Chapter 69. Farewell to Nemi (continued 23)
Reading edition
In Austria the midsummer customs and superstitions resemble those of Germany. Thus in some parts of the Tyrol bonfires are kindled and burning discs hurled into the air. In the lower valley of the Inn a tatterdemalion effigy is carted about the village on Midsummer Day and then burned. He is called the Lotter, which has been corrupted into Luther. At Ambras, one of the villages where Martin Luther is thus burned in effigy, they say that if you go through the village between eleven and twelve on St. John’s Night and wash yourself in three wells, you will see all who are to die in the following year. At Gratz on St. John’s Eve (the twenty-third of June) the common people used to make a puppet called the Tatermann, which they dragged to the bleaching ground, and pelted with burning besoms till it took fire. At Reutte, in the Tyrol, people believed that the flax would grow as high as they leaped over the midsummer bonfire, and they took pieces of charred wood from the fire and stuck them in their flax-fields the same night, leaving them there till the flax harvest had been got in. In Lower Austria bonfires are kindled on the heights, and the boys caper round them, brandishing lighted torches drenched in pitch. Whoever jumps thrice across the fire will not suffer from fever within the year. Cart-wheels are often smeared with pitch, ignited, and sent rolling and blazing down the hillsides.
All over Bohemia bonfires still burn on Midsummer Eve. In the afternoon boys go about with handcarts from house to house collecting fuel and threatening with evil consequences the curmudgeons who refuse them a dole. Sometimes the young men fell a tall straight fir in the woods and set it up on a height, where the girls deck it with nosegays, wreaths of leaves, and red ribbons. Then brushwood is piled about it, and at nightfall the whole is set on fire. While the flames break out, the young men climb the tree and fetch down the wreaths which the girls had placed on it. After that lads and lasses stand on opposite sides of the fire and look at one another through the wreaths to see whether they will be true to each other and marry within the year. Also the girls throw the wreaths across the flames to the men, and woe to the awkward swain who fails to catch the wreath thrown him by his sweetheart. When the blaze has died down, each couple takes hands and leaps thrice across the fire. He or she who does so will be free from ague throughout the year, and the flax will grow as high as the young folks leap. A girl who sees nine bonfires on Midsummer Eve will marry before the year is out. The singed wreaths are carried home and carefully preserved throughout the year. During thunderstorms a bit of the wreath is burned on the hearth with a prayer; some of it is given to kine that are sick or calving, and some of it serves to fumigate house and cattle-stall, that man and beast may keep hale and well. Sometimes an old cart-wheel is smeared with resin, ignited, and sent rolling down the hill. Often the boys collect all the worn-out besoms they can get hold of, dip them in pitch, and having set them on fire wave them about or throw them high into the air. Or they rush down the hillside in troops, brandishing the flaming brooms and shouting. The stumps of the brooms and embers from the fire are preserved and stuck in cabbage gardens to protect the cabbages from caterpillars and gnats. Some people insert charred sticks and ashes from the midsummer bonfire in their sown fields and meadows, in their gardens and the roofs of their houses, as a talisman against lightning and foul weather; or they fancy that the ashes placed in the roof will prevent any fire from breaking out in the house. In some districts they crown or gird themselves with mugwort while the midsummer fire is burning, for this is supposed to be a protection against ghosts, witches, and sickness; in particular, a wreath of mugwort is a sure preventive of sore eyes. Sometimes the girls look at the bonfires through garlands of wild flowers, praying the fire to strengthen their eyes and eyelids. She who does this thrice will have no sore eyes all that year. In some parts of Bohemia they used to drive the cows through the midsummer fire to guard them against witchcraft.
In Slavonic countries, also, the midsummer festival is celebrated with similar rites. We have already seen that in Russia on the Eve of St. John young men and maidens jump over a bonfire in couples carrying a straw effigy of Kupalo in their arms. In some parts of Russia an image of Kupalo is burnt or thrown into a stream on St. John’s Night. Again, in some districts of Russia the young folk wear garlands of flowers and girdles of holy herbs when they spring through the smoke or flames; and sometimes they drive the cattle also through the fire in order to protect the animals against wizards and witches, who are then ravenous after milk. In Little Russia a stake is driven into the ground on St. John’s Night, wrapt in straw, and set on fire. As the flames rise the peasant women throw birchen boughs into them, saying, “May my flax be as tall as this bough!” In Ruthenia the bonfires are lighted by a flame procured by the friction of wood. While the elders of the party are engaged in thus “churning” the fire, the rest maintain a respectful silence; but when the flame bursts from the wood, they break forth into joyous songs. As soon as the bonfires are kindled, the young people take hands and leap in pairs through the smoke, if not through the flames; and after that the cattle in their turn are driven through the fire.
In many parts of Prussia and Lithuania great fires are kindled on Midsummer Eve. All the heights are ablaze with them, as far as the eye can see. The fires are supposed to be a protection against witchcraft, thunder, hail, and cattle disease, especially if next morning the cattle are driven over the places where the fires burned. Above all, the bonfires ensure the farmer against the arts of witches, who try to steal the milk from his cows by charms and spells. That is why next morning you may see the young fellows who lit the bonfire going from house to house and receiving jugfuls of milk. And for the same reason they stick burs and mugwort on the gate or the hedge through which the cows go to pasture, because that is supposed to be a preservative against witchcraft. In Masuren, a district of Eastern Prussia inhabited by a branch of the Polish family, it is the custom on the evening of Midsummer Day to put out all the fires in the village. Then an oaken stake is driven into the ground and a wheel is fixed on it as on an axle. This wheel the villagers, working by relays, cause to revolve with great rapidity till fire is produced by friction. Every one takes home a lighted brand from the new fire and with it rekindles the fire on the domestic hearth. In Serbia on Midsummer Eve herdsmen light torches of birch bark and march round the sheepfolds and cattle-stalls; then they climb the hills and there allow the torches to burn out.
Among the Magyars in Hungary the midsummer fire-festival is marked by the same features that meet us in so many parts of Europe. On Midsummer Eve in many places it is customary to kindle bonfires on heights and to leap over them, and from the manner in which the young people leap the bystanders predict whether they will marry soon. On this day also many Hungarian swineherds make fire by rotating a wheel round a wooden axle wrapt in hemp, and through the fire thus made they drive their pigs to preserve them from sickness.
The Esthonians of Russia, who, like the Magyars, belong to the great Turanian family of mankind, also celebrate the summer solstice in the usual way. They think that the St. John’s fire keeps witches from the cattle, and they say that he who does not come to it will have his barley full of thistles and his oats full of weeds. In the Esthonian island of Oesel, while they throw fuel into the midsummer fire, they call out, “Weeds to the fire, flax to the field,” or they fling three billets into the flames, saying, “Flax grow long!” And they take charred sticks from the bonfire home with them and keep them to make the cattle thrive. In some parts of the island the bonfire is formed by piling brushwood and other combustibles round a tree, at the top of which a flag flies. Whoever succeeds in knocking down the flag with a pole before it begins to burn will have good luck. Formerly the festivities lasted till daybreak, and ended in scenes of debauchery which looked doubly hideous by the growing light of a summer morning.
When we pass from the east to the west of Europe we still find the summer solstice celebrated with rites of the same general character. Down to about the middle of the nineteenth century the custom of lighting bonfires at midsummer prevailed so commonly in France that there was hardly a town or a village, we are told, where they were not kindled. People danced round and leaped over them, and took charred sticks from the bonfire home with them to protect the houses against lightning, conflagrations, and spells.
In Brittany, apparently, the custom of the midsummer bonfires is kept up to this day. When the flames have died down, the whole assembly kneels round about the bonfire and an old man prays aloud. Then they all rise and march thrice round the fire; at the third turn they stop and every one picks up a pebble and throws it on the burning pile. After that they disperse. In Brittany and Berry it is believed that a girl who dances round nine midsummer bonfires will marry within the year. In the valley of the Orne the custom was to kindle the bonfire just at the moment when the sun was about to dip below the horizon; and the peasants drove their cattle through the fires to protect them against witchcraft, especially against the spells of witches and wizards who attempted to steal the milk and butter. At Jumièges in Normandy, down to the first half of the nineteenth century, the midsummer festival was marked by certain singular features which bore the stamp of a very high antiquity. Every year, on the twenty-third of June, the Eve of St. John, the Brotherhood of the Green Wolf chose a new chief or master, who had always to be taken from the hamlet of Conihout. On being elected, the new head of the brotherhood assumed the title of the Green Wolf, and donned a peculiar costume consisting of a long green mantle and a very tall green hat of a conical shape and without a brim. Thus arrayed he stalked solemnly at the head of the brothers, chanting the hymn of St. John, the crucifix and holy banner leading the way, to a place called Chouquet. Here the procession was met by the priest, precentors, and choir, who conducted the brotherhood to the parish church. After hearing mass the company adjourned to the house of the Green Wolf, where a simple repast was served up to them. At night a bonfire was kindled to the sound of hand-bells by a young man and a young woman, both decked with flowers. Then the Green Wolf and his brothers, with their hoods down on their shoulders and holding each other by the hand, ran round the fire after the man who had been chosen to be the Green Wolf of the following year. Though only the first and the last man of the chain had a hand free, their business was to surround and seize thrice the future Green Wolf, who in his efforts to escape belaboured the brothers with a long wand which he carried. When at last they succeeded in catching him they carried him to the burning pile and made as if they would throw him on it. This ceremony over, they returned to the house of the Green Wolf, where a supper, still of the most meagre fare, was set before them. Up till midnight a sort of religious solemnity prevailed. But at the stroke of twelve all this was changed. Constraint gave way to license; pious hymns were replaced by Bacchanalian ditties, and the shrill quavering notes of the village fiddle hardly rose above the roar of voices that went up from the merry brotherhood of the Green Wolf. Next day, the twenty-fourth of June or Midsummer Day, was celebrated by the same personages with the same noisy gaiety. One of the ceremonies consisted in parading, to the sound of musketry, an enormous loaf of consecrated bread, which, rising in tiers, was surmounted by a pyramid of verdure adorned with ribbons. After that the holy hand-bells, deposited on the step of the altar, were entrusted as insignia of office to the man who was to be the Green Wolf next year.
