Part 9 — CHAPTER III. THE HEROIC AGE (continued 2)

Considering the deficiency of iron, the Grecian troops appear to have been very well armed both for offence and defence. Their defensive armour consisted of a helmet, a breastplate, and greaves, all of brass, and a shield, commonly of bull’s hide, but often strengthened with brass. The breastplate appears to have met the belt, which was a considerable defence to the belly and groin, and with an appendant skirt guarded also the thighs. All together covered the forepart of the soldier from the throat to the ankle; and the shield was a superadded protection for every part. The bulk of the Grecian troops were infantry thus heavily armed, and formed in close order many ranks deep. Any body formed in ranks and files, close and deep, without regard to a specific number of either ranks or files, was generally termed a phalanx. But the Locrians, under Oïlean Ajax, were all light-armed: bows were their principal weapons; and they never engaged in close fight.

Riding on horseback was yet little practised, though it appears to have been not unknown. Some centuries, however, passed before it was generally applied in Greece to military purposes; the mountainous ruggedness of the country preventing any extensive use of cavalry, except among the Thessalians, whose territory was a large plain. But in the Homeric armies no chief was without his chariot, drawn generally by two, sometimes by three horses; and these chariots of war make a principal figure in Homer’s battles. Nestor, forming the army for action, composes the first line of chariots only. In the second he places that part of the infantry in which he has least confidence; and then forms a third line, or reserve, of the most approved troops. It seems extraordinary that chariots should have been so extensively used in war as we find they were in the early ages. In the wide plains of Asia, indeed, we may account for their introduction, as we may give them credit for utility: but how they should become so general among the inhabitants of rocky, mountainous Greece, how the distant Britons should arrive at that surprising perfection in the use of them which they possessed when the Roman legions first invaded this island, especially as the same mode of fighting was little if at all practised among the Gauls and Germans, is less obvious to conjecture.

The combat of the chiefs, so repeatedly described by Homer, advancing to engage singly in front of their line of battle, is apt to strike a modern reader with an appearance of absurdity perhaps much beyond the reality. Before the use of fire-arms, that practice was not uncommon when the art of war was at its greatest perfection. In Cæsar’s Commentaries we have a very particular account of an advanced combat, in which, not generals indeed, but two centurions of his army engaged. The Grecian chiefs of the heroic age, like the knights of the times of chivalry, had armour apparently very superior to that of the common soldiers; which, with the skill acquired by assiduous practice amid unbounded leisure, might enable them to obviate much of the seeming danger of such skirmishes. Nor might the effect be unimportant. Like the sharp-shooters of modern days, a few men of superior strength, activity, and skill, superior also by the excellence of their defensive armour, might prepare a victory by creating disorder in the close array of the enemy’s phalanx. They threw their weighty javelins from a distance, while none dared advance to meet them but chiefs equally well-armed with themselves: and from the soldiers in the ranks they had little to fear; because, in that close order, the dart could not be thrown with any advantage. Occasionally, indeed, we find some person of inferior name advancing to throw his javelin at a chief occupied against some other, but retreating again immediately into the ranks: a resource not disdained by the greatest heroes when danger pressed. Hector himself, having thrown his javelin ineffectually at Ajax, retires toward his phalanx, but is overtaken by a stone of enormous weight, which brings him to the ground. If from the death or wounds of chiefs, or slaughter in the foremost rank of soldiers, any confusion arose in the phalanx, the shock of the enemy’s phalanx, advancing in perfect order, must be irresistible.

Another practice common in Homer’s time is by no means equally defensible, but on the contrary marks great barbarism; that of stopping in the heat of action to strip the slain. Often this paltry passion for possessing the spoil of the enemy superseded all other, even the most important and most deeply interesting objects of battle. The poet himself was not unaware of the danger and inconveniency of the practice, and seems even to have aimed at a reformation of it. We find indeed in Homer’s warfare a remarkable mixture of barbarism with regularity. Though the art of forming an army in phalanx was known and commonly practised, yet the business of a general, in directing its operations, was lost in the passion, or we may call it fashion, of the great men to signalise themselves by acts of personal courage and skill in arms. Achilles and Hector, the first heroes of the Iliad, excel only in the character of fighting soldiers: as generals and directors of the war, they are inferior to many. Excepting indeed in the single circumstance of forming the army in order of battle, so far from the general, we scarcely ever discover even the officer among Homer’s heroes. It is not till most of the principal Grecian leaders are disabled for the duty of soldiers that at length they so far take upon themselves that of officers as to endeavour to restore order among their broken phalanges.

