Introductory material (continued 2)

Then the old man crept away from that vestige of his love, and stood alone in the night, and lifted up his face, and beat his bosom, and moaned at the stars, asking over and over again why he had been so bereaved. And while he agonized in this wise and cried there came to him a voice,—a voice so small that none else could hear, a voice seemingly from God; for from infinite space beyond those stars it sped its instantaneous way to the old man's soul and lodged there.

"Abel, I have touched thy heart!"

And so, having come into the darkness of night, old Dunklee went back into the light of day and found life beautiful; for the touch was in his heart.

After that, Old Growly's way of dealing with the world changed. He had always been an honest man, honest as the world goes. But now he was somewhat better than honest; he was kind, considerate, merciful. People saw and felt the change, and they knew why it was so. But the pathetic part of it all was that Old Growly would never admit—no, not even to himself—that he was the least changed from his old grinding, hard self. The good deeds he did were not his own; they were his little boy's,—at least so he said. And it was his whim when doing some kind and tender thing to lay it to little Abel, of whom he always spoke as if he were still living. His workmen, his neighbors, his townsmen,—all alike felt the graciousness of the wondrous change, and many, ah! many a lowly sufferer blessed that broken old man for succor in little Abel's name. And the old man was indeed much broken: not that he had parted with his shrewdness and acumen, for, as of old, his every venture prospered; but in this particular his mind seemed weakened; that, as I have said, he fancied his child lived, that he was given to low muttering and incoherent mumblings, of which the burden seemed to be that child of his, and that his greatest pleasure appeared now to be watching other little ones at their play. In fact, so changed was he from the Old Growly of former years, that, whereas he had then been wholly indifferent to the presence of those little ones upon earth, he now sought their company, and delighted to view their innocent and mirthful play. And so, presently, the children, from regarding him at first with distrust, came to confide in and love him, and in due time the old man was known far and wide as Old Grampa Growly, and he was pleased thereat. It was his wont to go every fair day, of an afternoon, into a park hard by his dwelling, and mingle with the crowd of little folk there; and when they were weary of their sports they used to gather about him,—some even clambering upon his knees,—and hear him tell his story, for he had only one story to tell, and that was the story that lay next his heart,—the story ever and forever beginning with, "Once ther' wuz a littl' boy." A very tender little story it was, too, told very much more sweetly than I could ever tell it; for it was of Old Grampa Growly's own little boy, and it came from that heart in which the touch—the touch of God Himself—lay like a priceless pearl.

So you must know that the last years of the old man's life made full atonement for those that had gone before. People forgot that the old man had ever been other than he was now, and of course the children never knew otherwise. But as for himself, Old Grampa Growly grew tenderer and tenderer, and his goodness became a household word, and he was beloved of all. And to the very last he loved the little ones, and shared their pleasures, and sympathized with them in their griefs, but always repeating that same old story, beginning with "Once ther' wuz a littl' boy."

The curious part of it was this: that while he implied by his confidences to the children that his own little boy was dead, he never made that admission to others. On the contrary, it was his wont, as I have said, to speak of little Abel as if that child still lived, and, humoring him in this conceit, it was the custom of the older ones to speak always of that child as if he lived and were known and beloved of all. In this custom the old man had great content and solace. For it was his wish that all he gave to and did for charity's sake should be known to come, not from him, but from Abel, his son, and this was his express stipulation at all such times. I know whereof I speak, for I was one of those to whom the old man came upon a time and said: "My little boy—Abel, you know—will give me no peace till I do what he requires. He has this sum of money which he has saved in his bank, count it yourselves, it is $50,000, and he bids me give it to the townsfolk for a hospital, one for little lame boys and girls. And I have promised him—my little boy, Abel, you know—that I will give $50,000 more. You shall have it when that hospital is built." Surely enough, in eighteen months' time the old man handed us the rest of the money, and when we told him that the place was to be called the Abel Dunklee hospital he was sorely distressed, and shook his head, and said: "No, no,—not my name! Call it the Little Abel hospital, for little Abel—my boy, you know—has done it all."

The old man lived many years,—lived to hear tender voices bless him, and to see pale faces brighten at the sound of his footfall. Yes, for many years the quaint, shuffling figure moved about our streets, and his hoarse but kindly voice—oh, very kindly now!—was heard repeating to the children that pathetic old story of "Once ther' wuz a littl' boy." And where the dear old feet trod the grass grew greenest, and the sunbeams nestled. But at last there came a summons for the old man,—a summons from away off yonder,—and the old man heard it and went thither.

The doctor—himself hoary and stooping now—told me that toward the last Old Grampa Growly sunk into a sort of sleep, or stupor, from which they could not rouse him. For many hours he lay like one dead, but his thin, creased face was very peaceful, and there was no pain. Children tiptoed in with flowers, and some cried bitterly, while others—those who were younger—whispered to one another: "Hush, let us make no noise; Old Grampa Growly is sleeping."

At last the old man roused up. He had lain like one dead for many hours, but now at last he seemed to wake of a sudden, and, seeing children about him, perhaps he fancied himself in that pleasant park, under the trees, where so very often he had told his one pathetic story to those little ones. Leastwise he made a feeble motion as if he would have them gather nearer, and, seeming to know his wish, the children came closer to him. Those who were nearest heard him say with the ineffable tenderness of old, "Once ther' wuz a littl' boy—"

And with those last sweet words upon his lips, and with the touch in his heart, the old man went down into the Valley.

DANIEL AND THE DEVIL

Daniel was a very wretched man. As he sat with his head bowed upon his desk that evening he made up his mind that his life had been a failure. "I have labored long and diligently," said he to himself, "and although I am known throughout the city as an industrious and shrewd business man, I am still a poor man, and shall probably continue so to the end of my days unless—unless—"

Here Daniel stopped and shivered. For a week or more he had been brooding over his unhappy lot. There seemed to be but one way out of his trouble, yet his soul revolted from taking that step. That was why he stopped and shivered.

"But," he argued, "I must do something! My nine children are growing up into big boys and girls. They must have those advantages which my limited means will not admit of! All my life so far has been pure, circumspect, and rigid; poverty has at last broken my spirit. I give up the fight,—I am ready to sell my soul to the Devil!"

"The determination is a wise one," said a voice at Daniel's elbow. Daniel looked up and beheld a grim-visaged stranger in the chair beside him. The stranger was arrayed all in black, and he exhaled a distinct odor of sulphur.

"Am I to understand," asked the stranger, "that you are prepared to enter into a league with the Devil?"

"Yes," said Daniel, firmly; and he set his teeth together after the fashion of a man who is not to be moved from his purpose.

"Then I am ready to treat with you," said the stranger.

"Are you the Devil?" asked Daniel, eying the stranger critically.

"No, but I am authorized to enter into contracts for him," explained the stranger. "My name is Beelzebub, and I am my master's most trusted agent."

"Sir," said Daniel, "you must pardon me (for I am loath to wound your feelings), but one of the rules governing my career as a business man has been to deal directly with principals, and never to trust to the offices of middle-men. The affair now in hand is one concerning the Devil and myself, and between us two and by us two only can the preliminaries be adjusted."

"As it so happens," explained Beelzebub, "this is Friday,—commonly called hangman's day,—and that is as busy a time in our particular locality as a Monday is in a laundry, or as the first of every month is at a book-keeper's desk. You can understand, perhaps, that this is the Devil's busy day; therefore be content to make this deal with me, and you will find that my master will cheerfully accept any contract I may enter into as his agent and in his behalf."

But no,—Daniel would not agree to this; with the Devil himself, and only the Devil himself, would he treat. So he bade Beelzebub go to the Devil and make known his wishes. Beelzebub departed, much chagrined. Presently back came the Devil, and surely it was the Devil this time,—there could be no mistake about it; for he wore a scarlet cloak, and had cloven feet, and carried about with him as many suffocating smells as there are kinds of brimstone, sulphur, and assafoetida.

The two talked over all Daniel's miseries; the Devil sympathized with Daniel, and ever and anon a malodorous, gummy tear would trickle down the Devil's sinister nose and drop off on the carpet.

"What you want is money," said the Devil. "That will give you the comfort and the contentment you crave."

"Yes," said Daniel; "it will give me every opportunity to do good."

"To do good!" repeated the Devil. "To do good, indeed! Yes, it's many a good time we shall have together, friend Daniel! Ha, ha, ha!" And the Devil laughed uproariously. Nothing seemed more humorous than the prospect of "doing good" with the Devil's money! But Daniel failed to see what the Devil was so jolly about. Daniel was not a humorist; he was, as we have indicated, a plain business man.

It was finally agreed that Daniel should sell his soul to the Devil upon condition that for the space of twenty-four years the Devil should serve Daniel faithfully, should provide him with riches, and should do whatsoever he was commanded to do; then, at the end of the twenty-fourth year, Daniel's soul was to pass into the possession of the Devil, and was to remain there forever, without recourse or benefit of clergy. Surely a more horrible contract was never entered into!

"You will have to sign your name to this contract," said the Devil, producing a sheet of asbestos paper upon which all the terms of the diabolical treaty were set forth exactly.

"Certainly," replied Daniel. "I have been a business man long enough to know the propriety and necessity of written contracts. And as for you, you must of course give a bond for the faithful execution of your part of this business."

"That is something I have never done before," suggested the Devil.

