Her fiery locks, condensed to a focus, and curiously entwined with a green riband, much resembled a bunch of carrots dextrously garnished with grass. Her crooked carcase had been, in some measure, straightened by a pair of tight stays, which, reaching to her hips, prevented her, as she sat in a high-backed chair, from making any other than gyral contortions. Goody Hobbes, who had also paid some attention to her charms, sat opposite her daughter, admiring the second edition of her own perfections. Admiration of themselves, and of each other, for a while kept the two paragons silent. The elder at length broke forth: 'I guess it's high time for Faithful to be back.' To which the younger replied, 'I guess so too.' Then says the elder Hobbes, 'I guess there an't no witches and spectres at Punkapog-pond.' 'I guess there an't,' rejoined Beautiful. A long pause now ensued, which was broken by the matron's observing, 'I admire what keeps Faithful so long at Goody Peabody's.' 'I admire so too,' says Beautiful, who, from the bottom of her stays, spoke like one from the tomb. 'I admire how ornary Patience Peabody is,' quoth Deliverance. 'I admire at her too,' quoth Beautiful; 'how bitter she is! They say she has seen the black man.' Another long pause ensued, during which the impatience of the couple manifested itself by agitations, and writhings of their heads and extremities. Faithful not making his appearance, these spasmodic affections increased to universal and horrible convulsions of their whole frames; and they sat like two Pythonesses on their sacred stools, pregnant with inspiration, and looking unutterable things. At length, in the midst of her paroxysm, Deliverance bounced from her seat, exclaiming with vehemence, 'I notion to send Remarkable to see where the minister stays!'

Remarkable Short, a woman six feet in her stockings, and quite 'in keeping' with the Hobbes family, is despatched after Faithful by Deliverance, in these dulcet-words: 'Remarky, I wish you'd go down to Goody Peabody's and look after the minister that ate supper here. I notion that he's forgot that it's time for him to come back and pray, before we go to bed.' Remarkable and her errand were not very courteously received. Goody Peabody said 'she admired what business such a long-shanked, ill-conditioned, bitter-looking body as she, had to be snooping about other people's houses at that time of night; that Faithful was going to keep company with her daughter Patience; that Remarkable had better return to her employer; adding, that if she didn't troop in less than no time, she would see if her help, Preserved Perkins, couldn't help her.' Remarkable, after a series of adventures, arrives at home, and reports progress. Deliverance and her daughter Beautiful receive the intelligence of the defection of the minister in a paroxysm of anger and mortification; which ends in Beautiful's falling back in violent contortions, exclaiming that she is 'bewitched by Patience Peabody!' The village of Salem, it should be premised, was at this period in a woful state of perturbation, if we may believe Cotton Mather, who tells us that 'the devils were walking about the streets with lengthened chains, making a dreadful noise in our ears; and brimstone, even without a metaphor, was making a horrid and an horrible stench in our nostrils. And whoever,' he adds, 'questions any of these things, I hold to be a person of peculiar dirtiness.' If we may believe Mather, therefore, the 'Prince of the Air' and his imps, with an innumerable host of spectres, phantoms, apparitions, and hobgoblins, were let loose upon this devoted place, and at the instigation of old women, potent in witchcraft, were playing their damned pranks upon the inhabitants. Some delighted to stick pins and forks in the tender flesh of innocent babes. Others would grievously torment poor damsels, buffeting and tossing them about in a most lamentable manner. Sometimes they would cause the most serious and sober-minded persons to babble forth unutterable nonsense in all the known languages of the earth, except the Iroquois, in the which, it is said, the devil himself hath no skill. At others, they would excite the worthy townsmen, yea, even the selectmen themselves, to cut the most strange and fantastic capers; performing those evolutions which the Greeks call [Greek: kuzisan] and [Greek: ekkuzisan], now upon their heads they would dance aërial hornpipes and fandangos; and anon going upon all fours, they would bark like a pack of hounds, or bray like a troop of jack-asses. Beside this, brutes, and even inanimate matter, were the subjects of wicked sorcery: gridirons, shovels, and frying-pans, clattered and rang, though touched by no mortal hand; spits before the fire would fly up the chimney in the twinkling of an eye, and anon coming down again, stick in the back-log in a spiteful and portentous manner; and three-legged stools, slipping on one side, would laugh to see the matron whom they had eluded, lie sprawling on the ground. Naughty children would feign themselves bewitched by some person against whom they had taken an antipathy, and would kick, sprawl, and bellow, with wonderful agility, until they had succeeded in moving the tender hearts of judge and jury, and had the satisfaction of seeing poor Irishwomen hanged, whom their brogue convicted of infernal colloquies, or some poor old lady ducked and drowned, whom an unlucky squint showed to be possessed of an evil eye. In short, the whole country was in an eminently distressed and bedevilled predicament; and Beautiful Hobbes was a decided victim. A universal twitching assailed her joints; a sheeted paleness usurped her smoke-dried cheeks; the purple faded from the tip of her nose, and the color of her eyes became a dingy yellow; and she exclaimed, amid sobs and hiccups, 'Mother, there is a ball in my throat, and Patience Peabody hurts me!' And she continued to roar lustily, and pray for deliverance from her tormentor. Early next morning the Justice of the County Court is informed that there is a decided case of malignant witchcraft at Goody Hobbes's, where he is wanted immediately, in his judicial capacity. Accompanied therefore by the sheriff, and Cotton Mather and his son, he straitway repairs to the scene of bewitchment: 'When they arrived there, the room was full of people. Deliverance and Remarkable were keeping guard on each side of the bed in which lay Beautiful, who, as soon as the Justice entered, uttered a terrible screech, and fell into hysterics. Mr. Mather junior then walked up to the bed, and passed his hand over the coverlid. They asked him what he felt? He said there was something supernatural there, resembling a rat, and quickly withdrew his fingers, having received a scratch quite across his hand. The mob were now, by command of the Justice, turned out of the room, and Mr. Mather senior made a prayer of half an hour's length; Deliverance every now and then giving her daughter a spoonful of brandy, to keep her quiet. When the prayer was concluded, Beautiful was told to say Amen; but she only made a muttering sort of noise, which sounded more like an imprecation than any thing else. After many ineffectual attempts, they gave over asking her to repeat the word; and the Justice asked her, 'Who hurt her?' She then answered, glibly enough, 'Patience Peabody; she sticks pins in me; and there is her spectre!' This was enough for the Justice, who ordered the sheriff, in a magisterial tone, to seize and hold the body of Patience Peabody until farther notice, at the same time calling out of the window to one of the crowd around the house, to go down to Dr. Drybones, and request his immediate presence. The messenger found that worthy functionary taking his morning walk in the grave-yard which adjoined his dwelling. 'He was a lank, long-visaged figure, skinny and withered up in his person, and who bore a considerable resemblance to one of his own dried preparations. One would imagine from his appearance that he had become assimilated to the spot where he usually perambulated; and where it was said he had sent the greater number of his patients, as if to have them under his more immediate charge.' Dr. Drybones repairs forthwith to the possessed mansion, in a parlor of which the Squire and the two Mathers are awaiting him. After the first salutations, they all repair in a body to the chamber where Beautiful was lying, engaged in her gymnastic exhibitions:

'The Doctor, at the head of the 'posse comitatus,' advanced solemnly up to the bed-side, and protruding his long skinny hand, took hold of the maiden's wrist between the fore-finger and thumb, with the true Esculapian gripe. Then closing his eyes, and holding in his breath, as if to condense all his sensibilities to the ends of his fingers, he began counting the pulsations. In about half a minute he pronounced, in a solemn, sepulchral tone, at each pause pouting out his lips, and smacking them in a curious manner: 'Pulse slow, and frequent; indicating a congestion of the cerebrum, and general plethora, together with a phlogistic diathesis; you understand me, Squire.' 'Oh, perfectly, perfectly; exactly so, Doctor,' replied the Justice, putting on one of his wisest looks; who, though he knew no more than a brewer's horse how a pulse could be slow and at the same time frequent, and also how this indicated a congestion of the cerebrum, yet did not like to confess his ignorance. 'And observe, Squire,' continued the Doctor, who had been lately reading a work on Nosology, and wished to show off a little before the Justice, 'observe, I say, the dilatation of the pupils, and the twitchings of the muscles, and the tossing of the extremities, and the spasmodic affection of the diaphragm, and the tetanic symptoms; you understand me, Squire; a very curious and complicated case, Squire.' The Justice, who at each stop in the Doctor's speech, had put in his usual 'Just so; exactly so; satanic symptoms, no doubt, Doctor;' coincided in this opinion. He also added that he had discovered the witch, and issued a warrant for her apprehension. Mr. Mather senior now came forward, and with a sneering and sarcastic expression of countenance, proposed, that as the Doctor understood the symptoms so well, he should exert himself a little to relieve them; at the same time insinuating that drugs and doctors were mere flea-bites, when opposed to witchcraft. 'Certainly,' replied the Doctor, in his deliberate tones, 'certainly, friend Mather, I shall do to the utmost of my poor abilities to fulfil the nineteen indications which offer. Of which the first is phlebotomy; the second a cleansing emetic; the third a saline cathartic; the fourth a potent anti-spasmodic; the fifth a relaxing sodorifie; the sixth——' 'Now may Satan take both you and your nineteen indications!' interrupted Mather senior, who was much offended by this pedantic and conceited speech; and whose indignation was vehemently aroused by his being called 'friend Mather,' which he considered a downright insult, he having a most horrible antipathy to Quakerism. 'I tell you what, Drybones,' continued he, 'you are a person of a shallow wit, and small capacity for understanding these things; and touching the wonders of the invisible world, I hold you to be little better than an ass. Here Mather junior put in his oar, saying that Drybones was a quack, and an ignoramus, and that he would not trust him to bleed his cow. Drybones, however, who possessed a happy share of equanimity, and who prided himself upon his imperturbable countenance, paid no manner of regard to these discourses; but pulling out an enormous fleam-lancet, and turning to the Justice, exclaimed: 'Now by the blessing of God, will I open the jugular of this damsel!' Then calling for three small porringers, and setting the spring of his lancet, the edge of which he tried upon his thumb-nail, he advanced boldly up to the bed.'

The Mathers interposed, however, and 'prevented the effusion of blood;' it being considered by the strict Puritans as much a matter of heresy for a doctor to interfere with a case of witchcraft, as it is for a physician at the present day to treat one of canine rabies by what is called 'regular practice.' The Justice and the Mathers, after the doctor had left the house, departed together, discussing on their way many serious topics and profound questions concerning witchcraft, sorcery, enchantments, good and bad spirits, apparitions, and such grave matters; in which the elder Mather displayed so much and such various learning upon his general theme, that it quite overpowered the Justice; who at last interposed, saying, petulantly: 'Well, for my part I don't know nothing about these things, and always did. A little law is all that I know.' The Squire having arrived at home, is informed by the sheriff that he has Patience in custody; when, accompanied by his 'divine friends,' the man of law proceeds with magisterial dignity to his hall of justice, where he finds a great mob of people, and hears the dolorous shrieks of sundry frantic-looking women, which he finds on inquiry to proceed 'from Abigail Williams and her gossips, who are roaring out because Patience hurts them.' 'Ha!' said the Justice, 'I begin to smell a rat. That Abigail Williams has borne testimony in every case of witchcraft that has occurred in this town since the beginning of the troubles thereof; and if she had been pinched, and pricked, and bruised, half so much as she says she has, she must have been a corpse long ago.' 'Pray, young woman,' said he, addressing himself to Patience; 'what is the matter with Beautiful Hobbes?' 'I do not know,' said Patience; 'I reckon she is crazy.' 'But why does she cry out against you, for putting the black man upon her?' 'I do not desire to spend my judgment thereon,' answered she. The worthy magistrate seemed puzzled what to say next, and turning to Doctor Mather, inquired, 'what was his judgment touching the question, whether the devil could torment in the shape of a virtuous person?' Mather made answer, 'that he should be proud to communicate his poor opinion thereof at a more seeming time; but held it best, under correction, to proceed with the business in hand.' 'Well,' said the Squire, 'I believe there is no more to be said. I must make out this young woman's mittimus, and have her confined until the grand jury sit.' Faithful interposes for his lady-love, remonstrates against her imprisonment, and offers to undertake to make Beautiful repent her accusations before night, if he might be allowed a private interview with her; at which proposition Mather expressed himself shocked, and severely reproved Faithful for desiring to have infernal communication with a woman accused of witchcraft. When the Justice and his reverend guests had gone back to discuss the question, whether the devil could torment in the shape of a good man, the crowd proceeded to the sheriff's house, the women ranting, roaring, and screaming; the bedevilled Abigail Williams, among the rest, walking as if afflicted by Saint Vitus, screeching in the most painfully distressing tone, and ever and anon falling into apparent convulsions; the mob the while mingling their groans and dolorous wailings, as if Pandemonium had broken loose in good earnest, and Satan had come again upon the earth like a roaring lion. Meantime Faithful bends his way to Dame Hobbes's, to remonstrate with the possessed Beautiful. He reaches the mansion:

'With a trembling hand he ventured to open the door, after he had knocked several times in vain. Through the smoke which filled the apartment, he saw the elder female seated by the fireside, with her chin resting on her palms, and a stump of a pipe in her mouth. Remarkable was lying, seemingly dead drunk, upon the floor, and snoring like fifty bull-frogs; and Beautiful, in a short gown and petticoat, was sitting on the side of the bed, discussing a large bowl of bean-soup. The old woman took no notice of Faithful, but continued smoking her pipe with great sang-froid; but the eyes of Beautiful twinkled with emotion at his appearance. With a mixed expression of countenance, where pleasure and surprise at beholding the preacher curiously blended with the bitter twist given her visage by the hot soup, she motioned him to sit down beside her. He obeyed with the dubious air of one who seats himself with a half-formed resolution of suffering the extraction of a grinder. She edged up to him, and asked him if he would have some soup; but he declined the offer with a graceful wave of the hand, telling her that he came to have a little private conversation with her. At this, Beautiful told him to say what he had to say, as Remarkable was too drunk, and her mother too sleepy, to overhear him. The preacher now commenced a long and animated expostulation with the damsel, on her conduct, in which he mingled threats and promises, reproofs and entreaties, in a subtle and orator-like manner. Beautiful at first heard him with great impatience, and seemed convulsed with inward emotion; now stifling a rising sob, and now gulping down a spoonful of the soup. He at last seemed to hit upon an argument that fixed her attention; for all at once she became quite calm, and as soon as he had finished, wonderful to relate, promised to behave herself, and not be bewitched any more. Upon this he departed, telling her that the Justice was coming in the evening to see how she did, and bidding her be careful, and mind what he had told her.'

Accordingly, when evening arrives, Faithful accompanies the Justice and the sheriff to Goody Hobbes's mansion, which the 'visiting party' enter with faces as long and serious as if they had come to a funeral. The Justice breaks silence, by asking Beautiful how she finds herself, to which she responds, 'I notion I feel better this evening, and am not bewitched any more.' 'Then,' quoth the Justice, 'I guess you was crazy this morning.' 'I guess I was,' answers Beautiful. The final result is, that Patience Peabody is liberated, and Remarkable Short and Preserved Perkins, who have 'conspired against the general peace,' cut a remarkable figure in the stocks; where, being obliged to endure each other's company for two hours side by side, they contracted an affection for that position; 'their passions vacillated from the extreme of hate to that of love; a sneaking partiality arose between them; Preserved afterward married Remarkable, and a curious couple they were.' Faithful carried back his blooming bride, with whom he lived a long life of peace and innocence. 'They had thirteen children; the first was called Welcome, and the last Content; and their posterity inherit the land to this day.'

