VI THE DREAM-WORK

All previous attempts to solve the problems of the dream have been based directly upon the manifest dream content as it is retained in the memory, and have undertaken to obtain an interpretation of the dream from this content, or, if interpretation was dispensed with, to base a judgment of the dream upon the evidence furnished by this content. We alone are in possession of new data; for us a new psychic material intervenes between the dream content and the results of our investigations: and this is the latent dream content or the dream thoughts which are obtained by our method. We develop a solution of the dream from this latter, and not from the manifest dream content. We are also confronted for the first time with a problem which has not before existed, that of examining and tracing the relations between the latent dream thoughts and the manifest dream content, and the processes through which the former have grown into the latter.

We regard the dream thoughts and the dream content as two representations of the same meaning in two different languages; or to express it better, the dream content appears to us as a translation of the dream thoughts into another form of expression, whose signs and laws of composition we are to learn by comparing the original with the translation. The dream thoughts are at once intelligible to us as soon as we have ascertained them. The dream content is, as it were, presented in a picture-writing, whose signs are to be translated one by one into the language of the dream thoughts. It would of course be incorrect to try to read these signs according to their values as pictures instead of according to their significance as signs. For instance, I have before me a picture-puzzle (rebus): a house, upon whose roof there is a boat; then a running figure whose head has been 261apostrophised away, and the like. I might now be tempted as a critic to consider this composition and its elements nonsensical. A boat does not belong on the roof of a house and a person without a head cannot run; the person, too, is larger than the house, and if the whole thing is to represent a landscape, the single letters of the alphabet do not fit into it, for of course they do not occur in pure nature. A correct judgment of the picture-puzzle results only if I make no such objections to the whole and its parts, but if, on the contrary, I take pains to replace each picture by the syllable or word which it is capable of representing by means of any sort of reference, the words which are thus brought together are no longer meaningless, but may constitute a most beautiful and sensible expression. Now the dream is a picture-puzzle of this sort, and our predecessors in the field of dream interpretation have made the mistake of judging the rebus as an artistic composition. As such it appears nonsensical and worthless.

(a) The Condensation Work

The first thing which becomes clear to the investigator in the comparison of the dream content with the dream thoughts is that a tremendous work of condensation has taken place. The dream is reserved, paltry, and laconic when compared with the range and copiousness of the dream thoughts. The dream when written down fills half a page; the analysis, in which the dream thoughts are contained, requires six, eight, twelve times as much space. The ratio varies with different dreams; it never changes its essential meaning, as far as I have been able to observe. As a rule the extent of the compression which has taken place is under-estimated, owing to the fact that the dream thoughts which are brought to light are considered the complete material, while continued work of interpretation may reveal new thoughts which are concealed behind the dream. We have already mentioned that one is really never sure of having interpreted a dream completely; even if the solution seems satisfying and flawless, it still always remains possible that there is a further meaning which is manifested by the same dream. Thus the amount of condensation is—strictly speaking—indeterminable. An objection, 262which at first sight seems very plausible, might be raised against the assertion that the disproportion between dream content and dream thought justifies the conclusion that an abundant condensation of psychic material has taken place in the formation of dreams. For we so often have the impression that we have dreamed a great deal throughout the night and then have forgotten the greater part. The dream which we recollect upon awakening would thus be only a remnant of the total dream-work, which would probably equal the dream thoughts in range if we were able to remember the former completely. In part this is certainly true; there can be no mistake about the observation that the dream is most accurately reproduced if one tries to remember it immediately after awakening, and that the recollection of it becomes more and more defective towards evening. On the other hand, it must be admitted that the impression that we have dreamed a good deal more than we are able to reproduce is often based upon an illusion, the cause of which will be explained later. Moreover, the assumption of condensation in the dream activity is not affected by the possibility of forgetting in dreams, for it is proved by groups of ideas belonging to those particular parts of the dream which have remained in the memory. If a large part of the dream has actually been lost to memory, we are probably deprived of access to a new series of dream thoughts. It is altogether unjustifiable to expect that those portions of the dream which have been lost also relate to the thoughts with which we are already acquainted from the analysis of the portions which have been preserved.

In view of the great number of ideas which analysis furnishes for each individual element of the dream content, the chief doubt with many readers will be whether it is permissible to count everything that subsequently comes to mind during analysis as a part of the dream thoughts—to assume, in other words, that all these thoughts have been active in the sleeping state and have taken part in the formation of the dream. Is it not more probable that thought connections are developed in the course of analysis which did not participate in the formation of the dream? I can meet this doubt only conditionally. It is true, of course, that particular thought 263connections first arise only during analysis; but one may always be sure that such new connections have been established only between thoughts which have already been connected in the dream thoughts by other means; the new connections are, so to speak, corollaries, short circuits, which are made possible by the existence of other more fundamental means of connection. It must be admitted that the huge number of trains of thought revealed by analysis have already been active in the formation of the dream, for if a chain of thoughts has been worked out, which seems to be without connection with the formation of the dream, a thought is suddenly encountered which, being represented in the dream, is indispensable to its interpretation—which nevertheless is inaccessible except through that chain of thoughts. The reader may here turn to the dream of the botanical monograph, which is obviously the result of an astonishing condensation activity, even though I have not given the analysis of it completely.

But how, then, is the psychic condition during sleep which precedes dreaming to be imagined? Do all the dream thoughts exist side by side, or do they occur one after another, or are many simultaneous trains of thought constructed from different centres, which meet later on? I am of the opinion that it is not yet necessary to form a plastic conception of the psychic condition of dream formation. Only let us not forget that we are concerned with unconscious thought, and that the process may easily be a different one from that which we perceive in ourselves in intentional contemplation accompanied by consciousness.

The fact, however, that dream formation is based on a process of condensation, stands indubitable. How, then, is this condensation brought about?

If it be considered that of those dream thoughts which are found only the smallest number are represented in the dream by means of one of its ideal elements, it might be concluded that condensation is accomplished by means of ellipsis, in that the dream is not an accurate translation or a projection point by point of the dream thoughts, but a very incomplete and defective reproduction of them. This view, as we shall soon find, is a very inadequate one. But let us take it as a 264starting point for the present, and ask ourselves: If only a few of the elements of the dream thoughts get into the dream content, what conditions determine their choice?

In order to gain enlightenment on this subject let us turn our attention to those elements of the dream content which must have fulfilled the conditions we are seeking. A dream to the formation of which an especially strong condensation has contributed will be the most suitable material for this investigation. I select the dream, cited on page 142, of the botanical monograph.

Dream content: I have written a monograph upon a (obscure) certain plant. The book lies before me, I am just turning over a folded coloured plate. A dried specimen of the plant is bound with every copy as though from a herbarium.

The most prominent element of this dream is the botanical monograph. This comes from the impressions received on the day of the dream; I had actually seen a monograph on the genus “cyclamen” in the show-window of a book-store. The mention of this genus is lacking in the dream content, in which only the monograph and its relation to botany have remained. The “botanical monograph” immediately shows its relation to the work on cocaine which I had once written; thought connections proceed from cocaine on the one hand to a “Festschrift,” and on the other to my friend, the eye specialist, Dr. Koenigstein, who has had a share in the utilisation of cocaine. Moreover, with the person of this Dr. Koenigstein is connected the recollection of the interrupted conversation which I had had with him on the previous evening and of the manifold thoughts about remuneration for medical services among colleagues. This conversation, then, is properly the actual stimulus of the dream; the monograph about cyclamen is likewise an actuality but of an indifferent nature; as I soon see, the “botanical monograph” of the dream turns out to be a common mean between the two experiences of the day, and to have been taken over unchanged from an indifferent impression and bound up with the psychologically significant experience by means of the most abundant associations.

Not only the combined idea, “botanical monograph,” however, but also each of the separate elements, “botanical” 265and “monograph,” penetrates deeper and deeper into the confused tangle of the dream thoughts. To “botanical” belong the recollections of the person of Professor Gartner (German: Gärtner = gardener), of his blooming wife, of my patient whose name is Flora, and of a lady about whom I told the story of the forgotten flowers. Gartner, again, is connected with the laboratory and the conversation with Koenigstein; the mention of the two female patients also belongs to the same conversation. A chain of thoughts, one end of which is formed by the title of the hastily seen monograph, leads off in the other direction from the lady with the flowers to the favourite flowers of my wife. Besides this, “botanical” recalls not only an episode at the Gymnasium, but an examination taken while I was at the university; and a new subject matter—my hobbies—which was broached in the conversation already mentioned, is connected by means of my humorously so-called favourite flower, the artichoke, with the chain of thoughts proceeding from the forgotten flowers; behind “artichoke” there is concealed on the one hand a recollection of Italy, and on the other a reminiscence of a childhood scene in which I first formed my connection with books which has since grown so intimate. “Botanical,” then, is a veritable nucleus, the centre for the dream of many trains of thought, which, I may assure the reader, were correctly and justly brought into relation to one another in the conversation referred to. Here we find ourselves in a thought factory, in which, as in the “Weaver’s Masterpiece”:

“One tread moves thousands of threads,

The little shuttles fly back and forth,

The threads flow on unseen,

One stroke ties thousands of knots.”