We might, however, yet more wonder at another deficiency in Homer’s art of war, were it not still universal throughout those rich and populous countries where mankind was first civilised. Even among the Turks, who, far as they have spread over the finest part of Europe, retain pertinaciously every defect of their ancient Asiatic customs, the easy and apparently obvious precaution of posting and relieving sentries, so essential to the safety of armies, has never obtained. When, in the ill turn of the Grecian affairs, constant readiness for defence became more especially necessary, it is mentioned as an instance of soldiership in the active Diomedes, that he slept on his arms without his tent: but no kind of watch was kept; all his men were at the same time asleep around him: and the other leaders were yet less prepared against surprise. A guard indeed selected from the army was set, in the manner of a modern grand-guard or out-post; but though commanded by two officers high both in rank and reputation, yet the commander-in-chief expresses his fear that, overcome with fatigue, the whole might fall asleep and totally forget their duty. The Trojans, who at the same time, after their success, slept on the field of battle, had no guard appointed by authority, but depended wholly upon the interest which every one had in preventing a surprise; “They exhorted one another to be watchful,” says the poet. But the allies all slept; and he subjoins the reason, “For they had no children or wives at hand.” However, though Homer does not expressly blame the defect, or propose a remedy, yet he gives, in the surprise of Rhesus, an instance of the disasters to which armies are exposed by intermission of watching, that might admonish his fellow-countrymen to improve their practice.

The Greeks, and equally the Trojans and their allies, encamped with great regularity; and fortified, if in danger of an attack from a superior enemy. Indeed Homer ascribes no superiority in the art of war, or even in personal courage, to his fellow-countrymen. Even those inland Asiatics, afterwards so unwarlike, are put by him upon a level with the bravest people. Tents, like those now in use, seem to have been a late invention. The ancients, on desultory expeditions, and in marching through a country, slept with no shelter but their cloaks; as our light troops often carry none but a blanket—a practice which Bonaparte extended to his whole army, thereby providing a speedy and miserable death for thousands in his retreat from Russia. When the ancients remained long on a spot they hutted. Achilles’ tent or hut was built of fir, and thatched with reeds; and it seems to have had several apartments.h

TREATMENT OF ORPHANS, CRIMINALS, AND SLAVES

There are two special veins of estimable sentiment, on which it may be interesting to contrast heroic and historical Greece, and which exhibit the latter as an improvement on the former, not less in the affections than in the intellect.

The law of Athens was peculiarly watchful and provident with respect both to the persons and the property of orphan minors; but the description given in the Iliad of the utter and hopeless destitution of the orphan boy, despoiled of his paternal inheritance and abandoned by all the friends of his father, whom he urgently supplicates, and who all harshly cast him off, is one of the most pathetic morsels in the whole poem. In reference again to the treatment of the dead body of an enemy, we find all the Greek chiefs who come near (not to mention the conduct of Achilles himself) piercing with their spears the corpse of the slain Hector, while some of them even pass disgusting taunts upon it. We may add, from the lost epics, the mutilation of the dead bodies of Paris and Deiphobus by the hand of Menelaus. But at the time of the Persian invasion, it was regarded as unworthy of a right-minded Greek to maltreat in any way the dead body of an enemy, even where such a deed might seem to be justified on the plea of retaliation.

The different manner of dealing with homicide presents a third test, perhaps more striking yet, of the change in Grecian feelings and manners during the three centuries preceding the Persian invasion. That which the murderer in the Homeric times had to dread, was, not public prosecution and punishment, but the personal vengeance of the kinsmen and friends of the deceased, who were stimulated by the keenest impulses of honour and obligation to avenge the deed, and were considered by the public as specially privileged to do so. To escape from this danger, he is obliged to flee the country, unless he can prevail upon the incensed kinsmen to accept of a valuable payment (we must not speak of coined money, in the days of Homer) as satisfaction for their slain comrade. They may, if they please, decline the offer, and persist in their right of revenge; but if they accept, they are bound to leave the offender unmolested, and he accordingly remains at home without further consequences. The chiefs in agora do not seem to interfere, except to insure payment of the stipulated sum.