Many of our readers, who never had the good fortune to hear the elder Kean, will thank us for the annexed striking picture by Sands, of his personation of Shylock, in 'The Merchant of Venice.' It was written for the 'Literary Journal,' a thin monthly pamphlet, which closed its very brief existence some twenty-five years ago:

'Kean's manner in the first part is that of the miserly, calculating Jew; and it is not until the entrance of Antonio, that we suspect him of aught worse than usury. The sight of Antonio kindles his hatred, and he exclaims, 'Cursed be my tribe, if I forgive him!' We tremble for the merchant, and shudder, as with a sudden change of countenance he smooths the wrinkle of hate from his brow, and turns to his victim with, 'Rest you fair, good Signior.' The speech in which he recounts the bitter scorn, the personal indignities he has received from Antonio, was finely given. It was not said entirely in anger; beneath his indignation could be discerned a malignant pleasure; and when he said, 'Well, then, it now appears you need my help,' his eyes seemed to flash with ferocious joy. The conciliating and jesting manner he assumed while settling the terms of the contract, was admirable, and the performance of the whole scene was without a fault. The passage most deserving praise, in the next act in which he appears, is the trembling eagerness with which he receives the news of Antonio's loss, as he exclaims, almost breathless: 'What, what, what! Ill luck, ill luck?' And even, while in his impious rapture, he thanks God, he still doubtingly asks, 'Is it true; is it true?' But it is in the trial scene that this gifted actor puts forth his strength. With what an unmoved air he listened to the Duke's exhortation to be merciful! His reply was not spoken with violence, in the loudness of anger, but with a horrid calmness in a subdued but chilling manner; and he asked, 'Are you answered?' in a tone of bitter irony. So fiendish a countenance we wish never to look upon, except when we know it is assumed, as when he sharpened the ready knife, and cried with a serpent hiss, 'To cut the forfeiture from that bankrupt there!' We almost quaked before the glance of his demon eye, as he seemed to gloat upon his victim. As he gazed on Antonio, his lips were slightly curled by the bitter smile of satisfied malice; his eyes were bright and distended with the joy of his revengeful anticipations; yet he neither spoke nor moved. We pass over many points, to notice his answer to Portia's suggestion, of sending for a surgeon, lest Antonio bleed to death. 'Is it so nominated in the bond?' And the expression with which he raises his eyes from the paper, and says, with a smile which a devil might own, 'I cannot find it—'tis not in the bond.' As the court proceeds to award the sentence in his favor, his face becomes lighted by exultation; his whole form seems to throb with joy; he bares his hands, and grasps the knife, with convulsive eagerness. But who can do justice to the sudden transition of his manner, the horror-struck, doubting air, the fixed rigid countenance, with which he hears the forbidding clause? When he finds utterance, it is but a sentence of four words which he pronounces. But how are they pronounced! The fingers which had clenched the knife gradually unloose their grasp, and fall nerveless and slowly by his side; the disappointed, dejected, almost exhausted tone, in which he with difficulty articulates 'Is that the law?' Surely this was the perfection of acting. We have beheld Cooke's representation of this character with delight, and have dwelt upon it with pleasure. But, great as it was, compared to Kean's, it appears a cold performance. Indeed, Mr. Kean approaches nearer to Garrick than any actor since his time. Kemble has more majesty; Cooke possesses more physical power, and though not a good, yet a finely-modulated voice. Cooper has great advantages both of person and voice; but they are all deficient in that astonishing variety of expression, that power of reaching men's hearts, and causing them to tremble, which distinguishes Mr. Kean.'

Kean's power over the feelings of his audiences seems scarcely to have been surpassed by any actor that ever trod the stage. Hosts of admirers speak of him even now with unabated enthusiasm.

The subjoined beautiful reflections and yet more admirable poetry are from an essay based oddly enough upon a version of one of the monosyllabic poems of Ausonius; a string of verses, in which the last monosyllable of each line forms the first of the next, and the first is the same as the last; so that they may be read over and over again without end. 'We take it,' writes Sands, 'as a good motto for a paper which we mean to write, without having any precise notion on what subject we shall descant. We mean to make, on something or other, 'a few plain and practical remarks,' as the Rev. Mr. —— says, when he means to preach a sermon five quarters of an hour long.' The paper thus lightly commenced, closes as follows:

'A MAN who lives out his threescore and ten years, or lingers beyond that period, must, in the common course of events, see the ordinary revolutions affected by time and death. At the middle of his career, he sees a flourishing family around him; friends and connections formed in his advancing course; attachments begun in sympathy, and cemented by interest. He lives on; and his children are scattered by the accidents of mortality, and their graves are in different countries. His friends have vanished from their former haunts, and the places that knew them, now know them no more for ever. 'He asks of the solitudes, where are they? and the hollow echo answers, Where?' There is no one to sympathize with his remembrances of the past; his infirmities become a grievance, or he thinks them so, to those around him; and he still feels that lingering attachment to life, which answers the philosopher's question, an mors malum sit, with the powerful evidence of consciousness. Hope and Memory delude the pilgrim in his journey, by the false colors with which they paint the scene before and behind him. 'Man never is, but always to be blest;' and as the future, depicted by the fancy only, presents unmingled visions of delight, the past, mellowed by time, loses the little inconveniences which jarred discordantly with the passing music of pleasure; and its remembrance makes us regret what when present we neglected. It was under the influence of such reflections, that the following lines were composed. They were written in a prophetic hour by one who died young, and willing to depart:

Although we find ourselves 'at the end of the tether,' we cannot resist the inclination to present the following forceful lines. Possibly the sentiment may be deemed heretical by the very imaginative and the young; but even such, if tasteful and discriminating persons, cannot choose but admire the melody of the verse, and the beauty of the imagery:

THE POETICAL CHARACTER.

We have not exhausted the stores which our obliging friend of 'the Confederacy' has placed at our disposal. When we have more space, we shall resume the desultory series which we are compelled to bring abruptly to a present conclusion.