"I shall insist upon it," said Daniel, firmly. "This is no affair of sentiment; it is strictly and coldly business: you are to do certain service, and are to receive certain rewards therefor—"

"Yes, your soul!" cried the Devil, gleefully rubbing his callous hands together. "Your soul in twenty-four years!"

"Yes," said Daniel. "Now, no contract is good unless there is a quid pro quo."

"That's so," said the Devil, "so let's get a lawyer to draw up the paper for me to sign."

"Why a lawyer?" queried Daniel. "A contract is a simple instrument; I, as a business man, can frame one sufficiently binding."

"But I prefer to have a lawyer do it," urged the Devil.

"And I prefer to do it myself," said Daniel.

When a business man once gets his mind set, not even an Archimedean lever could stir it. So Daniel drew up the bond for the Devil to sign, and this bond specified that in case the Devil failed at any time during the next twenty-four years to do whatso Daniel commanded him, then should the bond which the Devil held against Daniel become null and void, and upon that same day should a thousand and one souls be released forever from the Devil's dominion. The Devil winced; he hated to sign this agreement, but he had to. An awful clap of thunder ratified the abominable treaty, and every black cat within a radius of a hundred leagues straightway fell to frothing and to yowling grotesquely.

Presently Daniel began to prosper; the Devil was a faithful slave, and he served Daniel so artfully that no person on earth suspected that Daniel had leagued with the evil one. Daniel had the finest house in the city, his wife dressed magnificently, and his children enjoyed every luxury wealth could provide. Still, Daniel was content to be known as a business man; he deported himself modestly and kindly; he pursued with all his old-time diligence the trade which in earlier days he had found so unproductive of riches. His indifference to the pleasures which money put within his reach was passing strange, and it caused the Devil vast uneasiness.

"Daniel," said the Devil, one day, "you're not getting out of this thing all the fun there is in it. You go poking along in the same old rut with never a suspicion that you have it in your power to enjoy every pleasure of human life. Why don't you break away from the old restraints? Why don't you avail yourself of the advantages at your command?"

"I know what you 're driving at," said Daniel, shrewdly, "Politics!"

"No, not at all," remonstrated the Devil. "What I mean is fun,—gayety. Why not have a good time, Daniel?"

"But I am having a good time," said Daniel. "My business is going along all right, I am rich. I 've got a lovely home; my wife is happy; my children are healthy and contented; I am respected,—what more could I ask? What better time could I demand?"

"You don't understand me," explained the Devil. "What I mean by a good time is that which makes the heart merry and keeps the soul youthful and buoyant,—wine, Daniel! Wine and the theatre and pretty girls and fast horses and all that sort of happy, joyful life!"

"Tut, tut, tut!" cried Daniel; "no more of that, sir! I sowed my wild oats in college. What right have I to think of such silly follies,—I, at forty years of age, and a business man too?"

So not even the Devil himself could persuade Daniel into a life of dissipation. All you who have made a study of the business man will agree that of all human beings he is the hardest to swerve from conservative methods. The Devil groaned and began to wonder why he had ever tied up to a man like Daniel,—a business man.

Pretty soon Daniel developed an ambition. He wanted reputation, and he told the Devil so. The Devil's eyes sparkled. "At last," murmured the Devil, with a sigh of relief,—"at last."

"Yes," said Daniel, "I want to be known far and wide. You must build a church for me."

"What!" shrieked the Devil. And the Devil's tail stiffened up like a sore thumb.

"Yes," said Daniel, calmly; "you must build a church for me, and it must be the largest and the handsomest church in the city. The sittings shall be free, and you shall provide the funds for its support forever."

The Devil frothed at his mouth, and blue fire issued from his ears and nostrils. He was the maddest devil ever seen on earth.

"I won't do it!" roared the Devil. "Do you suppose I'm going to spend my time building churches and stultifying myself just for the sake of gratifying your idle whims? I won't do it,—never!"

"Then the bond I gave is null and void," said Daniel.

"Take your old bond," said the Devil, petulantly.

"But the bond you gave is operative," continued Daniel. "So release the thousand and one souls you owe me when you refuse to obey me."

"Oh, Daniel!" whimpered the Devil, "how can you treat me so? Have n't I always been good to you? Have n't I given you riches and prosperity? Does no sentiment of friendship—"

"Hush," said Daniel, interrupting him. "I have already told you a thousand times that our relations were simply those of one business man with another. It now behooves you to fulfil your part of our compact; eventually I shall fulfil mine. Come, now, to business! Will you or will you not keep your word and save your bond?"

The Devil was sorely put to his trumps. But when it came to releasing a thousand and one souls from hell,—ah, that staggered him! He had to build the church, and a noble one it was too. Then he endowed the church, and finally he built a parsonage; altogether it was a stupendous work, and Daniel got all the credit for it. The preacher whom Daniel installed in this magnificent temple was severely orthodox, and one of the first things he did was to preach a series of sermons upon the personality of the Devil, wherein he inveighed most bitterly against that person and his work.

By and by Daniel made the Devil endow and build a number of hospitals, charity schools, free baths, libraries, and other institutions of similar character. Then he made him secure the election of honest men to office and of upright judges to the bench. It almost broke the Devil's heart to do it, but the Devil was prepared to do almost anything else than forfeit his bond and give up those one thousand and one souls. By this time Daniel came to be known far and wide for his philanthropy and his piety. This gratified him of course; but most of all he gloried in the circumstance that he was a business man.

"Have you anything for me to do today?" asked the Devil, one morning. He had grown to be a very meek and courteous devil; steady employment in righteous causes had chastened him to a degree and purged away somewhat of the violence of his nature. On this particular morning he looked haggard and ill,—yes, and he looked, too, as blue as a whetstone.

"I am not feeling robust," explained the Devil. "To tell the truth, I am somewhat ill."

"I am sorry to hear it," said Daniel; "but as I am not conducting a sanitarium, I can do nothing further than express my regret that you are ailing. Of course our business relations do not contemplate any interchange of sympathies; still I'll go easy with you to-day. You may go up to the house and look after the children; see that they don't smoke cigarettes, or quarrel, or tease the cat, or do anything out of the way."

Now that was fine business for the Devil to be in; but how could the Devil help himself? He was wholly at Daniel's mercy. He went groaning about the humiliating task.

The crash came at last. It was when the Devil informed Daniel one day that he was n't going to work for him any more.

"You have ruined my business," said the Devil, wearily. "A committee of imps waited upon me last night and told me that unless I severed my connection with you a permanent suspension of my interests down yonder would be necessitated. While I have been running around doing your insane errands my personal business has gone to the dogs—I would n't be at all surprised if I were to have to get a new plant altogether. Meanwhile my reputation has suffered; I am no longer respected, and the number of my recruits is daily becoming smaller. I give up,—I can make no further sacrifice."

"Then you are prepared to forfeit your bond?" asked Daniel.

"Not by any means," replied the Devil. "I propose to throw the matter into the courts."

"That will hardly be to your interest," said Daniel, "since, as you well know, we have recently elected honest men to the bench, and, as I recollect, most of our judges are members in good standing of the church we built some years ago!"

The Devil howled with rage. Then, presently, he began to whimper.

"For the last time," expostulated Daniel, "let me remind you that sentiment does not enter into this affair at all. We are simply two business parties coöperating in a business scheme. Our respective duties are exactly defined in the bonds we hold. You keep your contract and I'll keep mine. Let me see, I still have a margin of thirteen years."

The Devil groaned and writhed.

"They call me a dude," whimpered the Devil.

"Who do?" asked Daniel.

"Beelzebub and the rest," said the Devil. "I have been trotting around doing pious errands so long that I 've lost all my sulphur-and-brimstone flavor, and now I smell like spikenard and myrrh."

"Pooh!" said Daniel.

"Well, I do," insisted the Devil. "You've humiliated me so that I hain't got any more ambition. Yes, Daniel, you've worked me shamefully hard!"

"Well," said Daniel, "I have a very distinct suspicion that when, thirteen years hence, I fall into your hands I shall not enjoy what might be called a sedentary life."

The Devil plucked up at this suggestion. "Indeed you shall not," he muttered. "I'll make it hot for you!"

"But come, we waste time," said Daniel. "I am a man of business, and I cannot fritter away the precious moments parleying with you. I have important work for you. Tomorrow is Sunday; you are to see that all the saloons are kept closed."

"I sha'n't—I won't!" yelled the Devil.

"But you must," said Daniel, firmly.

"Do you really expect me to do that?" roared the Devil. "Do you fancy that I am so arrant a fool as to shut off the very feeders whereby my hungry hell is supplied? That would be suicidal!"

"I don't know anything about that," said Daniel; "I am a business man, and by this business arrangement of ours it is explicitly stipulated—"

"I don't care what the stipulations are!" shrieked the Devil. "I'm through with you, and may I be consumed by my own fires if ever again I have anything to do with a business man!"

The upshot of it all was that the Devil forfeited his bond, and by this act Daniel was released from every obligation unto the Devil, and one thousand and one souls were ransomed from the torture of the infernal fires.