At Château-Thierry, in the department of Aisne, the custom of lighting bonfires and dancing round them at the midsummer festival of St. John lasted down to about 1850; the fires were kindled especially when June had been rainy, and the people thought that the lighting of the bonfires would cause the rain to cease. In the Vosges it is still customary to kindle bonfires upon the hill-tops on Midsummer Eve; the people believe that the fires help to preserve the fruits of the earth and ensure good crops.
Bonfires were lit in almost all the hamlets of Poitou on the Eve of St. John. People marched round them thrice, carrying a branch of walnut in their hand. Shepherdesses and children passed sprigs of mullein (verbascum) and nuts across the flames; the nuts were supposed to cure toothache, and the mullein to protect the cattle from sickness and sorcery. When the fire died down people took some of the ashes home with them, either to keep them in the house as a preservative against thunder or to scatter them on the fields for the purpose of destroying corn-cockles and darnel. In Poitou also it used to be customary on the Eve of St. John to trundle a blazing wheel wrapt in straw over the fields to fertilise them.
In the mountainous part of Comminges, a province of Southern France, the midsummer fire is made by splitting open the trunk of a tall tree, stuffing the crevice with shavings, and igniting the whole. A garland of flowers is fastened to the top of the tree, and at the moment when the fire is lighted the man who was last married has to climb up a ladder and bring the flowers down. In the flat parts of the same district the materials of the midsummer bonfires consist of fuel piled in the usual way; but they must be put together by men who have been married since the last midsummer festival, and each of these benedicts is obliged to lay a wreath of flowers on the top of the pile.
In Provence the midsummer fires are still popular. Children go from door to door begging for fuel, and they are seldom sent empty away. Formerly the priest, the mayor, and the aldermen used to walk in procession to the bonfire, and even deigned to light it; after which the assembly marched thrice round the burning pile. At Aix a nominal king, chosen from among the youth for his skill in shooting at a popinjay, presided over the midsummer festival. He selected his own officers, and escorted by a brilliant train marched to the bonfire, kindled it, and was the first to dance round it. Next day he distributed largesse to his followers. His reign lasted a year, during which he enjoyed certain privileges. He was allowed to attend the mass celebrated by the commander of the Knights of St. John on St. John’s Day; the right of hunting was accorded to him, and soldiers might not be quartered in his house. At Marseilles also on this day one of the guilds chose a king of the badache or double axe; but it does not appear that he kindled the bonfire, which is said to have been lighted with great ceremony by the préfet and other authorities.
In Belgium the custom of kindling the midsummer bonfires has long disappeared from the great cities, but it is still kept up in rural districts and small towns. In that country the Eve of St. Peter’s Day (the twenty-ninth of June) is celebrated by bonfires and dances exactly like those which commemorate St. John’s Eve. Some people say that the fires of St. Peter, like those of St. John, are lighted in order to drive away dragons. In French Flanders down to 1789 a straw figure representing a man was always burned in the midsummer bonfire, and the figure of a woman was burned on St. Peter’s Day, the twenty-ninth of June. In Belgium people jump over the midsummer bonfires as a preventive of colic, and they keep the ashes at home to hinder fire from breaking out.
The custom of lighting bonfires at midsummer has been observed in many parts of our own country, and as usual people danced round and leaped over them. In Wales three or nine different kinds of wood and charred faggots carefully preserved from the last midsummer were deemed necessary to build the bonfire, which was generally done on rising ground. In the Vale of Glamorgan a cart-wheel swathed in straw used to be ignited and sent rolling down the hill. If it kept alight all the way down and blazed for a long time, an abundant harvest was expected. On Midsummer Eve people in the Isle of Man were wont to light fires to the windward of every field, so that the smoke might pass over the corn; and they folded their cattle and carried blazing furze or gorse round them several times. In Ireland cattle, especially barren cattle, were driven through the midsummer fires, and the ashes were thrown on the fields to fertilise them, or live coals were carried into them to prevent blight. In Scotland the traces of midsummer fires are few; but at that season in the highlands of Perthshire cowherds used to go round their folds thrice, in the direction of the sun, with lighted torches. This they did to purify the flocks and herds and to keep them from falling sick.
The practice of lighting bonfires on Midsummer Eve and dancing or leaping over them is, or was till recently, common all over Spain and in some parts of Italy and Sicily. In Malta great fires are kindled in the streets and squares of the towns and villages on the Eve of St. John (Midsummer Eve); formerly the Grand Master of the Order of St. John used on that evening to set fire to a heap of pitch barrels placed in front of the sacred Hospital. In Greece, too, the custom of kindling fires on St. John’s Eve and jumping over them is said to be still universal. One reason assigned for it is a wish to escape from the fleas. According to another account, the women cry out, as they leap over the fire, “I leave my sins behind me.” In Lesbos the fires on St. John’s Eve are usually lighted by threes, and the people spring thrice over them, each with a stone on his head, saying, “I jump the hare’s fire, my head a stone!” In Calymnos the midsummer fire is supposed to ensure abundance in the coming year as well as deliverance from fleas. The people dance round the fires singing, with stones on their heads, and then jump over the blaze or the glowing embers. When the fire is burning low, they throw the stones into it; and when it is nearly out, they make crosses on their legs and then go straightway and bathe in the sea.
The custom of kindling bonfires on Midsummer Day or on Midsummer Eve is widely spread among the Mohammedan peoples of North Africa, particularly in Morocco and Algeria; it is common both to the Berbers and to many of the Arabs or Arabic-speaking tribes. In these countries Midsummer Day (the twenty-fourth of June, Old Style) is called l’ánsăra. The fires are lit in the courtyards, at cross-roads, in the fields, and sometimes on the threshing-floors. Plants which in burning give out a thick smoke and an aromatic smell are much sought after for fuel on these occasions; among the plants used for the purpose are giant-fennel, thyme, rue, chervil-seed, camomile, geranium, and penny-royal. People expose themselves, and especially their children, to the smoke, and drive it towards the orchards and the crops. Also they leap across the fires; in some places everybody ought to repeat the leap seven times. Moreover they take burning brands from the fires and carry them through the houses in order to fumigate them. They pass things through the fire, and bring the sick into contact with it, while they utter prayers for their recovery. The ashes of the bonfires are also reputed to possess beneficial properties; hence in some places people rub their hair or their bodies with them. In some places they think that by leaping over the fires they rid themselves of all misfortune, and that childless couples thereby obtain offspring. Berbers of the Rif province, in Northern Morocco, make great use of fires at midsummer for the good of themselves, their cattle, and their fruit-trees. They jump over the bonfires in the belief that this will preserve them in good health, and they light fires under fruit-trees to keep the fruit from falling untimely. And they imagine that by rubbing a paste of the ashes on their hair they prevent the hair from falling off their heads. In all these Moroccan customs, we are told, the beneficial effect is attributed wholly to the smoke, which is supposed to be endued with a magical quality that removes misfortune from men, animals, fruit-trees and crops.
The celebration of a midsummer festival by Mohammedan peoples is particularly remarkable, because the Mohammedan calendar, being purely lunar and uncorrected by intercalation, necessarily takes no note of festivals which occupy fixed points in the solar year; all strictly Mohammedan feasts, being pinned to the moon, slide gradually with that luminary through the whole period of the earth’s revolution about the sun. This fact of itself seems to prove that among the Mohammedan peoples of Northern Africa, as among the Christian peoples of Europe, the midsummer festival is quite independent of the religion which the people publicly profess, and is a relic of a far older paganism.
