"A Romance" (continued 2)

“He may have stayed for dinner,” added the elder brother; “Mrs Mainwaring makes him so welcome.”

“She won’t after awhile,” said the General, with a smile that to some extent relieved the frown also visible in his face.

Nigel looked at his father, but forbore asking for an explanation. He seemed to divine something that gave him relief, for the shadow upon his brow became sensibly lighter.

Upon that subject the conversation dropped; nor would it have been resumed again during dinner, but that before the meal ended a communication came into the room, through the medium of the butler. It was in the shape of a note, evidently scrawled in haste, and upon paper that could only have come from the escritoire of a cottage or a country inn. From the latter it had issued—the “Hare and Hounds,” a hostelry that stood not far from the gates of General Harding’s park, on the high road to London. There was no postmark—the letter having been hand-carried.

Hurried as was the scrawl of the superscription, the General recognised it as the handwriting of his son Henry. The shadow returned to his countenance as he tore open the envelope. It grew darker as he deciphered the contents of the note enclosed therein. They were as follows:—

“Father,—

“I say ‘father,’ since I cannot dissimulate my real thoughts by prefixing the epithet ‘dear,’—when this reaches you I shall be on the road to London, and thence heaven knows where; but never more to return to a house which, by your own decreeing, can no longer be a home for me. I could have borne my disinheritance, for perhaps I deserve it; but the consequences to which it has led are too cruel for me to think of you otherwise than with anger. The deed is now done, and let that be an end of it. I write to you only to say that, since by the terms of your will I may some day become the fortunate recipient of a thousand pounds, perhaps you will have no objection to pay it to me now, deducting, if you please, the usual interest—which I believe can be calculated according to the rules of the Insurance societies. A thousand pounds at your death—which I hope may be far distant—would scarce be worth waiting for. Now, it would serve my purpose, since I am determined to go abroad and seek fortune under some more propitious sky than that which extends over the Chiltern Hills. But if I do not find the sum at your London lawyer’s within three days, subject to my order, I shall make my way abroad all the same. I am not likely ever to ask for it again. So, father, you may choose in this matter, whether to oblige me or not; and perhaps my kind brother Nigel, whose counsels you are so ready to take, may help you in determining the choice.

“Henry Harding.”

The General sprang from his chair, long before he had finished reading the letter. He had read it by fits and starts, while striding about the room, and stamping his feet upon the floor, until the glasses jingled upon the table.

“My heavens!” he at length ejaculated, “what is the meaning of this?”

“Of what, dear father?” asked the obsequious Nigel. “You have received some unpleasant news?”

“News! news! worse than news!”

“From whom, may I ask?”

“From Henry—the scamp—the ungrateful—Here, read this!”

Nigel took the note and read. “It is indeed an unpleasant communication; unfeeling of Henry—insulting, I should say. But what does it all mean?”

“No matter what it means. Enough for me to know that. Enough to think that he is gone. I know the boy well. He will keep his word. He’s too like myself about that. Gone! O God—gone!”

The General groaned as he traversed the Turkey carpet. The maiden aunt said nothing, but sat by the table, quietly sipping port wine and munching walnuts. The storm raged on.

“After all,” put in Nigel, with the pretence of tranquillising it, “he means nothing with this strange talk. He’s young—foolish—”

“Means nothing!” roared the General in a fresh burst of excitement. “Does it mean nothing to write such a letter as this—in which every word is a slight to my authority—a defiance?”

“True enough,” said Nigel, “I know not what can have possessed him to speak as he has done. He’s evidently angry about something—something I don’t understand. But he’ll get over it in time, though one cannot forgive him so easily.”

“Never! I will never forgive him. He has tried my temper too often; but this will be the last time. Disobedience such as his shall be overlooked no longer—to say nothing of the levity, the positive defiance, that accompanies it. By my faith, he shall be punished for it!”

“In that regard,” interposed the unctuous elder son, “since he has spoken of my giving you advice, it would be to leave him to himself—at least for a time. Perhaps after he has passed some months without the extravagant support you have hitherto so generously afforded him, he may feel less independent, and more prone to penitence. I think the thousand pounds he speaks of your having promised him, and which I know nothing about, should be kept back.”

“He shan’t have a shilling of it—not till my death.”

“For your sake, dear father, a long time, I hope; and for his, perhaps, it may be all the better so.”

“Better or worse, he shan’t have a shilling of it—not a shilling. Let him starve till he comes to his senses.”

“The best thing to bring him to his senses,” chimed in Nigel; “and take my word for it, father, it will do that before long—you’ll see.”

This counsel seemed to tranquillise the perturbed spirit of the irate General, at least for a time. He returned to the table and to his port; over which he sat alone, and to a much later hour than was his usual custom. The mellow wine may have made him more merciful; but whether it was this or not, before going to bed he returned to his studio, and wrote, in a somewhat unsteady hand, a letter to his London lawyer—directing the latter to pay to his son Henry, on demand, a cheque for the sum of 1,000 pounds.

He despatched the letter by a groom, to be in time for the morning post; and all this he did with an air of caution, as if he intended to do good by stealth. But what appears caution to the mind of a man obfuscated with over a bottle of port, may seem carelessness to those who are around him. There was one who looked upon it in this light. Nigel knew all about the writing of the letter, guessed its contents, and was privy to its despatch for the post. Outside the hall-door it was taken from the hands of the groom to whom it had been intrusted, and transferred to the charge of another individual, who was said to be going past the village post-office. It was Master Nigel who caused the transference to be made. And from him the new messenger received certain instructions, in consequence of which the letter never reached its destination.

Chapter Thirteen.

London Thugs.

On arriving in London, Henry Harding put up at a West-end hotel, which he had allowed his cabman to select, for he knew very little of London or its life. He had only paid two or three transient visits to it, and but few of his father’s acquaintances resided in the metropolis. Upon these he did not think of calling. He supposed that the affair with his father might have become known to them—perhaps his rejection by Belle Mainwaring—and he had resolved upon keeping out of sight, to avoid the necessity of concealing his chagrin. Henry Harding had a proud spirit, and could neither have brooked ridicule nor accepted sympathy. For this reason, instead of hunting out any old college acquaintances he might have found in London, he rather avoided the chances of meeting them.

Besides the note written to his father, he had addressed one to the footman, simply directing this individual to pack up his clothes, guns, canes, and other impedimenta, and send them on to Paddington station, “till called for.” This was done; and the luggage, in due time, arrived at the hotel where he was staying. Some eight or ten pounds of loose money, that chanced to be in his pocket on leaving home, was all the cash he commanded; and this was out of his pocket before he had been half that number of days in London.

For the first time in his life he began to find what an inconvenient thing it is to be without cash, especially in the streets of a large city—though he yet only knew it as an inconvenience. He expected his father would accede to the request he had made, and send an order for the payment of the thousand pounds. To allow time for the transaction, he kept away from the solicitor’s office for nearly a week. He then called to make the inquiry. It was simply whether any communication relating to him had been received from his father. In case there had been none, he did not wish the lawyer to be any wiser about the affair. None had been—not any. This was the answer given him.

In three days he called again, and reiterated his former inquiry almost word for word. Almost word for word was the answer he had—not from the solicitor himself, but the head clerk of his office. General Harding had written no letter lately to Messrs Lawson and Son (the name of the firm), either in reference to him or any other matter. “He’s not going, to send it,” bitterly soliloquised Henry as he left the solicitor’s office. “I suppose I’m not punished enough—so he thinks, with my precious brother to back him. Well, he can keep it. I shall never ask another shilling from him, if I have to starve.”

There is a sort of pleasure in this self-abnegation—at least, during the incipient stages of it. But it is a pleasure traceable rather to revenge than virtue, and often dies out before the passion that has given it birth.

With Henry Harding it was not so short-lived. His spirit had been sorely chafed by the treatment he had received both from his sweetheart and his father. He could not separate them in his mind; and his resentment, directed against both, was strong enough to lead him to almost any resolution. He formed that of not going back to the office of the solicitor, and he kept it. It cost him a struggle, to which, perhaps, a less proud spirit would have yielded, for he was soon suffering from want of cash. His spendthrift life had suddenly come to an end, since he had no means of continuing it; and he was forced to the reflection how he could find the means of a mere living. He had changed his quarters to a cheaper hotel, but even this would require cash to pay for it, so that his circumstances were approaching desperation. What was he to do? Enlist in the army? Offer himself on board a merchant ship? Drive a cab? Carry a sandwich? Or sweep a crossing? None of these occupations were exactly suited to his taste. Better than any or all of them—go abroad. There, if it come to the worst, he could try one or the other.

But there were other chances to be found abroad; and abroad he determined upon going. Fortunately he had sufficient left to carry him across the sea, even the great Atlantic Ocean; for, if his coin had been all spent, he had still something in the shape of a valuable watch, pins, rings, and other bijouterie, that could be converted into currency. These would yield enough to pay his passage to any part of the New World—for he intended going there, or to some distant land, far away from his father and Belle Mainwaring.