METHUSELAH

The discussion now going on between our clergymen and certain unbelievers touching the question of Cain and his wife will surely result beneficially, for it will set everybody to reading his Bible more diligently. Still, the biography of Cain is one that we could never become particularly interested in; in short, of all the Old Testament characters none other interests us so much as does Methuselah, the man who lived 969 years. Would it be possible to find in all history another life at once so grand and so pathetic? One can get a faint idea of the awful magnitude of Methuselah's career by pausing to recollect that 969 years represent 9.69 centuries, 96 decades, 11,628 months, 50,388 weeks, 353,928 days, 8,494,272 hours, 521,656,320 minutes, and 36,299,879,200 seconds!

How came he to live so long? Ah, that is easily enough explained. He loved life and the world,—both were beautiful to him. And one day he spoke his wish in words. "Oh, that I might live a thousand years!" he cried.

Then looking up straightway he beheld an angel, and the angel said: "Wouldst thou live a thousand years?"

And Methuselah answered him, saying: "As the Lord is my God, I would live a thousand years."

"It shall be even so," said the angel; and then the angel departed out of his sight. So Methuselah lived on and on, as the angel had promised.

How sweet a treasure the young Methuselah must have been to his parents and to his doting ancestors; with what tender solicitude must the old folks have watched the child's progress from the innocence of his first to the virility of his later centuries. We can picture the happy reunions of the old Adam family under the domestic vines and fig-trees that bloomed near the Euphrates. When Methuselah was a mere toddler of nineteen years, Adam was still living, and so was his estimable wife; the possibility is that the venerable couple gave young Methuselah a birthday party at which (we can easily imagine) there were present these following, to-wit: Adam, aged 687; Seth, aged 557; Enos, aged 452; Cainan, aged 362; Mahalaleel, aged 292; Jared, aged 227; Enoch, aged 65, and his infant boy Methuselah, aged 19. Here were represented eight direct generations, and there were present, of course, the wives and daughters; so that, on the whole, the gathering must have been as numerous as it was otherwise remarkable. Nowhere in any of the vistas of history, of romance, or of mythology were it possible to find a spectacle more imposing than that of the child Methuselah surrounded by his father Enoch, his grandfather Jared, his great-grandfather Mahalaleel, his great-great-grandfather Cainan, his great-great-great-grandfather Enos, his great-great-great-great-grandfather Seth, and his great-great-great-great-great-grandfather Adam, as well as by his great-great-great-great-great-grandmother Eve, and her feminine posterity for (say) four centuries! How pretty and how kindly dear old grandma Eve must have looked on that gala occasion, attired, as she must have been, in all the quaint simplicity of that primeval period; and how must the dear old soul have fretted through fear that little Methuselah would eat too many papaws, or drink too much goat's milk. It is a marvel, we think, that in spite of the indulgence and the petting in which he was reared, Methuselah grew to be a good, kind man.

Profane historians agree that just about the time he reached the age of ninety-four Methuselah became deeply enamoured of a comely and sprightly damsel named Mizpah,—a young thing scarce turned seventy-six. Up to this period of adolescence his cautious father Enoch had kept Methuselah out of all love entanglements, and it is probable that he would not have approved of this affair with Mizpah had not Jared, the boy's grandfather, counselled Enoch to give the boy a chance. But alas and alackaday for the instability of youthful affection! It befell in an evil time that there came over from the land of Nod a frivolous and gorgeously apparelled beau, who, with finely wrought phrases, did so fascinate the giddy Mizpah that incontinently she gave Methuselah the mitten, and went with the dashing young stranger of 102 as his bride.

This shocking blow so grievously affected Methuselah that for some time (that is to say, for a period of ninety-one years) he shunned female society. But having recovered somewhat from the bitterness of that great disappointment received in the callowness of his ninth decade, he finally met and fell in love with Adah, a young woman of 148, and her he married. The issue of this union was a boy whom they named Lamech, and this child from the very hour of his birth gave his father vast worriment, which, considering the disparity in their ages, is indeed most shocking of contemplation. The tableau of a father (aged 187) vainly coddling a colicky babe certainly does not call for our enthusiasm. Yet we presume to say that Methuselah bore his trials meekly, that he cherished and adored the baby, and that he spent weeks and months playing peek-a-boo and ride-a-cock-horse. In all our consideration of Methuselah we must remember that the mere matter of time was of no consequence to him.

Lamech grew to boyhood, involving his father in all those ridiculous complications which parents nowadays do not heed so much, but which must have been of vast annoyance to a man of Methuselah's advanced age and proper notions. Whittling with the old gentleman's razor, hooking off from school, trampling down the neighbors' rowen, tracking mud into the front parlor—these were some of Lamech's idiosyncrasies, and of course they tormented Methuselah, who recalled sadly that boys were no longer what they used to be when he was a boy some centuries previous. But when he got to be 182 years old Lamech had sowed all his wild oats, and it was then he married a clever young girl of 98, who bore him a son whom they called Noah. Now if Methuselah had been worried and plagued by Lamech, he was more than compensated therefor by this baby grandson, whom he found to be, aside from all prejudices, the prettiest and the smartest child he had ever seen. Old father Adam, who was now turned of his ninth century, tottered over to see the baby, and he, too, allowed that it was an uncommonly bright child. And dear old grandma Eve declared that there was an expression about the upper part of the little Noah's face that reminded her very much of the soft-eyed boy she lost 800 years ago. And dear old grandma Eve used to rock little Noah and sing to him, and cry softly to herself all the while.

Now, in good time, Noah grew to lusty youth, and although he was, on the whole, a joy to his grandsire Methuselah, he developed certain traits and predilections that occasioned the old gentleman much uneasiness. At the tender age of 265 Noah exhibited a strange passion for aquatics, and while it was common for other boys of that time to divert themselves with the flocks and herds, with slingshots and spears, with music and dancing, Noah preferred to spend his hours floating toy-ships in the bayous of the Euphrates. Every day he took his little shittim-wood boats down to the water, tied strings to them, and let them float hither and thither on the crystal bosom of the tide. Naturally enough these practices worried the grandfather mightily.

"May not the crocodiles compass him round about?" groaned Methuselah. "May not behemoth prevail against him? Or, verily, it may befall that the waves shall devour him. Woe is me and lamentation unto this household if destruction come to him through the folly of his fathers!"

So Methuselah's age began to be full of care and trouble, and many a time he felt weary of living, and sometimes—yes, sometimes—he wished he were dead. People in those times were not afraid to die; they believed in the second and better life, because God spoke with them and told them it should be.

The last century of this good man's sojourn upon earth was particularly pathetic. His ancestors were all dead; he alone remained the last living reminiscence of a time that but for him would have been forgotten. Deprived of the wise counsels of his great-great-great-great-great-grandfather Adam and of the gentle admonitions of his great-great-great-great-great-grandmother Eve, Methuselah felt not only lonesome but even in danger of wrong-doing, so precious to him had been the teachings of these worthy progenitors. And what particularly disturbed Methuselah were the dreadful changes that had taken place in society since he was a boy. Dress, speech, customs, and morals were all different now from what they used to be.

When Methuselah was a boy,—ah, he remembered it well,—people went hither and thither clad only in simple fig-leaf garb; and they were content therewith.

When Methuselah was a boy, people spoke a plain, direct language, strong in its truth, its simplicity, and its honest vigor.

When Methuselah was a boy, manners were open and unaffected, and morals were pure and healthy.

But now all these things were changed. An evil called fashion had filled the minds of men and women with vanity. From the sinful land of Nod and from other pagan countries came divers tradesmen with purples and linens and fine feathers, whereby a wicked pride was engendered, and from these sinful countries, too, came frivolous manners that supplanted the guileless etiquette of the past.

Moreover, traffic and intercourse with the subtle heathen had corrupted and perverted the speech of Adam's time: crafty phrases and false rhetorics had crept in, and the grand old Edenic idioms either were fast being debased or had become wholly obsolete. Such new-fangled words as "eftsoon," "albeit," "wench," "soothly," "zounds," "whenas," and "sithence" had stolen into common usage, making more direct and simpler speech a jest and a byword.

Likewise had prudence given way to extravagance, abstemiousness to intemperance, dignity to frivolity, and continence to lust; so that by these evils was Methuselah grievously tormented, and it repented him full sore that he had lived to see such exceeding wickedness upon earth. But in the midst of all these follies did Methuselah maintain an upright and godly life, and continually did he bless God for that he had held him in the path of rectitude.

Now when Methuselah was in the 964th summer of his sojourn he was called upon to mourn the death of his son Lamech, whom an inscrutable Providence had cut off in what in those days was considered the flower of a man's life,—namely, the eighth century thereof. Lamech's untimely decease was a severe blow to his doting father, who, forgetting all his son's boyish indiscretions, remembered now only Lamech's good and lovable traits and deeds. It is reasonable to suppose, however, that the old gentleman was somewhat beguiled from his grief by the lively dispositions and playful antics of Lamech's grandsons, Noah's sons, and his own great-grandsons,—Shem, Ham, and Japheth,—who at this time had attained to the frolicsome ages of ninety-five, ninety-two, and ninety-one, respectively. These boys inherited from their father a violent penchant for aquatics, and scarcely a day passed that they did not paddle around the bayous and sloughs of the Euphrates in their gopher-wood canoes.

"Gran'pa," Noah used to say, "the conduct of those boys causes me constant vexation. I have no time to follow them around, and I am haunted continually by the fear that they will be drowned, or that the crocodiles will get them if they don't watch out!"