6. The Hallowe’en Fires
FROM THE FOREGOING survey we may infer that among the heathen forefathers of the European peoples the most popular and widespread fire-festival of the year was the great celebration of Midsummer Eve or Midsummer Day. The coincidence of the festival with the summer solstice can hardly be accidental. Rather we must suppose that our pagan ancestors purposely timed the ceremony of fire on earth to coincide with the arrival of the sun at the highest point of his course in the sky. If that was so, it follows that the old founders of the midsummer rites had observed the solstices or turning-points of the sun’s apparent path in the sky, and that they accordingly regulated their festal calendar to some extent by astronomical considerations.
But while this may be regarded as fairly certain for what we may call the aborigines throughout a large part of the continent, it appears not to have been true of the Celtic peoples who inhabited the Land’s End of Europe, the islands and promontories that stretch out into the Atlantic Ocean on the North-West. The principal fire-festivals of the Celts, which have survived, though in a restricted area and with diminished pomp, to modern times and even to our own day, were seemingly timed without any reference to the position of the sun in the heaven. They were two in number, and fell at an interval of six months, one being celebrated on the eve of May Day and the other on Allhallow Even or Hallowe’en, as it is now commonly called, that is, on the thirty-first of October, the day preceding All Saints’ or Allhallows’ Day. These dates coincide with none of the four great hinges on which the solar year revolves, to wit, the solstices and the equinoxes. Nor do they agree with the principal seasons of the agricultural year, the sowing in spring and the reaping in autumn. For when May Day comes, the seed has long been committed to the earth; and when November opens, the harvest has long been reaped and garnered, the fields lie bare, the fruit-trees are stripped, and even the yellow leaves are fast fluttering to the ground. Yet the first of May and the first of November mark turning-points of the year in Europe; the one ushers in the genial heat and the rich vegetation of summer, the other heralds, if it does not share, the cold and barrenness of winter. Now these particular points of the year, as has been well pointed out by a learned and ingenious writer, while they are of comparatively little moment to the European husbandman, do deeply concern the European herdsman; for it is on the approach of summer that he drives his cattle out into the open to crop the fresh grass, and it is on the approach of winter that he leads them back to the safety and shelter of the stall. Accordingly it seems not improbable that the Celtic bisection of the year into two halves at the beginning of May and the beginning of November dates from a time when the Celts were mainly a pastoral people, dependent for their subsistence on their herds, and when accordingly the great epochs of the year for them were the days on which the cattle went forth from the homestead in early summer and returned to it again in early winter. Even in Central Europe, remote from the region now occupied by the Celts, a similar bisection of the year may be clearly traced in the great popularity, on the one hand, of May Day and its Eve (Walpurgis Night), and, on the other hand, of the Feast of All Souls at the beginning of November, which under a thin Christian cloak conceals an ancient pagan festival of the dead. Hence we may conjecture that everywhere throughout Europe the celestial division of the year according to the solstices was preceded by what we may call a terrestrial division of the year according to the beginning of summer and the beginning of winter.
Be that as it may, the two great Celtic festivals of May Day and the first of November or, to be more accurate, the Eves of these two days, closely resemble each other in the manner of their celebration and in the superstitions associated with them, and alike, by the antique character impressed upon both, betray a remote and purely pagan origin. The festival of May Day or Beltane, as the Celts called it, which ushered in summer, has already been described; it remains to give some account of the corresponding festival of Hallowe’en, which announced the arrival of winter.
Of the two feasts Hallowe’en was perhaps of old the more important, since the Celts would seem to have dated the beginning of the year from it rather than from Beltane. In the Isle of Man, one of the fortresses in which the Celtic language and lore longest held out against the siege of the Saxon invaders, the first of November, Old Style, has been regarded as New Year’s day down to recent times. Thus Manx mummers used to go round on Hallowe’en (Old Style), singing, in the Manx language, a sort of Hogmanay song which began “To-night is New Year’s Night, Hogunnaa!” In ancient Ireland, a new fire used to be kindled every year on Hallowe’en or the Eve of Samhain, and from this sacred flame all the fires in Ireland were rekindled. Such a custom points strongly to Samhain or All Saints’ Day (the first of November) as New Year’s Day; since the annual kindling of a new fire takes place most naturally at the beginning of the year, in order that the blessed influence of the fresh fire may last throughout the whole period of twelve months. Another confirmation of the view that the Celts dated their year from the first of November is furnished by the manifold modes of divination which were commonly resorted to by Celtic peoples on Hallowe’en for the purpose of ascertaining their destiny, especially their fortune in the coming year; for when could these devices for prying into the future be more reasonably put in practice than at the beginning of the year? As a season of omens and auguries Hallowe’en seems to have far surpassed Beltane in the imagination of the Celts; from which we may with some probability infer that they reckoned their year from Hallowe’en rather than Beltane. Another circumstance of great moment which points to the same conclusion is the association of the dead with Hallowe’en. Not only among the Celts but throughout Europe, Hallowe’en, the night which marks the transition from autumn to winter, seems to have been of old the time of year when the souls of the departed were supposed to revisit their old homes in order to warm themselves by the fire and to comfort themselves with the good cheer provided for them in the kitchen or the parlour by their affectionate kinsfolk. It was, perhaps, a natural thought that the approach of winter should drive the poor shivering hungry ghosts from the bare fields and the leafless woodlands to the shelter of the cottage with its familiar fireside. Did not the lowing kine then troop back from the summer pastures in the forests and on the hills to be fed and cared for in the stalls, while the bleak winds whistled among the swaying boughs and the snow-drifts deepened in the hollows? and could the good-man and the good-wife deny to the spirits of their dead the welcome which they gave to the cows?
But it is not only the souls of the departed who are supposed to be hovering unseen on the day “when autumn to winter resigns the pale year.” Witches then speed on their errands of mischief, some sweeping through the air on besoms, others galloping along the roads on tabby-cats, which for that evening are turned into coal-black steeds. The fairies, too, are all let loose, and hobgoblins of every sort roam freely about.
Yet while a glamour of mystery and awe has always clung to Hallowe’en in the minds of the Celtic peasantry, the popular celebration of the festival has been, at least in modern times, by no means of a prevailing gloomy cast; on the contrary it has been attended by picturesque features and merry pastimes, which rendered it the gayest night of all the year. Amongst the things which in the Highlands of Scotland contributed to invest the festival with a romantic beauty were the bonfires which used to blaze at frequent intervals on the heights. “On the last day of autumn children gathered ferns, tar-barrels, the long thin stalks called gàinisg, and everything suitable for a bonfire. These were placed in a heap on some eminence near the house, and in the evening set fire to. The fires were called Samhnagan. There was one for each house, and it was an object of ambition who should have the biggest. Whole districts were brilliant with bonfires, and their glare across a Highland loch, and from many eminences, formed an exceedingly picturesque scene.” Like the Beltane fires on the first of May, the Hallowe’en bonfires seem to have been kindled most commonly in the Perthshire Highlands. In the parish of Callander they still blazed down to near the end of the eighteenth century. When the fire had died down, the ashes were carefully collected in the form of a circle, and a stone was put in, near the circumference, for every person of the several families interested in the bonfire. Next morning, if any of these stones was found to be displaced or injured, the people made sure that the person represented by it was fey or devoted, and that he could not live twelve months from that day. At Balquhidder down to the latter part of the nineteenth century each household kindled its bonfire at Hallowe’en, but the custom was chiefly observed by children. The fires were lighted on any high knoll near the house; there was no dancing round them. Hallowe’en fires were also lighted in some districts of the north-east of Scotland, such as Buchan. Villagers and farmers alike must have their fire. In the villages the boys went from house to house and begged a peat from each householder, usually with the words, “Ge’s a peat t’ burn the witches.” When they had collected enough peats, they piled them in a heap, together with straw, furze, and other combustible materials, and set the whole on fire. Then each of the youths, one after another, laid himself down on the ground as near to the fire as he could without being scorched, and thus lying allowed the smoke to roll over him. The others ran through the smoke and jumped over their prostrate comrade. When the heap was burned down, they scattered the ashes, vying with each other who should scatter them most.
In the northern part of Wales it used to be customary for every family to make a great bonfire called Coel Coeth on Hallowe’en. The fire was kindled on the most conspicuous spot near the house; and when it had nearly gone out every one threw into the ashes a white stone, which he had first marked. Then having said their prayers round the fire, they went to bed. Next morning, as soon as they were up, they came to search out the stones, and if any one of them was found to be missing, they had a notion that the person who threw it would die before he saw another Hallowe’en. According to Sir John Rhys, the habit of celebrating Hallowe’en by lighting bonfires on the hills is perhaps not yet extinct in Wales, and men still living can remember how the people who assisted at the bonfires would wait till the last spark was out and then would suddenly take to their heels, shouting at the top of their voices, “The cropped black sow seize the hindmost!” The saying, as Sir John Rhys justly remarks, implies that originally one of the company became a victim in dead earnest. Down to the present time the saying is current in Carnarvonshire, where allusions to the cutty black sow are still occasionally made to frighten children. We can now understand why in Lower Brittany every person throws a pebble into the midsummer bonfire. Doubtless there, as in Wales and the Highlands of Scotland, omens of life and death have at one time or other been drawn from the position and state of the pebbles on the morning of All Saints’ Day. The custom, thus found among three separate branches of the Celtic stock, probably dates from a period before their dispersion, or at least from a time when alien races had not yet driven home the wedges of separation between them.