“Monograph” in the dream, again, has a bearing upon two subjects, the one-sidedness of my studies and the costliness of my hobbies.

The impression is gained from this first investigation that the elements “botanical” and “monograph” have been accepted in the dream content because they were able to show the most extensive connections with the dream thoughts, and thus represent nuclei in which a great number of dream thoughts come together, and because they have manifold 266significance for the dream interpretation. The fact upon which this explanation is based may be expressed in another form: Every element of the dream content turns out to be over-determined—that is, it enjoys a manifold representation in the dream thoughts.

We shall learn more by testing the remaining component parts of the dream as to their occurrence in the dream thoughts. The coloured plate refers (cf. the analysis on p. 145) to a new subject, the criticism passed upon my work by colleagues, and to a subject already represented in the dream—my hobbies—and also to a childish recollection in which I pull to pieces the book with the coloured plates; the dried specimen of the plant relates to an experience at the Gymnasium centering about and particularly emphasizing the herbarium. Thus I see what sort of relation exists between the dream content and dream thoughts: Not only do the elements of the dream have a manifold determination in the dream thoughts, but the individual dream thoughts are represented in the dream by many elements. Starting from an element of the dream the path of associations leads to a number of dream thoughts; and from a dream thought to several elements of the dream. The formation of the dream does not, therefore, take place in such fashion that a single one of the dream thoughts or a group of them furnishes the dream content with an abridgment as its representative therein, and that then another dream thought furnishes another abridgment as its representative—somewhat as popular representatives are elected from among the people—but the whole mass of the dream thoughts is subjected to a certain elaboration, in the course of which those elements that receive the greatest and completest support stand out in relief, analogous, perhaps, to election by scrutins des listes. Whatever dream I may subject to such dismemberment, I always find the same fundamental principle confirmed—that the dream elements are constructed from the entire mass of the dream thoughts and that every one of them appears in relation to the dream thoughts to have a multiple determination.

It is certainly not out of place to demonstrate this relation of the dream content to the dream thoughts by means of a fresh example, which is distinguished by a particularly artful 267intertwining of reciprocal relations. The dream is that of a patient whom I am treating for claustrophobia (fear in enclosed spaces). It will soon become evident why I feel myself called upon to entitle this exceptionally intellectual piece of dream activity in the following manner:

II. “A Beautiful Dream”

The dreamer is riding with much company to X-street, where there is a modest road-house (which is not the fact). A theatrical performance is being given in its rooms. He is first audience, then actor. Finally the company is told to change their clothes, in order to get back into the city. Some of the people are assigned to the rooms on the ground floor, others to the first floor. Then a dispute arises. Those above are angry because those below have not yet finished, so that they cannot come down. His brother is upstairs, he is below, and he is angry at his brother because there is such crowding. (This part obscure.) Besides it has already been decided upon their arrival who is to be upstairs and who down. Then he goes alone over the rising ground, across which X-street leads toward the city, and he has such difficulty and hardship in walking that he cannot move from the spot. An elderly gentleman joins him and scolds about the King of Italy. Finally, towards the end of the rising ground walking becomes much easier.

The difficulties experienced in walking were so distinct that for some time after waking he was in doubt whether they were dream or reality.

According to the manifest content, this dream can hardly be praised. Contrary to the rules, I shall begin with that portion which the dreamer referred to as the most distinct.

The difficulties which were dreamed of, and which were probably experienced during the dream—difficult climbing accompanied by dyspnœa—is one of the symptoms which the patient had actually shown years before, and which, in conjunction with other symptoms, was at that time attributed to tuberculosis (probably hysterically simulated). We are already from exhibition dreams acquainted with this sensation of being hindered, peculiar to the dream, and here again we find it used for the purpose of any kind of representation, as an ever-ready material. That part of the dream content 268which ascribes the climbing as difficult at first, and as becoming easier at the end of the hill, made me think while it was being told of the well-known masterful introduction to Sappho by A. Daudet. Here a young man carries the girl whom he loves upstairs—she is at first as light as a feather; but the higher he mounts the more heavily she weighs upon his arm, and this scene symbolises a course of events by recounting which Daudet tries to warn young men not to waste serious affection upon girls of humble origin or of questionable past.^[DI] Although I knew that my patient had recently had a love affair with a lady of the theatre, and had broken it off, I did not expect to find that the interpretation which had occurred to me was correct. Moreover, the situation in Sappho was the reverse of that in the dream; in the latter the climbing was difficult at the beginning and easy later on; in the novel the symbolism serves only if what was at first regarded as easy finally turns out to be a heavy load. To my astonishment, the patient remarked that the interpretation corresponded closely to the plot of a play which he had seen on the evening before at the theatre. The play was called Round about Vienna, and treated of the career of a girl who is respectable at first but later goes over to the demi-monde, who has affairs with persons in high places, thus “climbing,” but finally “goes down” faster and faster. This play had reminded him of another entitled From Step to Step, in the advertisement of which had appeared a stairway consisting of several steps.

Now to continue the interpretation. The actress with whom he had had his most recent affair, a complicated one, had lived in X-street. There is no inn in this street. However, while he was spending a part of the summer in Vienna for the sake of the lady, he had lodged (German abgestiegen = stopped, literally stepped off) at a little hotel in the neighbourhood. As he was leaving the hotel he said to the cab-driver, “I am glad I didn’t get any vermin anyway” (which incidentally is one of his phobias). Whereupon the cab-driver answered: “How could anybody stop there! It isn’t a hotel at all, it’s really nothing but a road-house!”

269The road-house immediately suggests to the dreamer’s recollection a quotation:

“Of that marvellous host

I was once a guest.”

But the host in the poem by Uhland is an apple tree. Now a second quotation continues the train of thought:

Faust (dancing with the young witch).

“A lovely dream once came to me;

I then beheld an apple tree,

And there two fairest apples shone:

They lured me so, I climbed thereon.”

The Fair One.

“Apples have been desired by you,

Since first in Paradise they grew;

And I am moved with joy to know

That such within my garden grow.”

Translated by Bayard Taylor.

There remains not the slightest doubt what is meant by the apple tree and the apples. A beautiful bosom stood high among the charms with which the actress had bewitched our dreamer.

According to the connections of the analysis we had every reason to assume that the dream went back to an impression from childhood. In this case it must have reference to the nurse of the patient, who is now a man of nearly fifty years of age. The bosom of the nurse is in reality a road-house for the child. The nurse as well as Daudet’s Sappho appears as an allusion to his abandoned sweetheart.

The (elder) brother of the patient also appears in the dream content; he is upstairs, the dreamer himself is below. This again is an inversion, for the brother, as I happen to know, has lost his social position, my patient has retained his. In reporting the dream content the dreamer avoided saying that his brother was upstairs and that he himself was down. It would have been too frank an expression, for a person is said to be “down and out” when he has lost his fortune and position. Now the fact that at this point in the dream something is represented as inverted must have a meaning. The inversion must apply rather to some other relation between 270the dream thoughts and dream content. There is an indication which suggests how this inversion is to be taken. It obviously applies to the end of the dream, where the circumstances of climbing are the reverse of those in Sappho. Now it may easily be seen what inversion is referred to; in Sappho the man carries the woman who stands in a sexual relation to him; in the dream thoughts, inversely, a woman carries a man, and as this state of affairs can only occur during childhood, the reference is again to the nurse who carries the heavy child. Thus the final portion of the dream succeeds in representing Sappho and the nurse in the same allusion.

Just as the name Sappho has not been selected by the poet without reference to a Lesbian custom, so the elements of the dream in which persons act above and below, point to fancies of a sexual nature with which the dreamer is occupied and which as suppressed cravings are not without connection with his neurosis. Dream interpretation itself does not show that these are fancies and not recollections of actual happenings; it only furnishes us with a set of thoughts and leaves us to determine their value as realities. Real and fantastic occurrences at first appear here as of equal value—and not only here but also in the creation of more important psychic structures than dreams. Much company, as we already know, signifies a secret. The brother is none other than a representative, drawn into the childhood scene by “fancying backwards,” of all of the later rivals for the woman. Through the agency of an experience which is indifferent in itself, the episode with the gentleman who scolds about the King of Italy again refers to the intrusion of people of low rank into aristocratic society. It is as though the warning which Daudet gives to youth is to be supplemented by a similar warning applicable to the suckling child.^[DJ]

In order that we may have at our disposal a third example for the study of condensation in dream formation, I shall cite 271the partial analysis of another dream for which I am indebted to an elderly lady who is being psychoanalytically treated. In harmony with the condition of severe anxiety from which the patient suffered, her dreams contained a great abundance of sexual thought material, the discovery of which astonished as well as frightened her. Since I cannot carry the interpretation of the dream to completion, the material seems to fall apart into several groups without apparent connection.

