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The Greek theater and its drama

Note 52 — INTRODUCTION

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The cognomen was due to the belief that the image and cult were derived from Eleutherae. At Eleutherae itself, however, his cognomen would naturally be different. There he was known as Διόνυσος Μελάναιγις, “Dionysus of the Black-Goat-Skin.” From this fact an abortive attempt has recently been made to derive a new explanation for tragic performances being denominated “goat-songs”; cf. Classical Philology, VIII (1913), 270.

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