In the Isle of Man also, another Celtic country, Hallowe’en was celebrated down to modern times by the kindling of fires, accompanied with all the usual ceremonies designed to prevent the baneful influence of fairies and witches.
7. The Midwinter Fires
IF THE HEATHEN of ancient Europe celebrated, as we have good reason to believe, the season of Midsummer with a great festival of fire, of which the traces have survived in many places down to our own time, it is natural to suppose that they should have observed with similar rites the corresponding season of Midwinter; for Midsummer and Midwinter, or, in more technical language, the summer solstice and the winter solstice, are the two great turningpoints in the sun’s apparent course through the sky, and from the standpoint of primitive man nothing might seem more appropriate than to kindle fires on earth at the two moments when the fire and heat of the great luminary in heaven begin to wane or to wax.
In modern Christendom the ancient fire-festival of the winter solstice appears to survive, or to have survived down to recent years, in the old custom of the Yule log, clog, or block, as it was variously called in England. The custom was widespread in Europe, but seems to have flourished especially in England, France, and among the South Slavs; at least the fullest accounts of the custom come from these quarters. That the Yule log was only the winter counterpart of the midsummer bonfire, kindled within doors instead of in the open air on account of the cold and inclement weather of the season, was pointed out long ago by our English antiquary John Brand; and the view is supported by the many quaint superstitions attaching to the Yule log, superstitions which have no apparent connexion with Christianity but carry their heathen origin plainly stamped upon them. But while the two solstitial celebrations were both festivals of fire, the necessity or desirability of holding the winter celebration within doors lent it the character of a private or domestic festivity, which contrasts strongly with the publicity of the summer celebration, at which the people gathered on some open space or conspicuous height, kindled a huge bonfire in common, and danced and made merry round it together.
Down to about the middle of the nineteenth century the old rite of the Yule log was kept up in some parts of Central Germany. Thus in the valleys of the Sieg and Lahn the Yule log, a heavy block of oak, was fitted into the floor of the hearth, where, though it glowed under the fire, it was hardly reduced to ashes within a year. When the new log was laid next year, the remains of the old one were ground to powder and strewed over the fields during the Twelve Nights, which was supposed to promote the growth of the crops. In some villages of Westphalia, the practice was to withdraw the Yule log (Christbrand) from the fire so soon as it was slightly charred; it was then kept carefully to be replaced on the fire whenever a thunderstorm broke, because the people believed that lightning would not strike a house in which the Yule log was smouldering. In other villages of Westphalia the old custom was to tie up the Yule log in the last sheaf cut at harvest.
In several provinces of France, and particularly in Provence, the custom of the Yule log or tréfoir, as it was called in many places, was long observed. A French writer of the seventeenth century denounces as superstitious “the belief that a log called the tréfoir or Christmas brand, which you put on the fire for the first time on Christmas Eve and continue to put on the fire for a little while every day till Twelfth Night, can, if kept under the bed, protect the house for a whole year from fire and thunder; that it can prevent the inmates from having chilblains on their heels in winter; that it can cure the cattle of many maladies; that if a piece of it be steeped in the water which cows drink it helps them to calve; and lastly that if the ashes of the log be strewn on the fields it can save the wheat from mildew.”
In some parts of Flanders and France the remains of the Yule log were regularly kept in the house under a bed as a protection against thunder and lightning; in Berry, when thunder was heard, a member of the family used to take a piece of the log and throw it on the fire, which was believed to avert the lightning. Again, in Perigord, the charcoal and ashes are carefully collected and kept for healing swollen glands; the part of the trunk which has not been burnt in the fire is used by ploughmen to make the wedge for their plough, because they allege that it causes the seeds to thrive better; and the women keep pieces of it till Twelfth Night for the sake of their chickens. Some people imagine that they will have as many chickens as there are sparks that fly out of the brands of the log when they shake them; and others place the extinct brands under the bed to drive away vermin. In various parts of France the charred log is thought to guard the house against sorcery as well as against lightning.
In England the customs and beliefs concerning the Yule log used to be similar. On the night of Christmas Eve, says the antiquary John Brand, “our ancestors were wont to light up candles of an uncommon size, called Christmas Candles, and lay a log of wood upon the fire, called a Yule-clog or Christmas-block, to illuminate the house, and, as it were, to turn night into day.” The old custom was to light the Yule log with a fragment of its predecessor, which had been kept throughout the year for the purpose; where it was so kept, the fiend could do no mischief. The remains of the log were also supposed to guard the house against fire and lightning.
To this day the ritual of bringing in the Yule log is observed with much solemnity among the Southern Slavs, especially the Serbians. The log is usually a block of oak, but sometimes of olive or beech. They seem to think that they will have as many calves, lambs, pigs, and kids as they strike sparks out of the burning log. Some people carry a piece of the log out to the fields to protect them against hail. In Albania down to recent years it was a common custom to burn a Yule log at Christmas, and the ashes of the fire were scattered on the fields to make them fertile. The Huzuls, a Slavonic people of the Carpathians, kindle fire by the friction of wood on Christmas Eve (Old Style, the fifth of January) and keep it burning till Twelfth Night.
It is remarkable how common the belief appears to have been that the remains of the Yule log, if kept throughout the year, had power to protect the house against fire and especially against lightning. As the Yule log was frequently of oak, it seems possible that this belief may be a relic of the old Aryan creed which associated the oak-tree with the god of thunder. Whether the curative and fertilising virtues ascribed to the ashes of the Yule log, which are supposed to heal cattle as well as men, to enable cows to calve, and to promote the fruitfulness of the earth, may not be derived from the same ancient source, is a question which deserves to be considered.
8. The Need-fire
THE FIRE-FESTIVALS hitherto described are all celebrated periodically at certain stated times of the year. But besides these regularly recurring celebrations the peasants in many parts of Europe have been wont from time immemorial to resort to a ritual of fire at irregular intervals in seasons of distress and calamity, above all when their cattle were attacked by epidemic disease. No account of the popular European fire-festivals would be complete without some notice of these remarkable rites, which have all the greater claim on our attention because they may perhaps be regarded as the source and origin of all the other fire-festivals; certainly they must date from a very remote antiquity. The general name by which they are known among the Teutonic peoples is need-fire. Sometimes the need-fire was known as “wild fire,” to distinguish it no doubt from the tame fire produced by more ordinary methods. Among Slavonic peoples it is called “living fire.”
The history of the custom can be traced from the early Middle Ages, when it was denounced by the Church as a heathen superstition, down to the first half of the nineteenth century, when it was still occasionally practised in various parts of Germany, England, Scotland, and Ireland. Among Slavonic peoples it appears to have lingered even longer. The usual occasion for performing the rite was an outbreak of plague or cattle-disease, for which the need-fire was believed to be an infallible remedy. The animals which were subjected to it included cows, pigs, horses, and sometimes geese. As a necessary preliminary to the kindling of the need-fire all other fires and lights in the neighbourhood were extinguished, so that not so much as a spark remained alight; for so long as even a night-light burned in a house, it was imagined that the need-fire could not kindle. Sometimes it was deemed enough to put out all the fires in the village; but sometimes the extinction extended to neighbouring villages or to a whole parish. In some parts of the Highlands of Scotland the rule was that all householders who dwelt within the two nearest running streams should put out their lights and fires on the day appointed. Usually the need-fire was made in the open air, but in some parts of Serbia it was kindled in a dark room; sometimes the place was a cross-way or a hollow in a road. In the Highlands of Scotland the proper places for performing the rite seem to have been knolls or small islands in rivers.
The regular method of producing the need-fire was by the friction of two pieces of wood; it might not be struck by flint and steel. Very exceptionally among some South Slavs we read of a practice of kindling a need-fire by striking a piece of iron on an anvil. Where the wood to be employed is specified, it is generally said to be oak; but on the Lower Rhine the fire was kindled by the friction of oak-wood or fir-wood. In Slavonic countries we hear of poplar, pear, and cornel wood being used for the purpose. Often the material is simply described as two pieces of dry wood. Sometimes nine different kinds of wood were deemed necessary, but rather perhaps to be burned in the bonfire than to be rubbed together for the production of the need-fire. The particular mode of kindling the need-fire varied in different districts; a very common one was this. Two poles were driven into the ground about a foot and a half from each other. Each pole had in the side facing the other a socket into which a smooth cross-piece or roller was fitted. The sockets were stuffed with linen, and the two ends of the roller were rammed tightly into the sockets. To make it more inflammable the roller was often coated with tar. A rope was then wound round the roller, and the free ends at both sides were gripped by two or more persons, who by pulling the rope to and fro caused the roller to revolve rapidly, till through the friction the linen in the sockets took fire. The sparks were immediately caught in tow or oakum and waved about in a circle until they burst into a bright glow, when straw was applied to it, and the blazing straw used to kindle the fuel that had been stacked to make the bonfire. Often a wheel, sometimes a cart-wheel or even a spinning-wheel, formed part of the mechanism; in Aberdeenshire it was called “the muckle wheel”; in the island of Mull the wheel was turned from east to west over nine spindles of oak-wood. Sometimes we are merely told that two wooden planks were rubbed together. Sometimes it was prescribed that the cart-wheel used for fire-making and the axle on which it turned should both be new. Similarly it was said that the rope which turned the roller should be new; if possible it should be woven of strands taken from a gallows rope with which people had been hanged, but this was a counsel of perfection rather than a strict necessity.