Gossip from an American Lady in Paris.—We derive the subjoined pleasant gossip from a young and gifted American lady, at present resident in the French metropolis. We hope to be similarly favored, whenever our fair correspondent shall find leisure from the demands of society to transcribe her fresh 'jottings-down' for our pages: 'We went to the Hotel des Invalides this morning to see the plans in relief of the fortified towns of France. They are exhibited to the public only during one month in the year. The plans of those cities I have visited interested me particularly. They are so minute that Miss L——, who accompanied us, had no difficulty in finding the country-house near Toulon where she spent some months last year. I was much struck by the plan of Embrun, in Dauphiny, that little town celebrated in both history and romance by the pilgrimages so frequently made to it by devout Catholics. It is strongly fortified and built on a rock of semi-circular form, which rises so perpendicularly on one side from the meadows which lie below, that one would suppose it must have been hewn away by the hand of man. I was much interested, too, by the plan of Mont St. Michel, in Normandy, the celebrated prison, built on a rock, which the tide separates twice a day from the main land, and where the political prisoners condemned after the émeuté, in May, 1839, are confined. We were looking at the plan of a fort, on the pedestal of which the name had not been labelled as on the others, when a soldier standing near informed us it was that of Ham, where the nephew of Napoleon is now a prisoner. It is in Picardy, which I am told is the most arid and unfruitful province in France. It is built around a quadrangular court, or I should rather say there are three buildings and a terrace which form a hollow square. The prince, who is said to be a remarkably good horseman, is allowed to ride on this terrace, which is not shaded by trees; indeed, if this plan be correct, which I suppose it must be, as it has just been made, there is but one tree within the precincts of the fortress.... In the evening, my friend, Madame D—— took me to the house of the Polish Princess Czartoryski. Prince Adam Czartoryski is from his birth, his wealth, and his character, one of the most illustrious of the Polish refugees. His life has been checkered by every extreme of good or ill. In early youth, he served in the army of the republic of Poland. He was at one time the captive of Catherine II., and in 1831 was at the head of the provisional government of Poland. After the total defeat of the Polish army, Prince and Princess Czartoryski with some difficulty made their escape, with their three children, the youngest of whom was not a year old. The Princess had not even a change of linen with her, and no time to collect her jewels, which were brought to her after she had reached the Austrian frontier, by a soldier, whom she had never seen before, and who refused to tell his name. It is impossible to imagine a greater contrast than that offered by the present mode of life of the Prince and Princess, and the splendor by which they were formerly surrounded. Prince Adam was one of the richest proprietors, and possessed not one, but several, of the most magnificent palaces in Poland, and was accustomed from childhood to every comfort and luxury which wealth could devise. The house he now inhabits is as simple as possible; but he remains at home every Monday evening for the purpose of seeing his friends and countrymen; and his salon is always crowded with the most learned men and most fashionable women in Paris. These weekly receptions are attended with but very little expense here, as tea and lemonade are the only refreshments it is the custom to offer. Prince Czartoryski is a most venerable-looking man of about seventy. The expression of his face is habitually melancholy, but at times he is very animated in conversation. Like most Poles, he speaks low and very slowly. I remarked that he was particularly polite and attentive to young people, which in a man, who, from his various misfortunes and trials, can take but little interest in general society, is, I think, very striking. The Princess, who must be almost thirty years younger than the Prince, is very lady-like and prepossessing in her manners. She is much beloved by her compatriotes: her efforts to relieve those who are in distressed circumstances being unceasing. She employs all her leisure hours in embroidering; and her embroidery, which is more beautiful than any thing of the kind I have ever seen, is sold at a bazar, which is opened during the last week of every year; new-year's day being the time when the French make those presents to their friends which in England and in our country are made on Christmas day. All the ladies of the Princess's acquaintance of course contribute to her bazar; and those who are remarkable for their beauty or their talents, are invited by her to keep the stalls. * * * Mrs. B——, whose son, a lad of about sixteen, is now engaged in attending the cours de religion, or religious lectures of M. Coquerel, one of the clergymen of the Reformed Church of Paris, took me this morning to hear one of the lectures. M. Coquerel is the nephew of the celebrated Helen Maria Williams, by whom he was educated. He is the most eloquent, and I believe the most learned, clergyman in Paris. I had been much pleased with his sermons, and was therefore very glad to have an opportunity of hearing one of his lectures. His class was composed of about thirty young men, of different ages, from sixteen to twenty-five. He has written a little book called 'Cours de Religion,' which he makes use of in his lectures. The method he adopts is this: He reads a paragraph from this little volume, and then comments upon it, and explains or developes it, often relating interesting anecdotes suggested to him by the subject, or asking questions which the foregoing lectures enable the scholars to reply to. The young men take notes, write them out at home, and bring these papers to Mr. Coquerel at the next lesson. The lectures for young men take place twice a week, from October to May, and those for young ladies at different hours during the same period. The scholars are admitted to take the sacrament at Pentecost. M. Coquerel is a most active and industrious man. Beside several volumes of sermons, and innumerable papers for different religious journals, he has published a very useful work, called 'Biographie Sacrée,' in which every name mentioned in the Bible is to be found. His manner is very animated; and as each lecture lasts but an hour, it is impossible that the attention of the young hearers should become weary.... 'April 19th. Went to the exhibition of paintings by living artists, which is now open at the Louvre. The most beautiful picture there, is one by M. Cogniet; 'Tintoretto painting his dead Daughter.' The biographers of the great master inform us, that he had a daughter who evinced great talent for painting, to whom he was devotedly attached, but who died when young. M. Cogniet has chosen the moment when Tintoretto, rising from his easel, on which rests the unfinished portrait, stands gazing on his beloved daughter, who is lying on a bed in the fore-ground of the picture. The father is almost de face, but the lower part of his figure is concealed by the bed. A crimson curtain falls behind him, and forms a rich but not gaudy back-ground to the picture and, by throwing a slight reflection on the daughter's face, relieves the whole from that disagreeable effect, which, with less judgment and good taste on the part of the artist, it must have produced, without taking from it the solemnity which the subject required. This is, on the whole, almost the only picture of the modern French school which pleases me entirely; in which there is no exaggeration of expression or gesture, and which deserves to be compared to those of the modern school of painting in Germany. I have no doubt that the circumstance of an exhibition taking place every year is a great disadvantage to young artists, who hurry to finish a picture for that occasion, in order that their names may be mentioned in the journals, and that they may obtain a celebrity which lasts but a few weeks. If the exhibition took place but once in five years, I am convinced we should see more fine pictures at the Louvre. Among the portraits I remarked one of Major Poussin, who resided for so many years in the United States. It is painted by Mademoiselle Godefroid, a pupil of Gerard, and is a very good likeness. I was struck by a portrait of M'lle de Fauveau. This lady is of a noble family of Brittany, and is well known for her devotion to the cause of the Duchess de Berri, and for the talent she has displayed in the art of sculpture. She is neither young nor handsome; she is dressed in the costume of a peasant of Brittany, a sort of blouse or loose frock, with her hair cut short in a strait line across her forehead, as we sometimes see it in the portraits of the early French kings. There is a portrait of the Duke of Orleans at the Louvre. It was painted from memory by Scheffer, a very clever artist. Some of the fruit-pieces and portraits, au pastel, in colored chalks, are very beautiful. Indeed, the French excel in this style of drawing. Among the paintings on porcelain we particularly admired a Holy Family, copied from one of the old masters. It is a perfect bijou. The day after our visit to the Louvre, Mrs. R—— took me to the atelier of Mr. Healy, the young American artist. His portrait of Washington, copied from one by Stuart, gave great satisfaction to Louis Philippe, and has been placed in one of the historical galleries at Versailles. Mr. Healy has now a beautiful picture of two of Colonel Thorne's daughters, which he is retouching, at his room. The attitudes, particularly that of the eldest of the young ladies, are very graceful, and the whole picture in very good taste.'

The Irish Sketch-Book.—This capital work by 'Mr. M. A. Titmarsh,' otherwise W. M. Thackeray, Esq., author of 'The Yellowplush Correspondence,' has just been published by Mr. Winchester, at the 'New World' office, in a very neat little pamphlet-volume, illustrated with numerous engravings, from the pencil of the author. Our readers have had repeated evidences of the high estimation in which we hold the writings of Mr. Thackeray; and they may trust our judgment in this, that they will find the volume before us to be second to no previous work of the writer. It is, in fact, Ireland on canvass; its various cities and towns; its ludicrous modes of travel, and more ludicrous travellers; its wretched poverty, its generous hospitality; its suffering, and its indomitable good-humor. We were not until now aware that Mr. Titmarsh was 'given to song' as well as to romance and painting; but his 'Peg of Limavaddy,' a handsome kettle-scrubber, who handed him his 'rummer' of ale, and laughed so joyously at an accident which befel it, establishes the 'soft impeachment:'

We repeat, the 'Irish Sketch-Book' is a capital work, and cannot fail of very general popularity. The author possesses a delicate appreciation of the beautiful, as well as a lively perception of the ridiculous; a felicitous combination of faculties, since the union of fine taste and strong humor seldom takes place in the same individual.

'Miseries of Human Life.'—Some twenty-five years ago, a work in two or three volumes, under this title, was republished in this city from an English edition. One of these volumes lies before us; and if it be a fair representative of its companions, an American publisher would not find it amiss to put forth a new issue of the book; for it abounds in keen satire, playful wit, and pleasant humor. We have segregated from its numerous divisions a few passages for the entertainment of our readers. A good deal of what is termed 'criticism' upon works of art has lately been expended in this meridian upon an undiscerning and unheeding public; yet we propose to add to the amount, by copying the remarks of one Mr. Ned Testy upon an exhibition of paintings and statuary, similar, we may suppose, to the annual collections of our 'National Academy of Design;' similar, certainly, in many of the points touched upon by the critic. After a consideration of the Landscapes, 'with their meagre subjects, lying perspective, and timid handling; their frittered lights, lumpy shadows, indigo skies, and saffron sands; their forward back-grounds, and backward fore-grounds; with trees and meadows carefully colored from an emerald, and water of such an hue and surface, that forgetting for a moment the season represented, one looks narrowly after the skaters!'—after a discussion of these, en masse, we are favored with the subjoined 'hits' at a particular 'Family Piece:'

A Young man who 'wants encouragement,' had immortalized family affection, by representing papa standing up at one end of the picture, ('his lips glued to each other, and his bullet eyes wide open, though evidently seeing nothing,) and mamma at the other; the peace being kept between them without the loss of an inch of space, by their endless progeny, whose heights and ages the artist has most accurately registered, by stringing them strait out, closely linked together in a descending series, like the reeds of Pan's pipe, which they farther resemble in the lank uprightness of their figures, and the billious deadness of their complexions. The next of these Domestic Scenes reproaches the idleness so remarkable in the foregoing, by the great variety of employment which it exhibits, with the additional advantage of allowing more elbow-room to the fancy of the painter; who in the first place has contrived to record, in the mother of the family, a truly exemplary instance of notability, combined with maternal tenderness; for she is seen, at the same point of time, engaged in nursing one child in her lap, rocking with her foot the cradle of another, hearing the task of a third, and eyeing the frolics of a fourth; and all this without seeming at all distracted from her needle, which she has just drawn out at the utmost stretch of her arm. The remaining children are all liberally supplied with such occupations or amusements as, when followed at proper times and places, must be allowed to become their sexes and ages, but which we are not exactly prepared to see going on as here, all at once in the same parlor. The young ladies of this extraordinary family can study their maps and globes, pore over their books, and even practice their music-lessons, without appearing once to know that those boisterous and unruly little dogs, their brothers, are cracking their whips, beating their drums, scampering about the room with their wagons, etc.; the very baby in the cradle, instead of being frightened out of its wits, as might reasonably be expected, only appearing to be lulled into a still sounder sleep, by the riotous gambols going on.'