III. Content of the dream: She remembers that she has two June bugs in a box, which she must set at liberty, for otherwise they will suffocate. She opens the box, and the bugs are quite exhausted; one of them flies out of the window, but the other is crushed on the casement while she is shutting the window, as some one or other requests her to do (expressions of disgust).

Analysis: Her husband is away travelling, and her fourteen-year-old daughter is sleeping in the bed next to her. In the evening the little one calls her attention to the fact that a moth has fallen into her glass of water; but she neglects to take it out, and feels sorry for the poor little creature in the morning. A story which she had read in the evening told of boys throwing a cat into boiling water, and the twitchings of the animal were described. These are the occasions for the dream, both of which are indifferent in themselves. She is further occupied with the subject of cruelty to animals. Years before, while they were spending the summer at a certain place, her daughter was very cruel to animals. She started a butterfly collection, and asked her for arsenic with which to kill the butterflies. Once it happened that a moth flew about the room for a long time with a needle through its body; on another occasion she found that some moths which had been kept for metamorphosis had died of starvation. The same child while still at a tender age was in the habit of pulling out the wings of beetles and butterflies; now she would shrink in horror from these cruel actions, for she has grown very kind.

Her mind is occupied with this contrast. It recalls another contrast, the one between appearance and disposition, as it is described in Adam Bede by George Eliot. There a beautiful but vain and quite stupid girl is placed side by side with an 272ugly but high-minded one. The aristocrat who seduces the little goose, is opposed to the working man who feels aristocratic, and behaves accordingly. It is impossible to tell character from people’s looks. Who could tell from her looks that she is tormented by sensual desires?

In the same year in which the little girl started her butterfly collection, the region in which they were staying suffered much from a pest of June bugs. The children made havoc among the bugs, and crushed them cruelly. At that time she saw a person who tore the wings off the June bugs and ate them. She herself had been born in June and also married in June. Three days after the wedding she wrote a letter home, telling how happy she was. But she was by no means happy.

During the evening before the dream she had rummaged among her old letters and had read various ones, comical and serious, to her family—an extremely ridiculous letter from a piano-teacher who had paid her attention when she was a girl, as well as one from an aristocratic admirer.^[DK]

She blames herself because a bad book by de Maupassant had fallen into the hands of one of her daughters.^[DL] The arsenic which her little girl asks for recalls the arsenic pills which restored the power of youth to the Duc de Mora in Nabab.

“Set at liberty” recalls to her a passage from the Magic Flute:

“I cannot compel you to love,

But I will not give you your liberty.”

“June bugs” suggests the speech of Katie:^[DM]

“I love you like a little beetle.”

Meanwhile the speech from Tannhauser: “For you are wrought with evil passion.”

She is living in fear and anxiety about her absent husband. The dread that something may happen to him on the journey is expressed in numerous fancies of the day. A little while before, during the analysis, she had come upon a complaint 273about his “senility” in her unconscious thoughts. The wish thought which this dream conceals may perhaps best be conjectured if I say that several days before the dream she was suddenly astounded by a command which she directed to her husband in the midst of her work: “Go hang yourself.” It was found that a few hours before she had read somewhere that a vigorous erection is induced when a person is hanged. It was for the erection which freed itself from repression in this terror-inspiring veiled form. “Go hang yourself” is as much as to say: “Get up an erection, at any cost.” Dr. Jenkin’s arsenic pills in Nabab belong in this connection; for it was known to the patient that the strongest aphrodisiac, cantharides, is prepared by crushing bugs (so-called Spanish flies). The most important part of the dream content has a significance to this effect.

Opening and shutting the window is the subject of a standing quarrel with her husband. She herself likes to sleep with plenty of air, and her husband does not. Exhaustion is the chief ailment of which she complains these days.

In all three of the dreams just cited I have emphasized by italics those phrases where one of the elements of the dream recurs in the dream thoughts in order to make the manifold references of the former obvious. Since, however, the analysis of none of these dreams has been carried to completion, it will be well worth while to consider a dream with a fully detailed analysis, in order to demonstrate the manifold determination of its content. I select the dream of Irma’s injection for this purpose. We shall see without effort in this example that the condensation work has used more than one means for the formation of the dream.

The chief person in the content of the dream is my patient Irma, who is seen with the features which belong to her in waking life, and who therefore in the first instance represents herself. But her attitude as I examine her at the window is taken from the recollection of another person, of the lady for whom I should like to exchange my patient, as the dream thoughts show. In as far as Irma shows a diphtheritic membrane which recalls my anxiety about my eldest daughter, she comes to represent this child of mine, behind whom is concealed the person of the patient who died from intoxication 274and who is brought into connection by the identity of her name. In the further course of the dream the significance of Irma’s personality changes (without the alteration of her image as it is seen in the dream); she becomes one of the children whom we examine in the public dispensaries for children’s diseases, where my friends show the difference of their mental capabilities. The transference was obviously brought about through the idea of my infant daughter. By means of her unwillingness to open her mouth the same Irma is changed into an allusion to another lady who was once examined by me, and besides that to my wife, in the same connection. Furthermore, in the morbid transformations which I discover in her throat I have gathered allusions to a great number of other persons.

All these people whom I encounter as I follow the associations suggested by “Irma,” do not appear personally in the dream; they are concealed behind the dream person “Irma,” who is thus developed into a collective image, as might be expected, with contradictory features. Irma comes to represent these other persons, who are discarded in the work of condensation, in that I cause to happen to her all the things which recall these persons detail for detail.

I may also construct a collective person for the condensation of the dream in another manner, by uniting the actual features of two or more persons in one dream image. It is in this manner that Dr. M. in my dream was constructed, he bears the name of Dr. M., and speaks and acts as Dr. M. does, but his bodily characteristics and his suffering belong to another person, my eldest brother; a single feature, paleness, is doubly determined, owing to the fact that it is common to both persons. Dr. R. in my dream about my uncle is a similar composite person. But here the dream image is prepared in still another manner. I have not united features peculiar to the one with features of the other, and thereby abridged the remembered image of each by certain features, but I have adopted the method employed by Galton in producing family portraits, by which he projects both pictures upon one another, whereupon the common features stand out in stronger relief, while those which do not coincide neutralize one another and become obscure in the picture. In the dream of my uncle the 275blond beard stands out in relief, as an emphasized feature, from the physiognomy, which belongs to two persons, and which is therefore blurred; furthermore the beard contains an allusion to my father and to myself, which is made possible by its reference to the fact of growing grey.

The construction of collective and composite persons is one of the chief resources of the activity of dream condensation. There will soon be an occasion for treating of this in another connection.

The notion “dysentery” in the dream about the injection likewise has a manifold determination, on the one hand because of its paraphasic assonance with diphtheria, and on the other because of its reference to the patient, whom I have sent to the Orient, and whose hysteria has been wrongly recognised.

The mention of “propyls” in the dream also proves to be an interesting case of condensation. Not “propyls” but “amyls” were contained in the dream thoughts. One might think that here a simple displacement had occurred in the dream formation. And this is the case, but the displacement serves the purposes of condensation, as is shown by the following supplementary analysis. If I dwell for a moment upon the word “propyls,” its assonance to the word “propylæum” suggests itself to me. But the propylæum is to be found not only in Athens but also in Munich. In the latter city I visited a friend the year before who was seriously ill, and the reference to him becomes unmistakable on account of trimethylamin, which follows closely upon propyls.

I pass over the striking circumstance that here, as elsewhere in the analysis of dreams, associations of the most widely different values are employed for the establishment of thought connections as though they were equivalent, and I yield to the temptation to regard the process by which amyls in the dream thoughts are replaced by propyls, as though it were plastic in the dream content.

On the one hand is the chain of ideas about my friend Otto, who does not understand me, who thinks I am in the wrong, and who gives me the cordial that smells like amyls; on the other the chain of ideas—connected with the first by contrast—about my friend William, who understands me and 276who would always think I was in the right, and to whom I am indebted for so much valuable information about the chemistry of the sexual processes.