Various rules were also laid down as to the kind of persons who might or should make the need-fire. Sometimes it was said that the two persons who pulled the rope which twirled the roller should always be brothers or at least bear the same baptismal name; sometimes it was deemed sufficient if they were both chaste young men. In some villages of Brunswick people thought that if everybody who lent a hand in kindling the need-fire did not bear the same Christian name, they would labour in vain. In Silesia the tree employed to produce the need-fire used to be felled by a pair of twin brothers. In the western islands of Scotland the fire was kindled by eighty-one married men, who rubbed two great planks against each other, working in relays of nine; in North Uist the nine times nine who made the fire were all first-begotten sons, but we are not told whether they were married or single. Among the Serbians the need-fire is sometimes kindled by a boy and girl between eleven and fourteen years of age, who work stark naked in a dark room; sometimes it is made by an old man and an old woman also in the dark. In Bulgaria, too, the makers of need-fire strip themselves of their clothes; in Caithness they divested themselves of all kinds of metal. If after long rubbing of the wood no fire was elicited they concluded that some fire must still be burning in the village; so a strict search was made from house to house, any fire that might be found was put out, and the negligent householder punished or upbraided; indeed a heavy fine might be inflicted on him.
When the need-fire was at last kindled, the bonfire was lit from it, and as soon as the blaze had somewhat died down, the sick animals were driven over the glowing embers, sometimes in a regular order of precedence, first the pigs, next the cows, and last of all the horses. Sometimes they were driven twice or thrice through the smoke and flames, so that occasionally some of them were scorched to death. As soon as all the beasts were through, the young folk would rush wildly at the ashes and cinders, sprinkling and blackening each other with them; those who were most blackened would march in triumph behind the cattle into the village and would not wash themselves for a long time. From the bonfire people carried live embers home and used them to rekindle the fires in their houses. These brands, after being extinguished in water, they sometimes put in the mangers at which the cattle fed, and kept them there for a while. Ashes from the need-fire were also strewed on the fields to protect the crops against vermin; sometimes they were taken home to be employed as remedies in sickness, being sprinkled on the ailing part or mixed in water and drunk by the patient. In the western islands of Scotland and on the adjoining mainland, as soon as the fire on the domestic hearth had been rekindled from the need-fire a pot full of water was set on it, and the water thus heated was afterwards sprinkled upon the people infected with the plague or upon the cattle that were tainted by the murrain. Special virtue was attributed to the smoke of the bonfire; in Sweden fruit-trees and nets were fumigated with it, in order that the trees might bear fruit and the nets catch fish. In the Highlands of Scotland the need-fire was accounted a sovereign remedy for witchcraft. In the island of Mull, when the fire was kindled as a cure for the murrain, we hear of the rite being accompanied by the sacrifice of a sick heifer, which was cut in pieces and burnt. Slavonian and Bulgarian peasants conceive cattle-plague as a foul fiend or vampyre which can be kept at bay by interposing a barrier of fire between it and the herds. A similar conception may perhaps have originally everywhere underlain the use of the need-fire as a remedy for the murrain. It appears that in some parts of Germany the people did not wait for an outbreak of cattleplague, but, taking time by the forelock, kindled a need-fire annually to prevent the calamity. Similarly in Poland the peasants are said to kindle fires in the village streets every year on St. Rochus’s day and to drive the cattle thrice through them in order to protect the beasts against the murrain. We have seen that in the Hebrides the cattle were in like manner driven annually round the Beltane fires for the same purpose. In some cantons of Switzerland children still kindle a need-fire by the friction of wood for the sake of dispelling a mist.
LXIII. The Interpretation of the Fire-Festivals
1. On the Fire-festivals in general
THE FOREGOING survey of the popular fire-festivals of Europe suggests some general observations. In the first place we can hardly help being struck by the resemblance which the ceremonies bear to each other, at whatever time of the year and in whatever part of Europe they are celebrated. The custom of kindling great bonfires, leaping over them, and driving cattle through or round them would seem to have been practically universal throughout Europe, and the same may be said of the processions or races with blazing torches round fields, orchards, pastures, or cattle-stalls. Less widespread are the customs of hurling lighted discs into the air and trundling a burning wheel down hill. The ceremonial of the Yule log is distinguished from that of the other fire-festivals by the privacy and domesticity which characterise it; but this distinction may well be due simply to the rough weather of midwinter, which is apt not only to render a public assembly in the open air disagreeable, but also at any moment to defeat the object of the assembly by extinguishing the all-important fire under a downpour of rain or a fall of snow. Apart from these local or seasonal differences, the general resemblance between the fire-festivals at all times of the year and in all places is tolerably close. And as the ceremonies themselves resemble each other, so do the benefits which the people expect to reap from them. Whether applied in the form of bonfires blazing at fixed points, or of torches carried about from place to place, or of embers and ashes taken from the smouldering heap of fuel, the fire is believed to promote the growth of the crops and the welfare of man and beast, either positively by stimulating them, or negatively by averting the dangers and calamities which threaten them from such causes as thunder and lightning, conflagration, blight, mildew, vermin, sterility, disease, and not least of all witchcraft.
But we naturally ask, How did it come about that benefits so great and manifold were supposed to be attained by means so simple? In what way did people imagine that they could procure so many goods or avoid so many ills by the application of fire and smoke, of embers and ashes? Two different explanations of the fire-festivals have been given by modern enquirers. On the one hand it has been held that they are sun-charms or magical ceremonies intended, on the principle of imitative magic, to ensure a needful supply of sunshine for men, animals, and plants by kindling fires which mimic on earth the great source of light and heat in the sky. This was the view of Wilhelm Mannhardt. It may be called the solar theory. On the other hand it has been maintained that the ceremonial fires have no necessary reference to the sun but are simply purificatory in intention, being designed to burn up and destroy all harmful influences, whether these are conceived in a personal form as witches, demons, and monsters, or in an impersonal form as a sort of pervading taint or corruption of the air. This is the view of Dr. Edward Westermarck and apparently of Professor Eugen Mogk. It may be called the purificatory theory. Obviously the two theories postulate two very different conceptions of the fire which plays the principal part in the rites. On the one view, the fire, like sunshine in our latitude, is a genial creative power which fosters the growth of plants and the development of all that makes for health and happiness; on the other view, the fire is a fierce destructive power which blasts and consumes all the noxious elements, whether spiritual or material, that menace the life of men, of animals, and of plants. According to the one theory the fire is a stimulant, according to the other it is a disinfectant; on the one view its virtue is positive, on the other it is negative.
Yet the two explanations, different as they are in the character which they attribute to the fire, are perhaps not wholly irreconcilable. If we assume that the fires kindled at these festivals were primarily intended to imitate the sun’s light and heat, may we not regard the purificatory and disinfecting qualities, which popular opinion certainly appears to have ascribed to them, as attributes derived directly from the purificatory and disinfecting qualities of sunshine? In this way we might conclude that, while the imitation of sunshine in these ceremonies was primary and original, the purification attributed to them was secondary and derivative. Such a conclusion, occupying an intermediate position between the two opposing theories and recognising an element of truth in both of them, was adopted by me in earlier editions of this work; but in the meantime Dr. Westermarck has argued powerfully in favour of the purificatory theory alone, and I am bound to say that his arguments carry great weight, and that on a fuller review of the facts the balance of evidence seems to me to incline decidedly in his favour. However, the case is not so clear as to justify us in dismissing the solar theory without discussion, and accordingly I propose to adduce the considerations which tell for it before proceeding to notice those which tell against it. A theory which had the support of so learned and sagacious an investigator as W. Mannhardt is entitled to a respectful hearing.
2. The Solar Theory of the Fire-festivals
IN AN EARLIER part of this work we saw that savages resort to charms for making sunshine, and it would be no wonder if primitive man in Europe did the same. Indeed, when we consider the cold and cloudy climate of Europe during a great part of the year, we shall find it natural that sun-charms should have played a much more prominent part among the superstitious practices of European peoples than among those of savages who live nearer the equator and who consequently are apt to get in the course of nature more sunshine than they want. This view of the festivals may be supported by various arguments drawn partly from their dates, partly from the nature of the rites, and partly from the influence which they are believed to exert upon the weather and on vegetation.