Outraging nature is as common in art now as it was in the era of Ned Testy. Here you may see the picture of 'a lady in full length, gayly and archly tripping out in a hurricane by herself, in thin fluttering muslin, without cap, hat, or bonnet, by the side of a raging sea; where, if one may judge by the disposition of her limbs, and the archness of her countenance, she is practising an allemande to the music of the thunder-claps which seem bursting over her in all directions; yet without the slightest mark of concern in her looks, or apparent apprehension of taking cold, after dancing under such discouraging circumstances of dress and weather; there stares a young miss strait out of the picture, with one hand grown to her side, and the other to the monstrous head of a Newfoundland dog, sitting up exactly as high as she stands; and near by, in another frame, a parcel of Months or Hours, in petticoats, are smiling and dancing jigs round an emblem, in the shape of a good-looking woman in green, who is supposed to be Spring.' The critic wonders 'why they haven't got to changing the Minutes, Seconds, and other inferior parts of clock-work into little fluttering urchins.' But pause for a moment, reader, with hushed respiration, while we set before you a specimen of the Awful! There is an appropriate 'power of words' in the description of the 'grouping,' and doubtless the coloring was 'in keeping;' as much so, perhaps, as in Dickens's picture of the Wise Men of the East worshipping in a pink manger, or the Prodigal Son coming home in red rags to a purple father and a sea-green calf, waiting to be roasted:

'Here is a piece equally stupendous in size and subject, bearing the semblance of having been furiously thrown upon the canvass in the dark, from the disordered pallets of all the painters in the Universe; a sort of maniac's vision, embodied into a rolling chaos, turbulently brewed up out of the warring rudiments of smoke! blood! fire! night! whirlwind! earth! and water; a ruinous huddle of every thing spiritual and material, real and conjectural, within and without the precincts of possible Nature; and of every mingling shape, shade, color, quality, and consistence; the whole congregated mass of discordances tumultuously wheeling, dashing, boiling, and thundering together, in one giddy storm of—Nothing!' The figures of this landscape are entirely in keeping with it; 'ambiguous and reserved innuendos of beings, fluctuating somewhere among the shadowy and unsettled nomenclatures of incantation; demon, wizzard, griffin, goblin, demi-gorgon,' etc.

After a few more examples of 'single criticism' in this kind, we are favored with a 'running commentary' upon the ostracised paintings which adorn the upper tiers, and spaces over the doors: 'An upward glance of your eye introduces you to those poor creatures in reduced sizes, who are sent to Coventry at the top of the room, and strung along, by way of cornice, close under the ceiling; figures! but what language can adequately report them!—their wooden features, their mortified complexions; their sneaking, disconsolate, condemned looks; their quizzical head-dresses, and paste-board draperies; their brick-dust curtains, increasing by contrast the chalkiness of their cheeks; and that general and inveterate hardness of manner which instantly chases away all idea of the elasticity of the flesh, and the flexibility of cloth or linen. Hard!—adamant is pap to it!' The Crayons 'afforded striking examples of worse styles, by the help of worse materials;' there were still-born efforts in black-lead pencil, from the hands of academical tyros; wan historical sketches in water-color, by young ladies; imaginary elevations of bridges that will never be built; naked fronts of huge white houses, that sicken all eyes but those of the architect and the owner; and chuckle-headed busts in plaster, of obscure, pudding-faced moderns; likenesses in India-ink, 'done in this manner' for almost nothing; etc., etc. An exhibition of this sort is certainly proved to be one of the miseries of human life, 'by good witness.' But other miseries are enumerated; and chief among them, the humbugeousness of quack advertisers, and the gullibility of the public; and a medical sample is cited, which would do honor to any 'pill' or 'sarsaparilla' puff, of the present day:

'I should be the most ungrateful of mankind, were I to delay for a moment to return my heart-felt acknowledgments for the blessings I have derived from your inestimable pill. Before I was so happy as to hear of its miraculous effects, life had long been a burden to me. I was an object no less horrible than piteous to behold, being so entirely covered, or rather crusted, from head to foot, with the most virulent blotches and humors, that I ought rather to have been called an Ulcer than a man. I was at the same time so miserably emaciated, that my bones rattled audibly as I moved, and my head itself seemed to hang to my shoulders by a thread. In short, to such a condition was I reduced, that, on being carried to my own door upon a litter, on my return home after a short absence in the vain search after ease, my wife, who chanced to meet me in the passage, insisted that they had brought me to the wrong house, for that she had never seen me before! The sound of my voice, however, but too cruelly undeceived her; and I was then conveyed to the bed on which I continued to lie, without stirring hand or foot, for more than thirty years. During this awful period matters were constantly and rapidly going on with me from bad to worse; scarcely an hour passed but some new and still more deplorable disease was added to the complicated list of maladies which were devouring me up piece-meal, in a manner; and it was a lucky day when I could say that one or more of my bones had not dropped clean out of the socket! Sleep at one time, I had none, for sixty-nine successive nights, unless I may call by that name a series of swoons, brought on by my agonies, and the weakness consequent upon my reduced condition. About this period, the flesh began to drop in large collops from my back and shoulders; and from one hollow which formed exactly beneath my left pap, my heart was absolutely naked and visible, by which my inquisitive surgeon was gratified, at my expense, with a living display of the whole process of systole and diastole, as I think he called it. In this state of things, my case having been pronounced absolutely hopeless by every physician in the land, my friends began to think it was high time to call your invaluable remedy to my aid: and invaluable indeed it proved to me! No sooner had I begun to use it, than the most surprising alteration came on: while I was swallowing the first pill, I could plainly feel, to my inexpressible astonishment and delight, that a new and perfect growth of healthy flesh was rapidly forming in every part of the skeleton to which I was now wasted down; and before I had taken the third, I had reason to suspect, from certain strange and indescribable sensations, as if of some hard substance pushing or shooting forth in different places, that the numerous cavities left by the bones I had lost, were about to be filled up by a new process of ossification; which, sure enough, was presently found to be vigorously and prosperously going on. My appetite, too, very shortly became so dangerously keen, that it was reckoned prudent to refuse me a third fowl at my dinner. But not to trouble you with too many particulars, (which to you, indeed, must be mere shadows of a thousand still more extraordinary cases,) I will simply say, that by persevering in the course for one week more, I felt not only that every symptom of disease had absolutely vanished as if by magic, but that I was suddenly able, (which I had never been in the best days of my youth and strength,) to perform the most athletic feats in leaping, wrestling, boxing, etc., without the slightest sensation of fatigue. To express the full extent of my gratitude to you, my dear Sir, for this almost incredible restoration, is a task which I must give up in despair; suffice it to say, that to Providence (under your pill) I shall ever acknowledge myself indebted for the felicity I now enjoy.' 'P. S. Please send me without delay, by the next coach, six dozen of the largest boxes of your Scorbutic Pills; though, indeed, I have not the smallest apprehension of ever having occasion to use them again.'

It would puzzle few of our readers, in town or country, to make a familiar application of this satire upon the prevailing style of quack advertisements.