But Methuselah would smiling answer: "Possess thy soul in patience and thy bowels in peace; for verily is it not written 'boys will be boys!'"

Now Shem, Ham, and Japheth were very fond of their great-grandpa, and to their credit be it said that next to paddling over the water privileges of the Euphrates they liked nothing better than to sit in the old gentleman's lap, and to hear him talk about old times. Marvellous tales he told them, too; for his career of nine and a half centuries had been well stocked with incident, as one would naturally suppose. Howbeit, the admiration which these callow youths had for Methuselah was not shared by a large majority of the people then on earth. On the contrary, we blush to admit it, Methuselah was held in very trifling esteem by his frivolous fellow-citizens, who habitually referred to him as an "old 'wayback," "a barnacle," an "old fogy," a "mossback," or a "garrulous dotard," and with singular irreverence they took delight in twitting him upon his senility and in pestering him with divers new-fangled notions altogether distasteful, not to say shocking, to a gentleman of his years.

It was perhaps, however, at the old settlers' picnics, which even then were of annual occurrence, that Methuselah most enjoyed himself; for on these occasions he was given the place of prominence and he was deferred to in everything, since he antedated all the others by at least three centuries. The historians and the antiquarians of the time found him of much assistance to them in their labors, since he was always ready to provide them with dates touching incidents of the remote period from which he had come down unscathed. He remembered vividly how, when he was 186 years of age, the Euphrates had frozen over to a depth of seven feet; the 209th winter of his existence he referred to as "the winter of the deep snow;" he remembered that when he was a boy the women had more character than the women of these later years; he had a vivid recollection of the great plague that prevailed in the city of Enoch during his fourth century; he could repeat, word for word, the address of welcome his great-great-great-great-great-grandfather Adam delivered to an excursion party that came over from the land of Nod one time when Methuselah was a mere child of eighty-seven,—oh, yes, poor old Methuselah was full of reminiscence, and having crowded an active career into the brief period of 969 years, it can be imagined that ponderous tomes would not hold the tales he told whenever he was encouraged.

One day, however, Methuselah's grandson Noah took the old gentleman aside and confided into his ear-trumpet a very solemn secret which must have grieved the old gentleman immensely, for he gnashed his gums and wrung his thin, bony hands and groaned dolorously.

"The end of all flesh is at hand," said Noah. "The earth is filled with violence through them, and God will destroy them with the earth. I will make an ark of gopher-wood, the length thereof 300 cubits, the breadth of it 50 cubits, and the height of it 30 cubits, and I will pitch it within and without with pitch. Into the ark will I come, and my sons and my wife, and my sons' wives, and certain living beasts shall come, and birds of the air, and we and they shall be saved. Come thou also, for thou art an austere man and a just."

But as Methuselah sate alone upon his couch that night he thought of his life: how sweet it had been,—how that, despite the evil now and then, there had been more of happiness than of sorrow in it. He even forgot the wickedness of the world and remembered only its good and its sunshine, its kindness and its love. He blessed God for it all, and he prayed for the death-angel to come to him ere he beheld the destruction of all he so much loved.

Then the angel came and spread his shadow about the old man.

And the angel said: "Thy prayer is heard, and God doth forgive thee the score-and-ten years of the promised span of thy life."

And Methuselah gathered up his feet into the bed, and prattling of the brooks, he fell asleep; and so he slept with his fathers.

FÉLICE AND PETIT-POULAIN

The name was singularly appropriate, for assuredly Félice was the happiest of all four-footed creatures. Her nature was gentle; she was obedient, long-suffering, kind. She had known what it was to toil and to bear burdens; sometimes she had suffered from hunger and from thirst; and before she came into the possession of Jacques she had been beaten, for Pierre, her former owner, was a hard master. But Félice was always a kind, faithful, and gentle creature; presumably that was why they named her that pretty name, Félice. She may not have been happy when Pierre owned and overworked and starved and beat her; that does not concern us now, for herein it is to tell of that time when she belonged to Jacques, and Jacques was a merciful man.

Jacques was a farmer; he lived a short distance from Cinqville, which, as you are probably aware, is a town of considerable importance upon what used to be the boundary line between France and Germany. The country round about is devoted to agriculture. You can fancy that, with its even roads, leafy woods, quiet lanes, velvety paddocks, tall hedges, and bountiful fields, this country was indeed as pleasant a home as Félice—or, for that matter, any other properly minded horse—could hope for. Toward the southern horizon there were hills that looked a grayish blue from a distance; upon these hills were vineyards, and the wine that came therefrom is very famous wine, as your uncle, if he be a club man, will very truly assure you. There was a pretty little river that curled like a silver snake through the fertile meadows, and lost its way among the hills, and there were many tiny brooks that scampered across lots and got tangled up with that pretty little river in most bewildering fashion. So, as you can imagine, this was a fair country, and you do not wonder that, with so merciful a master as Jacques, our friend Félice was happy.

But what perfected her happiness was the coming of her little colt, as cunning and as blithe a creature as ever whisked a tail or galloped on four legs. I do not know why they called him by that name, but Petit-Poulain was what they called him, and that name seemed to please Félice, for when farmer Jacques came thrice a day to the stile and cried, "Petit-Poulain, petit, petit, Petit-Poulain!" the kind old mother would look up fondly, and, with doting eyes, watch her dainty little colt go bounding toward his calling master. And he was indeed a lovely little fellow. The curé, the holy père François, predicted that in due time that colt would make a great name for himself and a great fortune for his owner. The holy père knew whereof he spake, for in his youth he had tasted of the sweets of Parisian life, and upon one memorable occasion had successfully placed ten francs upon the winner of le grand prix. We can suppose that Félice thought well of the holy père. He never came down the road that she did not thrust her nose through the hedge and give a mild whinny of recognition, as if she fain would say: "Pray stop a moment and see Petit-Poulain and his old mother!"

What happy days those were for Félice and her darling colt. With what tenderness they played together in the paddock; or, when the sky was overcast and a storm came on, with what solicitude would the old mother lead the way into the thatched stable, where there was snug protection against the threatening element. There are those who say that none but humankind is immortal,—that none but man has a soul. I do not make or believe that claim. There is that within me which tells me that no thing in this world and life of ours which has felt the grace of maternity shall utterly perish. And this I say in all reverence, and with the hope that I offend neither God nor man.

You are to know that old Félice's devotion to Petit-Poulain was human in its tenderness. As readily, as gladly, and as surely as your dear mother would lay down her life for you would old Félice have yielded up her life for her innocent, blithe darling. So old Félice was happy that pleasant time in that fair country, and Petit-Poulain waxed hale and evermore blithe and beautiful.

Happy days, too, were those for that peaceful country and the other dwellers therein. There was no thought of evil there; the seasons were propitious, the vineyards thrived, the crops were bountiful; as far as eye could see all was prosperity and contentment. But one day the holy Father François came hurrying down the road, and it was too evident that he brought evil tidings. Félice thought it very strange that he paid no heed to her when, as was her wont, she thrust her nose through the hedge and gave a mild whinny of welcome. Anon she saw that he talked long and earnestly with her master Jacques, and presently she saw that Jacques went into the cottage and came again therefrom with his wife Justine and kissed her, and then went away with Père François toward the town off yonder. Félice saw that Justine was weeping, and with never a suspicion of impending evil, she wondered why Justine should weep when all was so prosperous and bright and fair and happy about her. Félice saw and wondered, and meanwhile Petit-Poulain scampered gayly about that velvety paddock.

That night the vineyard hills, bathed in the mellow grace of moonlight, saw a sight they had never seen before. From the east an army came riding and marching on,—an army of strange, determined men, speaking a language before unheard in that fair country and threatening things of which that peaceful valley had never dreamed. You and I, of course, know that these were the Germans advancing upon France,—a nation of immortals eager to destroy the possessions and the human lives of fellow-immortals! But old Félice, hearing the din away off yonder,—the unwonted noise of cavalry and infantry advancing with murderous intent,—she did not understand it all, she did not even suspect the truth. You cannot wonder, for what should a soulless beast know of the noble, the human privilege of human slaughter? Old Félice heard that strange din, and instinct led her to coax her little colt from the pleasant paddock into that snug and secure retreat, the thatched stable, and there, in the early morning, they found her, Petit-Poulain pulling eagerly at her generous dugs.

Those who came riding up were strangers in those parts; they were ominously accoutred and they spoke words that old Félice had never heard before. Yes, as you have already guessed, they were German cavalry-men. A battle was impending, and they needed more horses.

"Old enough; but in lieu of a better, she will do." That was what they said. They approached her carefully, for they suspected that she might be vicious. Poor old Félice, she had never harmed even the flies that pestered her. "They are going to put me at the plough," she thought. "It is a long time since I did work of any kind,—nothing, in fact, since Petit-Poulain was born. Poor Petit-Poulain will miss me; but I will soon return." With these thoughts she turned her head fondly and caressed her pretty colt.

"The colt must be tied in the stall or he will follow her." So said the cavalrymen. They threw a rope about his neck and made him fast in the stable. Petit-Poulain was very much surprised, and he remonstrated vainly with his fierce little heels.

They put a halter upon old Félice. Justine, the farmer's wife, met them in the yard, and reproached them wildly in French. They laughed boisterously, and answered her in German. Then they rode away, leading old Félice, who kept turning her head and whinnying pathetically, for she was thinking of Petit-Poulain.

