Book 1 — CHAPTER IV (continued 3)

For this innocent passion for beauty the poor little thing (Ellen remembered how lightly her mother had weighed on her arm that night, though she was tired) had made many sacrifices. To see better the green glass of the unbroken wave and hear the kiss the spray gives the sea on its return she would sit in the bow of the steamer, though that did not suit her natural timidity; and if passengers were landed at a village that lay well on the shore she would go ashore, even if there were no pier and she had to go in a small boat, though these made her squeal with fright. And there was an absolute purity about this passion. It was untainted by greed. She loved most of all that unpossessable thing, the way the world looks under the weather; and on the possessable things of beauty that had lain under her eyes, in the jewellers' windows in Princes Street or on the walls of the National Gallery, she had gazed with no feelings but the most generous, acclaiming response to their quality and gratitude for the kindness on the part of the powers that be. She had been a good child: she hadn't snatched.

But when one thinks of a good child faithfully adhering to the nursery ethic the thought is not bearable unless it is understood that there is a kind nurse in the house who dresses her up for her walk so that people smile on her in the streets, and maybe buys her a coloured balloon, and when they come back to tea spreads the jam thick and is not shocked at the idea of cake. But mother was lying here in a hospital nightgown of pink flannel, between greyish cotton sheets under horse-blankets, in pain and about to die; utterly unrewarded. And she had never been rewarded. Ellen's mind ran through the arcade of their time together and could find no moment when her mother's life had been decorated by any bright scrap of that beauty she adored.

Ellen could see her rising in the morning, patting her yawning mouth with her poor ugly hands, putting her flannel dressing-gown about her, and treading clumsy with sleep down the creaky stairs to put the kettle on the gas, on her knees before the kitchen range, her head tied up in a handkerchief to keep the ash out of her hair, sticking something into the fire that made disagreeable grating noises which suggested it was not being used as competently as it might be; standing timidly in shops, trying to attract the notice of assistants who perceived she was very poor: but she could never see her visited by beauty. For her it had stayed in the sunset. It might have abode with her in the form of love: indeed, Ellen thought that would have been the best form it could have taken, for she knew that she could be quite happy, even if her life were harder than her mother's in the one point in which it could be harder and there were not enough to eat, provided that she had Richard. But she felt it impossible that her mother could have sipped any real joy from companionship with herself, whom she conceived as cold and vicious; and pushing her memory back to the earliest period, where it hated to linger, she perceived innumerable heartrending intimations that the free expenditure of her mother's dearness had brought her no comfort of love.

She could remember no good of her father. It was his habit to wear the Irish manner of distraction, as he walked the streets with his chin projected and his eyes focussed in the middle distance to make them look wild, but his soul was an alert workman who sat tightening screws. By neat workmanship he could lift from negligences any reproach of negativeness and turn them into positive wounds. If he were going to send his wife too little money, and that too late, he would weeks before lead her to expect an especially large cheque so that she would dream of little extravagances, of new shoes for Ellen, of sweets and fruit, until they were as good as bought, and the loss of them added the last saltness to the tears that flowed when there had at last arrived not quite enough to pay the rent. He was indeed a specialist in disappointment. Ellen guessed that he had probably preluded this neglectful marriage by a very passionate courtship; probably he had said to mother the very things that Richard said to her, but without meaning them. At that she shivered, and knew the nature of the sin of blasphemy.

How her mother had been betrayed! It was as monstrous a story as anything people made a fuss about in literature. What had happened to Ophelia and Desdemona that had not happened to her mother? Her heart had broken just as theirs did, and in the matter of death they had had the picturesque advantage. And her father, was he not as dreadful as Iago? Thinking so much of him brought back the hated sense of his physical presence, and she saw again the long, handsome face, solemn with concentration on the task of self-esteem, surmounted by its high, narrow forehead, and heard the voice, which somehow was also high and narrow, repeating stories which invariably ran: "He came to me and asked me ... and I said, 'My dear fellow....'" For, like all Irishmen, he was fond of telling stories of how people brought him their lives' problems, which he always found ridiculously easy to solve. Everything about him, the sawing gestures of his white, oblong hands, the cold self-conscious charm of his brogue, the seignorial contempt with which he spoke of all other human beings and of all forms of human activity save speculation on the Stock Exchange, seemed to have a secondary meaning of rejection of her mother's love and mockery of her warm, loyal spirit. There spoke, too, an earnest dedication to malignity in the accomplishment to which he had brought the art of telling unspoken, and therefore uncontradictable, lies about her mother. If, after helping him on with his coat in the hall and laying a loving hand on his sleeve because he looked such a fine man, she asked him for money to pay the always overdue household bills, or even to ask whether they would wait dinner for him, he would say something quite just about the untidiness of her hair, follow it up by a generalisation on her unworthiness, and then bang the door, but not too loudly, as if he had good-humouredly administered a sharp rap over the knuckles to a really justifiable piece of female imbecility.

Yet while she shook with hate at the memory of what her father was, she guessed what would please her mother most, and, leaning over her, she whispered, "Mother, do you hear me? I believe father did care for you quite a lot in his own way." And the dying woman lifted her lids and showed eyes that at this lovely thought had relit the fires that had burned there when she was quite alive, and pressed her daughter's hands with a fierce, jubilant pressure.

How dared her father contemn her mother so? Her father was not a fool. That she was quite submissive to life, that it was unthinkable that she could rebel against society or persons, was not because she was foolish, but because she was sweet. To question a law would be to cast imputations against those who made it and those who obeyed it, and that was a grave responsibility; to question an act would perhaps be to give its doer occasion for remorse, and in a world of suffering how could she take upon herself to do that? She had had dignity. She had had that real wildness which her husband had aped, for she was a true romantic. She had scorned the plain world where they talk prose more expensively than most professed romantics do.

Once on the top of a tram towards Craiglockhart she had pointed out to Ellen a big house of the prosperous, geometric sort, with greenhouses and a garage and a tennis-court, and said, "Yon's Johnny Faul's house. He proposed to me once at a picnic on the Isle of May, and I promised him, but I took it back that very evening because he was that upset at losing his umbrella. I knew what would come to him from his father, but I could not fancy marrying a man who was upset at losing his umbrella." At the recollection Ellen laughed aloud, and cried out, "Mother, you are such a wee darling!"

And she was more than a romantic; she was a poet. What was there in all Keats and Shelley but just this same passion for unpossessable things? It was vulgar, like despising a man because he has not made money though it is well known that he has worked hard, to do her less honour than them because she was not able to set down in verse the things she undoubtedly felt. And she was good, so good—even divinely good. Life had given her so little beyond her meagre flesh and breakable bones that it might have seemed impossible that she should satisfy the exorbitant demands of her existence. But she had done that; she had reared a child, and of the wet wood of poverty she had made a bright fire on her hearthstone. She had done more than that: she had given her child a love that was unstinted good living for the soul. And she had done more than that: to every human being with whom she came in contact she had made a little present of something over and above the ordinary decent feelings arising from the situation, something which was too sensible and often too roguish to be called tenderness, which was rather the handsomest possible agreement with the other person's idea of himself, and a taking of his side in his struggle with fate. This power of giving gifts was a miracle of the loaves and fishes kind. "Mother, I did not desairve you!" she cried. "I do wish I had been better to you!" And what had her mother got for being a romantic, a poet, and a saint who worked miracles? Nothing. This snoring death in a hospital was life's final award to her. It could not possibly be so. She sat bolt upright, her mouth a round hole with horror, restating the problem. But it was so. A virtuous woman was being allowed to die without having been happy.

