Note 622 — APPENDICES.

In the Dialogues of the Gods (xi.), the Moon says in answer to Venus, that Endymion is particularly beautiful “when he sleeps, having thrown his scarf under him upon the rock, holding in his left hand the darts just falling from it, whilst his right hand bent upwards lies gracefully round his face, and, dissolved in sleep, he exhales his ambrosial breath.”

The recumbent statue, here represented, is of white marble, and is placed in room XI. of the Townley Gallery. It was found in 1774 at Roma Vecchia (Dallaway’s Anecdotes of the Arts, p. 303). It has been called Mercury or Adonis. But there are no examples or authorities in support of either of these suppositions. It is not sufficient to say that every beautiful youth may have been meant either for Mercury, who was never represented asleep, or for Adonis. We know that the fable of Endymion and the Moon was a favorite subject with the ancient artists. In the Antichita d’Ercolano, tom. iii. tav. 3, we find a picture, which was discovered at Portica, and which represents this subject. It is still more frequent in ancient bas-reliefs. See Mus. Pio-Clem. tom. iv. v. 8, pp. 38, 41; Sandrart, Sculp. Vet. Adm. p. 52; Gronovii Thesaur. tom. i. folio O; Proceedings of the Philological Society, vol. i. pp. 8, 9.