Of peace I know and can speak,—of peace, with its solace of love, plenty, honor, fame, happiness, and its pathetic tragedy of poverty, heartache, disappointment, tears, bereavement. Of war I know nothing, and never shall know; it is not in my heart of for my hand to break that law which God enjoined from Sinai and Christ confirmed in Galilee. I do not know of war, nor can I tell you of that battle which men with immortal souls fought one glorious day in a fertile country with vineyard hills all round about. But when night fell there was desolation everywhere and death. The Eden was a wilderness; the winding river was choked with mangled corpses; shell and shot had mowed down the acres of waving grain, the exuberant orchards, the gardens and the hedgerows; black, charred ruins, gaunt and ghostlike, marked the spots where homes had stood. The vines had been cut and torn away, and the despoiled hills seemed to crouch down like bereaved mothers under the pitiless gaze of the myriad eyes of heaven.

The victors went their way; a greater triumph was in store for them; a mighty capital was to be besieged; more homes were to be desolated,—more blood shed, more hearts broken. So the victors went their way, their hands red and their immortal souls elated.

In the early dawn a horse came galloping homeward. It is Félice, old Félice, riderless, splashed with mud, wild-eyed, sore with fatigue! Félice, Félice, what horrors hast thou not seen! If thou couldst speak, if that tongue of thine could be loosed, what would it say of those who, forgetful of their souls, sink lower than the soulless brutes! Better it is thou canst not speak; the anguish in thine eyes, the despair in thy honest heart, the fear, the awful fear in thy mother breast,—what tongue could utter them?

Adown the road she galloped,—the same road she had traversed, perhaps, a thousand times before, yet it was so changed now she hardly knew it. Twenty-four hours had ruthlessly levelled the noble trees, the hedgerows, and the fields of grain. Twenty-four hours of battle had done all this and more. In all those ghastly hours, one thought had haunted Félice; one thought alone,—the thought of Petit-Poulain! She pictured him tied in that far-away stall, wondering why she did not come. He was hungry, she knew; her dugs were full of milk and they pained her; how sweet would be her relief when her Petit-Poulain broke his long fast. Petit-Poulain, Petit-Poulain, Petit-Poulain,—this one thought and this alone had old Félice throughout those hours of battle and of horror.

Could this have been the farm-house? It was a ruin now. Shells had torn it apart. Where was the good master Jacques; had he gone with the curé to the defence of the town? And Justine,—where was she? Bullets had cut away the rose-trees and the smoke-bush; the garden was no more. The havoc, the desolation, was complete. The cote, which had surmounted the pole around which an ivy twined, had been swept away. The pigeons now circled here and there bewildered; wondering, perhaps, why Justine did not come and call to them and feed them.

To this seared, scarred spot came old Félice. He that had ridden her into battle lay with his face downward near those distant vineyard hills. His blood had stained Félice's neck; a bullet had grazed her flank, but that was a slight wound,—riderless, she turned and came from the battle-field and sought her Petit-Poulain once again.

Hard by the ruins of cottage, of garden, and of cote, she came up standing; she was steaming and breathless. She rolled her eyes wildly around,—she looked for the stable where she had left Petit-Poulain. She trembled as if an overwhelming apprehension of disaster suddenly possessed her. She gave a whinny, pathetic in its tenderness. She was calling Petit-Poulain. But there was no answer.

Petit-Poulain lay dead in the ruins of the stable. His shelter had not escaped the fury of the battle. He could not run away, for they had tied him fast when they carried his old mother off. So now he lay amid that debris, his eyes half open in death and his legs stretched out stark and stiff.

And old Félice,—her udder bursting with the maternal grace he never again should know, and her heart breaking with the agony of sudden and awful bereavement,—she staggered, as if blinded by despair, toward that vestige of her love, and bent over him and caressed her Petit-Poulain.

THE RIVER

Once upon a time a little boy came, during his play, to the bank of a river. The waters of the river were very dark and wild, and there was so black a cloud over the river that the little boy could not see the further shore. An icy wind came up from the cloud and chilled the little boy, and he trembled with cold and fear as the wind smote his cheeks and ran its slender icicle fingers through his yellow curls. An old man sat on the bank of the river; he was very, very old; his head and shoulders were covered with a black mantle; and his beard was white as snow.

"Will you come with me, little boy?" asked the old man.

"Where?" inquired the little boy.

"To yonder shore," replied the old man.

"Oh, no; not to that dark shore," said the little boy. "I should be afraid to go."

"But think of the sunlight always there," said the old man, "the birds and flowers; and remember there is no pain, nor anything of that kind to vex you."

The little boy looked and saw the dark cloud hanging over the waters, and he felt the cold wind come up from the river; moreover, the sight of the strange man terrified him. So, hearing his mother calling him, the little boy ran back to his home, leaving the old man by the river alone.

Many years after that time the little boy came again to the river; but he was not a little boy now,—he was a big, strong man.

"The river is the same," said he; "the wind is the same cold, cutting wind of ice, and the same black cloud obscures yonder shore. I wonder where the strange old man can be."

"I am he," said a solemn voice.

The man turned and looked on him who spoke, and he saw a warrior clad in black armor and wielding an iron sword.

"No, you are not he!" cried the man. "You are a warrior come to do me harm."

"I am indeed a warrior," said the other. "Come with me across the river."

"No," replied the man, "I will not go with you. Hark, I hear the voices of my wife and children calling to me,—I will return to them!"

The warrior strove to hold him fast and bear him across the river to the yonder shore, but the man prevailed against him and returned to his wife and little ones, and the warrior was left upon the river-bank.

Then many years went by and the strong man became old and feeble. He found no pleasure in the world, for he was weary of living. His wife and children were dead, and the old man was alone. So one day in those years he came to the bank of the river for the third time, and he saw that the waters had become quiet and that the wind which came up from the river was warm and gentle and smelled of flowers; there was no dark cloud overhanging the yonder shore, but in its place was a golden mist through which the old man could see people walking on the yonder shore and stretching out their hands to him, and he could hear them calling him by name. Then he knew they were the voices of his dear ones.

"I am weary and lonesome," cried the old man. "All have gone before me: father, mother, wife, children,—all whom I have loved. I see them and hear them on yonder shore, but who will bear me to them?"

Then a spirit came in answer to this cry. But the spirit was not a strange old man nor yet an armored warrior; but as he came to the river's bank that day he was a gentle angel, clad in white; his face was very beautiful, and there was divine tenderness in his eyes.

"Rest thy head upon my bosom," said the angel, "and I will bear thee across the river to those who call thee."

So, with the sweet peace of a little child sinking to his slumbers, the old man drooped in the arms of the angel and was borne across the river to those who stood upon the yonder shore and called.

FRANZ ABT

Many years ago a young composer was sitting in a garden. All around bloomed beautiful roses, and through the gentle evening air the swallows flitted, twittering cheerily. The young composer neither saw the roses nor heard the evening music of the swallows; his heart was full of sadness and his eyes were bent wearily upon the earth before him.

"Why," said the young composer, with a sigh, "should I be doomed to all this bitter disappointment? Learning seems vain, patience is mocked,—fame is as far from me as ever."

The roses heard his complaint. They bent closer to him and whispered, "Listen to us,—listen to us." And the swallows heard him, too, and they flitted nearer him; and they, too, twittered, "Listen to us,—listen to us." But the young composer was in no mood to be beguiled by the whisperings of the roses and the twitterings of the birds; with a heavy heart and sighing bitterly he arose and went his way.

It came to pass that many times after that the young composer came at evening and sat in the garden where the roses bloomed and the swallows twittered; his heart was always full of disappointment, and often he cried out in anguish against the cruelty of fame that it came not to him. And each time the roses bent closer to him, and the swallows flew lower, and there in the garden the sweet flowers and little birds cried, "Listen to us,—listen to us, and we will help you."

And one evening the young composer, hearing their gentle pleadings, smiled sadly, and said: "Yes, I will listen to you. What have you to say, pretty roses?"

"Make your songs of us," whispered the roses,—"make your songs of us."

"Ha, ha!" laughed the composer. "A song of the roses would be very strange, indeed! No, sweet flowers,—it is fame I seek, and fame would scorn even the beauty of your blushes and the subtlety of your perfumes."

"You are wrong," twittered the swallows, flying lower. "You are wrong, foolish man. Make a song for the heart,—make a song of the swallows and the roses, and it will be sung forever, and your fame shall never die."

But the composer laughed louder than before; surely there never had been a stranger suggestion than that of the roses and the swallows! Still, in his chamber that night the composer thought of what the swallows had said, and in his dreams he seemed to hear the soft tones of the roses pleading with him. Yes, many times thereafter the composer recalled what the birds and flowers had said, but he never would ask them as he sat in the garden at evening how he could make the heart-song of which they chattered. And the summer sped swiftly by, and one evening when the composer came into the garden the roses were dead, and their leaves lay scattered on the ground. There were no swallows fluttering in the sky, and the nests under the eaves were deserted. Then the composer knew his little friends were beyond recall, and he was oppressed by a feeling of loneliness. The roses and the swallows had grown to be a solace to the composer, had stolen into his heart all unawares,—now that they were gone, he was filled with sadness.

"I will do as they counselled," said he; "I will make a song of them,—a song of the swallows and the roses. I will forget my greed for fame while I write in memory of my little friends."