Gossip with Readers and Correspondents.—In an admirable paper upon 'The Poetry of the Bible,' written for the Knickerbocker some years since by Rev. William T. Brantley, President of the 'College of South Carolina,' there was an incidental allusion to the proofs of the authenticity of the Sacred Word, as contained in the fulfilment of the 'prophecies concerning the nations.' A dilapidated book-stall volume before us, with the title-page gone, and the author's name nowhere to be met with, (facts in themselves noteworthy in this connection,) thus illustrates the position of our valued correspondent: 'The primitive Christians regarded the Scriptures as their chief and dearest treasure; and often laid down their lives rather than deliver the sacred records to their enemies, who used every art of terror to seize and destroy them. Then, as now, different parties and sects existed, who all appealed to the Scriptures for proof of their several opinions; and these must have been so many checks upon each other, to the general exclusion of mistake and fraud. But aside from this, look at their predictions, in the case of the 'chosen and peculiar people.' The separation of the Israelites from the rest of mankind, not for their own sakes but for the sake of all, and their preservation amidst their enemies, what a display is it of the divine power! This great scheme of wisdom and goodness was carried on by its omnipotent Author 'with a mighty hand and an outstretched arm.' 'He sent a man before his people, even Joseph, who was sold to be a bond-servant. He increased his people exceedingly, and made them stronger than their enemies. He sent Moses his servant, and Aaron; and these showed his tokens among them, and wonders in the land of Ham. He sent darkness, and it was dark, and turned their waters into blood. Their land brought forth frogs, yea, even in their king's chambers. He gave them hail-stones for rain, and flames of fire in their land. He spake the word, and locusts came innumerable, and devoured the fruit of their ground. He smote all the first-born in their land, even the chief of all their strength. He brought forth his people from among them. He spread out a cloud to be a covering, and fire to give them light in the night season. He rebuked the Red Sea also, and it was dried up: so he led them through the deep as through a wilderness. At their desire he brought quails, and filled them with the bread of heaven. He opened the rock of stone, so that rivers ran in dry places. Yet within a while they forgot his works, and tempted God in the desert. Then the earth opened and swallowed up Dathan, and covered the congregation of Abiram. The plague also was great among them. Then, being chastised, they turned to their God. He led them over Jordan: the waters divided to let them pass. He discomfited their enemies. At His word the sun abode in the midst of Heaven; and the moon stood still, and hasted not to go down for a whole day; so He gave the kingdoms of Canaan to be an heritage unto his people; that all the nations of the world might know that the hand of the Lord is mighty, and that they might fear the Lord continually.' Such was the result of a scheme determined by divine goodness, planned by divine wisdom, foretold by divine knowledge, accomplished by divine power. 'The things of the earth were changed into things of the water, and the thing that did swim went upon the ground. The fire had power in the water contrary to his own virtue, and the water forgat his own kind to quench. Thus the elements were changed among themselves by a kind of harmony, as when one tune is changed upon an instrument of music, and the melody still remaineth.' How graphic also is the description of the 'gift of tongues,' conferred upon the Apostles! 'And they were all amazed, and marvelled, saying one to another: 'Behold, are not all these which speak, Galileans? And how hear we every man in our own tongue, wherein we were born? Parthians, and Medes, and Elamites, the dwellers in Mesopotamia, and in Judea, and Cappadocia, in Pontus and Asia, Phrygia and Pamphylia in Egypt, and in the parts of Lybia about Cyrene. And strangers of Rome; Jews and proselytes, Cretes and Arabians; we do hear them speak in our tongues the wonderful works of God!' * * * Most likely many of our readers will remember this 'vexed question' in logic: 'It either rains or it does not rain: but it does not rain; therefore it rains.' This used to puzzle us hugely; as did also the mathematical problem, in simple equations, which ensues: 'A cat has one more tail than no cat; no cat has two tails; ergo, a cat has three tails!' The conclusion is irresistible. Here is something, however, which is of deeper import: 'Johnson studied law with Dobson, under the agreement that he should pay Dobson, when he (Johnson) gained his first cause. After a time Dobson got tired of waiting for the conditions of the contract, and sued Johnson for his pay. He reasoned thus: 'If I sue him I shall get paid at any rate, because if I gain the cause, I shall be paid by the decision of the court; if I lose it, I shall be paid by the conditions of the contract, for then Johnson will have gained his first cause; therefore I am safe.' Johnson, on the other hand, being prodigiously frightened, sought counsel, and was told to reason thus: 'Dobson reasons well, but there must be a flaw in his argument; because I and not he will gain the victory. If the suit goes in my favor, I shall gain it by the decision of the court; if it goes against me, I shall gain it by the terms of the contract, not having yet won my first cause. Of course I shall not have to pay him!' Vive la Logique! * * * This fine picture of the Arabian Desert is from the pen of the late lamented N. H. Carter, Esq., formerly editor of the New-York Statesman, a daily journal long since discontinued. We thank 'C. P. D.' for his offer, which is gladly accepted:

A correspondent, well known to our readers, in a note to the Editor, remarks as follows, upon the passage of our May 'Gossip' which touched upon Coleridge and his conversations: 'I am glad of your remarks on Coleridge and Wordsworth. I have been for years sick of the interminable cant about those two men. Their admirers have too long exalted them above all that is human. And would you know the reason? In discovering more depth, and pure humanity, and high inspiration, in their school of the prophets than the rest of the world have seen, they think the world will give them credit for deep penetration, high and refined sense, and a large share of the same or a kindred humanity and inspiration. Witness a sixty pages' laudation of Wordsworth, opening a number of the 'New-York Review,' by a writer who doubtless thought his own fame was thereby planted like an eternal light-house on the rock of his idol. Now I hope I am Christian enough to admire greatly the genius of Coleridge; and I am yet to find any thing in English or elsewhere more movingly and musically beautiful than 'Genevieve,' or more wizard-like and solemn than the 'Rime of the Antient Mariner.' I also plead not guilty to a contempt of 'Christabel' and 'Wallenstein.' Nor am I such a rebel to reason, or heretic in taste, as not to see surpassing beauty in many of Wordsworth's minor poems, and lofty grandeur in his 'Ode to Childhood,' and 'Stanzas on the Power of Sound,' and a high, philosophical, and musing mind in his great 'Excursion.' I have read him twice in the last two years, and my admiration has not at all diminished. But I choose to deny that he or Coleridge invented poetry, or carried it farther, or as far, as some others before and with them. I choose to deny that they have struck the great chord of humanity, unstruck before, or have sympathized more deeply or more sweetly with the joys and sorrows of the lowly million, than the great poets before them have done. I choose to assert, what has been abundantly proven, that they were both great egotists, eaten up by self, which the great poets have rarely been; and that Coleridge in particular often knew not what he meant himself, but between opium and metaphysics, frequently tied the tail of one idea to the head of another, and called the monstrous and unintelligible coalition a theory; a mixture of Platonism, Spinozaism, and the d——l knows what 'ism. And for believing this, the Coleridgeites and Wordsworthites, who are the most intolerant of bigots, would call me an earthy blockhead, and for expressing this, an ignorant, blaspheming fool. Why, I once had almost broken with a friend, because I would not admit that Wordsworth was superior to Byron, and that Byron stole almost all his beauties from him! And the secret was, that the poor fellow thought he had the Wordsworthian gift, and undeifying Wordsworth was undeifying him!' * * * Are not the circumstances narrated in the following communication from a truly veracious correspondent, 'very remarkable,' to say the least? Can their truth be doubted for a moment, however, by any intelligent reader? Yet 'it's curious, isn't it?' In a note to the Editor, our friend writes: 'I have an uncle 'down East,' a retired sea-captain, who having nothing else to do, frequently writes me long gossipping letters. Sometimes they are very amusing: an extract from one of them I now send you. The story appears almost incredible; but knowing my correspondent to be a strictly conscientious man, who would scorn to draw the long-bow on any occasion, I have no hesitation in believing every word of it, whether others are willing to credit it or not. I give it to you in his own language, for there is a strait-forward simplicity about it, that should command belief:'

* * * 'All these things, dear S——, happened in my younger days, of course. As I have still a white page before me, I will detail to you one of my youthful adventures. I had one night been to a convivial party, which did not break up until nearly morning, when, on arriving at my boarding-house, I found the doors closed. Not wishing to disturb the inmates at that unseasonable hour, I proceeded in search of temporary lodgings, not doubting but that I should get accommodated at some one of the numerous hotels. In this however I was disappointed; every place was shut as tight as an oyster. It happened to be a wet, drizzly night; and after wandering about the streets for some time, and getting pretty well soaked, I began to feel rather disagreeable. What added not a little to my discomfort, was the fact that within a few nights there had been committed several daring highway robberies, in the very heart of the city, in one of which the victim was murdered; and as a natural consequence, no watchman dared to venture out from his hiding-place; thus making my situation doubly lonesome. In this dilemma, finding all legitimate places closed against me, I began to consider the expediency of seeking shelter at least, if not sleep, in any place that might seem to offer it. While in this mood, I found myself abreast of the —— church; and leaning against the lightning-rod a moment, the query occurred to me: 'Why not 'shin up' this rod into the belfry? I have slept in worse places than that, no doubt, and can do so again.' Now I had been a great climber in my boyish days; and feats which to others seemed difficult, if not absolutely impossible, were to me often matters of mere pastime. I therefore hesitated but a moment in such an emergency, but slipping off my boots and swinging them round my neck, I commenced the ascent; and in less than five minutes I had mounted a hundred feet or more, and got safely into the belfry. My accommodations here were much better than I could have anticipated. Some carpenters had been to work a few days previously, repairing the railings on the outside of the tower, and had left a quantity of shavings, which lay scattered on the floor. Placing these together in a heap, I threw my weary limbs down upon them, and was soon in a deep slumber, but not a quiet one. My horizontal position enabled the fumes of wine to reach my head, which before they had been unable to do, in consequence of my extreme height, for you know I am six feet three, and I soon began to have all sorts of fantastic dreams. Strange wild shapes flitted around me, and loud unearthly sounds filled my ears. But prominent over all, was an incessant ding-dong of apparently distant bells, which reached me in every variety of volume and tone; now low and sweet, and anon loud, startling, and many-toned, as if the thousand steeples of Moscow were again pouring forth lamentations over the ruins of their beautiful city. Suddenly, a single stroke, that sent its vibrations through every limb, startled me from sleep; and lifting my head slightly, I at the instant received a blow upon the back of it that sent me quivering against the frame of the belfry. I lay stunned for some moments; and on recovering my consciousness, the bell of the steeple was just closing, with a strange jangle, the peal for seven o'clock in the morning!