He had converted his chattels into cash—a thing that can be done in London in an incredibly short space of time, if we are not particular about the price. He had made a visit to the West India Docks, for the purpose of inspecting an advertised ship, and was returning home not over-satisfied either with himself or his fortunes. The berth offered him was shabby, and not cheap, and he had hesitated about accepting it. He had gone afterwards to Greenwich Park—the Elysian fields of the humble excursionist—and there, of course, partaken of tea and shrimps. It was nearly twelve at night as he dismounted from the knife-board of a Holborn ’bus, and turned down Little Queen Street on the way to his quarters in Essex Street, Strand. He had taken a Paddington omnibus as the only one plying westward at that late hour.

As he stepped into the little street his eye fell upon an oyster-shop, usually open to the latest hours of the night, and some of the earliest of the morning. Not satisfied with the Greenwich diet of tea and shrimps—long since digested—he entered the oyster-shop, and gave an order for a dozen of those delicious bivalves to be opened for him. There was another guest standing before the bar—a young man who having gone in before him, had given a similar order, and was already engaged in swallowing the shell-fish.

With the appearance of this young man Henry Harding was strangely impressed. He was handsome, of a complexion almost olive, dark curling hair, a full round eye, and an aquiline nose—features that at once proclaimed him a foreigner. The few words to which he gave utterance confirmed it. They were spoken in very imperfect English, with an accent which appeared to be Italian. Notwithstanding a somewhat threadbare suit of clothes, his bearing told either of birth or breeding; in short, one could not have made much of a mistake in supposing him to have been brought up a gentleman.

If Henry Harding had been asked why the young man interested him, he, perhaps, could not have told. But it was his well-bred air, coupled with garments that scarce corresponded; and, above all, the idea that he was looking upon a stranger in a strange land, alone, perhaps friendless—a foreshadowing of his own future. These were the thoughts passing in his mind, which at the moment made him look with a friendly eye upon his fellow oyster-eater at the bar.

He was in the mood to have addressed him; but a certain air of seriousness in the young man’s countenance, coupled with the fact of his speaking English so imperfectly, with a fear that the intrusion might be mistaken, hindered the young ex-squire of the Chilterns from taking this liberty.

The other merely glanced at him, and noticing an aristocratic face, with a Bond Street style of dress, supposed, no doubt, that he was standing beside some “swell,” who had stepped out of the Casino close by. Such a character would be no company for him; and with this reflection he finished his oysters, paid for them over the counter, and passed out into the street.

The young Englishman saw him depart with a reflection just bordering on pain. There was a face that had strangely interested him. It was not likely in the great world of London he would ever see it again. Besides, he would soon himself be beyond the confines of that world, still further lessening the chances of a re-encounter. With this thought he dismissed the stranger from his mind, paid the reckoning at the oyster-bar, and made a fresh start for his lodgings in the Strand.

He had cleared Little Queen Street, and entered the sister street of similar name. The night was a dark one, and not a soul was to be seen or met: for he was now outside the meretricious circle of which at that hour the Holborn Casino is the centre.

He had turned his face towards Lincoln’s Inn Fields, as along the western edge of this square was the shortest route to Essex Street. The ponderous arch was before him, and he was proceeding quietly towards it, when, under the long, low passage, dimly lit, he perceived what appeared to be the figures of three men. One of them was apparently tipsy, the other two taking care of him.

He didn’t much relish squeezing past this group; but there was no help for it, so he kept on. When close up to them he saw that the drunken man was absolutely helpless, his legs refusing to do him the slightest service, and he was only prevented from sinking down on the pavement by the support of his companions, one on each side of him. They halted under the shadow of the archway, and did not show any signs of moving onward. Perhaps they had had a long walk since leaving their “public,” and wanted a little rest. That was no business of Henry Harding’s, and he was quite contented to pass on without interfering—the more so as the countenance of one of the sober parties of the trio, turned for a moment towards him as he came up, clearly counselled the shunning of its owner.

He was passing on, and had already got beyond the group, when curiosity prompted him to glance back. The face of a man so helplessly intoxicated as the one supported between the other two could not be other than a curious spectacle.

Henry Harding looked upon it. There was a lamplight near that enabled him to do so, and further to distinguish the countenance of the inebriate. It was not without an exclamation of surprise that he recognised the features which had so strangely interested him—those of the stranger late seen in the oyster-shop!

“What’s this?” he exclaimed, suddenly turning upon his heel, and facing the trio. “This gentleman drunk?”

“Drunk as Bacchis!” answered one of the men. “We’re tryin’ to get ’im home, an’ ha’ been at it for the best part o’ an hour.”

“Indeed!”

“Yis, sir. He’s had a drop too much, as ye see. He’s a friend of ours, and we don’t want the perlice to take him to the station.”

“Of course you don’t,” said the young sprig of Beechwood Park, now fully comprehending the case. “Well, that’s kind of you both, but, as I am also a friend of this gentleman, you had better leave him in my charge, and save yourselves any farther trouble. Do you agree to it?”

“Agree be blowed! What do you mean?”

“This!” shouted Henry, who could no longer restrain his indignation. “This!” he repeated, delivering a blow of his stout Buckinghamshire stick upon the head of one of the supporters—“and this!” he cried thrice in rapid succession, as the stick descended on the skull of the second scoundrel, and all three, garrotters and garrotted, sank together upon the pavement.

By the merest accident in the world, a policeman appeared upon the spot. In Lincoln’s Inn Fields there are no area safes, and a great scarcity of rabbit-pie. As a consequence, the guardians of the night may be seen occasionally upon their beat; and, as good-luck would have it, one, sauntering along Great Queen Street, heard the scuffle in the archway, and hastened towards the spot.

He came up in time to assist Henry Harding in securing the two garrotters, and stripping them of the spoils they had taken from the person of the stranger, of which they had already possessed themselves. All went together to the police-station, the stranger having by this time partially recovered from his intoxication—of chloroform—whence, in a cab, he was taken by Henry Harding to his own lodgings, and left there—with a promise on the part of his rescuer to return to him on the following day.

Chapter Fourteen.

Turned Artist.

A slight incident—the dropping of a pin, or the turning of a straw—may affect the whole current of a man’s life. There may be a fixed fate: but if so, it often seems to be brought about, or depend upon, circumstances purely accidental. Had Henry Harding not gone home by Holborn Bars; had he not got down at the corner of Little Queen Street; had he not taken a fancy for shell-fish; had he not that day done a hundred other things, all of which may have indirectly conducted to the encounter described;—his after life might have been as different from what is to be chronicled, as if it were that of some other man.

In a week from that time he might have been on his way to the West Indies, or some part of the great American continent, perhaps never to come back; whereas in a week from that time he was sitting in a studio, with a palette on his left thumb, a brush in his right hand, and an easel in front of him, while the classic blouse of brown holland and the embroidered smoking-cap told that he had turned artist.

The change in his life’s programme can be easily explained. The gentleman he had rescued from the garrotters had become his patron; and, listening to the counsels of the young Italian artist—for such was he—he had himself taken to painting as a means of procuring his livelihood. Nor was it such a despairing adventure. He had already displayed taste in his school-drawings, and was, moreover, gifted with that aptitude for the art that usually leads to success. Almost from the first day spent in the studio he was enabled to produce sketches that could be sold; and these were followed by those “furniture pictures” which have given not only practice but material support to many a struggling artist afterwards eminent in his profession, and who otherwise might never have been heard of.

The young Italian painter—Luigi Torreani by name—was himself but a beginner; but with that talent both of conception and execution, which distinguishes the countrymen of Titian, he was rapidly rising in his profession. He had got beyond the point of painting for mere bread, and was receiving a price for his pictures that promised something more than a subsistence.

It was upon the strength of his own success that he had given counsel to his new acquaintance. He had done so, after ascertaining something of the situation and prospects of the strong, gallant youth who had done him such an essential service. Henry at the time had told him but little of his antecedents. This was not needed to a mind generous as that of Luigi Torreani, and a heart at the same time touched with a sense of gratitude. On discovering the young Englishman’s project of self-banishment from his native land, he combated the idea with his counsel, and proposed, in the event of his abandoning it, to instruct him in his own art. In fine, his proposal was accepted, and Henry Harding adopted the profession of painter.

From acquaintances thus strangely introduced to each other, the two young men, not greatly differing in years, became fast friends, sharing apartments, table, studio together, and for many months the friendly association was continued. It was interrupted only by the advice of Luigi, who, deeply interested in the success of his brother artist, became desirous that the latter should spend some time in Rome, to perfect himself in his art by contemplating those classic forms so plentiful in the ancient metropolis of the world. For himself, the young Italian needed no such suggestive models. A Roman by birth, he had commenced his studies in their midst, and had ended by transferring his practice to that metropolis where the painting of them was sure to be best paid for. The education of his pupil, then, was to be the reverse of his own. The young English gentleman accepted the advice, less from any profound love of his art or ambition to excel in it, than from a longing, such as most youths feel, to look upon Italy. Italy! the classic land of our school-boy exercises! the land of bright skies and soft summer scenes! the land of Tasso, of Ariosto, Byron, Boccaccio, and the brigands! Who does not desire to behold such a country, classically poetical in its past, romantically picturesque in its present, and, it is hoped, to be free and prosperous in its future?

Henry Harding longed to look upon this land; and mingled with his longings was a hope he might there find Lethe, or at least some solace for his spirit, still suffering sorely from the cruel treatment he had received—from a double disappointment to his affection and his love. So long as he remained in England amid its souvenirs and scenes, these sad memories would ever remain fresh. Perhaps in a foreign land, with strange objects under his eye, strange voices sounding in his ear, he might be enabled to realise the truth of the oft-quoted adage, “Absence conquers love.”

Chapter Fifteen.

A Sketcher Surprised.

On the road to Rome, leading out into the Campagna, a young man might have been seen wending his way towards the hill country where shoot down the spurs of the Apennines. At a glance he was not an Italian. A fine open face, with cheeks of ruddy hue, curls caressing them, of a rich auburn colour; but, above all, a frame of strong, almost herculean, build, borne forward by a free unfettered step, pronounced a son of the north—a Saxon! A portfolio under his arm, a palette carried in his left hand alongside, some half-dozen camel’s-brushes, clearly proclaimed his profession—a painter in search of a subject.

There was nothing in all this to attract the attention of those he met or passed upon the route—neither the personal appearance of the painter nor the paraphernalia that declared his calling. An artist on the roads around Rome is an entity that may be often encountered—though perhaps not so often as a bandit.

If any one took notice of the individual in question, it was merely to remark that he was a stranger—un Inglese—and perhaps wonder why he was trudging out towards the hills, while he might be enjoying himself ten times better in the cabarets and inns of the Eternal City.

That the artist in question was “Inglese,” no one who saw him doubted; nor will the reader, when told that he was no other than Henry Harding.

Why he was upon a Roman instead of an English road is already known. Flung upon his own resources in the great city of London—too proud to return to his father’s home, stung by what he fancied to have been a refusal to his last request—he had, under the tutelage of his Italian friend, now taken to painting as his profession. He had not stained canvas without some success—enough to justify him in following the advice of Luigi Torreani, and completing his studies under the bright skies of Italy, and amid the classic scenes of the seven-hilled city. Thither had he found his way, with no other support than the precarious earnings of his pencil. This was fully evidenced by his threadbare coat and chafed chaussure, as he trudged afoot along the dusty road of the Romagna.

Whither was he going? He was far enough out to have almost lost sight of the Eternal City, and those classic monuments that only give proof of its decay. These, one would think, should have been the objects of his study—the subjects upon which to perfect it. And so they had been. He had painted them one after another—portal and palace, sculptured figure and fresco, Capitol and Coliseum—till his head was tired with such art delineation; and he was now on his way to the hills, to drink from the pure fountain of Nature—to fling rock and stream and tree upon the canvas, under the light of an Italian sun, and the canopy of an azure sky.

It was his first journey to the Campagna; he was going without a guide, only inquiring now and then for Valdiorno, a small mountain town lying near the Neapolitan frontier. To the “sindico” of this place he carried a letter of introduction, obtained from his son, who was the young Italian artist he had left behind him in London. But the chief object of this country excursion was to find some scene paintable, and worthy of being painted.

He had not made many miles along his route before he was tempted to stop, and this more than once. Every turn of the road presented him with a landscape; every peasant would have made a picture. He resisted these allurements with the thought, that these landscapes, so near to the city, might all have been sketched before; while the peasants could be caught at any time, in the streets of Rome itself, and there painted in all their picturesqueness.

On towards some shaggy hills he saw looming out in the distance; and on went he, until near the close of the day he found himself toiling up a steep ravine, whose every turn gave him a tableau worthy of being transferred to canvas, framed, and conspicuously suspended against the walls of the Royal Academy.

After a slight repast drawn from his wallet, and a smoke from his meerschaum pipe, he set about painting a scene, he had at length selected. He fought against the fatigue of his journey, for the sake of catching a magnificent mellow sunset that had welcomed his approach to the place. He had no need to add to the “composition” of his picture. Rocks, trees, cliffs, torrents foaming over them, points of chiaro and oscuro, abruptly contrasted—all were under his eye. If there was aught wanting to give life to the landscape, it was only a few figures—animal or human—and these he could fill in according to his fancy.

“Ah,” he reflected aloud, “just the scene for a band of brigands. I’d give something to have a half-dozen of them in the foreground. I could then make a picture of these fantastic Turpins drawn from real life—a thing, I take it, which has never been done before. That would be something to hang up in the Royal Academy—something worth wasting colour and canvas on. I’d give—”

“How much?” answered a voice that seemed to issue out of the rocks behind him. “How much would you give, Master Painter, for that you speak o’? If you bid high enough, I dare say I mout find the means o’ accommodatin’ you.”

Along with the voice came the footsteps of a man—not in soft, stealthy tread, as of one approaching unawares, but with a quick thump, as the man himself dropped down from a rock above upon the little platform where the artist had planted his sticks. The latter looked up, at first in surprise, then rather in pleased admiration. He was thinking only of his art, and before him stood the very model of his imagination—a man clad in a complete suit of plush and coloured velvet, breeched, bandaged, and belted, with a plumed hat upon his head, and a short carbine across his arms—in costume and caparison the beau-ideal of a brigand. Two things alone hindered him from appearing the true heroic type of stage representation, such as we are accustomed to see in “Mazzaroni” and the “Devil’s Brother.” There was a broad Saxon face, and a tongue unmistakably from the shire of Somerset. Both were so marked, that but for the velveteen knee-breeches, the waist-belt, the elaborately buttoned vest, and the plumed hat upon his head, Henry Harding might have thought himself at home, and in the presence of a man he had met before.

Ere the young artist had sufficiently recovered from his surprise to respond to the unexpected salutation, the picturesque stranger continued—

“Want to paint brigands, do ye? Well, there’s a chance for ye now. The band’s close by. Jess wait a bit; I’ll call ’em down. Hey, there, captin!” he cried, changing his English to Italian, “ye may come on. It’s only one o’ them poor devils o’ daubers from the city. He wants to take our likenesses. I s’pose you’ve no objection to his doin’ it?”

Before the painter could make response, or remove his paraphernalia out of the way, the ledge he had selected for his “point of view” was crowded with figures—one and all of them so picturesquely attired, that had they stood in the Corso, or elsewhere within police protection, he would have been only too delighted to have painted them with the most Pre-Raphaelitish detail. As it was, all thoughts of art were chased out of his mind. He saw that he was encircled by banditti!

To attempt to retreat was out of the question. They were above, below, on all sides of him. Even had he been swifter than any of the gang, their carbines were slung handy en bandoulière; and a volley from these would certainly have checked his flight. There was no alternative but to resign himself to his fate—which was now to be made a captive.

Chapter Sixteen.

Empty Pockets.

If he who had surprised the painter at his task did not present the exact classic type of the stage bandit, there was one upon the ground who did. This man stood a little in advance of the others with that easy air that betokened authority. There was no mistaking his position. He was the chief. His dress did not differ, in cut or fashion, so materially from that of his followers; it was only more costly in the material. Where their breeches were velveteen, his was of the finest silk velvet. Besides, there was a glitter about his arms and a sparkle on the clasp which held the plume in his Calabrian hat that bespoke real jewellery. His face, moreover, was not of the common cast; it was of the true Roman type, the nose and chin of exceeding prominence, with a broad oval jaw-bone indicative of determination. He might have been deemed handsome but for an expression of ferocity—animal, almost brutal—that gleamed and sparkled in his coal-black eyes. If not handsome, he was sufficiently striking, and Henry Harding might have fancied himself confronted by the renowned Fra Diavolo. Had he stepped from behind the proscenium of the scenic stage, or come bounding from a “back flat,” the Transpontine spectators would have hailed him as the hero they had come to the theatre to see.

For some seconds there was silence. The first spokesman had slunk into the rear of the band; and all stood waiting for the chief to commence speech or action. The latter stood looking at the young artist, scanning him from head to foot. The scrutiny seemed to give him no great pleasure. There was not much booty to be expected in the pockets of such a threadbare coat; and a grin passed over his dark features as he pronounced, in a contemptuous tone, the word—

“Artista?”

“Si, Signore,” replied the artist, with as much sang froid as if he had been answering an ordinary question. “At your service, if you wish to sit or stand for your portrait.”

“Portrait? Bah! What care I for your chalks and ochres, signor painter? Better if you’d been a pedlar with a good fat pack. That’s the sort of toys for such as we. You’re from the cittada? What’s brought you up here?”

“My legs,” replied the young Englishman, thinking that a bold front might be best under the circumstances.

“Cospetto! I can tell that without asking. Such boots as yours don’t look much like the stirrup. But come, declare yourself. What have you got in your pockets; a scudi or two, I suppose. How much, signore?”

“Three scudi.”

“Hand them over.”

“Here they are—you are welcome to them.”

The brigand took the three coins, with as much nonchalance as if he had been receiving them in liquidation for some service rendered.

“This all?” he asked, again surveying the artist from head to foot.

“All I have got upon me.”

“But you have more in the cittada?”

“A little more.”

“How much?”

“About four score scudi.”

“Corpo di Bacco! a good sum; where is it lying?”

“At my lodgings.”

“Your landlord can lay hands upon it?”

“He can by breaking open my box.”

“Good! now write out an order giving him authority to break open the box and send you the money. Some paper, Giovanni. Your ink-horn, Giacomo. Here, signor artista, write.”

Seeing that it would be useless to make objection, the artist consented.

“Stay!” cried the brigand, arresting his pen; “you have something besides money at your lodgings? You Ingleses always carry about a stock of loose property. I include them in the requisition.”

“There is not much to include. Another suit of clothes, but a trifle better than these you see on my back. A score or two of sketches—half-finished paintings—which you wouldn’t value even if the last touch had been given them.”

“Ha, ha!” laughed the brigand, his comrades joining in the laugh. “You’re a good judge of character, signor artista. You can keep your sketches and your spare suit too, neither of which commodities would be likely to suit our market. Write, then, for the scudi.”

Again the artist was about to use the pen.

“Hold!” once more exclaimed the bandit. “You have friends in the cittada. What a mistake I was making not to think of them! They can give something towards your ransom.”

“I have not a friend in Rome; at least not one who would pay five scudi to rescue me from a rope.”

“Bah! you are jesting, signore.”

“I am speaking the simple truth.”

“If that be so,” said the brigand, who seemed to melt a little at mention of the rope, “If that be so,” he added reflectingly, “then—ah, we shall see. Hark you, signor painter, if what you say be true, you may sleep in your own lodgings to-night. If false, you will spend your night here in the hills, and perhaps minus your ears, you understand me!”

“I should be dull not to do so.”

“Buono—buono! And now one word of warning. Let there be no trickery in what you write—no deception in what you say. The messenger who carries your letter to the cittada will learn all about you—even to the quality of your spare suit and the value of your pictures. If you have friends he will find them out. If not, he will know it. And, by the Virgin, if it turn out that you are playing with us, your ears shall answer for it!”

“So be it. I accept the conditions.”

“Enough! Write on.”

As dictated, the requisition was written. The sheet of paper was folded, sealed with a piece of pitch, and directed to the landlord of the lodgings in which the English artist had set up his studio.

A man, in the garb of a peasant of the Campagna, was selected from the band; and, charged with the strange missive, at once despatched along the road that led towards the Eternal City.

After kicking down the temporary easel which our artist had erected, and pitching his slight sketch into the torrent below, the brigands commenced their march up the mountain—their captive keeping them company, with no very pleasant anticipation in regard to the treatment that might be in store for him.

Chapter Seventeen.

An Unlucky Recognition.

You are astonished at the young Englishman taking things so coolly? To be captured by Italian bandits, famed for their ferocity, is not a trifling affair. And yet so Henry Harding seemed to consider it.

The explanation is simple, and easily intelligible. At any other period he might not only have chafed at his captivity, but felt fear for the consequences. Just then he was suffering from two other sorrows, that made this seem light—to be scarcely considered at all. His disinheritance by his father was still fresh in his mind—still bitter; but far more bitter the rejection by his sweetheart.

Tortured by these cruel memories of the past, he recked less of what befell him either in the present or the future. There was even a time when he would have courted such a distraction—during the first few weeks after his departure from home. Twelve months had since elapsed, and close application to his art had to some extent consoled him. Perhaps absence had done more than art—of which he was by no means passionately fond; for he was not one of the thorough enthusiasts who prate about the divine inspiration of painters. Chance alone had guided him to this profession, as the only means he could devise for earning his daily bread—chance, partly directed by taste, and partly by some previous study of his school-days. So far it had served his purpose, and, enabling him to visit Rome, he had there imbibed a certain ambition to excel in it—enough to soften, though not obliterate, the memory of his misfortunes. This was still keen enough to make him reckless of what might turn up; hence his cool demeanour in the presence of the bandits, at which you may have felt surprise.

Up the mountains they marched him, by one of those execrable roads common in the Papal States, kept, no doubt, in better condition in the time of the Caesars than at the present day.

He speculated but little on whither he was being taken. Of course to some forest lair, some mountain cavern, used as a bandits’ den. He was not without curiosity to see such a place; and perhaps it was passing through his thoughts, that at some future day he might avail himself of his present experience to paint a bivouac of brigands from real life.

He was very much surprised when a good-sized village came in sight; still more so on seeing the bandits march boldly into it; but his surprise became astonishment when he saw them unsling their carbines, rest them against the walls of the houses, and make other preparations denoting their intention to pass the night in the place!

The villagers appeared to have little dread of them. On the contrary, many of the men joined them in their wine-drinking, while some of the women rather encouraged than resented their rude sallies. Even the long-robed priest of the village passed to and fro amongst them, distributing crosses and benedictions; for all of which the brigands paid him in coin, that had no doubt been taken from the pockets of some unfortunate traveller—perhaps one of his own sacred cloth!

It certainly was a scene of sufficient originality to interest the eyes of a stranger, that stranger an artist; and the young Englishman, as he gazed upon it, for a time forgot that he was a captive. Of this he was reminded as night drew near. Hitherto his captors had not even taken the precaution to tie him. His frank acceptance of the situation, with his apparent indifference to it, had led the chief to think lightly about his making an attempt to escape. Besides, it could not much matter. Before he could reach Rome the sham peasant would have been to his lodgings and rifled the chest of its contents. The scudi would, at all events, be safe; and beyond these the brigand had formed no very sanguine expectations. It was not likely there were rich friends, or any chance of a ransom. The well-worn wardrobe of the painter spoke against such an hypothesis.

Rather in obedience to habit and usage, than for any other reason, did his captors determine to tie him up for the night; and just as the sun was sinking into the Tyrrhenian sea, two men were seen approaching the place where he had been left, provided with a rope for this purpose. In one of these he recognised the man who had first saluted him on the platform. He had not forgotten the conversation that had passed between them, nor the tongue in which it had been carried on. That being English, the bandit himself must be an Englishman, as was also evident from his bright skin, hay-coloured hair, and broad blank face, so unlike the sharp-featured, dark-visaged gentry who surrounded him.

Though at first not a little astonished at encountering a countryman in such a place, and especially in such showy guise, so different from the dull smock-frock the man had once evidently worn, he had ceased for a time to think of him. Since their first meeting he had not come in contact with him. The fellow appeared to be amongst the least considered of the band, only permitted prominence when called up by his chief, and since the capture his services had not been required. He was just such a man as one could hardly see without thinking of rope; and armed with a coil of this, he now approached to execute the order of the “captin.” So said he as he stopped in front of the prisoner, and commenced uncoiling the cord.

It was the first time Henry Harding had been threatened with the degradation of being bound. To an Englishman, these is something disagreeable in the very idea of it; but to a young gentleman lately the presumed heir to 50,000 pounds, and who had never known a more irksome restriction than the statutes of Eton and Oxford, there was something repulsive in the prospect. At first he indignantly refused to submit to his wrists being corded, protesting that there was no need for it. He had no intention of attempting to escape. He would stay with the brigands till morning, or the morning after that—any time till the messenger returned. Besides, they had promised him liberty, on conditions that would be kept on his side, and he hoped on theirs.

His remonstrances were in vain.

“Damn conditions,” roughly replied the man occupied in getting ready the rope; “we know nothin’ ’bout them. Our business is to bind ye; them’s the orders of the captin.”

And so saying, he proceeded to carry them out.

It looked hopeless enough; but still there might be a chance in an appeal to the feelings of a countryman. The captive determined on making trial of it.

“You are an Englishman?” he said in his most conciliatory tone.

“I’ve beed one,” gruffly answered the bandit.

“I hope you still are.”

“I’deed, do ye? What matters that to you?”

“I am one myself.”

“Who the devil says you ain’t? D’ye take me for a fool not to see it in yer face, and hear it in the cursed lingo that I’d hope never to lissen to again?”

“Come, my good fellow; it’s not often that an Englishman—”

“Stash yer palaver, dang yer! an’ don’t ‘good fellow’ me! Spread yer wrists now, an’ get ’em ready for the rope. Just because you’re English I’ll tie ’em all the tighter—daang me if I don’t!”

Perceiving that remonstrance was thrown away upon the renegade ruffian, and that resistance would only lead to ill-treatment, the young Englishman extended his hands to be tied. The bandit seized hold of him by both wrists, and commenced twisting them so as to turn them back to back. The moment his eyes rested on the left hand—upon the little finger showing a red longitudinal scar—he dropped both as if they had been bars of hot iron, at the same time starting backwards with a cry. It was a cry that betokened recognition, mingled with malignant joy!

The surprise which this occasioned to the captive was followed by another springing from a different cause. He, too, had effected a recognition. In the brutal brigand before him, he identified the ex-gamekeeper, poacher, and murderer—Doggy Dick!

“Ho! ho!” cried the latter, dancing over the ground like one who had gone frantic from receiving news of some unexpected fortune. “Ho! ho! You it be, Muster Henry Hardin’! Who would ’a expected to find you here among the mountains o’ Italy i’stead o’ the Chiltern Hills, where ye were so snug an’ comfortable! An’ wi’ such a poor coat upon yer back! Why, what ha’ become o’ the old General, an’ his big property—the park, the farms, the woods, the covers, and the pheasants? Ah! the pheasants! You remember them, don’t ye? And so do I too. So do Doggy Dick—daangd well!”

As the renegade said this, a grin of diabolical significance made itself perceptible on his otherwise inexpressive features. Henry Harding perceived it, but made no remark. He knew that words would be of no use.

“I dar’ say Nigel, that sweet half-brother o’ yours, has got ’em all—the park, and the farms, and the woods, and the covers, and the pheasants. Ah! and I’d take my affedavy o’ ’t he’s got that showy gal—she you were so sweet upon, Muster Henry. She warn’t likely to cotton to a man wi’ such a coat on his back as you have on yourn. Why, it look like it had come out o’ a pawn-shop!”

By this time the blood of the Hardings had got up to boiling point. Despite his stupidity, Doggy Dick perceived it. He saw that he had gone too far in his provocation, and regretted having done so, before making fast the hands of him he had provoked. He would have retreated, but it was too late. Before he could turn, Henry Harding’s left hand was upon his throat, the scarred finger pressing upon his larynx, and with the right he received a blow on his skull that felled him to the ground, like an ox under the stroke of a pole-axe.

In an instant the young Englishman was surrounded by the bandits and their wine-bibbing associates. Half-a-score flung themselves simultaneously upon him. He was soon overpowered, bound hand and foot, and then beaten in his bonds—some of the village damsels clapping their hands, and by their cries applauding the conquest of brute strength over injured innocence.

Chapter Eighteen.

A Sympathiser.

There was one who witnessed the scene with a sympathising heart. It is almost superfluous to say that it was a woman; for no man in that community would have dared to take side against the brigands. While in it, these ruffians were complete masters of the place, and out of it their authority was little less. Their den was not distant, and on any day they could descend upon the unprotected town, and vent it with the torch of destruction.

The woman who sympathised with the young Englishman was still only a girl; and although a daughter of the sindico, or chief magistrate, of the place, she could do nothing to rescue him from his persecutors. Even the intermittent authority exercised by her father would have been unavailing; and her sympathy for the stranger only existed in the secret recesses of her heart.

Standing in a balcony of what appeared the best house in the village, she presented a picture that may be seen only in a town of the Roman Campagna—a combination of those antique classic graces which we associate with the days of Lucretia. Beauty of the most striking type, innocence of aspect that betokened the most perfect purity, and below, a street crowded with striding Tarquins!

She looked like a solitary lamb in the midst of a conglomeration of wolves, feebly shepherded by her father and the village priest—by the Law and the Church, both on the last legs of a decadent authority.

It was a singular picture to contemplate; nor had it escaped the notice of the young Englishman.

The girl had been observed in the balcony ever since his arrival; and as her position was not very far from the place where the brigands had permitted him to take a seat, he had a fair view of her, and could note her every action. He could see that she was not accosted like the commoner maidens of the village; but, for all this, bold glances were occasionally given to her, and brutal jests uttered within her hearing. She had looked towards the captive, and he at her, until more than once their eyes had met; and he fancied that in hers he could read signs of a sympathetic nature. It may have been but pity for his forlorn situation, but it was pity that expressed itself in a most pleasing way.

While gazing on that dark Italian girl, he thought of Belle Mainwaring; but never, during the whole period of his self-exile, had he thought of her with less pain. As he continued to gaze he felt a strange solace stealing over his thoughts, and which he could only account for by the humiliation caused by his captivity—by a sorrow of the present expelling a sorrow of the past. Something whispered him that the relief might be more than temporary, he could not tell why. He only knew, or thought, that if he could be permitted to look long enough into the eyes of that Roman maiden he might think of Belle Mainwaring with a calmer spirit—perhaps forget her altogether. In that hour of imprisonment he was happier than he had been for the past twelve months of free, unfettered life. From the contemplation of that fair form, posed in the balcony above him, he had, in one hour, drawn more inspiration than from all the statues seen in the Eternal City.

One thing interfered with his newly-sprung happiness. He observed that the girl only looked upon him with glances of stealth; that the moment their eyes met, hers were quickly withdrawn. This might have gratified him all the more, but that he had discovered the cause. He saw that she was under surveillance. Had it been her father who was watching her there would have been nothing to cause him pain. But it was not. The eyes that seemed so vigilantly bent upon, her were those of the bandit chief; who, wine-cup in hand, sat outside the little inn, with his face constantly turned towards the house of the sindico.

The young girl seemed uneasy under his glances, and at length retired from the balcony. She came out again at the noise caused by the binding of the captive.

In the midst of the mêlée Henry Harding had his eyes upon her even after he was bound and beaten. He bore all this the better from the glances she gave him. They seemed to say—

“I would spring down into the street and rush to your rescue, but my doing so might be the sealing of your doom.”

So construed he the expression upon her face—a construction that imparted pleasure, but was also accompanied by a painful reflection.

The shadows of night descended over the town. There were no street lamps, and the graceful shape in the balcony, gradually blending with the gloom, became lost to Henry Harding’s eyes. The bandits had entered the inn, where they were joined by the more bizarre of the village belles. Soon came forth the sound of stringed instruments, the violin and the mandolin, mingled with the treading and shuffling of feet. Occasionally loud talking could be heard, along with the clinking of cups; then came cursing and quarrels, one of which terminated in a street-fight and the shedding of blood.

All this the young Englishman heard or saw from the place where he had been left bound—outside the open window of the inn. He was not there alone. Two bandits stood sentry over him, watching him with a vigilance in strange contrast with the negligence before displayed. The captive took note of this change in the behaviour of the brigands towards him. Still more when the chief, staggering past at a late hour, addressed some words to the two men who had him in charge. He could hear what was said. It was in the form of an injunction, terminating in a threat to the effect, that if he, the prisoner, should not be forthcoming the next day, they, the sentries, might expect punishment of the severest kind—in short, they would be shot. So hiccuped out their intoxicated chief, as he went reeling away in company of one of the flaunting belles who had taken part in the bandits’ ball.

That it was no empty threat made under the influence of drink became evident to the captive, in the increased vigilance with which he was tended. As soon as their chief was out of sight, the two sentries made a fresh examination of his fastenings, re-tightened the cords wherever they had become loose, and added others for greater security. Skilled in this peculiar craft by long practice, their prisoner was left but little chance of releasing himself, had he been ever so much inclined towards making the attempt.

And now he was, if he had not been before, not only inclined, but eagerly desirous, of making his escape. The stringent orders of the chief, with the elaborate precautions taken by the two sentries, had naturally awakened within him a degree of apprehension. Such pains would scarce have been taken for the sake of merely keeping him all night and letting him free in the morning. Moreover, the messenger who had been sent to the city had already returned. He had seen the man go into the inn while the dance was in progress, and no doubt he had delivered his fourscore scudi to the chief. It could not be this that was waited for to obtain his delivery.

There was to be another chapter added to his imprisonment—perhaps some cruel torture in store for him. He could easily imagine this after the incident that had occurred while he was being bound. The knock-down blow given to Doggy Dick would be looked upon as an insult to the whole band, and little as that English renegade might be esteemed by his Italian comrades, he would still have sufficient influence to instigate them to hostility against their captive. This was the cause to which Henry Harding ascribed the altered treatment he was receiving, and he now regretted having given it.

Could he have guessed the true reason he might have spared himself all self-recrimination. The prolonged imprisonment before him—and such in reality there was—had for motive a scheme far deeper than the hostility of Doggy Dick—either on account of the conflict that had occurred between them, or that of older and earlier date. It was a scheme likely for a long time not only to keep the captive from being restored to liberty, but that might deprive him of his life.

Though apprehensive of receiving some severe castigation at the hands of the brigands, he still did not believe himself to be in any great danger; and he was hindered from sleeping less by the prospect of punishment, than the pain caused by the cords too tightly drawn around his limbs. Despite this, despite his hard couch, which was the stone pavement of the street, he at length fell asleep; and slept on till the crowing of the village cocks, aided by a kick from one of the brigand sentries, aroused him once more to a consciousness of his uncomfortable situation.

Chapter Nineteen.

On the March.

At daybreak the brigands were upon the march. The town where they had spent the night was not one of their safe places. They might halt there for a day, or a night, and refresh or amuse themselves; but a prolonged stay in it might subject them to a surprise by the Papal troops, when these chanced to be on the alert. This was only upon occasions when some unusual outrage committed by the bandits called the troops forth to make a feint at chastising them.

Something of the kind was just then reported upon the tapis. He who had gone to rifle the chest of the poor artist had brought back word of it. Hence their quick decampment.

When the villagers made their appearance upon the street, they could congratulate one another on a happy riddance of their ruffian guests; though there were some among them to whom this would be no satisfaction—the keepers of the wine-shops for example. To them robbers’ gold was as good as any other.

The band proceeded through the hills, evidently making homeward. They were already laden with booty, captured before they had fallen in with the artist. It was, in fact, the report of this foray that was tempting the troops to pursue them.

They had no prisoners—only plunder, in the shape of plate, jewellery, trinkets, and other light personal effects. The villa di campagna of some old Roman noble had been the scene of their late raid, and they were carrying the spoils to their den.

That this was in some secluded part of the country was evident from the road taken to reach it. Now it was a rough causeway traversing a ridge; anon a mere scorzo, or cattle-track, zigzagging through the hills, or following the bed of a rivulet.

Long before reaching the end of their journey, the captive was fatigued and footsore. His shoes, none of the strongest, had yielded to the abrasion of the sharp stones; while the long tramp of the preceding day, with a half sleepless night on the street pavement, to say nothing of the beating the brutes had given him, had but ill prepared him for such an irksome march. His hands, too, were tied behind his back; and this, spoiling his balance, made progress still more difficult and disagreeable. The terrible depression of his spirits also detracted from his strength.

He had good reason for being dispirited. The rigorous watch, kept upon him all along the route, told him that he was not going to be easily let off. Already the brigands had broken faith with him; for he knew that the courier had come back, and of course brought back the scudi along with him.

Once only had he an opportunity of talking to the chief, just before starting away from the village. He reminded him of his promise.

“You have released me,” cried the ruffian, with a savage oath.

“In what way?” innocently asked the young Englishman.

“Hola! how simple you are, Signor Inglese! You forget the blow you gave to one of my band.”

“The renegade deserved it.”

“I shall be judge of that. By our laws your life is forfeit. With us it is blow for blow.”

“In that case I should be absolved. Your fellows gave me twenty for one—good measure, as I can tell by my aching ribs.”

“Bah!” contemptuously rejoined the bandit, “be satisfied that it is no worse with you. Thank the Virgin you’re still alive; or perhaps you may come nearer the mark by thanking that scar upon your little finger.”

The look with which these last words were accompanied spoke of some secret meaning. The captive could not tell what it was; but it gave him food for reflection that lasted him for some time after. Taken in connection with the close watch kept upon him, he could forbode no good from it. On the contrary, there was evil in the innuendo, though of what sort it was beyond his intelligence to discover.

On the second day from their leaving the town, the march continued on through a mountainous country, most of it covered with forest. The track was rougher and more difficult to travel—at times ascending slopes almost precipitous, at others winding through clefts of rock so narrow as only to admit the passage of one at a time.

Both brigands and captive suffered from thirst; which they were at length enabled to quench with the snow found upon the colder exposure of the ridges.

Just before sunset a halt was made, and one of the bandits was sent forward as a scout. A mountain summit, shaped like a truncated cone, was seen a short distance in front, and towards this the path appeared tending.

About twenty minutes after the scout had disappeared from view, the howl of a wolf came back from the direction in which he had gone, while another similar cry was heard still farther off. Following this, there was the bleating of a goat; on hearing which the brigands once more resumed their march.

Bounding an angle of rock, the face of the conical hill was seen from base to top, scarred by a deep ravine that led to its summit. Up this lay the path, until the highest point was reached; then a strange picture lay spread before the eye of the captive. He was looking down into a cup-like hollow, nearly circular in shape, with sloping sides, covered with a thin growth of timber, in places packed into groves. At the bottom there was a pond of water, and not far from its edge, through the trees, some patches of grey wall, with smoke rising above, declared the presence of human habitation. It was the rendezvous of the bandits, which they reached just before the going down of the sun.

Their home, then, was no cave, no mere lair, but something that more resembled a hamlet or village. Two or three of the houses were substantial structures of stone; the rest were simple pagliatti, or straw huts, such as are common in the remote mountain districts of the Italian peninsula. A forest of beech trees overshadowed the group, while the ridges around were covered with a thick growth of ilex and pine. A deep, dark tarn glistened in the centre, looking like some long-extinct crater, that acted as a reservoir for the rain and melted snow from the surrounding slope.

The stone houses could never have been built by the bandits. The straw cabins may have been erected to afford them additional accommodation; but the more substantial dwellings told of times long gone by, before the enervating influence of a despotic government had brought decay upon the territory of Italia. Some miner, perhaps, who extracted ore from the neighbouring mountains, had found here a convenient smelting-place in proximity to the tarn.

Around, the land sloped up into a circular ridge—a sort of amphitheatre, with apparently two passes leading outward—one to the north, the other to the south. By both of these passes was a peak that rose bald and herbless above the fringe of the forest, and on each of these, close to the extreme summit, could be seen the figure of a man, visible only from the valley below. They were the bandits’ pickets upon their post. Now and then, as they changed attitude, their accoutrements and carbine-barrels could be seen glancing in the golden sunset.

The young Englishman noted all this as he stood in the open piazza of the robber quarters. It recalled the song of the famed Fra Diavolo, and a night at Her Majesty’s Theatre—his box shared by Belle Mainwaring.

He was not long allowed to indulge in such reminiscences—at least in the open air. Acting under orders from the chief, two of his captors conducted him into a dark chamber in one of the stone houses; and, giving him a push that almost sent him face forward upon the floor, closed the door behind him.

There was the harsh grating of a bolt, and then all was silence. For the first time in his life, Henry Harding felt the sensation of being inside a prison!

Chapter Twenty.

Writing to Dictation.

These was at least relief in being left alone. The captive artist felt it so much, that his gaolers had scarcely drawn the key from out the lock, when he stretched himself along the floor and fell fast asleep. Some fern-leaves strewn over the stones served him for a couch, though he was too tired to care much for this.

He did not wake until sunlight, shooting in through the window, fell slanting upon his face. Then he rose to his feet, and took a survey of his chamber. A glance convinced him that he was inside the cell of a prison; for whatever may have been the original design of the room, its adaptability to this purpose was at once apparent. The window was high above the level of the floor, and so narrow that a cat could barely have passed through it. Besides, there was a strong bar set vertically into the sill, that rendered egress absolutely impossible. The door was alike forbidding; and ten minutes’ contemplation of the place told the prisoner there was no chance of escape—save in the corruptibility of his gaolers.

To Henry Harding there was no hope of this, and he did not even think of it. He saw no alternative but to wait the development of events.

He was hungry, and would have eaten anything. He listened, in hopes of hearing a footstep—the tread of a brigand bringing him his breakfast. He could hear a step; but it was that of the sentry outside his door. It came and went, and came and went again, but no sound of drawing bolt, or key turning in the lock. An hour was passed in this hungry uncertainty, and then the tread of the sentry became commingled with other footsteps. A short parley outside, the key was inserted, the bolt clicked back, and the door stood open.

“Good mornin’, Muster Hardin’. I hope ye ha’ passed a pleasant night o’t. Compliments o’ Captin, an’ wants ye to come an’ see him.”

Without further speech Doggy Dick seized the prisoner by the collar. Then, with a spiteful shake, such as might have been given by an irate policeman, dragged him out out of the cell, and on toward the quarters of the bandit chief. As a matter of course, these were in the best house of the place; but the young artist was not prepared to witness such splendour inside. Not only was the furniture well made, but there were articles of luxe in abundance—plate, pictures, looking-glasses, clocks, girandoles, épergnes, and the like, not very artistically arranged, but plenteous everywhere. It was a somewhat grotesque admixture of the ancient and modern, such as may be seen in a curiosity-shop, or the chambers of a London money-lender.

In the apartment to which the prisoner was introduced, there were two individuals seated amidst the glittering confusion. One was the brigand chief, whose name he now knew for the first time to be “Corvino.” He knew it from hearing him so addressed by the other occupant of the chamber, who was a woman, and who in her turn was called by the chief “Cara Popetta”—the “Cara” being merely a prefix of endearment.

Corvino, the chief, has been already delineated. Popetta, as being his spouse, also deserves a word. She was a large woman, nearly as tall as Corvino himself, and quite as picturesquely attired. Her dress was glittering with beads and bugles; and with her dark, almost chestnut-coloured skin and crow-black hair, she would have passed muster among the belles of an Indian encampment. She had once been beautiful, and her teeth were still so, when displayed in a smile; otherwise, they resembled the incisors of a tigress preparing to spring upon her prey. The beauty that had once shone in her countenance might still to some extent have remained—for Cara Popetta was scarce turned thirty—but for a scar of cadaverous hue, that traversed the left cheek. This turned what was once a fair face into one disfigured, even to ugliness. And if her eyes spoke truth, many a cicatrice had equally deformed her soul, for as she sat eyeing the prisoner on his entrance, there was that in her aspect that might have caused him to quail.

Just then he had no opportunity for scanning her very minutely. On the instant of his stepping inside the room he was accosted by the chief, and commanded in a hard tone to take a seat by the table.

“I need not ask you if you can write, signor artista,” said the bandit, pointing to the “materials” upon the table. “Such a skilled hand as you with the pencil cannot fail to be an adopt with the pen. Take hold of one of these, and set down what I indite—translating it, as I know you can, into your native tongue. Here is a sheet of paper that will serve for the purpose.”

As he said this, the brigand stretched forth his hand, and pointed to some letter-paper already spread out upon the table.

The prisoner took up the pen, without having the least idea of what was to be the subject of his first essay at secretaryship. Apparently it was to be a letter, but to whom was it to be written? He was not long kept in ignorance.

“The address first,” commanded the brigand.

“To whom?” asked the young Englishman making ready to write.

“Al Signor Generale Harding!” dictated the bandit.

“To General Harding!” translated Henry, dropping the pen and starting up from his seat. “My father! What know you of him?”

“Enough, signor pittore, for my purpose. Sit down again, and write what I dictate. That is all I want of you.”

Thus commanded, the artist resumed his seat; and once more taking up the pen, wrote the address thus dictated. As he did so, he thought of the last time he had penned the same words, when directing that angry letter from the roadside inn near to his father’s park. He had no time to give way to reminiscences, for the bandit exhibited great impatience to have the letter completed.

“Padre caro!” was the next phrase that required translation.

Again the secretary hesitated. Again went his memory back to the writing from the English inn, where he had commenced that letter without the prefix “Dear.” Was he now to use it at the dictation of a brigand?

The command was peremptory. The bandit, chafing at the delay, repeated it with a menace. His captive could only obey, and down went the words “Dear Father.”

“And now,” said Corvino, “continue your translation; don’t stop again. Another interruption may cost you your ears.”

This was said in a tone that told the speaker was in earnest. Of course, in the face of such a terrible alternative, the young artist could do no less than continue the writing of the letter to its end. When translated into his own tongue, it ran as follows:—

“Dear Father,—

“This is to inform you that I am a prisoner in the mountains of Italy, about forty miles from the city of Rome, and upon the borders of the Neapolitan territory. My captors are stern men, and, if I be not ransomed, will kill me. They only wait till I can hear from you; and for this purpose they send a messenger to you, upon whose safety while in England my life will depend. If you should cause him to be arrested, or otherwise hindered from returning here, they will retaliate upon me by a torture too horrible to think of. As the amount of my ransom, they demand thirty thousand scudi—about five thousand pounds. If the bearer bring this sum back with him in gold—a circular note on the Bank of Rome will do—they promise me my liberty; and I know they will keep their promise, for these men, although forced to become bandits by cruel persecution on the part of their government, have true principles of honesty and honour. If the money be not sent, then, dearest father, I can say with sad certainty, that you will never more see your son.”

“Now sign your name to it,” said the brigand, as the writing was completed.

Henry Harding once more started from his chair, and stood irresolute, still holding the pen in his hand. He had written the letter as dictated, and, while occupied in translating it into his native tongue, he had given but little heed to its true signification. But now he was called upon to append his name to this piteous appeal to his father. With the remembrance still vivid in his mind of the defiant epistle he had last penned to him, he felt something more than reluctance—he felt shame, and almost a determination to refuse.

“Sign your name!” commanded the brigand, half rising from his seat. “Sign it, I say!”

The young Englishman still hesitated.

“Lay down the pen again, without putting your firma to that letter, and, by the Holy Virgin, before the ink become dry, your blood will redden the floor at your feet. Cospetto! to be crossed by a poor devil of a pittore—a cur of an Inglese!”

“O signor,” interposed the brigand’s wife, who up to that moment had not spoken a word, “do as he bids you, buono cavaliére! It is only his way with every one who strays here from the great city. Sign it caro, and all will be well. You will be free again, and can return to your friends.”

While delivering this appeal, Popetta had risen up from her chair, and laid her hand upon the Englishman’s shoulder. The tone in which she spoke, with a certain expression detectable in her fiery eyes, did not seem altogether to please her sposo, who, rushing round the table, seized hold of the woman and swung her to the farthest corner of the room.

“Stay there!” he shouted, “and don’t interfere with what’s no concern of yours.”

Then suddenly turning upon his prisoner, and drawing a pistol from his belt, he once more vociferated, “Sign!”

The obstinacy that would have resisted such an appeal could be only true foolhardiness—a reckless indifference to life. There could be no mistaking the intent of the robber, for the click of his cocked pistol sounded sharp in the captive’s ear. For an instant the young Englishman, whose hands were for the time untied, thought of flinging himself upon his fierce antagonist and trying the chances of a struggle. But then outside there was Doggy Dick, with a score of others, ready to shoot him down in his first effort to escape. It was sheer madness to think of it. There was no alternative but to sign—at least none except dying upon the spot. The young artist was not inclined for this; and, stooping over the table, he added to what he had already written, the name “Henry Harding.”

Doggy Dick, styled “Signor Ricardo,” was called in and asked if he could read.

“I beant much o’ a scholard,” replied the renegade, “but I dar’ say I can make out that bit o’ scribble.”

The letter was slowly spelt over and pronounced “All right.” It was then enveloped and directed, Doggy Dick giving the correct address. After which, the next duty this Amphitryon was called upon to perform was the retying of his captive, and transporting him back to his cell.

That same night the epistle, that had come so near costing Henry Harding his life, was despatched by the peasant messenger to Rome, thence to be forwarded by a postman of a different character and kind.

Chapter Twenty One.

Under the Cedar.

The world had become just one year older from the day that Belle Mainwaring “refused” the young son of General Harding. The crake had returned to the cornfield, the cuckoo to the grove, and the nightingale once more filled the dells with its sweet nocturnal music.

As a tourist straying among the Chiltern Hills—with me almost an annual habit—I could perceive no change in their aspect. Nor did I find that much change had taken place in the “society” introduced in the early chapters of our story.

I met Miss Mainwaring at a private ball, that concluded an out-door archery meeting. She was still the reigning belle of the neighbourhood, though there were two or three young sprouts that promised soon to dispossess her. There was less talk of her becoming a bride than had been twelve months before; though she was followed by a train of admirers that appeared to have suffered but slight diminution—Henry Harding being the only one missing from the muster. I heard that his place had been supplied by his brother Nigel; though this was only whispered to me in conjecture by one that was present at the gathering, where was also Nigel Harding himself. Knowing somewhat of the nature of this young gentleman, I did not believe it true, but, strange enough, before leaving the ground I had convincing evidence that it was so.

These summer fêtes, when extended into the night, afford wonderful opportunities for flirtation—far more than the winter ball-room. The promenade which occurs during the intervals of the dance may be extended out of doors, along the gravelled walks, or over the soft grassy turf of the shrubbery. It is pleasant thus to escape from the heated air of the drawing-room—improvised for the night into a ball-room—especially pleasant when you take along with you your partner of the dance.

Strolling thus with one of the aforementioned maidens, I had halted by the side of a grand Deodara, whose drooping branches, palmately spread, swept the grass at our feet, forming around the trunk of the tree a tentlike canopy by day, by night a shadow of amorphous darkness. All at once a thought seemed to strike my companion.

“By the way,” said she, “I was wondering what I had done with my sunshade. Now I remember having left it under this very tree. You stay here,” she continued, disengaging herself from my arm, “while I go under and see if I can find it.”

“No,” said I, “permit me to go for it.”

“Nonsense,” replied my agile partner—she had proved herself such in the galop just ended—“I shall go myself. I know the exact spot where I laid it—on one of the great roots. Never mind; you stand here.”

Saying this, she disappeared under the shadow of the Deodara.

I could not think of such a young creature venturing all alone into such a dismal-looking place; and, not heeding her remonstrance, I bent under the branches, and followed her in.

After groping about for some time, we failed to find the parasol.

“Some of the servants may have taken it into the house?” she said. “No matter. I suppose it will turn up along with my hat and cloak.”

We were about returning to the open lawn, when we saw coming, through the same break in the branches under which we had entered, a pair of promenaders like ourselves. Their errand we could not guess. Though ours had been innocent enough, it occurred to me that it might have a compromising appearance.

I cannot tell if my companion had the same thought; but, whether or no, we stood still, as if by a mutual instinct, waiting for the other pair to pass out again. We supposed they had stepped under the tree actuated by curiosity, or some other caprice that would soon be satisfied.

In this we were mistaken. Instead of immediately returning into the light, faint as it was, and only springing from the glimmer of a starlit sky, they stopped and entered into a conversation that promised to be somewhat protracted. At the first words, I could tell it was only the resumption of one that had already made some progress between them.

“I know,” said the gentleman, “that you still bear him in your mind. It’s no use telling me you never cared for him. I know better than that, Miss Mainwaring.”

“Indeed, do you? What a wonderful knowledge you have, Mr Nigel Harding! You know more than I ever did myself, and more than your brother, did too; else why should I have refused him. Surely that might convince you there was nothing between us—at least, on my side there wasn’t.”

There was a short pause, as if the suitor was reflecting on what the lady had just said. My companion and I were puzzled as to what we should do. I knew it by the trembling of her arm, that spoke irresolution. By a similar sign I felt that we were agreed upon keeping silent, and hearing this strange dialogue to its termination. We had already heard enough to make discovering ourselves exceedingly awkward—to say nothing of our own compromising position. We kept our place then, standing still like a couple of linked statues.

“If that be true,” rejoined Nigel Harding, who appeared to have brought his reasoning process to a satisfactory conclusion, “and if also true that no other has your heart, may I ask, Miss Mainwaring, why you do not accept the offer I have laid before you? You have told me—I think you have said as much—that you could like me for a husband. Why not go farther, and say you will have me?”

“Because—because—Mr Nigel Harding,—do you really wish to know the reason?”

“If I did not, I should not have spent twelve months in asking—in pressing for it.”

“If you promise to be a good boy, then I will tell you.”

“I will promise anything. If it be a reason that I can remove, you may command me, and all the means in my power. My fortune—I won’t speak of that—my life, my body, my soul, are all at your service.”

The suitor spoke with a passionate enthusiasm I had not deemed him capable of.

“I shall be candid, then,” was the response, half-whispered, “and tell you the exact truth. Two things stand between you and me, either of which may prevent us becoming man and wife. First, there is my mother’s consent to be obtained; and without that I will not marry. To my dear mother I have given that promise—sworn it. Second, there is your father’s consent; without it I cannot marry you. I have equally sworn to that—my mother exacting the oath. Much, therefore, as I may like you, Nigel Harding, you know I cannot perjure myself. Come! we have talked of this too often. Let us return to the dancing, or our absence may be remarked.”

Saying this, she swept out from beneath the branches.

The foiled suitor made no attempt to detain her. The conditions could not be answered, at least not then; and with a vague hope of being able at some future time to obtain better terms, he followed her back into the ball-room.

My companion and I, as soon as released, sauntered the same way. Not a word passed between us, as to what we had heard. To me it did not throw much new light either on the ways of the world or the character of Miss Mainwaring; but I could not help regretting the lesson of deception thus unavoidably communicated to the young creature on my arm, who might afterwards think of practising it on her own particular account!

Chapter Twenty Two.

A Queer Traveller.

The swells who diurnally take their departure for Windsor and the West were one afternoon, in the year 18—, called upon to use their eye-glasses upon a somewhat strange-looking traveller, who, coming from heaven knows where, made his appearance on the platform of the Paddington Station.

And yet there was nothing so very remarkable about the man—except on the Paddington platform. At London Bridge you might there have seen his like any day in the year: a personage of dark complexion, dressed in black, with a loose poncho-like garment hanging from his shoulders, and a hat upon his head, half wide-awake, but tending toward a steeple-crown—in short, a “Calabrian.”

Such was the costume of the individual who had caused the raising of eye-glasses on the Paddington platform. In an instant they were down again, the object of supercilious attention having dissipated scrutiny by diving into the interior of a second-class carriage.

“Demmed queer-looking fella!” was the remark, and with this he was forgotten.

At Slough he appeared again upon that gloomiest of platforms, commanded by a station-master possessing the loudest voice upon all the G.W.R. line. The strange traveller did not show himself until the swells, such of them as stopped, at Slough, had given up their tickets, and passed through the gate. Then, tumbling out of the carriage, the queer traveller, with a small portmanteau in his hand, placed himself in communication with the great Boanerges who directs the startings and departures at the Slough Station.

Between the two individuals thus accidentally coming together there was a contrast so striking that the most careless lounger on the platform could not have restrained himself from giving them attention. As they stood, en rapport, the very types of extremes—the negative and positive—the one a grand colossal form of true Saxon physiognomy, the other a diminutive specimen of Latinic humanity—for such the cloaked traveller appeared to be.

At the time, I myself chanced to be on the down platform, waiting for a down train. I was so struck with the tableau that I involuntarily drew nigh, to hear what the little dark man in the capote had to say to the giant in green frock and gilt buttons.

The first word that fell upon my ears was the name of General Harding! It was not pronounced in the ordinary way, but with an accent plainly foreign, and which I could easily tell to be Italian.

Listening a little longer, I could hear that the stranger was inquiring the direction to General Harding’s residence. I should have myself volunteered to give it him; but from the station-master’s reply I perceived that this functionary was directing him; and just then the down train, gliding alongside, admonished me to look out for myself.

Not till then did it occur to me, that I had stupidly forgotten to take my ticket, and I hastened into the office to procure one. As I came out again upon the platform I saw the strange traveller disappear within the doorway of a hackney coach; the driver of which, giving the whip to his horse, trundled off from the station.

In ten seconds after, I had taken my seat in the railway-carriage—an empty one—when an incident occurred that drove the queer traveller as completely out of my head as if he had never been in it.

The whistle had already screamed, and the train was about to move off, when the door was opened by the Titanic station-master, who was saying at the same time—

“This way ladies!”

The rustle of silk, with some hurried exclamation outside, told of the late arrival of at least two feminine passengers; and, the moment after, they entered the carriage, and took their seats nearly opposite me.

I had been cutting open the pages of Punch, and did not look up into their faces as they entered. But on finishing my inspection of the cartoon, I raised my eyes to see of what style were my two travelling companions, and beheld—Belle Mainwaring and her mother!

It was just about as awkward a position as I ever remembered occupying in my life. But I managed to sustain it, by appealing once more to the pages of Punch. Not even so much as a nod was exchanged between us; and had there been a stranger in the carriage he could not have told that Miss Mainwaring and I had ever met—much less danced together. I did Punch from beginning to end; and then, turning my attention to the advertisements on the back of the title-page, made myself acquainted with the qualities of “Gosnell’s Soap” and the mysteries of the “Sansflectum Crinoline.” Despite these studies, I found time to give an occasional side-glance at Miss Mainwaring, which I saw she was returning by a similar slant. What she may have seen in my eye I cannot tell, but in hers I read a light that, had my heart not been of the dulness of lead, might have set it on fire. It had at one time come very near melting under that same glance; but, after the cooling process experienced, it had become hardened to the temper of steel, and now passed through the crucible unscathed. When I had finished reading Punch’s three columns of advertisements, and for the hundredth time made an examination of Toby, with the procession of nymphs, dancing buffoons, and bacchantes, the train stopped at Reading.

Here my travelling companions got out. So did I. I had been asked to a park fête to be held at a gentleman’s residence in the neighbourhood—the same mentioned in a previous chapter. I suspected the Mainwarings were also bound for the place; and from the direction taken by the fly in which they drove off, I was made sure of it.

On arriving at my friend’s residence I found them upon the lawn; Miss Belle, as usual, surrounded by simpering swells, among whom, not to my surprise, I recognised Mr Nigel Harding. I noticed that, during the progress of the game of croquet which they were playing, he refrained from showing her any marked attention, leaving this for the others. For all that he was evidently uneasy, and stealthily watched her every glance and movement. Once or twice when they were apart, I could hear him say something to her in a low tone, with the green of jealousy in his eyes, and its pallor upon his lips.

On leaving the place, which the company did at an early hour, I saw that he accompanied her and her mother to the railway station. The three rode back in the same fly. We all returned to Slough in the same train; I going on to London. From the carriage in which I sat I could see Miss Mainwaring’s pony-phaeton, with the page at the pony’s head, and close by a dog-cart with a groom in the Harding livery. Before the train started I saw the ladies step into the phaeton, Nigel Harding climbing to the seat behind them, while “buttons” was dismissed to take his seat in the dog-cart. With their freight thus assorted, the two vehicles drove off, just as the train was slipping out of the station.

From what I had seen that day, and what I had heard under the great cedar tree, and, more than all, from what I knew of both parties to the suit, I had made up my mind before reaching London, that Belle Mainwaring was booked to be the better-half of Nigel Harding—if consent could be squeezed out of his father either by fraud or by force.

Chapter Twenty Three.

Dissimulation.

On that same night, as upon almost every other of the year, General Harding was seated in his dining-room with a decanter of crusted port on his right hand, a glass a little nearer, and a Phillipine cheroot between his teeth. His maiden sister was on his left, round a corner of the table, upon which stood before her another wine-glass, with an épergne of flowers, and a hand-dish containing fruit. It was the hour after dinner, the cloth had been removed, the dessert decanters set upon the table, and the butler and footmen had retired.

“It’s just nine,” said the General, consulting his chronometer-watch, “Nigel should be back by this. He wasn’t to stop for dinner—only luncheon—and the train leaves Reading at 7:16. I wonder if those Mainwarings were there?”

“Pretty sure to be,” replied the ancient spinster, who was shrewd at conjectures.

“Yes,” thoughtfully soliloquised the General, “pretty sure, I suppose. Well, it don’t much matter, I’ve no fear for Nigel; he’s not the sort to be humbugged by her blandishments, like that hot-headed simpleton, Hal. By my word, sister! it is very strange we’ve not heard a word from the lad since he left us.”

“You will, when he’s spent the thousand pounds you gave him. When that comes to an end, he’ll not be so sparing of his correspondence.”