Then the composer made a song of the swallows and the roses, and, while he wrote, it seemed to him that he could hear the twittering of the little birds all around him, and scent the fragrance of the flowers, and his soul was warmed with a warmth he had never felt before, and his tears fell upon his manuscript.

When the world heard the song which the composer had made of the swallows and the roses, it did homage to his genius. Such sentiment, such delicacy, such simplicity, such melody, such heart, such soul,—ah, there was no word of rapturous praise too good for the composer now: fame, the sweetest and most enduring kind of fame, had come to him.

And the swallows and the roses had done it all. Their subtle influences had filled the composer's soul with a great inspiration,—by means like this God loves to speak to the human heart.

"We told you so," whispered the roses when they came again in the spring. "We told you that if you sang of us the world would love your song."

Then the swallows, flying back from the south, twittered: "We told you so; sing the songs the heart loves, and you shall live forever."

"Ah, dear ones," said the composer, softly; "you spoke the truth. He who seeks a fame that is immortal has only to reach and abide in the human heart."

The lesson he learned of the swallows and the roses he never forgot. It was the inspiration and motive of a long and beautiful life. He left for others that which some called a loftier ambition. He was content to sit among the flowers and hear the twitter of birds and make songs that found an echo in all breasts. Ah, there was such a beautiful simplicity,—such a sweet wisdom in his life! And where'er the swallows flew, and where'er the roses bloomed, he was famed and revered and beloved, and his songs were sung.

Then his hair grew white at last, and his eyes were dim and his steps were slow. A mortal illness came upon him, and he knew that death was nigh.

"The winter has been long," said he, wearily. "Open the window and raise me up that I may see the garden, for it must be that spring is come."

It was indeed spring, but the roses had not yet bloomed. The swallows were chattering in their nests under the eaves or flitting in the mild, warm sky.

"Hear them," he said faintly. "How sweetly they sing. But alas! where are the roses?"

Where are the roses? Heaped over thee, dear singing heart; blooming on thy quiet grave in the Fatherland, and clustered and entwined all in and about thy memory, which with thy songs shall go down from heart to heart to immortality.

MISTRESS MERCILESS

This is to tell of our little Mistress Merciless, who for a season abided with us, but is now and forever gone from us unto the far-off land of Ever-Plaisance. The tale is soon told; for it were not seemly to speak all the things that are in one's heart when one hath to say of a much-beloved child, whose life here hath been shortened so that, in God's wisdom and kindness, her life shall be longer in that garden that bloometh far away.

You shall know that all did call her Mistress Merciless; but her mercilessness was of a sweet, persuasive kind: for with the beauty of her face and the music of her voice and the exceeding sweetness of her virtues was she wont to slay all hearts; and this she did unwittingly, for she was a little child. And so it was in love that we did call her Mistress Merciless, just as it was in love that she did lord it over all our hearts.

Upon a time walked she in a full fair garden, and there went with her an handmaiden that we did call in merry wise the Queen of Sheba; for this handmaiden was in sooth no queen at all, but a sorry and ill-favored wench; but she was assotted upon our little Mistress Merciless and served her diligently, and for that good reason was vastly beholden of us all. Yet, in a jest, we called her the Queen of Sheba; and I make a venture that she looked exceeding fair in the eyes of our little Mistress Merciless: for the eyes of children look not upon the faces but into the hearts and souls of others. Whilst these two walked in the full fair garden at that time they came presently unto an arbor wherein there was a rustic seat, which was called the Siege of Restfulness; and hereupon sate a little sick boy that, from his birth, had been lame, so that he could not play and make merry with other children, but was wont to come every day into this full fair garden and content himself with the companionship of the flowers. And, though he was a little lame boy, he never trod upon those flowers; and even had he done so, methinks the pressure of those crippled feet had been a caress, for the little lame boy was filled with the spirit of love and tenderness. As the tiniest, whitest, shrinking flower exhaleth the most precious perfume, so in and from this little lame boy's life there came a grace that was hallowing in its beauty.

Since they never before had seen him, they asked him his name; and he answered them that of those at home he was called Master Sweetheart, a name he could not understand: for surely, being a cripple, he must be a very sorry sweetheart; yet, that he was a sweetheart unto his mother at least he had no doubt, for she did love to hold him in her lap and call him by that name; and many times when she did so he saw that tears were in her eyes,—a proof, she told him when he asked, that Master Sweetheart was her sweetheart before all others upon earth.

It befell that our little Mistress Merciless and Master Sweetheart became fast friends, and the Queen of Sheba was handmaiden to them both; for the simple, loyal creature had not a mind above the artless prattle of childhood, and the strange allegory of the lame boy's speech filled her with awe, even as the innocent lisping of our little Mistress Merciless delighted her heart and came within the comprehension of her limited understanding. So each day, when it was fair, these three came into the full fair garden, and rambled there together; and when they were weary they entered into the arbor and sate together upon the Siege of Restfulness. Wit ye well there was not a flower or a tree or a shrub or a bird in all that full fair garden which they did not know and love, and in very sooth every flower and tree and shrub and bird therein did know and love them.

When they entered into the arbor, and sate together upon the Siege of Restfulness, it was Master Sweetheart's wont to tell them of the land of Ever-Plaisance, for it was a conceit of his that he journeyed each day nearer and nearer to that land, and that his journey thitherward was nearly done. How came he to know of that land I cannot say, for I do not know; but I am fain to believe that, as he said, the exceeding fair angels told him thereof when by night, as he lay sleeping, they came singing and with caresses to his bedside.

I speak now of a holy thing, therefore I speak truth when I say that while little children lie sleeping in their beds at night it pleaseth God to send His exceeding fair angels with singing and caresses to bear messages of His love unto those little sleeping children. And I have seen those exceeding fair angels bend with folded wings over the little cradles and the little beds, and kiss those little sleeping children and whisper God's messages of love to them, and I knew that those messages were full of sweet tidings; for, even though they slept, the little children smiled. This have I seen, and there is none who loveth little children that will deny the truth of this thing which I have now solemnly declared.

Of that land of Ever-Plaisance was our little Mistress Merciless ever fain to hear tell. But when she beset the rest of us to speak thereof we knew not what to say other than to confirm such reports as Master Sweetheart had already made. For when it cometh to knowing of that far-off land,—ah me, who knoweth more than the veriest little child? And oftentimes within the bosom of a little, helpless, fading one there bloometh a wisdom which sages cannot comprehend. So when she asked us we were wont to bid her go to Master Sweetheart, for he knew the truth and spake it.

It is now to tell of an adventure which on a time befell in that full fair garden of which you have heard me speak. In this garden lived many birds of surpassing beauty and most rapturous song, and among them was one that they called Joyous, for that he did ever carol forth so joyously, it mattered not what the day soever might be. This bird Joyous had his home in the top of an exceeding high tree, hard by the pleasant arbor, and here did he use to sit at such times as the little people came into that arbor, and then would he sing to them such songs as befitted that quiet spot, and them that came thereto. But there was a full evil cat that dwelt near by, and this cruel beast found no pleasure in the music that Joyous did make continually; nay, that music filled this full evil cat with a wicked thirst for the blood of that singing innocent, and she had no peace for the malice that was within her seeking to devise a means whereby she might comprehend the bird Joyous to her murderous intent. Now you must know that it was the wont of our little Mistress Merciless and of Master Sweetheart to feed the birds in that fair garden with such crumbs as they were suffered to bring with them into the arbor, and at such times would those birds fly down with grateful twitterings and eat of those crumbs upon the greensward round about the arbor. Wit ye well, it was a merry sight to see those twittering birds making feast upon the good things which those children brought, and our little Mistress Merciless and little Master Sweetheart had sweet satisfaction therein. But, on a day, whilst thus those twittering birds made great feasting, lo! on a sudden did that full evil cat whereof I have spoken steal softly from a thicket, and with one hideous bound make her way into the very midst of those birds and seize upon that bird Joyous, that was wont to sing so merrily from the tree hard by the arbor. Oh, there was a mighty din and a fearful fluttering, and the rest flew swiftly away, but Joyous could not do so, because the full evil cat held him in her cruel fangs and claws. And I make no doubt that Joyous would speedily have met his death, but that with a wrathful cry did our little Mistress Merciless hasten to his rescue. And our little Mistress belabored that full evil cat with Master Sweetheart's crutch, until that cruel beast let loose her hold upon the fluttering bird and was full glad to escape with her aching bones into the thicket again. So it was that Joyous was recovered from death; but even then might it have fared ill with him, had they not taken him up and dressed his wounds and cared for him until duly he was well again. And then they released him to do his plaisance, and he returned to his home in the tree hard by the arbor and there he sung unto those children more sweetly than ever before; for his heart was full of gratitude to our little Mistress Merciless and Master Sweetheart.