First, in regard to the dates of the festivals it can be no mere accident that two of the most important and widely spread of the festivals are timed to coincide more or less exactly with the summer and winter solstices, that is, with the two turning-points in the sun’s apparent course in the sky when he reaches respectively his highest and his lowest elevation at noon. Indeed with respect to the midwinter celebration of Christmas we are not left to conjecture; we know from the express testimony of the ancients that it was instituted by the church to supersede an old heathen festival of the birth of the sun, which was apparently conceived to be born again on the shortest day of the year, after which his light and heat were seen to grow till they attained their full maturity at midsummer. Therefore it is no very far-fetched conjecture to suppose that the Yule log, which figures so prominently in the popular celebration of Christmas, was originally designed to help the labouring sun of midwinter to rekindle his seemingly expiring light.
Not only the date of some of the festivals but the manner of their celebration suggests a conscious imitation of the sun. The custom of rolling a burning wheel down a hill, which is often observed at these ceremonies, might well pass for an imitation of the sun’s course in the sky, and the imitation would be especially appropriate on Midsummer Day when the sun’s annual declension begins. Indeed the custom has been thus interpreted by some of those who have recorded it. Not less graphic, it may be said, is the mimicry of his apparent revolution by swinging a burning tar-barrel round a pole. Again, the common practice of throwing fiery discs, sometimes expressly said to be shaped like suns, into the air at the festivals may well be a piece of imitative magic. In these, as in so many cases, the magic force may be supposed to take effect through mimicry or sympathy: by imitating the desired result you actually produce it: by counterfeiting the sun’s progress through the heavens you really help the luminary to pursue his celestial journey with punctuality and despatch. The name “fire of heaven,” by which the midsummer fire is sometimes popularly known, clearly implies a consciousness of a connexion between the earthly and the heavenly flame.
Again, the manner in which the fire appears to have been originally kindled on these occasions has been alleged in support of the view that it was intended to be a mock-sun. As some scholars have perceived, it is highly probable that at the periodic festivals in former times fire was universally obtained by the friction of two pieces of wood. It is still so procured in some places both at the Easter and the Midsummer festivals, and it is expressly said to have been formerly so procured at the Beltane celebration both in Scotland and Wales. But what makes it nearly certain that this was once the invariable mode of kindling the fire at these periodic festivals is the analogy of the needfire, which has almost always been produced by the friction of wood, and sometimes by the revolution of a wheel. It is a plausible conjecture that the wheel employed for this purpose represents the sun, and if the fires at the regularly recurring celebrations were formerly produced in the same way, it might be regarded as a confirmation of the view that they were originally sun-charms. In point of fact there is, as Kuhn has indicated, some evidence to show that the midsummer fire was originally thus produced. We have seen that many Hungarian swine-herds make fire on Midsummer Eve by rotating a wheel round a wooden axle wrapt in hemp, and that they drive their pigs through the fire thus made. At Obermedlingen, in Swabia, the “fire of heaven,” as it was called, was made on St. Vitus’s Day (the fifteenth of June) by igniting a cart-wheel, which, smeared with pitch and plaited with straw, was fastened on a pole twelve feet high, the top of the pole being inserted in the nave of the wheel. This fire was made on the summit of a mountain, and as the flame ascended, the people uttered a set form of words, with eyes and arms directed heavenward. Here the fixing of a wheel on a pole and igniting it suggests that originally the fire was produced, as in the case of the need-fire, by the revolution of a wheel. The day on which the ceremony takes place (the fifteenth of June) is near midsummer; and we have seen that in Masuren fire is, or used to be, actually made on Midsummer Day by turning a wheel rapidly about an oaken pole, though it is not said that the new fire so obtained is used to light a bonfire. However, we must bear in mind that in all such cases the use of a wheel may be merely a mechanical device to facilitate the operation of fire-making by increasing the friction; it need not have any symbolical significance.
Further, the influence which these fires, whether periodic or occasional, are supposed to exert on the weather and vegetation may be cited in support of the view that they are sun-charms, since the effects ascribed to them resemble those of sunshine. Thus, the French belief that in a rainy June the lighting of the midsummer bonfires will cause the rain to cease appears to assume that they can disperse the dark clouds and make the sun to break out in radiant glory, drying the wet earth and dripping trees. Similarly the use of the need-fire by Swiss children on foggy days for the purpose of clearing away the mist may very naturally be interpreted as a sun-charm. In the Vosges Mountains the people believe that the midsummer fires help to preserve the fruits of the earth and ensure good crops. In Sweden the warmth or cold of the coming season is inferred from the direction in which the flames of the May Day bonfire are blown; if they blow to the south, it will be warm, if to the north, cold. No doubt at present the direction of the flames is regarded merely as an augury of the weather, not as a mode of influencing it. But we may be pretty sure that this is one of the cases in which magic has dwindled into divination. So in the Eifel Mountains, when the smoke blows towards the corn-fields, this is an omen that the harvest will be abundant. But the older view may have been not merely that the smoke and flames prognosticated, but that they actually produced an abundant harvest, the heat of the flames acting like sunshine on the corn. Perhaps it was with this view that people in the Isle of Man lit fires to windward of their fields in order that the smoke might blow over them. So in South Africa, about the month of April, the Matabeles light huge fires to the windward of their gardens, “their idea being that the smoke, by passing over the crops, will assist the ripening of them.” Among the Zulus also “medicine is burned on a fire placed to windward of the garden, the fumigation which the plants in consequence receive being held to improve the crop.” Again, the idea of our European peasants that the corn will grow well as far as the blaze of the bonfire is visible, may be interpreted as a remnant of the belief in the quickening and fertilising power of the bonfires. The same belief, it may be argued, reappears in the notion that embers taken from the bonfires and inserted in the fields will promote the growth of the crops, and it may be thought to underlie the customs of sowing flax-seed in the direction in which the flames blow, of mixing the ashes of the bonfire with the seed-corn at sowing, of scattering the ashes by themselves over the field to fertilise it, and of incorporating a piece of the Yule log in the plough to make the seeds thrive. The opinion that the flax or hemp will grow as high as the flames rise or the people leap over them belongs clearly to the same class of ideas. Again, at Konz, on the banks of the Moselle, if the blazing wheel which was trundled down the hillside reached the river without being extinguished, this was hailed as a proof that the vintage would be abundant. So firmly was this belief held that the successful performance of the ceremony entitled the villagers to levy a tax upon the owners of the neighbouring vineyards. Here the unextinguished wheel might be taken to represent an unclouded sun, which in turn would portend an abundant vintage. So the waggon-load of white wine which the villagers received from the vineyards round about might pass for a payment for the sunshine which they had procured for the grapes. Similarly in the Vale of Glamorgan a blazing wheel used to be trundled down hill on Midsummer Day, and if the fire were extinguished before the wheel reached the foot of the hill, the people expected a bad harvest; whereas if the wheel kept alight all the way down and continued to blaze for a long time, the farmers looked forward to heavy crops that summer. Here, again, it is natural to suppose that the rustic mind traced a direct connexion between the fire of the wheel and the fire of the sun, on which the crops are dependent.
But in popular belief the quickening and fertilising influence of the bonfires is not limited to the vegetable world; it extends also to animals. This plainly appears from the Irish custom of driving barren cattle through the midsummer fires, from the French belief that the Yule log steeped in water helps cows to calve, from the French and Serbian notion that there will be as many chickens, calves, lambs, and kids as there are sparks struck out of the Yule log, from the French custom of putting the ashes of the bonfires in the fowls’ nests to make the hens lay eggs, and from the German practice of mixing the ashes of the bonfires with the drink of cattle in order to make the animals thrive. Further, there are clear indications that even human fecundity is supposed to be promoted by the genial heat of the fires. In Morocco the people think that childless couples can obtain offspring by leaping over the midsummer bonfire. It is an Irish belief that a girl who jumps thrice over the midsummer bonfire will soon marry and become the mother of many children; in Flanders women leap over the midsummer fires to ensure an easy delivery; in various parts of France they think that if a girl dances round nine fires she will be sure to marry within the year, and in Bohemia they fancy that she will do so if she merely sees nine of the bonfires. On the other hand, in Lechrain people say that if a young man and woman, leaping over the midsummer fire together, escape unsmirched, the young woman will not become a mother within twelve months; the flames have not touched and fertilised her. In parts of Switzerland and France the lighting of the Yule log is accompanied by a prayer that the women may bear children, the she-goats bring forth kids, and the ewes drop lambs. The rule observed in some places that the bonfires should be kindled by the person who was last married seems to belong to the same class of ideas, whether it be that such a person is supposed to receive from, or to impart to, the fire a generative and fertilising influence. The common practice of lovers leaping over the fires hand in hand may very well have originated in a notion that thereby their marriage would be blessed with offspring; and the like motive would explain the custom which obliges couples married within the year to dance to the light of torches. And the scenes of profligacy which appear to have marked the midsummer celebration among the Esthonians, as they once marked the celebration of May Day among ourselves, may have sprung, not from the mere licence of holiday-makers, but from a crude notion that such orgies were justified, if not required, by some mysterious bond which linked the life of man to the courses of the heavens at this turning-point of the year.