'I now comprehended the whole. The edge of the bell, on its return revolution, had come in contact with my head at the instant I had lifted it, on being roused by the first stroke. I placed my hand upon the back of my scull, and the proof of that fact lay there too prominent to be denied. A bump had been raised as big as a hen's egg. I paid but little attention to it, however, as the pain was but slight, and I was moreover exceedingly anxious about the mode of extrication from my present unenviable predicament. Sliding down the lightning-rod of a meeting-house, in broad day-light, was not quite so pleasant a performance as 'shinning up' one at midnight. While considering this matter, in a sort of a 'quandary way,' as brother Jonas used to say, the scuttle-door slowly opened, and the sexton of the church made his appearance. He did not observe me, but went immediately to the bell, which he began to walk round, and to inspect very minutely. At last he stopped: 'It's just as I expected,' said he to himself: 'the bell's cracked! Now what upon airth could ha' done it? I am sure I felt it hit something hard.' Here I mechanically placed my hand to the back of my head, and coughed slightly. The man turned, and observing me, started back with affright. I immediately stepped forward, and told him my story in a few words, taking care to make it as lucid as possible by the aid of a little silver, and saying nothing, of course, about the bump on my head. The man appeared satisfied, and told me I could go down with him. Before starting, however, I bestowed a hasty glance upon the bell, and perceived that it was indeed cracked, longitudinally, from the flange to the crown, and that a lock of my hair was firmly inclosed in the crevice, just on the outer edge. This of course was enough to remove from my mind all doubt, had I had any, as to the cause of the mischief; but I said nothing, and followed the sexton down the scuttle. In a few moments I was once more in the streets, with my hat under my arm, for I found it impossible to place it any where near its true position on my head, in consequence of the new phrenological development already mentioned. But now, dear S——, comes the most wonderful part of my narrative. This little incident happened twenty years ago; and to my certain knowledge, since that date, the bell in that steeple has been replaced four times; and yet to this very day, whenever I pass within hearing of its tones, my ears begin to ring, my head violently to oscillate, and straitway I am seized with a stupor and dizziness that continue until I can get beyond the reach of its sound. You will recollect you once asked me why old Major N—— called me sometimes 'Captain Hardhead,' and sometimes 'Captain Waghead?' You have now the answer.'

The water stood in our eyes, reader, (and it will stand in yours if you have a heart to feel,) as we perused the subjoined eloquent passage of a letter from a friend to whom our readers have often been indebted for amusement, entertainment, and instruction. What a startling picture it presents of the first approaches of that 'hectic,' 'phthisic,' 'consumption,' or whatever be the favorite title of that most wily and fatal foe, who in one hand presents the insidious olive-branch, and in the other conceals his inevitable sword, cutting down youth in its blossom and manhood in its fruit! 'For very many years, from twelve to two have been my hours of retiring, and my exercise has been nothing, or nearly so, during the day. One result has been, that I have read one half of the Greek and Roman classics, and feasted largely in modern literature. A parallel result has been, that owing to corporeal sluggishness and nervousness, the curse of the sedentary, I have no doubt reaped less pleasure and profit than I might have done from half that assiduity coupled with a due regard to the wants of the body. The final result is, that an iron constitution is now largely disorganized; and from the constant presence of a dull, deep, stationary pain in my left side beneath the ribs, and fixed I fear upon the lungs, I begin to indulge in sad and deep forebodings. Often, when wakened by its painful urgency, I lie in the silence of the night, listening to my heart's deep beatings, and recall my early and yet unfulfilled dreams—dreams oh! how glorious!—and array before my unsated eyes this world, with all its lovely learning, and sweet poetry, and burning passion; and reflect how unfit I am to die, and try the conditions of a new existence, before I have fulfilled the duties and perused the mysteries of this, and then think of the wormy bed, and anticipate the hour when I shall lie there, closing my eyes to coloring and my ears to sound; the impatient longing I have sometimes felt for death is repaid by an indefinable horror; and between the tenderness of natural regret and the shudderings of unconquerable awe, passion masters pride, and both sink to meekness and humility in a flood of gushing tears!' * * * 'The Warning,' in its spirit at least, is borrowed. We are sorry to intimate this, but it is a fact, friend 'P.' You could not say that you have not read the poem which commences as follows, (if we rightly remember,) 'could you, now?' Guess not:

We gave on one occasion an extract from one of the 'Short Patent Sermons' of 'Dow, Jr.,' illustrating the endless extent of for ever. The same sublimity of conception is apparent in the subjoined glance at the magnitude of the planets, and the unsocial 'distance' they keep up between one another: 'If a person were sufficiently long-legged to step from star to star, and were to go at a decent dog-trot, he might as soon think of travelling from everlasting to everlasting and back again in a day, as to undertake to find an end to the planets which roll round their respective suns, as far beyond this insignificant solar system of ours as the farthest flight of imagination is beyond the jump of a ham-stringed grasshopper!' By the by, 'speaking of Dow,' here is a capital anecdote of the veritable Lorenzo, which is worthy of record. 'It appears' that Dow, in one of his odd, quaint sermons, declared that he 'had known sinners so very wicked that they actually bu'st!' This statement threw an old, ignorant, and fat impenitent present into a state of alarm and perspiration; and home he waddled, in mortal terror. At night, in the horror of his anticipated explosion, he rolled about until he could no longer bear it. He fancied he was already swelling. He rose and attempted to dress himself, in order to go out 'al fresco.' Who can paint his consternation, when he found he could but just strain the garments over his limbs, and even then they would not meet! He was suffering a rapid sin-dropsy; his iniquities were coming to light! He screamed in the agony of his fear; and a lamp being brought in, he found that in his haste he had put on his brother's clothes. 'The impression, however, says our informant, a clergyman of the Church of England, 'was a salutary one, for he became a pious man.' * * * The 'Knickerbocker'-Steamer, that floating palace of the Hudson, must not pass unnoticed by 'the editor hereof.' To describe her, however, and her superb 'belongings,' her Dutch paintings and quaint adornments, is quite another thing. We have no space for an essay in this department of Maga. It shall suffice to say, therefore, that this truly magnificent vessel is in all respects worthy the honored name she bears. Could we say more? Appropos of this: It was not until the first volume of the Knickerbocker appeared, (this is our TWENTY-SECOND, reader; and, non-reader, an excellent opportunity for you to commence your subscription,) that one met our noble potronymic 'about town.' How is it now? Let the Knickerbocker steamers, bathing-houses, omnibii, restaurants, clubs—aquatic, literary, social, military, scientific, and artistic—and eke the Temperance-halls and root-beer perambulatories, make answer! Their reply is triumphant; and yet 'our' children play with the neighbor's children, just the same as if these were not 'parlous facts!' This, however, is one of the tendencies of that republican form of government under which it is our happiness to reside! * * * Are not these lines of Motherwell very beautiful? Such thoughts have we had a thousand times; and we desire to thank the writer for expressing them for us so well:

Small game, Mein Herr, of Albany—small game! A 'two-penny dip' would be wasted on it. Our correspondent's critique reminds us of the tailor in Laputa, who being employed in making a suit for the facetious Gulliver, disdained the vulgar measures of his profession, and took that gentleman's altitude by the help of a quadrant! We can pounce upon fair game, but we cannot 'like French falcons, fly at any thing we see.' Beside, if the satire was 'caviare to the General' of the 'New-Mirror,' how should it find a place in these pages? Our friend 'the Brigadier' is a fastidious and a prudent person. Did he not alter a quotation from Byron, in one of our friend Graham's 'Sketches by a Briefless Lawyer,' wherein 'waistcoat-pocket' was substituted for that startling indelicacy, 'breeches-pocket?' Verily, he did! * * * The following reflections upon the death of friends, and the memories of the departed, which we transcribe from a private letter to the Editor, are too beautiful and true to be confined to one or two readers only: 'I have read the exhortations of Plutarch, and Seneca, and Jeremy Taylor, and others, all hinging upon the idea that pain and bereavement are natural, necessary, inevitable, in this world of successive bloom and desolation. But pain is to me none the less painful because natural, nor separation less overwhelming for its necessity; nor yet is the blasting of cherished hopes less withering to my heart because the same blight has fallen on the verdure of other hearts, and kindred tears are falling from a world of mourners in a wide companionship of grief. 'The head may reason, but the heart will feel.' Time, however, is a great and effectual healer. Though a tree be lopped to the very root, the maimed giant will send up a new creation of vegetable strength. So the human soul, like some evergreen creeper, if you cut off or tear away its branches of affection with the object round which they entwined themselves, will send forth other tendrils, and wind its clinging arms around some other idol, embalming it with fragrance and clothing it in verdure. The sweet lines of Wordsworth are most practical and true, as well as poetical:

'And while there is one, and more than one, whose redemption from their iron sleep I would gladly purchase by a subtraction from the remnant of my own dismembered life, and principally that visible gushing tears, and the test of so great a sacrifice, might be some atonement for causeless misconceptions, and some proof of warm love beneath the outward shows of an inflexible hardness; yet I know that Time in his weary revolutions will soon bring us all together in a world of infinite knowledge, and liberal forgiveness, and uncircumscribed affection; a world where we shall 'see face to face,' and feel heart to heart; 'where no grief makes the heart heavy and the eye-lids red.' * * * Standing with a friend the other day by the river-side, to take in the noble coup d'œil of the new steamer Knickerbocker, we overheard a little anecdote connected with water-craft, which made our companion merry all the way home; which we shall here transcribe; 'and which it is hoped may please.' 'It seems there was' (nay, we know not seems, there was) a verdant youth from the interior of Connecticut, for the first time on board a steam-boat. His curiosity was unbounded. He examined here, and he scrutinized there; he wormed from the engineer a compulsory lecture on the steam-engine and mechanics in general, and from the fireman an essay on the power of white heat, and the 'average consumption of pine cord-'ood.' At length his inquiring mind was checked in its investigations, and 'the pursuit of knowledge under difficulties' made at once apparent. He had mounted to the wheel-house, and was asking the pilot: 'What you doin' that for, Mister?—what good does't do?' when he was observed by the captain, who said, in a gruff voice: 'Go away from there! Don't you see the sign, 'No talkin' to the man at the hellum? Go 'way!' 'Oh! certing—yäes; I only wanted to know ——' 'Well you do know now that you can't talk to him; so go 'way!' With unwilling willingness, the verdant youth came down; and, as it was soon dark, he presently went below; but four or five times before he 'turned in,' he was on deck, and near the wheel-house, eyeing it with a thoughtful curiosity; but with the captain's public rebuff still in his ears, venturing to ask no questions. In the first gray of the dawn, he was up, and on deck; and after some hesitation, perceiving nobody near but the pilot, who was turning the wheel, as when he had last seen him, he preferred his 'suppressed question' in the oblique style peculiar to his region: 'Wal, goin' it yit ha?—been at it all night?—screëwin on her up?—eh?' What vague conjectures must have bothered the poor querist's brain, during the night, may be partly inferred from the absurd but 'settled conviction' to which he had at length arrived! * * * What a mingling of the dead Past with the busy, bustling Present pervades the mind of the thoughtful observer, as he looks down from the rising tower of the New Trinity Church upon tens of thousands of the dead whose bones crowd the grave-yard below; bones, and dust and ashes, over which are thrown in wild confusion huge blocks from the quarry, and piles of uprooted grave-stones, and slabs and urns of marble! As you have marked an elaborately-carved stone sink slowly from its ponderous 'drop' to its place in an edifice which is to stand for ages, did you never scan closely its grained streaks, its delicate chissellings, with the thought that when you were senseless clay, that very stone might arrest the eye of another, gazing upon it with sensations like your own? So at least have we thought, concerning those who have gone before us, as we have looked at the ornamental marbles of our older public buildings, erected in another age. But from the countless Dead, who slumber below, how solemnly comes up toward this rising tower the voice of warning and monition! Each 'storied urn' takes the form of the Departed whom it commemorates, and seems to say:

Mr. Wallace, the great musical Wonder, is not now in town, but, reader, should he return among us, be sure to neglect no opportunity to hear him. In his hands, the piano seems like an instrument hitherto unknown. It has the chant of woodland birds, the silver sound of dropping waters, and 'all voices of nature and of art.' We have heard no resemblance to Mr. Wallace, as a pianist. But it is his violin which speaks to us; and on this instrument no approach to Mr. Wallace has been met with in this country. How exquisite the notes, pathetic, joyful, or in 'linked sweetness long drawn out' which he conjures from that most facile of all instruments! We would travel ten miles to hear him play, in his style, that ravishing melody, 'The Last Rose of Summer.' We shall have occasion, we hope, again to advert to the performances of Mr. Wallace. He is yet a young man, and possesses the characteristic modesty of true genius; and has hardly yet learned that 'the world meets nobody half way;' in his case, however, not a necessary lesson. * * * If any of our town readers are fond, by way of literary variety and contrast, of disinterring the intellectual treasures of the buried Past, they will find 'pleasant employment and liberal wages' in glancing over the antique stores of Messrs. Bartlett and Welford, under the Astor House. We have been indebted to the courtesy of these gentlemen for sundry communings with authors who have been in their graves for five or six centuries. Every ancient book is an argument in favor of the immortality of the soul. 'Fancy a deep-buried Mastodon, some fossil Megatherion, Icthyosaurus, were to begin to speak from amid its rock-swathings, never so indistinctly! Yet the most extinct fossils of Men can do, and does, this miracle—thanks to the letters of the alphabet!' * * * The friend who sends us, for 'a fragment of Gossip,' the anecdote of the verdant field-preacher who spoke of Saint Paul's having 'sat at the foot of Gammel-Hill,' is informed that it has already appeared in the Knickerbocker. The following specimen of kindred ignorance, however, is quite new to us, and worthy of repetition. It is a precious bit of ignorant bathos, which occurred in a discourse upon the sufferings of Christ: 'The blessed Saviour, my hearers, was dreadfully persecuted. Once, when going to Jerusalem, the Jews put him on a wild young jack-ass, and scattered branches in the road, and put clothes onto 'em, in order for to scare the little colt, and make him break the blessed Redeemer's neck!' The speaker actually preached this three times, till one of his congregation corrected him!' * * * The articles in the Edinburgh Review, and other eminent European periodicals, against the custom of the duello, would seem to be but the echoes of a prevalent public opinion. We perceive by late English journals that an Anti-Duelling Association has recently been formed in London. 'It consists of three hundred and twenty-six members, including twenty-one noblemen, thirteen sons of noblemen, sixteen members of Parliament, fifteen baronets, thirty admirals and generals, forty-four captains R. N., twenty-three colonels and lieutenant-colonels, seventeen majors, twenty-six captains in the army, twenty lieutenants R. N., and twenty-four barristers. They denounce duelling as 'sinful, irrational, and contrary to the laws of God and man;' and pledge themselves to 'discountenance the practice, both by example and influence.' The association includes, says a London journal, many members who have been successful heretofore in 'killing their man.' * * * One of the most delightful as well as most accessible places of summer resort in the vicinity of New-York, is the 'Hamilton House,' a spacious and elegant palace of an edifice, situated on the south-westernmost extremity of Long-Island, on the picturesque bluff at the ocean-entrance to the Narrows, commanding a wide view of the sea, the lower bay, Staten-Island, and the rich and cultivated fields of Long-Island; a combination of scenery unsurpassed on the Atlantic sea-board. Here, amidst healthful and invigorating sea-airs, and charming views; with spacious and well-ventilated apartments, public and private; 'tables richly spread;' wines of the best, and the means of recreation, natural and artificial, in abundance; what could one want more?—save perhaps the ready attention and courtesy of the proprietor, Mr. J. R. Curtis, and these are 'matters of course.' Go to the 'Hamilton House,' ye invalids and pining wights 'in populous city pent.' * * * We find the annexed charming translation in the hand-writing of Mr. Longfellow, among the papers of the late lamented Willis Gaylord Clark: