Note 184 — INTRODUCTION (continued 2)

Cf. Rees, “The Function of the Πρόθυρον in the Production of Greek Plays,” Classical Philology, X (1915), 128 and n. 2. For other interpretations consistent with a stageless theater, cf. White, Harvard Studies, II (1891), 164 ff., and Capps, Transactions of the American Philological Association, XXII (1891), 64 ff. A convenient summary from the pro-stage point of view may be found in Haigh, The Attic Theatre³, pp. 166 f.