In historical Athens, this right of private revenge was discountenanced and put out of sight, even so early as the Draconian legislation, and at last restricted to a few extreme and special cases; while the murderer came to be considered, first as having sinned against the gods, next as having deeply injured the society, and thus at once as requiring absolution and deserving punishment. On the first of these two grounds, he is interdicted from the agora and from all holy places, as well as from public functions, even while yet untried and simply a suspected person; for if this were not done, the wrath of the gods would manifest itself in bad crops and other national calamities. On the second ground, he is tried before the council of Areopagus, and if found guilty, is condemned to death, or perhaps to disfranchisement and banishment. The idea of a propitiatory payment to the relatives of the deceased has ceased altogether to be admitted: it is the protection of society which dictates, and the force of society which inflicts, a measure of punishment calculated to deter for the future.

The society of legendary Greece includes, besides the chiefs, the general mass of freemen (λαοὶ), among whom stand out by special names certain professional men, such as the carpenter, the smith, the leather-dresser, the leech, the prophet, the bard, and the fisherman. We have no means of appreciating their condition. Though lots of arable land were assigned in special property to individuals, with boundaries both carefully marked and jealously watched, yet the larger proportion of surface was devoted to pasture. Cattle formed both the chief item in the substance of a wealthy man, the chief means of making payments, and the common ground of quarrels—bread and meat, in large quantities, being the constant food of every one. The estates of the owners were tilled, and their cattle tended, mostly by bought slaves, but to a certain degree also by poor freemen called thetes, working for hire and for stated periods. The principal slaves, who were entrusted with the care of large herds of oxen, swine, or goats, were of necessity men worthy of confidence, their duties placing them away from their master’s immediate eye. They had other slaves subordinate to them, and appear to have been well-treated: the deep and unshaken attachment of Eumæus the swineherd and Philœtius the neatherd to the family and affairs of the absent Ulysses, is among the most interesting points in the ancient epic. Slavery was a calamity, which in that period of insecurity might befall any one: the chief who conducted a freebooting expedition, if he succeeded, brought back with him a numerous troop of slaves, as many as he could seize—if he failed, became very likely a slave himself: so that the slave was often by birth of equal dignity with his master—Eumæus was himself the son of a chief, conveyed away when a child by his nurse, and sold by Phœnician kidnappers to Laertes. A slave of this character, if he conducted himself well, might often expect to be enfranchised by his master and placed in an independent holding.

On the whole, the slavery of legendary Greece does not present itself as existing under a peculiarly harsh form, especially if we consider that all the classes of society were then very much upon a level in point of taste, sentiment, and instruction. In the absence of legal security or an effective social sanction, it is probable that the condition of a slave under an average master, may have been as good as that of the free Thete. The class of slaves whose lot appears to have been the most pitiable were the females—more numerous than the males, and performing the principal work in the interior of the house. Not only do they seem to have been more harshly treated than the males, but they were charged with the hardest and most exhausting labour which the establishment of a Greek chief required; they brought in water from the spring, and turned by hand the house-mills, which ground the large quantity of flour consumed in his family. This oppressive task was performed generally by female slaves, in historical as well as in legendary Greece. Spinning and weaving was the constant occupation of women, whether free or slave, of every rank and station; all the garments worn both by men and women were fashioned at home, and Helen as well as Penelope is expert and assiduous at the occupation. The daughters of Celeus at Eleusis go to the well with their basins for water, and Nausicaa, daughter of Alcinous, joins her female slaves in the business of washing her garments in the river. If we are obliged to point out the fierceness and insecurity of an early society, we may at the same time note with pleasure its characteristic simplicity of manners: Rebecca, Rachel, and the daughters of Jethro, in the early Mosaic narrative, as well as the wife of the native Macedonian chief (with whom the Temenid Perdiccas, ancestor of Philip and Alexander, first took service on retiring from Argos), baking her own cakes on the hearth, exhibit a parallel in this respect to the Homeric pictures.

We obtain no particulars respecting either the common freemen generally, or the particular class of them called thetes. These latter, engaged for special jobs, or at the harvest and other busy seasons of field labour, seem to have given their labour in exchange for board and clothing: they are mentioned in the same line with the slaves, and were (as has been just observed) probably on the whole little better off. The condition of a poor freeman in those days, without a lot of land of his own, going about from one temporary job to another, and having no powerful family and no social authority to look up to for protection, must have been sufficiently miserable. When Eumæus indulged his expectation of being manumitted by his masters, he thought at the same time that they would give him a wife, a house, and a lot of land near to themselves; without which collateral advantages simple manumission might perhaps have been no improvement in his condition. To be thete in the service of a very poor farmer is selected by Achilles as the maximum of human hardship.b

MANNERS AND CUSTOMS

The Trojan war gives a great shock to Greece and hurls it for the first time against Asia. Herodotus saw very well in this war, still mixed with fables, but certain in its principal events and in its issue, the first act of this long struggle between Greece and Asia, which will have for end the expedition of Alexander.