Now, of the dolls that she had in goodly number, that one which was named Beautiful did our little Mistress Merciless love best. Know well that the doll Beautiful had come not from oversea, and was neither of wax nor of china; but she was right ingeniously constructed of a bed-key that was made of wood, and unto the top of this bed-key had the Queen of Sheba superadded a head with a fair face, and upon the body and the arms of the key had she hung passing noble raiment. Unto this doll Beautiful was our little Mistress Merciless vastly beholden, and she did use to have the doll Beautiful lie by her side at night whilst she slept, and whithersoever during the day she went, there also would she take the doll Beautiful, too. Much sorrow and lamentation, therefore, made our little Mistress Merciless when on an evil day the doll Beautiful by chance fell into the fish-pond, and was not rescued therefrom until one of her beauteous eyes had been devoured of the envious water; so that ever thereafter the doll Beautiful had but one eye, and that, forsooth, was grievously faded. And on another evil day came a monster ribald dog pup and seized upon the doll Beautiful whilst she reposed in the arbor, and bore her away, and romped boisterously with her upon the sward, and tore off her black-thread hair, and sought to destroy her wholly, which surely he would have done but for the Queen of Sheba, who made haste to rescue the doll Beautiful, and chastise that monster ribald dog pup.

Therefore, as you can understand, the time was right busily spent. The full fair garden, with its flowers and the singing birds and the gracious arbor and the Siege of Restfulness, found favor with those children, and amid these joyous scenes did Master Sweetheart have to tell each day of that far-off land of Ever-Plaisance, whither he said he was going. And one day, when the sun shone very bright, and the full fair garden joyed in the music of those birds, Master Sweetheart did not come, and they missed the little lame boy and wondered where he was. And as he never came again they thought at last that of a surety he had departed into that country whereof he loved to tell. Which thing filled our little Mistress Merciless with wonder and inquiry; and I think she was lonely ever after that,—lonely for Master Sweetheart.

I am thinking now of her and of him; for this is the Christmas season,—the time when it is most meet to think of the children and other sweet and holy things. There is snow everywhere, snow and cold. The garden is desolate and voiceless: the flowers are gone, the trees are ghosts, the birds have departed. It is winter out there, and it is winter, too, in this heart of mine. Yet in this Christmas season I think of them, and it pleaseth me—God forbid that I offend with much speaking—it pleaseth me to tell of the little things they did and loved. And you shall understand it all if, perchance, this sacred Christmas time a little Mistress Merciless of your own, or a little Master Sweetheart, clingeth to your knee and sanctifieth your hearthstone.

When of an evening all the joy of day was done, would our little Mistress Merciless fall aweary; and then her eyelids would grow exceeding heavy and her little tired hands were fain to fold. At such a time it was my wont to beguile her weariness with little tales of faery, or with the gentle play that sleepy children like. Much was her fancy taken with what I told her of the train that every night whirleth away to Shut-Eye Town, bearing unto that beauteous country sleepy little girls and boys. Nor would she be content until I told her thereof,—yes, every night whilst I robed her in her cap and gown would she demand of me that tale of Shut-Eye Town, and the wonderful train that was to bear her thither. Then would I say in this wise:—

At Bedtime-ville there is a train of cars that waiteth for you, my sweet,—for you and for other little ones that would go to quiet, slumbrous Shut-Eye Town.

But make no haste; there is room for all. Each hath a tiny car that is snug and warm, and when the train starteth each car swingeth soothingly this way and that way, this way and that way, through all the journey of the night.

Your little gown is white and soft; your little cap will hold those pretty curls so fast that they cannot get away. Here is a curl that peepeth out to see what is going to happen. Hush, little curl! make no noise; we will let you peep out at the wonderful sights, but you must not tell the others about it; let them sleep, snuggled close together.

The locomotive is ready to start. Can you not hear it?

"Shug-chug! Shug-chug! Shug-chug!" That is what the locomotive is saying, all to itself. It knoweth how pleasant a journey it is about to make.

"Shug-chug! Shug-chug! Shug-chug!"

Oh, many a time hath it proudly swept over prairie and hill, over river and plain, through sleeping gardens and drowsy cities, swiftly and quietly, bearing the little ones to the far, pleasant valley where lieth Shut-Eye Town.

"Shug-chug! Shug-chug! Shug-chug!"

So sayeth the locomotive to itself at the station in Bedtime-ville; for it knoweth how fair and far a journey is before it.

Then a bell soundeth. Surely my little one heareth the bell!

"Ting-long! Ting-a-long! Ting-long!"

So soundeth the bell, and it seemeth to invite you to sleep and dreams.

"Ting-long! Ting-a-long! Ting-long!"

How sweetly ringeth and calleth that bell.

"To sleep—to dreams, O little lambs!" it seemeth to call. "Nestle down close, fold your hands, and shut your dear eyes! We are off and away to Shut-Eye Town! Ting-long! Ting-a-long! Ting-long! To sleep—to dreams, O little cosset lambs!"

And now the conductor calleth out in turn. "All aboard!" he calleth, "All aboard for Shut-Eye Town!" he calleth in a kindly tone.

But, hark ye, dear-my-soul, make thou no haste; there is room for all. Here is a cosey little car for you. How like your cradle it is, for it is snug and warm, and it rocketh this way and that way, this way and that way, all night long, and its pillows caress you tenderly. So step into the pretty nest, and in it speed to Shut-Eye Town.

"Toot! Toot!"

That is the whistle. It soundeth twice, but it must sound again before the train can start. Now you have nestled down, and your dear hands are folded; let your two eyes be folded, too, my sweet; for in a moment you shall be rocked away, and away, away into the golden mists of Balow!

"Ting-long! Ting-a-long! Ting-long!"

"All aboard!"

"Toot! Toot! Toot!"

And so my little golden apple is off and away for Shut-Eye Town!

Slowly moveth the train, yet faster by degrees. Your hands are folded, my beloved, and your dear eyes they are closed; and yet you see the beauteous sights that skirt the journey through the mists of Balow. And it is rockaway, rockaway, rockaway, that your speeding cradle goes,—rockaway, rockaway, rockaway, through the golden glories that lie in the path that leadeth to Shut-Eye Town.

"Toot! Toot!"

So crieth the whistle, and it is "down-brakes," for here we are at Ginkville, and every little one knoweth that pleasant waking-place, where mother with her gentle hands holdeth the gracious cup to her sleepy darling's lips.

"Ting-long! Ting-a-long! Ting-long!" and off is the train again. And swifter and swifter it speedeth,—oh, I am sure no other train speedeth half so swiftly! The sights my dear one sees! I cannot tell of them—one must see those beauteous sights to know how wonderful they are!

"Shug-chug! Shug-chug! Shug-chug!"

On and on and on the locomotive proudly whirleth the train.

"Ting-long! Ting-a-long! Ting-long!"

The bell calleth anon, but fainter and evermore fainter; and fainter and fainter groweth that other calling—"Toot! Toot! Toot!"—till finally I know that in that Shut-Eye Town afar my dear one dreameth the dreams of Balow.

This was the bedtime tale which I was wont to tell our little Mistress Merciless, and at its end I looked upon her face to see it calm and beautiful in sleep.

Then was I wont to kneel beside her little bed and fold my two hands,—thus,—and let my heart call to the host invisible: "O guardian angels of this little child, hold her in thy keeping from all the perils of darkness and the night! O sovereign Shepherd, cherish Thy little lamb and mine, and, Holy Mother, fold her to thy bosom and thy love! But give her back to me,—when morning cometh, restore ye unto me my little one!"

But once she came not back. She had spoken much of Master Sweetheart and of that land of Ever-Plaisance whither he had gone. And she was not afeared to make the journey alone; so once upon a time when our little Mistress Merciless bade us good-by, and went away forever, we knew that it were better so; for she was lonely here, and without her that far-distant country whither she journeyed were not content. Though our hearts were like to break for love of her, we knew that it were better so.

The tale is told, for it were not seemly to speak all the things that are in one's heart when one hath to say of a much-beloved child whose life here hath been shortened so that, in God's wisdom and kindness, her life shall be longer in that garden that bloometh far away.

About me are scattered the toys she loved, and the doll Beautiful hath come down all battered and grim,—yet, oh! so very precious to me, from those distant years; yonder fareth the Queen of Sheba in her service as handmaiden unto me and mine,—gaunt and doleful-eyed, yet stanch and sturdy as of old. The garden lieth under the Christmas snow,—the garden where ghosts of trees wave their arms and moan over the graves of flowers; the once gracious arbor is crippled now with the infirmities of age, the Siege of Restfulness fast sinketh into decay, and long, oh! long ago did that bird Joyous carol forth his last sweet song in the garden that was once so passing fair.

And amid it all,—this heartache and the loneliness which the years have brought,—cometh my Christmas gift to-day: the solace of a vision of that country whither she—our little Mistress Merciless—hath gone; a glimpse of that far-off land of Ever-Plaisance.

THE PLATONIC BASSOON

All who knew the beautiful and accomplished Aurora wondered why she did not marry. She had now reached the mature age of twenty-five years, and was in full possession of those charms which are estimated by all men as the choicest gifts a woman can possess. You must know that Aurora had a queenly person, delightful manners, an extensive education, and an amiable disposition; and, being the only child of wealthy parents, she should not have lacked the one thing that seemed necessary to perfect and round out her usefulness as a member of society.

The truth was, Aurora did not fancy the male sex. She regarded men as conveniences that might come handy at times when an escort to the theatre was required, or when a partner in a dance was demanded, when a fan was to be picked up, or when an errand was to be run; but the idea of marrying any man was as distasteful to Aurora as the proposition to marry a hat-rack or any other piece of household furniture would have been.

The secret of this strange aversion might have been traced to Aurora's maiden aunt Eliza, who had directed Aurora's education, and had from her niece's early youth instilled into Aurora's mind very distinct notions touching the masculine sex.