"Oh, mother, mother!" Ellen wailed, wishing they had not embarked on the universe in such a leaky raft as this world, and was terrified to find that her mother's hand made no answer to her pressure. "Nurse!" she cried, and was enraged that no answer came from behind the screen, until the door opened, and the nurse, looking pretentiously sensible, followed the two doctors to the bed. She found it detestable that this cold hireling should have detected her mother's plight before she did, and when they took her away for a moment she stumbled round the screen, whimpering, "Richard!" trying to behave well, but wanting to make just enough fuss for him to realise how awful she was feeling.

Richard was sitting in front of the fire, rubbing the sleep out of his eyes, but he jumped up alertly and gathered her to his arms.

"Richard, she's going!"

He could find no consolation to give her but a close, unvoluptuous embrace. They stood silent, looking at the fire. "Is it not strange," she whispered, "that people really die?"

Richard did not in the least participate in this feeling. He merely looked at her with misted eyes, as if he found it touching that anyone should feel like that, and this reassured her. Perhaps he knew an answer to this problem. It might be possible that he knew it and yet could not tell it, for she had never been able to tell him how she loved him, though she knew quite well. She lifted her face to his that she might see if there were knowledge in his eyes, and was disappointed that he merely bent to kiss her.

"No!" she said fretfully, adding half honestly, half because he had disappointed her. "You mustn't. I've been kissing mother."

But he persisted; and they exchanged a solemn kiss, the religious sister of their usual passionate kisses. Then she shook with a sudden access of anger, and clung to his coat lapels and stared into his eyes so that he should give her full attention, and poured out her tale of wrong in a spate of whispering. "Every night ever since I can remember I've seen mother kneeling by her bed to say her prayers, no matter how cold it was, though she never would buy herself good woollens, and never scamping them to less than five minutes. And what has she got for it? What has she got for it?" But they called for her behind the screen, and she dropped her hands and answered, pretending that her mother was so well that it might have been she who called, "I'm coming, darling."

The moustached doctor, when she had come to the foot of the bed, said gently, "I'm sorry; it's all over."

She bent a careful scrutiny on her mother. "Are you sure?" she said wistfully.

"Quite sure."

"May I kiss her?"

"Please don't. It isn't safe."

"Ah well!" she sighed. "Then we'd best be going. Richard, are you ready?"

As he came to her side she raised her head and breathed "Good night!" to that ghostly essence which she conceived was floating vaporously in the upper air and slipped her arm in his. "Good night, and thank you for all you've done for her," she said to the people round the bed. As she went to the door a remembrance checked her. "What of the funeral?"

"They'll tell you all that down at the office." This was a terrifying place, where there existed a routine to meet this strange contingency of death; where one stepped from a room where drawn blinds cabined in electric light into a passage full with pale daylight; and left a beloved in that untimely artificial brightness as in some separate and dangerous division of time; where mother lay dead.

Yet after all, because terror existed here and had written itself across the night as intensely as beauty ever wrote itself across the sky in sunset, it need not be that terror is one of the forces which dictate the plot of the universe. This was a catchment area that drained the whole city of terror; and how small it was! Certainly terror was among the moods of the creative Person, whom for the sake of clear thinking they found it necessary to hold responsible for life, though being children of this age, and conscious of humanity's grievance, they thought of Him without love. But it was one of the least frequent and the most impermanent of His moods. All the people one does not know seem to be quite happy. Therefore it might be that though Fate had finally closed the story of Mrs. Melville's life, and had to the end shown her no mercy, there was no occasion for despair about the future. It might well be that no other life would ever be so grievous. Therefore it was with not the least selfish taint of sorrow, it was with tears that were provoked only by the vanishment of their beloved, that they passed out through the iron gates.

The scene did not endorse their hopeful reading of the situation. Before them stretched the avenue, confined on each side by palings with rounded tops which looked like slurs on a score of music; to the right the hospital lay behind a flatness of grass, planted in places with shrubs; and to the left, on the slope of the hill on which the grey workhouse stood, painted the very grey colour of poverty itself, paupers in white overalls worked among bare trees. Through this grim landscape they stepped forward, silent and hand in hand, grieving because she had lived without glory, she who was so much loved by them, whose life was going to be so glorious.