Those characteristics of the associations centering about Otto which ought particularly to attract my attention are determined by the recent occasions which are responsible for the dream; amyls belong to these elements so determined which are destined to get into the dream content. The group of associations “William” is distinctly vivified by the contrast to Otto, and the elements in it which correspond to those already excited in the “Otto” associations are thrown into relief. In this whole dream I am continually referring to a person who excites my displeasure and to another person whom I can oppose to him or her at will, and I conjure up the friend as against the enemy, feature for feature. Thus amyls in the Otto-group suggests recollections in the other group belonging to chemistry; trimethylamin, which receives support from several quarters, finds its way into the dream content. “Amyls,” too, might have got into the dream content without undergoing change, but it yields to the influence of the “William” group of associations, owing to the fact that an element which is capable of furnishing a double determination for amyls is sought out from the whole range of recollections which the name “William” covers. The association “propyls” lies in the neighbourhood of amyls; Munich with the propylæum comes to meet amyls from the series of associations belonging to “William.” Both groups are united in propyls—propylœum. As though by a compromise, this intermediary element gets into the dream content. Here a common mean which permits of a manifold determination has been created. It thus becomes perfectly obvious that manifold determination must facilitate penetration into the dream content. A displacement of attention from what is really intended to something lying near in the associations has thoughtlessly taken place, for the sake of this mean-formation.

The study of the injection dream has now enabled us to get some insight into the process of condensation which takes place in the formation of dreams. The selection of those elements which occur in the dream content more than once, the formation of new unities (collective persons, composite 277images), and the construction of the common mean, these we have been able to recognise as details of the condensing process. The purpose which is served by condensation and the means by which it is brought about will be investigated when we come to study the psychic processes in the formation of dreams as a whole. Let us be content for the present with establishing dream condensation as an important relation between the dream thoughts and the dream content.

The condensing activity of the dream becomes most tangible when it has selected words and names as its object. In general words are often treated as things by the dream, and thus undergo the same combinations, displacements, and substitutions, and therefore also condensations, as ideas of things. The results of such dreams are comical and bizarre word formations. Upon one occasion when a colleague had sent me one of his essays, in which he had, in my judgment, overestimated the value of a recent physiological discovery and had expressed himself in extravagant terms, I dreamed the following night a sentence which obviously referred to this treatise: “That is in true norekdal style.” The solution of this word formation at first gave me difficulties, although it was unquestionably formed as a parody after the pattern of the superlatives “colossal,” “pyramidal”; but to tell where it came from was not easy. At last the monster fell apart into the two names Nora and Ekdal from two well-known plays by Ibsen. I had previously read a newspaper essay on Ibsen by the same author, whose latest work I was thus criticising in the dream.

II.^[DN] One of my female patients dreams that a man with a light beard and a peculiar glittering eye is pointing to a sign board attached to a tree which reads: uclamparia—wet.

Analysis. The man was rather authoritative looking, and his peculiar glittering eye at once recalled St. Paul’s Cathedral, near Rome, where she saw in mosaics the Popes that have so far ruled. One of the early Popes had a golden eye (this was really an optical illusion which the guides usually call attention to). Further associations showed that the general physiognomy corresponded to her own clergyman (Pope), and the shape of the light beard recalled her doctor (myself), while the stature of 278the man in the dream recalled her father. All these persons stand in the same relation to her; they are all guiding and directing her course of life. On further questioning, the golden eye recalled gold—money—the rather expensive psychoanalytic treatment which gives her a great deal of concern. Gold, moreover, recalls the gold cure for alcoholism—Mr. D., whom she would have married if it had not been for his clinging to the disgusting alcohol habit—she does not object to a person taking an occasional drink; she herself sometimes drinks beer and cordials—this again brings her back to her visit to St. Paul’s without the walls and its surroundings. She remembers that in the neighbouring monastery of the Three Fountains she drank a liquor made of eucalyptus by the Trappist monks who inhabit this monastery. She then relates how the monks transformed this malarial and swampy region into a dry and healthful neighbourhood by planting there many eucalyptus trees. The word “uclamparia” then resolves itself into eucalyptus and malaria, and the word “wet” refers to the former swampy nature of the place. Wet also suggests dry. Dry is actually the name of the man whom she would have married except for his over-indulgence in alcohol. The peculiar name of Dry is of Germanic origin (drei = three) and hence alludes to the Abbey of the Three (drei) Fountains above mentioned. In talking about Mr. Dry’s habit she used the strong words, “He could drink a fountain.” Mr. Dry jocosely refers to his habit by saying, “You know I must drink because I am always dry” (referring to his name). The eucalyptus also refers to her neurosis, which was at first diagnosed as malaria. She went to Italy because her attacks of anxiety, which were accompanied by marked trembling and shivering, were thought to be of malarial origin. She bought some eucalyptus oil from the monks, and she maintains that it has done her much good.

The condensation uclamparia—wet is therefore the point of junction for the dream as well as for the neurosis.^[DO]

279III. In a somewhat long and wild dream of my own, the chief point of which is apparently a sea voyage, it happens that the next landing is called Hearsing and the one farther on Fliess. The latter is the name of my friend living in B., who has often been the objective point of my travels. But Hearsing is put together from the names of places in the local environment of Vienna, which so often end in ing: Hietzing, Liesing, Moedling (Medelitz, “meæ deliciæ,” my own name, “my joy”) (joy = German Freude), and the English hearsay, which points to libel and establishes the relation to the indifferent dream excitement of the day—a poem in the Fliegende Blaetter about a slanderous dwarf, “Saidhe Hashesaid.” By connecting the final syllable “ing” with the name Fliess, “Vlissingen” is obtained, which is a real port on the sea-voyage which my brother passes when he comes to visit us from England. But the English for Vlissingen is Flushing, which signifies blushing and recalls erythrophobia (fear of blushing), which I treat, and also reminds me of a recent publication by Bechterew about this neurosis, which has given occasion for angry feelings in me.

IV. Upon another occasion I had a dream which consisted of two parts. The first was the vividly remembered word “Autodidasker,” the second was truthfully covered by a short and harmless fancy which had been developed a few days before, and which was to the effect that I must tell Professor N., when I saw him next: “The patient about whose condition I last consulted you is really suffering from a neurosis, just as you suspected.” The coinage “Autodidasker” must, then, not only satisfy the requirement that it should contain or represent a compressed meaning, but also 280that this meaning should have a valid connection with my purpose, which is repeated from waking life, of giving Professor N. his due credit.

Now Autodidasker is easily separated into author (German Autor), autodidact, and Lasker, with whom is associated the name Lasalle. The first of these words leads to the occasion of the dream—which this time is significant. I had brought home to my wife several volumes by a well-known author, who is a friend of my brother’s, and who, as I have learned, comes from the same town as I (J. J. David). One evening she spoke to me about the profound impression which the touching sadness of a story in one of David’s novels, about a talented but degenerate person, had made upon her, and our conversation turned upon the indications of talent which we perceive in our own children. Under the influence of what she had just read, my wife expressed a concern relative to our children, and I comforted her with the remark that it is just such dangers that can be averted by education. During the night my train of thoughts proceeded further, took up the concern of my wife, and connected with it all sorts of other things. An opinion which the poet had expressed to my brother upon the subject of marriage showed my thoughts a by-path which might lead to a representation in the dream. This path led to Breslau, into which city a lady who was a very good friend of ours had married. I found in Breslau Lasker and Lasalle as examples realising our concern about being ruined at the hands of a woman, examples which enabled me to represent both manifestations of this influence for the bad at once.^[DP] The “Cherchez la femme,” in which these thoughts may be summed up, when taken in another sense, brings me to my brother, who is still unmarried and whose name is Alexander. Now I see that Alex, as we abbreviate the name, sounds almost like inversion of Lasker and that this factor must have taken part in giving my thoughts their detour by way of Breslau.

But this playing with names and syllables in which I am here engaged contains still another meaning. The wish that 281my brother may have a happy family life is represented by it in the following manner. In the artistic romance L’Œuvre, the writer, as is well known, has incidentally given an episodic account of himself and of his own family happiness, and he appears under the name of Sandoz. Probably he has taken the following course in the name transformation. Zola when inverted (as children like so much to do) gives Aloz. But that was still too undisguised for him; therefore he replaced the syllable Al, which stands at the beginning of the name Alexander, by the third syllable of the same name, sand, and thus Sandoz came about. In a similar manner my autodidasker originated.