Aurora had numerous admirers among the young gentlemen who moved in the same elevated social circle as herself and frequently called at her father's house. Any one of them would gladly have made her his wife, and many of them had expressed a tender yearning for her life companionship. But Aurora was quick to recognize in each suitor some objectionable trait or habit or feature which her aunt Eliza had told about, and which imperatively prohibited a continuance of the young gentleman's attentions.

Aurora's father could not understand why his daughter was so hypercritical and fastidious in a matter which others of her sex were so apt to accept with charitable eyes. "They are bright, honest fellows," he urged, "worthy of any girl's love. Receive their advances kindly, my child, and having chosen one among them, you will be the happier for it."

"Never mind, Aurora," said Aunt Eliza. "Men are all alike. They show their meanness in different ways, but the same spirit of evil is in 'em all. I have lived in this world forty-six years, and during that time I have found men to be the most unfeeling and most untrustworthy of brutes."

So it was that at the age of twenty-five Aurora was found beautiful, amiable, and accomplished, but thoroughly and hopelessly a man-hater. And it was about this time that she became involved in that unhappy affair which even to this day is talked of by those who knew her then.

On the evening of a certain day Aurora attended the opera with her father and mother and Morgan Magnus, the young banker. Their box at the opera was so close to the orchestra that by reaching out her hand Aurora could have touched several of the instruments. Now it happened that a bassoon was the instrument nearest the box in which Aurora sat, and it was natural therefore that the bassoon attracted more of Aurora's attention than any other instrument in the orchestra. If you have never beheld or heard a bassoon you are to understand that it is an instrument of wood, of considerable more length than breadth, provided with numerous stops and keys, and capable of producing an infinite variety of tones, ranging from the depth of lugubriousness to the highest pitch of vivacity. This particular bassoon was of an appearance that bordered upon the somber, the polished white of his keys emphasizing the solemn black of his long, willowy body. And, as he loomed up above the serene bald head of the musician that played him, Aurora thought she had never seen a more distingué object.

The opera was "Il Trovatore," a work well calculated to call in play all that peculiar pathos of which the bassoon is capable. When Aurora saw the player raise the bassoon and apply the tiny tube thereunto appertaining to his lips, and heard him evoke from the innermost recesses of the bassoon tones that were fairly reeking with tears and redolent of melancholy, she felt a curious sentiment of pity awakened in her bosom.

Aurora had seen many an agonized swain at her feet, and had heard his impassioned pleadings for mercy; she had perused many a love missive wherein her pity was eloquently implored, but never had she experienced the tender, melting sentiment that percolated through her breast when she heard the bassoon mingling his melancholy tones with Manrico's plaints. The tears welled up into Aurora's eyes, her bosom heaved convulsively, and the most subtile emotions thrilled her soul.

In vain did young Magnus, the banker, seek to learn the cause of her agitation, and it seemed like a cruel mockery when Aurora's mother said: "You must remember, dear, that it is not real; it is only a play." After this memorable evening, wherein an unexpected and indescribable sweetness had crept into the young woman's life, Aurora more frequently insisted upon going to the opera. A strange fascination attracted her thither, and on each succeeding evening she found some new beauty in the bassoon, some new phase in his kaleidoscopic character to wonder at, some new accomplishment to admire. On one occasion—it was at the opera bouffe—this musical prodigy exhibited a playfulness and an exuberance of wit and humor that Aurora had never dreamed of. He ran the gamut of vocal conceit, and the polyglot fertility of his fancy simply astounded his rapt auditor. She was dazed, enchanted, spellbound. So here we find the fair Aurora passing from the condition of pity into the estate of admiration.

And now, having first conceived a wondrous pity for the bassoon, and then having become imbued with an admiration of his wit, sarcasm, badinage, repartee, and humor, it followed naturally and logically that Aurora should fall desperately in love with him; for pity and admiration are but the forerunners of the grand passion.

"Aunt Eliza," said Aurora one day, "you have instilled into my sensitive nature an indelible aversion to men, compared with which all such deleble passions as affection and love are as inconsequential as summer zephyrs. I believe men to be by nature and practice gross, vulgar, sensual, and unworthy; and from this opinion I feel that I shall never recede. Yet such a clinging and fragile thing is woman's heart that it must needs have some object about which it may twine, even as the gentle ivy twines about the oak. Now, as you know, some women there are who, convinced of the utter worthlessness of the opposite sex, dedicate their lives to the adoration of some art or science, lavishing thereupon that love which women less prudent squander upon base men and ungrateful children; in the painting of pictures, devotion to the drama, the cultivation of music, pursuit of trade, or the exclusive attention to a profession, some women find the highest pleasure. But you and I, dear aunt, who are directed by even higher and purer motives than these women, scorn the pursuits of the arts and sciences, the professions and trades, and lay our hearts as willing sacrifices upon the altars of a tabby cat and a bassoon. What could be purer or more exalted than a love of that kind?"

Having uttered this eloquent preface, which was, indeed, characteristic of the fair creature, Aurora told Aunt Eliza of the bassoon, and as she spoke of his versatile accomplishments and admirable qualities her eyes glowed with an unwonted animation, and a carmine hue suffused her beautiful cheeks. It was plain that Aurora was deeply in love, and Aunt Eliza was overjoyed.

"It is gratifying," said Aunt Eliza, "to find that my teachings promise such happy results, that the seeds I have so carefully sown already show signs of a glorious fruition. Now, while it is true that I cannot conceive of a happier love than that which exists between my own dear tabby cat and myself, it is also true that I recognize your bassoon as an object so much worthier of adoration than mankind in general, and your male acquaintances in particular, that I most heartily felicitate you upon the idol you have chosen for your worship. Bassoons do not smoke, nor chew tobacco, nor swear, nor bet on horse-races, nor play billiards, nor do any of those horrid things which constitute the larger part of a man's ambitions and pursuits. You have acted wisely, my dear, and heaven grant you may be as happy in his love as I am in tabby's."

"I feel that I shall be," murmured Aurora; "already my bassoon is very precious to me."

With the dawn of this first passion a new motive seemed to come into Aurora's life—a gentle melancholy, a subdued sentiment whose accompaniments were sighings and day-dreamings and solitary tears and swoonings.

Quite naturally Aurora sought Aunt Eliza's society more than ever now, and her conversation and thoughts were always on the bassoon. It was very beautiful.

But late one night Aurora burst into Aunt Eliza's room and threw herself upon Aunt Eliza's bed, sobbing bitterly. Aunt Eliza was inexpressibly shocked, and under a sudden impulse of horror the tabby sprang to her feet, arched her back, bristled her tail, and uttered monosyllables of astonishment.

"Why, Aurora, what ails you?" inquired Aunt Eliza, kindly.

"Oh, auntie, my heart is broken, I know it is," wailed Aurora.

"Come, come, my child," said Aunt Eliza, soothingly, "don't take on so. Tell auntie what ails you."

"He was harsh and cruel to me to-night, and oh! I loved him so!" moaned Aurora.

"A lovers' quarrel, eh?" thought Aunt Eliza; and she got up, slipped her wrapper on, and brewed Aurora a big bowl of boneset tea. Oh, how nice and bitter and fragrant it was, and how Aunt Eliza's nostrils sniffed, and how her eyes sparkled as she sipped the grateful beverage.

"There, drink that, my dear," said Aunt Eliza, "and then tell me all about it."

Aurora quaffed the bowl of boneset tea, and the wholesome draught seemed to give her fortitude, for now she told Aunt Eliza the whole story. It seems that Aurora had been to the opera as usual, not for the purpose of hearing and seeing the performance, but simply for the sake of being where the beloved bassoon was. The opera was Wagner's "Die Walküre," and the part played by the bassoon in the orchestration was one of conspicuous importance. Fully appreciating his importance, the bassoon conducted himself with brutal arrogance and superciliousness on this occasion. His whole nature seemed changed; his tones were harsh and discordant, and with malevolent obstinacy he led all the other instruments in the orchestra through a seemingly endless series of musical pyrotechnics. There never was a more remarkable exhibition of stubbornness. When the violins and the 'cellos, the hautboys and the flutes, the cornets and the trombones, said "Come, let us work together in G minor," or "Let us do this passage in B flat," the bassoon would lead off with a wild shriek in D sharp or some other foreign key, and maintain it so lustily that the other instruments—e. g., the violins, the 'cellos, the hautboys, and all—were compelled to back, switch, and wheel into the bassoon's lead as best they could.

But no sooner had they come into harmony than the bassoon—oh, melancholy perversity of that instrument—would strike off into another key with a ribald snicker or coarse guffaw, causing more turbulence and another stampede. And this preposterous condition of affairs was kept up the whole evening, the bassoon seeming to take a fiendish delight in his riotous, brutal conduct.

At first Aurora was mortified; then her mortification deepened into chagrin. In the hope of touching his heart she bestowed upon him a look of such tender supplication that, had he not been the most callous creature in the world, he must have melted under it. To his eternal shame, let it be said, the bassoon remained as impervious to her beseeching glances as if he had been a sphinx or a rhinoceros. In fact, Aurora's supplicating eyes seemed to instigate him to further and greater madness, for after that he became still more riotous, and at many times during the evening the crisis in the orchestra threatened anarchy and general disintegration.