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The folk-lore of China

Note 27 — V.—CHARMS, SPELLS, AMULETS AND DIVINATIONS.

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“Later in the evening two or three of the company assembled go to the door, burn there some gold paper and make then an indefinite number of bows and prostrations, receiving as it were the spirit on entering the house. Having conducted him into the hall, an arm-chair is moved to the table whilst incense and candles are lighted. At the same time the medium approaches, the handle of the magic pencil resting on the palms of both hands, but so that the end of the twig touches the surface of the table strewn with sand. He places his out-spread hands near the head of the table and addressing the spirit with becoming reverence says: ‘Great spirit, if you have arrived, be pleased to write the character “arrived” on this table.’ Immediately the magic pencil begins to move and the required character appears legibly written in the sand, whereupon all assembled request the spirit to sit on the large arm-chair, whilst the Deity, that is supposed to have conducted him thither, is likewise politely asked to sit down on another chair. The whole company now bow and prostrate themselves before the seats of both spirits, and some pour out wine and burn gold paper. Then the medium approaches again with the magic pencil on the palms of his hands, whilst all assembled say with one voice: ‘Great spirit, what was your august surname, what your honourable name, what offices were you invested with, and under which dynasty did you live on earth?’ Immediately the magic pencil is seen moving and answers to these questions appear written in the sand. After this every one of the assembled may put a question one after the other, but each question is to be written on a slip of paper and burnt together with some gold paper. As soon as each paper is fairly consumed by the fire, the magic pencil writes down the answer to it, generally in poetical form, and each sentence is followed by the character27 ‘I have done,’ whereupon the pencil ceases to move. Then all assembled try to read the characters aloud. If they fail to decipher them, the pencil moves again and writes the same sentence more distinctly, until it is intelligible. As soon as one of the assembly succeeds in deciphering a sentence, the magic pencil moves again and writes on the sand the two characters28 ‘that’s it.’ When a sentence is finished in this way, the sand on the table has to be smoothed again with a bamboo-roller, and whilst this is being done the whole company address flattering speeches to the spirit, praising his poetical talents, to which the magic pencil replies by writing on the table the characters29 ‘it’s ridiculous.’ If any one present behaves improperly, displaying a want of reverence, the spirit writes down some sentences containing a sharp rebuke. The motions of the pencil are quite extraordinary and apparently not produced by the medium on whose open palms the handle of the pencil rests, and who merely follows the spontaneous movements of the magic pencil. In this way conversation is kept up without flagging until midnight (when the male principle begins to be active). Then the spirit breaks off the conversation and addressing the whole company writes on the table: ‘Gentlemen, I am much obliged for your liberal presents, but now I must beg leave to depart.’30 To this all persons present reply saying: ‘Please, great spirit, stop a little longer,’ but the spirit jots down as if in a great hurry the two characters31 ‘excuse me, I am off.’ Then all assembled say, ‘If there was any want of respect or attention, great spirit, we beseech thee forgive us this sin.’ All walk then to the house-door burning gold-paper, and there take leave of the spirit with many bows and prostrations.

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