At the festivals which we are considering the custom of kindling bonfires is commonly associated with a custom of carrying lighted torches about the fields, the orchards, the pastures, the flocks and the herds; and we can hardly doubt that the two customs are only two different ways of attaining the same object, namely, the benefits which are believed to flow from the fire, whether it be stationary or portable. Accordingly if we accept the solar theory of the bonfires, we seem bound to apply it also to the torches; we must suppose that the practice of marching or running with blazing torches about the country is simply a means of diffusing far and wide the genial influence of the sunshine of which these flickering flames are a feeble imitation. In favour of this view it may be said that sometimes the torches are carried about the fields for the express purpose of fertilising them, and with the same intention live coals from the bonfires are sometimes placed in the fields to prevent blight. On the eve of Twelfth Day in Normandy men, women, and children run wildly through the fields and orchards with lighted torches, which they wave about the branches and dash against the trunks of the fruit-trees for the sake of burning the moss and driving away the moles and field-mice. “They believe that the ceremony fulfills the double object of exorcising the vermin whose multiplication would be a real calamity, and of imparting fecundity to the trees, the fields, and even the cattle”; and they imagine that the more the ceremony is prolonged, the greater will be the crop of fruit next autumn. In Bohemia they say that the corn will grow as high as they fling the blazing besoms into the air. Nor are such notions confined to Europe. In Corea, a few days before the New Year festival, the eunuchs of the palace swing burning torches, chanting invocations the while, and this is supposed to ensure bountiful crops for the next season. The custom of trundling a burning wheel over the fields, which used to be observed in Poitou for the express purpose of fertilising them, may be thought to embody the same idea in a still more graphic form; since in this way the mock-sun itself, not merely its light and heat represented by torches, is made actually to pass over the ground which is to receive its quickening and kindly influence. Once more, the custom of carrying lighted brands round cattle is plainly equivalent to driving the animals through the bonfire; and if the bonfire is a suncharm, the torches must be so also.
3. The Purificatory Theory of the Fire-festivals
THUS far we have considered what may be said for the theory that at the European fire-festivals the fire is kindled as a charm to ensure an abundant supply of sunshine for man and beast, for corn and fruits. It remains to consider what may be said against this theory and in favour of the view that in these rites fire is employed not as a creative but as a cleansing agent, which purifies men, animals, and plants by burning up and consuming the noxious elements, whether material or spiritual, which menace all living things with disease and death.
First, then, it is to be observed that the people who practise the fire-customs appear never to allege the solar theory in explanation of them, while on the contrary they do frequently and emphatically put forward the purificatory theory. This is a strong argument in favour of the purificatory and against the solar theory; for the popular explanation of a popular custom is never to be rejected except for grave cause. And in the present case there seems to be no adequate reason for rejecting it. The conception of fire as a destructive agent, which can be turned to account for the consumption of evil things, is so simple and obvious that it could hardly escape the minds even of the rude peasantry with whom these festivals originated. On the other hand the conception of fire as an emanation of the sun, or at all events as linked to it by a bond of physical sympathy, is far less simple and obvious; and though the use of fire as a charm to produce sunshine appears to be undeniable, nevertheless in attempting to explain popular customs we should never have recourse to a more recondite idea when a simpler one lies to hand and is supported by the explicit testimony of the people themselves. Now in the case of the fire-festivals the destructive aspect of fire is one upon which the people dwell again and again; and it is highly significant that the great evil against which the fire is directed appears to be witchcraft. Again and again we are told that the fires are intended to burn or repel the witches; and the intention is sometimes graphically expressed by burning an effigy of a witch in the fire. Hence, when we remember the great hold which the dread of witchcraft has had on the popular European mind in all ages, we may suspect that the primary intention of all these fire-festivals was simply to destroy or at all events get rid of the witches, who were regarded as the causes of nearly all the misfortunes and calamities that befall men, their cattle, and their crops.
This suspicion is confirmed when we examine the evils for which the bonfires and torches were supposed to provide a remedy. Foremost, perhaps, among these evils we may reckon the diseases of cattle; and of all the ills that witches are believed to work there is probably none which is so constantly insisted on as the harm they do to the herds, particularly by stealing the milk from the cows. Now it is significant that the need-fire, which may perhaps be regarded as the parent of the periodic fire-festivals, is kindled above all as a remedy for a murrain or other disease of cattle; and the circumstance suggests, what on general grounds seems probable, that the custom of kindling the need-fire goes back to a time when the ancestors of the European peoples subsisted chiefly on the products of their herds, and when agriculture as yet played a subordinate part in their lives. Witches and wolves are the two great foes still dreaded by the herdsman in many parts of Europe; and we need not wonder that he should resort to fire as a powerful means of banning them both. Among Slavonic peoples it appears that the foes whom the need-fire is designed to combat are not so much living witches as vampyres and other evil spirits, and the ceremony aims rather at repelling these baleful beings than at actually consuming them in the flames. But for our present purpose these distinctions are immaterial. The important thing to observe is that among the Slavs the need-fire, which is probably the original of all the ceremonial fires now under consideration, is not a sun-charm, but clearly and unmistakably nothing but a means of protecting man and beast against the attacks of maleficent creatures, whom the peasant thinks to burn or scare by the heat of the fire, just as he might burn or scare wild animals.
Again, the bonfires are often supposed to protect the fields against hail and the homestead against thunder and lightning. But both hail and thunderstorms are frequently thought to be caused by witches; hence the fire which bans the witches necessarily serves at the same time as a talisman against hail, thunder, and lightning. Further, brands taken from the bonfires are commonly kept in the houses to guard them against conflagration; and though this may perhaps be done on the principle of homoeopathic magic, one fire being thought to act as a preventive of another, it is also possible that the intention may be to keep witch-incendiaries at bay. Again, people leap over the bonfires as a preventive of colic, and look at the flames steadily in order to preserve their eyes in good health; and both colic and sore eyes are in Germany, and probably elsewhere, set down to the machinations of witches. Once more, to leap over the midsummer fires or to circumambulate them is thought to prevent a person from feeling pains in his back at reaping; and in Germany such pains are called “witch-shots” and ascribed to witchcraft.
But if the bonfires and torches of the fire-festivals are to be regarded primarily as weapons directed against witches and wizards, it becomes probable that the same explanation applies not only to the flaming discs which are hurled into the air, but also to the burning wheels which are rolled down hill on these occasions; discs and wheels, we may suppose, are alike intended to burn the witches who hover invisible in the air or haunt unseen the fields, the orchards, and the vineyards on the hillside. Certainly witches are constantly thought to ride through the air on broomsticks or other equally convenient vehicles; and if they do so, how can you get at them so effectually as by hurling lighted missiles, whether discs, torches, or besoms, after them as they flit past overhead in the gloom? The South Slavonian peasant believes that witches ride in the dark hail-clouds; so he shoots at the clouds to bring down the hags, while he curses them, saying, “Curse, curse Herodias, thy mother is a heathen, damned of God and fettered through the Redeemer’s blood.” Also he brings out a pot of glowing charcoal on which he has thrown holy oil, laurel leaves, and wormwood to make a smoke. The fumes are supposed to ascend to the clouds and stupefy the witches, so that they tumble down to earth. And in order that they may not fall soft, but may hurt themselves very much, the yokel hastily brings out a chair and tilts it bottom up so that the witch in falling may break her legs on the legs of the chair. Worse than that, he cruelly lays scythes, bill-hooks, and other formidable weapons edge upwards so as to cut and mangle the poor wretches when they drop plump upon them from the clouds.
On this view the fertility supposed to follow the application of fire in the form of bonfires, torches, discs, rolling wheels, and so forth, is not conceived as resulting directly from an increase of solar heat which the fire has magically generated; it is merely an indirect result obtained by freeing the reproductive powers of plants and animals from the fatal obstruction of witchcraft. And what is true of the reproduction of plants and animals may hold good also of the fertility of the human sexes. The bonfires are supposed to promote marriage and to procure offspring for childless couples. This happy effect need not flow directly from any quickening or fertilising energy in the fire; it may follow indirectly from the power of the fire to remove those obstacles which the spells of witches and wizards notoriously present to the union of man and wife.
On the whole, then, the theory of the purificatory virtue of the ceremonial fires appears more probable and more in accordance with the evidence than the opposing theory of their connexion with the sun.
LXIV. The Burning of Human Beings in the Fires
1. The Burning of Effigies in the Fires
WE have still to ask, What is the meaning of burning effigies in the fire at these festivals? After the preceding investigation the answer to the question seems obvious. As the fires are often alleged to be kindled for the purpose of burning the witches, and as the effigy burnt in them is sometimes called “the Witch,” we might naturally be disposed to conclude that all the effigies consumed in the flames on these occasions represent witches or warlocks, and that the custom of burning them is merely a substitute for burning the wicked men and women themselves, since on the principle of homoeopathic or imitative magic you practically destroy the witch herself in destroying her effigy. On the whole this explanation of the burning of straw figures in human shape at the festivals is perhaps the most probable.