The Eastern armies are richer, the habits more slack, the spirit less active and less enterprising. Greece already lived its own life, it was conscious of itself and practised in its own centre that military and intellectual activity of which the Trojan War was the first development.

Marriage is no longer, as in the East, a sale, where the woman is considered as a thing; an exchange of presents between the two families seems to indicate a certain equality between the husband and wife. The legitimate wife, in this society where the scourge of polygamy has not passed, has a dignity and influence unknown in Greece. Penelope is the companion of Ulysses. The nobleness of her sorrow, her authority, are signs of the new destiny of women. The wife of Alcinous rules the domestic affairs. Helen herself, after her return to family life, will come and sit down, free and respected by the hearth of her spouse. Lastly, Andromache is the true companion of Hector, and seems worthy of sharing in all his fortune. But the woman is still far from being the equal of man. Favourite slaves frequently take from her her influence, and slavery, which the chances of war can bring down on the noblest, vilifies her at every instant. That tripod, given to a victor in a contest, is worth twelve oxen. We see the princes Iphitus and Ulysses, labourers and shepherds, Anchises, who is shepherd and hunter. The shield of Achilles shows us a king harvesting. Neleus gives his daughter in marriage for a flock; Andromache herself takes care of Hector’s horses; and Nausicaa, at a later and more civilised period than the Odyssey, is depicted to us washing the linen of the royal family.

The guest almost makes part of the family; it is the gods who send him, a touching and wholesome belief in that time of brigandage and of difficult communications. You are going to spurn this guest; take care! perhaps it is Jupiter himself. How many times have the gods not come thus to try mortals? Also hospitality formed a sacred link which united, in the most distant tribes, those who had received it to those who had given it. This gave rise to duties of gratitude and friendship that nothing could efface, and which kept their sway even to the encounters on the battle-field. Glaucus and Diomedes met in the midst of the conflict and exchanged weapons, which they would have a horror of staining with the blood of a guest. It is not in vain that Hercules and Theseus travelled over Greece, punishing the violators of hospitality. There were no castes in the Grecian society, but slavery from the most ancient times, with the right of life and death for sanction. War was the most ordinary cause of servitude. The enemy spared became the slave of the victor; it is thus that Briseis fell to the power of Achilles. There was no town taken without slaves, and the inhabitants formed part of the booty. Hector predicted slavery for his wife and his sons, and depicts Andromache as fetching water from the fountain, and spinning wool in the house of a Greek. The carrying off of children by pirates, who made a regular trade of them, already maintained slavery; it is thus that Eumæus was sold at Ithaca. This custom of taking away children from the inhabitants of the coasts, lasted as long as the ancient world. The Greek comedy, and after it Roman comedy, made of this carrying off the most ordinary source of their intrigues. But if servitude was already rooted in Greek civilisation, it was at least then singularly softened by the simplicity of the customs, and above all by the rural and agricultural life, which brought together in common works master and slave.

Poetry was already a fashion in these rising societies, and in the middle of these hard wars the pleasures of the mind had their place. The warriors, seated in circles, listened with an eagerness, full of patience, to the interminable recitals of the ædes or singers. Competitions of music and religious poetry are already instituted in the small towns, which call the rising art to their ceremonies. These poetries were sung with the accompaniment of the lyre, and there was no king who had not his singer. Agamemnon treated his with honour, and in leaving, entrusted to him his wife and his treasures. This religious and heroic poetry preceded Homer, who found established rules and fixed types. As to the beauty of this primitive poetry, it must be judged by the immortal creations of its most illustrious representative. Certainly there were not many Homers, but he was not the only poet, and the imposing simplicity of his poetry could not be a unique fact in this age of chanted legends. Art and sciences were in infancy, but the curiosity and admiration that the poets testify for the still imperfect work of the artists, and for the fabulous tales of travellers, remind us that we see at its beginning the most industrious and the most inventive race of antiquity.i

FOOTNOTES