My fancy, that I am telling Professor N. that the patient whom we had both seen is suffering from a neurosis, got into the dream in the following manner. Shortly before the close of my working year I received a patient in whose case my diagnosis failed me. A serious organic affliction—perhaps some changes in the spine—was to be assumed, but could not be proved. It would have been tempting to diagnose the trouble as a neurosis, and this would have put an end to all difficulties, had it not been for the fact that the sexual anamnesis, without which I am unwilling to admit a neurosis, was so energetically denied by the patient. In my embarrassment I called to my assistance the physician whom I respect most of all men (as others do also), and to whose authority I surrender most completely. He listened to my doubts, told me he thought them justified, and then said: “Keep on observing the man, it is probably a neurosis.” Since I know that he does not share my opinions about the etiology of neuroses, I suppressed my disagreement, but I did not conceal my scepticism. A few days after I informed the patient that I did not know what to do with him, and advised him to go to some one else. Thereupon, to my great astonishment, he began to beg my pardon for having lied to me, saying that he had felt very much ashamed; and now he revealed to me just that piece of sexual etiology which I had expected, and which I found necessary for assuming the existence of a neurosis. This was a relief to me, but at the same time a humiliation; for I had to admit that my consultant, who was not disconcerted by the absence of anamnesis, had made a correct 282observation. I made up my mind to tell him about it when I saw him again, and to say to him that he had been in the right and I in the wrong.

This is just what I do in the dream. But what sort of a wish is supposed to be fulfilled if I acknowledge that I am in the wrong? This is exactly my wish; I wish to be in the wrong with my apprehensions—that is to say, I wish that my wife whose fears I have appropriated in the dream thoughts may remain in the wrong. The subject to which the matter of being in the right or in the wrong is related in the dream is not far distant from what is really interesting to the dream thoughts. It is the same pair of alternatives of either organic or functional impairment through a woman, more properly through the sexual life—either tabetic paralysis or a neurosis—with which the manner of Lasalle’s ruin is more or less loosely connected.

In this well-joined dream (which, however, is quite transparent with the help of careful analysis) Professor N. plays a part not merely on account of this analogy and of my wish to remain in the wrong, or on account of the associated references to Breslau and to the family of our friend who is married there—but also on account of the following little occurrence which was connected with our consultation. After he had attended to our medical task by giving the above mentioned suggestion, his interest was directed to personal matters. “How many children have you now?”—“Six.”—A gesture of respect and reflection.—“Girls, boys?”—“Three of each. They are my pride and my treasure.”—“Well, there is no difficulty about the girls, but the boys give trouble later on in their education.” I replied that until now they had been very tractable; this second diagnosis concerning the future of my boys of course pleased me as little as the one he had made earlier, namely, that my patient had only a neurosis. These two impressions, then, are bound together by contiguity, by being successively received, and if I incorporate the story of the neurosis into the dream, I substitute it for the conversation upon education which shows itself to be even more closely connected with the dream thoughts owing to the fact that it has such an intimate bearing upon the subsequently expressed concerns of my wife. Thus even my fear that N. may turn out 283to be right in his remarks on the educational difficulties in the case of boys is admitted into the dream content, in that it is concealed behind the representation of my wish that I may be wrong in such apprehensions. The same fancy serves without change to represent both conflicting alternatives.

The verbal compositions of the dream are very similar to those which are known to occur in paranoia, but which are also found in hysteria and in compulsive ideas. The linguistic habits of children, who at certain periods actually treat words as objects and invent new languages and artificial syntaxes, are in this case the common source for the dream as well as for psychoneuroses.

When speeches occur in the dream, which are expressly distinguished from thoughts as such, it is an invariable rule that the dream speech has originated from a remembered speech in the dream material. Either the wording has been preserved in its integrity, or it has been slightly changed in the course of expression; frequently the dream speech is pieced together from various recollections of speeches, while the wording has remained the same and the meaning has possibly been changed so as to have two or more significations. Not infrequently the dream speech serves merely as an allusion to an incident, at which the recollected speech occurred.^[DQ]

(b) The Work of Displacement

Another sort of relation, which is no less significant, must have come to our notice while we were collecting examples of dream condensation. We have seen that those elements which obtrude themselves in the dream content as its essential components play a part in the dream thoughts which is by no means the same. As a correlative to this the converse of this thesis is also true. That which is clearly the essential thing in the dream thoughts need not be represented in the dream at all. The dream, as it were, is eccentric; its contents are grouped about other elements than the dream thoughts 284as a central point. Thus, for example, in the dream about the botanical monograph the central point of the dream content is apparently the element “botanical”; in the dream thoughts we are concerned with the complications and conflicts which result from services rendered among colleagues which put them under obligations to one another, subsequently with the reproach that I am in the habit of sacrificing too much to my hobbies, and the element “botanical” would in no case find a place in this nucleus of the dream thoughts if it were not loosely connected with it by an antithesis, for botany was never among my favourite studies. In the Sappho dream of my patient the ascending and descending, being upstairs and down, is made the central point; the dream, however, is concerned with the danger of sexual relations with persons of low degree, so that only one of the elements of the dream thoughts seems to have been taken over into the dream content, albeit with unseemly elaboration. Similarly in the dream about June bugs, whose subject is the relation of sexuality to cruelty, the factor of cruelty has indeed reappeared but in a different connection and without the mention of the sexual, that is to say, it has been torn from its context and transformed into something strange. Again, in the dream about my uncle, the blond beard, which seems to be its central point, appears to have no rational connection with the wishes for greatness which we have recognised as the nucleus of the dream thoughts. It is only to be expected if such dreams give a displaced impression. In complete contrast to these examples, the dream of Irma’s injection shows that individual elements can claim the same place in the formation of dreams which they occupy in the dream thoughts. The recognition of these new and entirely variable relations between the dream thoughts and the dream content is at first likely to excite our astonishment. If we find in a psychic process of normal life that an idea has been culled from among a number of others, and has acquired particular vividness in our consciousness, we are in the habit of regarding this result as a proof that the victorious idea is endowed with a peculiarly high degree of psychic value—a certain degree of interest. We now discover that this value of the individual elements in the dream thoughts is not preserved in the formation of the 285dream, or does not come into consideration. For there is no doubt as to the elements of the dream thoughts which are of the highest value; our judgment tells us immediately. In the formation of dreams those elements which are emphasized with intense interest may be treated as though they were inferior, and other elements are put in their place which certainly were inferior in the dream thoughts. We are at first given the impression that the psychic intensity^[DR] of the individual ideas does not come into consideration at all for the selection made by the dream, but only their greater or smaller multiplicity of determination. Not what is important in the dream thoughts gets into the dream, but what is contained in them several times over, one might be inclined to think; but our understanding of the formation of dreams is not much furthered by this assumption, for at the outset it will be impossible to believe that the two factors of manifold determination and of integral value do not tend in the same direction in the influence they exert on the selection made by the dream. Those ideas in the dream thoughts which are most important are probably also those which recur most frequently, for the individual dream thoughts radiate from them as from central points. And still the dream may reject those elements which are especially emphasized and which receive manifold support, and may take up into its content elements which are endowed only with the latter property.

This difficulty may be solved by considering another impression received in the investigation of the manifold determination of the dream content. Perhaps many a reader has already passed his own judgment upon this investigation by saying that the manifold determination of the elements of the dream is not a significant discovery, because it is a self-evident one. In the analysis one starts from the dream elements, and registers all the notions which are connected with them; it is no wonder, then, that these elements should occur with particular frequency in the thought material which is obtained in this manner. I cannot acknowledge the validity of this objection, but shall say something myself which sounds like it. Among 286the thoughts which analysis brings to light, many can be found which are far removed from the central idea of the dream, and which appear distinguished from the rest as artificial interpolations for a definite purpose. Their purpose may easily be discovered; they are just the ones which establish a connection, often a forced and far-fetched one, between the dream content and the dream thoughts, and if these elements were to be weeded out, not only over-determination but also a sufficient determination by means of the dream thoughts would often be lacking for the dream content. We are thus led to the conclusion that manifold determination, which decides the selection made by the dream, is perhaps not always a primary factor in dream formation, but is often the secondary manifestation of a psychic power which is still unknown to us. But in spite of all this, manifold determination must nevertheless control the entrance of individual elements into the dream, for it is possible to observe that it is established with considerable effort in cases where it does not result from the dream material without assistance.

The assumption is not now far distant that a psychic force is expressed in dream activity which on the one hand strips elements of high psychic value of their intensity, and which on the other hand creates new values, by way of over-determination, from elements of small value, these new values subsequently getting into the dream content. If this is the method of procedure, there has taken place in the formation of the dream a transference and displacement of the psychic intensities of the individual elements, of which the textual difference between the dream and the thought content appears as a result. The process which we assume here is nothing less than the essential part of the dream activity; it merits the designation of dream displacement. Dream displacement and dream condensation are the two craftsmen to whom we may chiefly attribute the moulding of the dream.

I think we also have an easy task in recognising the psychic force which makes itself felt in the circumstances of dream displacement. The result of this displacement is that the dream content no longer resembles the core of the dream thoughts at all, and that the dream reproduces only a disfigured form of the dream-wish in the unconscious. But we are 287already acquainted with dream disfigurement; we have traced it back to the censorship which one psychic instance in the psychic life exercises upon the other. Dream displacement is one of the chief means for achieving this disfigurement. Is fecit, cui profuit. We may assume that dream displacement is brought about by the influence of this censor, of the endopsychic repulsion.^[DS]

The manner in which the factors of displacement, condensation, and over-determination play into one another in the formation of the dream, which is the ruling factor and which the subordinate one, all this will be reserved as the subject of later investigations. For the present we may state, as a second condition which the elements must satisfy in order to get into the dream, that they must be withdrawn from the censor of resistance. From now on we shall take account of dream 288displacement as an unquestionable fact in the interpretation of dreams.

(c) Means of Representation in the Dream

Besides the two factors of dream condensation and dream displacement which we have found to be active in the transformation of the latent dream material into the manifest content, we shall come in the course of this investigation upon two other conditions which exercise an unquestionable influence upon the selection of the material which gets into the dream. Even at the risk of seeming to stop our progress, I should like to glance at the processes by which the interpretation of dreams is accomplished. I do not deny that I should succeed best in making them clear, and in showing that they are sufficiently reliable to insure them against attack, by taking a single dream as a paradigm and developing its interpretation, as I have done in Chapter II. in the dream of “Irma’s Injection,” and then putting together the dream thoughts which I have discovered, and reconstructing the formation of the dream from them—that is to say, by supplementing the analysis of dreams by a synthesis of them. I have accomplished this with several specimens for my own instruction; but I cannot undertake to do it here because I am prevented by considerations, which every right-minded person must approve of, relative to the psychic material necessary for such a demonstration. In the analysis of dreams these considerations present less difficulty, for an analysis may be incomplete and still retain its value even if it leads only a short way into the thought labyrinth of the dream. I do not see how a synthesis could be anything short of complete in order to be convincing. I could give a complete synthesis only of the dreams of such persons as are unknown to the reading public. Since, however, only neurotic patients furnish me with the means for doing this, this part of the description of the dream must be postponed until I can carry the psychological explanation of neuroses far enough—elsewhere—to be able to show their connection with the subject matter under consideration.^[DT]

289From my attempts synthetically to construct dreams from the dream thoughts, I know that the material which is obtained from interpretation varies in value. For a part of it consists of the essential dream thoughts which would, therefore, completely replace the dream, and which would in themselves be sufficient for this replacement if there were no censor for the dream. The other part may be summed up under the term “collaterals”; taken as a whole they represent the means by which the real wish that arises from the dream thoughts is transformed into the dream-wish. A first part of these “collaterals” consists of allusions to the actual dream thoughts, which, considered schematically, correspond to displacements from the essential to the non-essential. A second part comprises the thoughts which connect these non-essential elements, that have become significant through displacement with one another, and which reach from them into the dream content. Finally a third part contains the ideas and thought connections which (in the work of interpretation) conduct us from the dream content to the intermediary collaterals, all of which need not necessarily have participated in the formation of the dream.

At this point we are interested exclusively in the essential dream thoughts. These are usually found to be a complex of thoughts and memories of the most intricate possible construction, and to possess all the properties of the thought processes which are known to us from waking life. Not infrequently they are trains of thought which proceed from more than one centre, but which do not lack points of connection; almost regularly a chain of thought stands next to its contradictory correlative, being connected with it by contrast associations.

The individual parts of this complicated structure naturally stand in the most manifold logical relations to one another. They constitute a foreground or background, digressions, illustrations, conditions, chains of argument, and objections. When the whole mass of these dream thoughts is subjected to the pressure of the dream activity, during which the parts are turned about, broken up, and pushed together, something like drifting ice, there arises the question, what becomes of the logical ties which until now had given form to the structure? 290What representation do “if,” “because,” “as though,” “although,” “either—or,” and all the other conjunctions, without which we cannot understand a phrase or a sentence, receive in the dream?

At first we must answer that the dream has at its disposal no means for representing these logical relations among the dream thoughts. In most cases it disregards all these conjunctions, and undertakes the elaboration only of the objective content of the dream thoughts. It is left to the interpretation of the dream to restore the coherence which the activity of the dream has destroyed.

If the dream lacks ability to express these relations, the psychic material of which the dream is wrought must be responsible. The descriptive arts are limited in the same manner—painting and the plastic arts in comparison with poetry, which can employ speech; and here too the reason for this impotence is to be found in the material in the treatment of which the two arts strive to give expression to something. Before the art of painting had arrived at an understanding of the laws of expression by which it is bound, it attempted to escape this disadvantage. In old paintings little tags were hung from the mouths of the persons represented giving the speech, the expression of which in the picture the artist despaired of.

Perhaps an objection will here be raised challenging the assertion that the dream dispenses with the representation of logical relations. There are dreams in which the most complicated intellectual operations take place, in which proof and refutation are offered, puns and comparisons made, just as in waking thoughts. But here, too, appearances are deceitful; if the interpretation of such dreams is pursued, it is found that all of this is dream material, not the representation of intellectual activity in the dream. The content of the dream thoughts is reproduced by the apparent thinking of the dream, not the relations of the dream thoughts to one another, in the determination of which relations thinking consists. I shall give examples of this. But the thesis which is most easily established is that all speeches which occur in the dream, and which are expressly designated as such, are unchanged or only slightly modified copies of speeches which are likewise to be found in 291the recollections of the dream material. Often the speech is only an allusion to an event contained in the dream thoughts; the meaning of the dream is a quite different one.

I shall not deny, indeed, that there is also critical thought activity which does not merely repeat material from the dream thoughts and which takes part in the formation of the dream. I shall have to explain the influence of this factor at the close of this discussion. It will then become clear that this thought activity is evoked not by the dream thoughts, but by the dream itself after it is already finished in a certain sense.

We shall, therefore, consider it settled for the present that the logical relations among the dream thoughts do not enjoy any particular representation in the dream. For instance, where there is a contradiction in the dream, this is either a contradiction directed against the dream itself or a contradiction derived from the content of one of the dream thoughts; a contradiction in the dream corresponds to a contradiction among the dream thoughts only in a highly indirect manner.

But just as the art of painting finally succeeded in depicting in the represented persons, at least their intention in speaking—their tenderness, threatening attitude, warning mien, and the like—by other means than the dangling tag, so also the dream has found it possible to render account of a few of the logical relations among its dream thoughts by means of an appropriate modification of the peculiar method of dream representation. It will be found by experience that different dreams go to different lengths in taking this into consideration; while one dream entirely disregards the logical coherence of its material, another attempts to indicate it as completely as possible. In so doing the dream departs more or less widely from the subject-matter which it is to elaborate. The dream also takes a similarly varying attitude towards the temporal coherence of the dream thoughts, if such coherence has been established in the unconscious (as for example in the dream of Irma’s injection).

But what are the means by which the dream activity is enabled to indicate these relations in the dream material which are so difficult to represent? I shall attempt to enumerate these separately.

292In the first place, the dream renders account of the connection which is undeniably present between all the parts of the dream thoughts by uniting this material in a single composition as a situation or process. It reproduces logical connection in the form of simultaneousness; in this case it acts something like the painter who groups together all the philosophers or poets into a picture of the school of Athens or of Parnassus, although these were never at once present in any hall or on any mountain top—though they do, however, form a unity from the point of view of reflective contemplation.

The dream carries out this method of representation in detail. Whenever it shows two elements close together, it vouches for a particularly intimate connection between those elements which correspond to them in the dream thoughts. It is as in our method of writing: to signifies that the two letters are to be pronounced as one syllable, while t with o after a free space shows that t is the last letter of one word and o the first letter of another. According to this, dream combinations are not made of arbitrary, completely incongruent elements of the dream material, but of elements that also have a somewhat intimate relation to one another in the dream thoughts.

For representing causal relation the dream has two methods, which are essentially reducible to one. The more frequent method, in cases, for example, where the dream thoughts are to the effect: “Because this was so and so, this and that must happen,” consists in making the premise an introductory dream and joining the conclusion to it in the form of the main dream. If my interpretation is correct, the sequence may also be reversed. That part of the dream which is more completely worked out always corresponds to the conclusion.

A female patient, whose dream I shall later give in full, once furnished me with a neat example of such a representation of causal relationship. The dream consisted of a short prologue and of a very elaborate but well organised dream composition, which might be entitled: “A flower of speech.” The prologue of the dream is as follows: She goes to the two maids in the kitchen and scolds them for taking so long to prepare “a little bite of food.” She also sees a great many coarse dishes standing in the kitchen, inverted so that the water may drop off 293them, and heaped up in a pile. The two maids go to fetch water, and must, as it were, step into a river, which reaches up to the house or into the yard.

Then follows the main dream, which begins as follows: She is descending from a high place, over balustrades that are curiously fashioned, and she is glad that her dress doesn’t get caught anywhere, &c. Now the introductory dream refers to the house of the lady’s parents. Probably she has often heard from her mother the words which are spoken in the kitchen. The piles of unwashed dishes are taken from an unpretentious earthenware shop which was located in the same house. The second part of this dream contains an allusion to the dreamer’s father, who always had a great deal to do with servant girls, and who later contracted a fatal disease during a flood—the house stood near the bank of a river. The thought which is concealed behind the introductory dream, then, is to this effect: “Because I was born in this house, under such limited and unlovely circumstances.” The main dream takes up the same thought, and presents it in a form that has been altered by the tendency to wish-fulfilment: “I am of exalted origin.” Properly then: “Because I was born in such low circumstances, my career has been so and so.”

As far as I can see, the partition of a dream into two unequal portions does not always signify a causal relation between the thoughts of the two portions. It often appears as though the same material were being presented in the two dreams from different points of view; or as though the two dreams have proceeded from two separated centres in the dream material and their contents overlap, so that the object which is the centre of one dream has served in the other as an allusion, and vice versa. But in a certain number of cases a division into shorter fore-dreams and longer subsequent dreams actually signifies a causal relation between the two portions. The other method of representing causal relation is used with less abundant material and consists in the change of one image in the dream, whether a person or a thing, into another. It is only in cases where we witness this change taking place in the dream that any causal relation is asserted to exist, not where we merely notice that one thing has taken 294the place of another. I said that both methods of representing causal relation are reducible to the same thing; in both cases causation is represented by a succession, now by the sequence of the dreams, now by the immediate transformation of one image into another. In the great majority of cases, of course, causal relation is not expressed at all, but is obliterated by the sequence of elements which is unavoidable in the dream process.

The dream is altogether unable to express the alternative, “either—or”; it is in the habit of taking both members of this alternative into one context, as though they were equally privileged. A classic example of this is contained in the dream of Irma’s injection. Its latent thoughts obviously mean: I am innocent of the continued presence of Irma’s pains; the fault rests either with her resistance to accepting the solution, or with the fact that she is living under unfavourable sexual conditions, which I am unable to change, or her pains are not of a hysteric nature at all, but organic. The dream, however, fulfils all these possibilities, which are almost exclusive, and is quite ready to extract from the dream-wish an additional fourth solution of this kind. After interpreting the dream I have therefore inserted the either—or in the sequence of the dream thoughts.

In the case where the dreamer finds occasion in telling the dream to use either—or: “It was either a garden or a living-room,” &c., it is not really an alternative which occurs in the dream thoughts, but an “and,” a simple addition. When we use either—or we are usually describing a characteristic of indistinctness belonging to an element of the dream which is still capable of being cleared up. The rule of interpretation for this case is as follows: The separate members of the alternative are to be treated as equals and connected by “and.” For instance, after waiting for a long time in vain for the address of my friend who is living in Italy, I dream that I receive a telegram which tells me this address. Upon the strip of telegraph paper I see printed in blue the following; the first word is blurred:

perhaps via,

or villa, the second is distinctly: Sezerno or perhaps (Casa).

295The second word, which sounds like an Italian name and which reminds me of our etymological discussions, also expresses my displeasure on account of the fact that my friend has kept his place of residence secret from me for so long a time; every member of the triple suggestion for the first word may be recognised in the course of analysis as a self-sufficient and equally well-justified starting point in the concatenation of ideas.

During the night before the funeral of my father I dreamed of a printed placard, a card or poster—perhaps something like signs in railway waiting-rooms which announce the prohibition of smoking—which reads either:

It is requested to shut the eyes

or

It is requested to shut an eye

which I am in the habit of representing in the following form:

the

It is requested to shut eye(s).

an

Each of the two variations has its own particular meaning, and leads us along particular paths in the interpretation of the dream. I had made the simplest kind of funeral arrangements, for I knew how the deceased thought about such matters. Other members of the family, however, did not approve of such puritanic simplicity; they thought we would have to be ashamed before the mourners. Hence one of the wordings of the dream requests the “shutting of one eye,” that is to say, that people should show consideration. The significance of the blurring, which we describe with an either—or, may here be seen with particular ease. The dream activity has not succeeded in constructing a unified but at the same time ambiguous wording for the dream thoughts. Thus the two main trains of thought are already distinguished even in the dream content.

In a few cases the division of the dream into two equal parts expresses the alternative which the dream finds it so difficult to represent.

The attitude of the dream towards the category of antithesis and contradiction is most striking. This category is 296unceremoniously neglected; the word “No” does not seem to exist for the dream. Antitheses are with peculiar preference reduced to unity or represented as one. The dream also takes the liberty of representing any element whatever by its desired opposite, so that it is at first impossible to tell about any element capable of having an opposite, whether it is to be taken negatively or positively, in the dream thoughts.^[DU] In one of the last-mentioned dreams, whose introductory portion we have already interpreted (“because my parentage is such”), the dreamer descends over a balustrade and holds a blossoming twig in her hands. Since this picture suggests to her the angel in paintings of the Annunciation (her own name is Mary) carrying a lily stem in his hand, and the white-robed girls marching in the procession on Corpus Christi Day when the streets are decorated with green bows, the blossoming twig in the dream is very certainly an allusion to sexual innocence. But the twig is thickly studded with red blossoms, each one of which resembles a camelia. At the end of her walk, so the dream continues, the blossoms have already fallen considerably apart; then unmistakable allusions to menstruation follow. But this very twig which is carried like a lily and as though by an innocent girl, is also an allusion to Camille, who, as is known, always wore a white camelia, but a red one at the time of her menstruation. The same blossoming twig (“the flower of maidenhood” in the songs about the miller’s daughter by Goethe) represents at once sexual innocence and its opposite. The same dream, also, which expresses the dreamer’s joy at having succeeded in passing through life unsullied, hints in several places (as at the falling-off of the blossom), at the opposite train of thought—namely, that she had been guilty of various sins against sexual purity (that is in her childhood). In the analysis of 297the dream we may clearly distinguish the two trains of thought, of which the comforting one seems to be superficial, the reproachful one more profound. The two are diametrically opposed to each other, and their like but contrasting elements have been represented by the identical dream elements.

The mechanism of dream formation is favourable in the highest degree to only one of the logical relations. This relation is that of similarity, correspondence, contiguity, “as though,” which is capable of being represented in the dream as no other can be, by the most varied expedients. The correspondences occurring in the dream, or cases of “as though,” are the chief points of support for the formation of dreams, and no inconsiderable part of the dream activity consists in creating new correspondences of this sort in cases where those which are already at hand are prevented by the censor of resistance from getting into the dream. The effort towards condensation shown by the dream activity assists in the representation of the relation of similarity.

Similarity, agreement, community, are quite generally expressed in the dream by concentration into a unity, which is either already found in the dream material or is newly created. The first case may be referred to as identification, the second as composition. Identification is used where the dream is concerned with persons, composition where things are the objects of unification; but compositions are also made from persons. Localities are often treated as persons.

Identification consists in giving representation in the dream content to only one of a number of persons who are connected by some common feature, while the second or the other persons seem to be suppressed as far as the dream is concerned. This one representative person in the dream enters into all the relations and situations which belong to itself or to the persons who are covered by it. In cases of composition, however, when this has to do with persons, there are already present in the dream image features which are characteristic of, but not common to, the persons in question, so that a new unity, a composite person, appears as the result of the union of these features. The composition itself may be brought about in various ways. Either the dream person bears the name of one of the persons to whom 298it refers—and then we know, in a manner which is quite analogous to knowledge in waking life, that this or that person is the one who is meant—while the visual features belong to another person; or the dream image itself is composed of visual features which in reality are shared by both. Instead of visual features, also, the part played by the second person may be represented by the mannerisms which are usually ascribed to him, the words which he usually speaks, or the situations in which he is usually imagined. In the latter method of characterisation the sharp distinction between identification and composition of persons begins to disappear. But it may also happen that the formation of such a mixed personality is unsuccessful. The situation of the dream is then attributed to one person, and the other—as a rule the more important one—is introduced as an inactive and unconcerned spectator. The dreamer relates something like “My mother was also there” (Stekel).

The common feature which justifies the union of the two persons—that is to say, which is the occasion for it—may either be represented in the dream or be absent. As a rule, identification or composition of persons simply serves the purpose of dispensing with the representation of this common feature. Instead of repeating: “A is ill disposed towards me, and B is also,” I make a composite person of A and B in the dream, or I conceive A as doing an unaccustomed action which usually characterises B. The dream person obtained in this way appears in the dream in some new connection, and the fact that it signifies both A and B justifies me in inserting that which is common to both—their hostility towards me—at the proper place in the interpretation of the dream. In this manner I often achieve a very extraordinary degree of condensation of the dream content; I can save myself the direct representation of very complicated relations belonging to a person, if I can find a second person who has an equal claim to a part of these relations. It is also obvious to what extent this representation by means of identification can circumvent the resisting censor, which makes the dream activity conform to such harsh conditions. That which offends the censor may lie in those very ideas which are connected in the dream material with the one person; I now find 299a second person, who likewise has relation to the objectionable material, but only to a part of it. The contact in that one point which offends the censor now justified me in forming a composite person, which is characterised on either hand by indifferent features. This person resulting from composition or identification, who is unobjectionable to the censor, is now suited for incorporation in the dream content, and by the application of dream condensation I have satisfied the demands of the dream censor.

In dreams where a common feature of two persons is represented, this is usually a hint to look for another concealed common feature, the representation of which is made impossible by the censor. A displacement of the common feature has here taken place partly in order to facilitate representation. From the circumstance that the composite person appears to me with an indifferent common feature, I must infer that another common feature which is by no means indifferent exists in the dream thoughts.

According to what has been said, identification or composition of persons serves various purposes in the dream; in the first place, to represent a feature common to the two persons; secondly, to represent a displaced common feature; and thirdly, even to give expression to a community of features that is merely wished for. As the wish for a community between two persons frequently coincides with the exchanging of these persons, this relation in the dream is also expressed through identification. In the dream of Irma’s injection I wish to exchange this patient for another—that is to say, I wish the latter to be my patient as the former has been; the dream takes account of this wish by showing me a person who is called Irma, but who is examined in a position such as I have had the opportunity of seeing only when occupied with the other person in question. In the dream about my uncle this substitution is made the centre of the dream; I identify myself with the minister by judging and treating my colleague as shabbily as he does.

It has been my experience—and to this I have found no exception—that every dream treats of one’s own person. Dreams are absolutely egotistic. In cases where not my ego, but only a strange person occurs in the dream content, I may 300safely assume that my ego is concealed behind that person by means of identification. I am permitted to supplement my ego. On other occasions when my ego appears in the dream, I am given to understand by the situation in which it is placed that another person is concealing himself behind the ego. In this case the dream is intended to give me notice that in the interpretation I must transfer something which is connected with this person—the hidden common feature—to myself. There are also dreams in which my ego occurs along with other persons which the resolution of the identification again shows to be my ego. By means of this identification I am instructed to unite in my ego certain ideas to whose acceptance the censor has objected. I may also give my ego manifold representation in the dream, now directly, now by means of identification with strangers. An extraordinary amount of thought material may be condensed by means of a few such identifications.^[DV]

The resolution of the identification of localities designated under their own names is even less difficult than that of persons, because here the disturbing influence of the ego, which is all-powerful in the dream, is lacking. In one of my dreams about Rome (p. 164) the name of the place in which I find myself is Rome; I am surprised, however, at the great number of German placards at a street corner. The latter is a wish-fulfilment, which immediately suggests Prague; the wish itself probably originated at a period in my youth when I was imbued with a German nationalistic spirit which is suppressed to-day. At the time of my dream I was looking forward to meeting a friend in Prague; the identification of Rome and Prague is thus to be explained by means of a desired common feature; I would rather meet my friend in Rome than in Prague, I should like to exchange Prague for Rome for the purpose of this meeting.

The possibility of creating compositions is one of the chief causes of the phantastic character so common in dreams, in that it introduces into the dream elements which could never have been the objects of perception. The psychic process which occurs in the formation of compositions is obviously 301the same which we employ in conceiving or fashioning a centaur or a dragon in waking life. The only difference is that in the phantastic creations occurring in waking life the intended impression to be made by the new creation is itself the deciding factor, while the composition of the dream is determined by an influence—the common feature in the dream thoughts—which is independent of the form of the image. The composition of the dream may be accomplished in a great many different ways. In the most artless method of execution the properties of the one thing are represented, and this representation is accompanied by the knowledge that they also belong to another object. A more careful technique unites the features of one object with those of the other in a new image, while it makes skilful use of resemblance between the two objects which exist in reality. The new creation may turn out altogether absurd or only phantastically ingenious, according to the subject-matter and the wit operative in the work of composition. If the objects to be condensed into a unity are too incongruous, the dream activity is content with creating a composition with a comparatively distinct nucleus, to which are attached less distinct modifications. The unification into one image has here been unsuccessful, as it were; the two representations overlap and give rise to something like a contest between visual images. If attempt were made to construct an idea out of individual images of perception, similar representations might be obtained in a drawing.

Dreams naturally abound in such compositions; several examples of these I have given in the dreams already analysed; I shall add more. In the dream on p. 296, which describes the career of my patient “in flowery language,” the dream ego carries a blossoming twig in her hand, which, as we have seen, signifies at once innocence and sexual transgression. Moreover, the twig recalls cherry-blossoms on account of the manner in which the blossoms are clustered; the blossoms themselves, separately considered, are camelias, and finally the whole thing also gives the impression of an exotic plant. The common feature in the elements of this composition is shown by the dream thoughts. The blossoming twig is made up of allusions to presents by which she was induced or should have 302been induced to show herself agreeable. So it was with the cherries in her childhood and with the stem of camelias in her later years; the exotic feature is an illusion to a much-travelled naturalist, who sought to win her favour by means of a drawing of a flower. Another female patient creates a middle element out of bath-houses at a bathing resort, rural outside water-closets, and the garrets of our city dwellings. The reference to human nakedness and exposure is common to the two first elements; and we may infer from their connection with the third element that (in her childhood) the garret was likewise the scene of exposure. A dreamer of the male sex makes a composite locality out of two places in which “treatment” is given—my office and the public hall in which he first became acquainted with his wife. Another female patient, after her elder brother has promised to regale her with caviare, dreams that his legs are covered thick with black caviare pearls. The two elements, “contagion” in a moral sense and the recollection of a cutaneous eruption in childhood which made her legs look as though studded over with red dots instead of black ones, have here been united with the caviare pearls to form a new idea—the idea of “what she has inherited from her brother.” In this dream parts of the human body are treated as objects, as is usually the case in dreams. In one of the dreams reported by Ferenczi^[87] there occurred a composition made up of the person of a physician and a horse, over which was spread a night-shirt. The common feature in these three components was shown in the analysis after the night-shirt had been recognised as an allusion to the father of the dreamer in an infantile scene. In each of the three cases there was some object of her sexual inquisitiveness. As a child she had often been taken by her nurse to the military breeding station, where she had the amplest opportunity to satisfy her curiosity, which was at that time uninhibited.

I have already asserted that the dream has no means for expressing the relation of contradiction, of contrast, of negation. I am about to contradict this assertion for the first time. A part of the cases, which may be summed up under the word “contrast,” finds representation, as we have seen, simply by means of identification—that is, when an interchange or 303replacement can be connected with the contrast. We have given repeated examples of this. Another part of the contrasts in the dream thoughts, which perhaps falls into the category “turned into the opposite,” is represented in the dream in the following remarkable manner, which may almost be designated as witty. The “inversion” does not itself get into the dream content, but manifests its presence there by means of the fact that a part of the already formed dream content which lies at hand for other reasons, is—as it were subsequently—inverted. It is easier to illustrate this process than to describe it. In the beautiful “Up and Down” dream (p. 267) the representation of ascending is an inversion of a prototype in the dream thoughts, that is to say, of the introductory scene of Daudet’s Sappho; in the dream climbing is difficult at first, and easy later on, while in the actual scene it is easy at first, and later becomes more and more difficult. Likewise “above” and “below” in relation to the dreamer’s brother are inverted in the dream. This points to a relation of contraries or contrasts as obtaining between two parts of the subject-matter of the dream thoughts and the relation we have found in the fact that in the childish fancy of the dreamer he is carried by his nurse, while in the novel, on the contrary, the hero carries his beloved. My dream about Goethe’s attack upon Mr. M. (p. 345) also contains an “inversion” of this sort, which must first be set right before the interpretation of the dream can be accomplished. In the dream Goethe attacks a young man, Mr. M.; in reality, according to the dream thoughts, an eminent man, my friend, has been attacked by an unknown young author. In the dream I reckon time from the date of Goethe’s death; in reality the reckoning was made from the year in which the paralytic was born. The thought determining the dream material is shown to be an objection to the treatment of Goethe as a lunatic. “The other way around,” says the dream; “if you cannot understand the book, it is you who are dull-witted, not the author.” Furthermore, all these dreams of inversion seem to contain a reference to the contemptuous phrase, “to turn one’s back upon a person” (German: “einen die Kehrseite zeigen”; cf. the inversion in respect to the dreamer’s brother in the Sappho dream). It is also remarkable how 304frequently inversion becomes necessary in dreams which are inspired by repressed homosexual feelings.