Yet it may be that this explanation does not apply to all the cases, and that certain of them may admit and even require another interpretation. For the effigies so burned, as I have already remarked, can hardly be separated from the effigies of Death which are burned or otherwise destroyed in spring; and grounds have been already given for regarding the so-called effigies of Death as really representatives of the tree-spirit or spirit of vegetation. Are the other effigies, which are burned in the spring and midsummer bonfires, susceptible of the same explanation? It would seem so. For just as the fragments of the so-called Death are stuck in the fields to make the crops grow, so the charred embers of the figure burned in the spring bonfires are sometimes laid on the fields in the belief that they will keep vermin from the crop. Again, the rule that the last married bride must leap over the fire in which the straw-man is burned on Shrove Tuesday, is probably intended to make her fruitful. But, as we have seen, the power of blessing women with offspring is a special attribute of tree-spirits; it is therefore a fair presumption that the burning effigy over which the bride must leap is a representative of the fertilising tree-spirit or spirit of vegetation. This character of the effigy, as representative of the spirit of vegetation, is almost unmistakable when the figure is composed of an unthreshed sheaf of corn or is covered from head to foot with flowers. Again, it is to be noted that, instead of a puppet, trees, either living or felled, are sometimes burned both in the spring and midsummer bonfires. Now, considering the frequency with which the tree-spirit is represented in human shape, it is hardly rash to suppose that when sometimes a tree and sometimes an effigy is burned in these fires, the effigy and the tree are regarded as equivalent to each other, each being a representative of the tree-spirit. This, again, is confirmed by observing, first, that sometimes the effigy which is to be burned is carried about simultaneously with a May-tree, the former being carried by the boys, the latter by the girls; and, second, that the effigy is sometimes tied to a living tree and burned with it. In these cases, we can scarcely doubt, the tree-spirit is represented, as we have found it represented before, in duplicate, both by the tree and by the effigy. That the true character of the effigy as a representative of the beneficent spirit of vegetation should sometimes be forgotten, is natural. The custom of burning a beneficent god is too foreign to later modes of thought to escape misinterpretation. Naturally enough the people who continued to burn his image came in time to identify it as the effigy of persons, whom, on various grounds, they regarded with aversion, such as Judas Iscariot, Luther, and a witch.
The general reasons for killing a god or his representative have been examined in a preceding chapter. But when the god happens to be a deity of vegetation, there are special reasons why he should die by fire. For light and heat are necessary to vegetable growth; and, on the principle of sympathetic magic, by subjecting the personal representative of vegetation to their influence, you secure a supply of these necessaries for trees and crops. In other words, by burning the spirit of vegetation in a fire which represents the sun, you make sure that, for a time at least, vegetation shall have plenty of sun. It may be objected that, if the intention is simply to secure enough sunshine for vegetation, this end would be better attained, on the principles of sympathetic magic, by merely passing the representative of vegetation through the fire instead of burning him. In point of fact this is sometimes done. In Russia, as we have seen, the straw figure of Kupalo is not burned in the midsummer fire, but merely carried backwards and forwards across it. But, for the reasons already given, it is necessary that the god should die; so next day Kupalo is stripped of her ornaments and thrown into a stream. In this Russian custom the passage of the image through the fire, if it is not simply a purification, may possibly be a sun-charm; the killing of the god is a separate act, and the mode of killing him—by drowning—is probably a rain-charm. But usually people have not thought it necessary to draw this fine distinction; for the various reasons already assigned, it is advantageous, they think, to expose the god of vegetation to a considerable degree of heat, and it is also advantageous to kill him, and they combine these advantages in a rough-and-ready way by burning him.
2. The Burning of Men and Animals in the Fires
IN THE POPULAR customs connected with the fire-festivals of Europe there are certain features which appear to point to a former practice of human sacrifice. We have seen reasons for believing that in Europe living persons have often acted as representatives of the tree-spirit and corn-spirit and have suffered death as such. There is no reason, therefore, why they should not have been burned, if any special advantages were likely to be attained by putting them to death in that way. The consideration of human suffering is not one which enters into the calculations of primitive man. Now, in the fire-festivals which we are discussing, the pretence of burning people is sometimes carried so far that it seems reasonable to regard it as a mitigated survival of an older custom of actually burning them. Thus in Aachen, as we saw, the man clad in peas-straw acts so cleverly that the children really believe he is being burned. At Jumièges in Normandy the man clad all in green, who bore the title of the Green Wolf, was pursued by his comrades, and when they caught him they feigned to fling him upon the midsummer bonfire. Similarly at the Beltane fires in Scotland the pretended victim was seized, and a show made of throwing him into the flames, and for some time afterwards people affected to speak of him as dead. Again, in the Hallowe’en bonfires of Northeastern Scotland we may perhaps detect a similar pretence in the custom observed by a lad of lying down as close to the fire as possible and allowing the other lads to leap over him. The titular king at Aix, who reigned for a year and danced the first dance round the midsummer bonfire, may perhaps in days of old have discharged the less agreeable duty of serving as fuel for that fire which in later times he only kindled. In the following customs Mannhardt is probably right in recognising traces of an old custom of burning a leaf-clad representative of the spirit of vegetation. At Wolfeck, in Austria, on Midsummer Day, a boy completely clad in green fir branches goes from house to house, accompanied by a noisy crew, collecting wood for the bonfire. As he gets the wood he sings:
“Forest trees I want, No sour milk for me, But beer and wine, So can the wood-man be jolly and gay.”
In some parts of Bavaria, also, the boys who go from house to house collecting fuel for the midsummer bonfire envelop one of their number from head to foot in green branches of firs, and lead him by a rope through the whole village. At Moosheim, in Wurtemberg, the festival of St. John’s Fire usually lasted for fourteen days, ending on the second Sunday after Midsummer Day. On this last day the bonfire was left in charge of the children, while the older people retired to a wood. Here they encased a young fellow in leaves and twigs, who, thus disguised, went to the fire, scattered it, and trod it out. All the people present fled at the sight of him.
But it seems possible to go farther than this. Of human sacrifices offered on these occasions the most unequivocal traces, as we have seen, are those which, about a hundred years ago, still lingered at the Beltane fires in the Highlands of Scotland, that is, among a Celtic people who, situated in a remote corner of Europe and almost completely isolated from foreign influence, had till then conserved their old heathenism better perhaps than any other people in the West of Europe. It is significant, therefore, that human sacrifices by fire are known, on unquestionable evidence, to have been systematically practised by the Celts. The earliest description of these sacrifices has been bequeathed to us by Julius Caesar. As conqueror of the hitherto independent Celts of Gaul, Caesar had ample opportunity of observing the national Celtic religion and manners, while these were still fresh and crisp from the native mint and had not yet been fused in the melting-pot of Roman civilisation. With his own notes Caesar appears to have incorporated the observations of a Greek explorer, by name Posidonius, who travelled in Gaul about fifty years before Caesar carried the Roman arms to the English Channel. The Greek geographer Strabo and the historian Diodorus seem also to have derived their descriptions of the Celtic sacrifices from the work of Posidonius, but independently of each other, and of Caesar, for each of the three derivative accounts contain some details which are not to be found in either of the others. By combining them, therefore, we can restore the original account of Posidonius with some probability, and thus obtain a picture of the sacrifices offered by the Celts of Gaul at the close of the second century before our era. The following seem to have been the main outlines of the custom. Condemned criminals were reserved by the Celts in order to be sacrificed to the gods at a great festival which took place once in every five years. The more there were of such victims, the greater was believed to be the fertility of the land. If there were not enough criminals to furnish victims, captives taken in war were immolated to supply the deficiency. When the time came the victims were sacrificed by the Druids or priests. Some they shot down with arrows, some they impaled, and some they burned alive in the following manner. Colossal images of wicker-work or of wood and grass were constructed; these were filled with live men, cattle, and animals of other kinds; fire was then applied to the images, and they were burned with their living contents.
Such were the great festivals held once every five years. But besides these quinquennial festivals, celebrated on so grand a scale, and with, apparently, so large an expenditure of human life, it seems reasonable to suppose that festivals of the same sort, only on a lesser scale, were held annually, and that from these annual festivals are lineally descended some at least of the fire-festivals which, with their traces of human sacrifices, are still celebrated year by year in many parts of Europe. The gigantic images constructed of osiers or covered with grass in which the Druids enclosed their victims remind us of the leafy framework in which the human representative of the tree-spirit is still so often encased. Hence, seeing that the fertility of the land was apparently supposed to depend upon the due performance of these sacrifices, Mannhardt interpreted the Celtic victims, cased in osiers and grass, as representatives of the tree-spirit or spirit of vegetation.