the HISTORY OF PAINTING in ITALY. the HISTORY OF PAINTING in ITALY,
Thomas Roscoe translation
from the period of the revival of THE FINE ARTS to the end of the eighteenth century:
translated From the Original Italian of the ABATE LUIGI LANZI.
By THOMAS ROSCOE.
IN SIX VOLUMES.
VOL. V. CONTAINING THE SCHOOLS OF BOLOGNA, FERRARA, GENOA, AND PIEDMONT.
LONDON: printed for W. SIMPKIN AND R. MARSHALL, stationers'-hall court, ludgate street.
1828.
J. M'Creery, Tooks Court, Chancery Lane, London.
CONTENTS
of
THE FIFTH VOLUME.
HISTORY OF PAINTING IN UPPER ITALY.
BOOK THE THIRD.
BOLOGNESE SCHOOL.
Page
Epoch I. The ancient masters 6
Epoch II. Various styles, from the time of Francia to that of the Caracci 50
Epoch III. The Caracci, their scholars and their successors, until the time of Cignani 96
Epoch IV. Pasinelli, and in particular Cignani, cause a change in the style of Bolognese painting. The Clementine academy and its members 217
BOOK THE FOURTH.
SCHOOL OF FERRARA.
Epoch I. The ancient masters 281
Epoch II. Artists of Ferrara, from the time of Alfonso I. till Alfonso II., last of the Este family in Ferrara, who emulate the best Italian styles 301
Epoch III. The artists of Ferrara borrow different styles from the Bolognese school—Decline of the art, and an academy instituted in its support 328
BOOK THE FIFTH.
Epoch I. The ancient masters 359
Epoch II. Perino and his followers 369
Epoch III. The art relapses for some time, and is re-invigorated by the works of Paggi and some foreigners 392
Epoch IV. The Roman and Parmesan succeed to the native style—Establishment of an academy 424
BOOK THE SIXTH.
HISTORY OF PAINTING IN PIEDMONT AND THE ADJACENT TERRITORY.
Epoch I. Dawn and progress of the art until the sixteenth century 447
Epoch II. Painters of the seventeenth century, and first establishment of the academy 466
Epoch III. School of Beaumont, and restoration of the academy 483