Note 5 — Chapter VII · THE MYSTERY OF THE LOGOS AND DIVINE IMAGE.

The Council of Nice adduced, amongst other grounds for the religious use of images, the authority of Gregory of Nyssa, who said that he could never look at an image which represented the sacrifice of Isaac without being moved to tears, because it so vividly brought before him that event in sacred history. But the effect of the represented object is not the effect of the object as such, but the effect of the representation. The holy object is simply the haze of holiness in which the image veils its mysterious power. The religious object is only a pretext, by means of which art or imagination can exercise its dominion over men unhindered. For the religious consciousness, it is true, the sacredness of the image is associated, and necessarily so, only with the sacredness of the object; but the religious consciousness is not the measure of truth. Indeed, the Church itself, while insisting on the distinction between the image and the object of the image, and denying that the worship is paid to the image, has at the same time made at least an indirect admission of the truth, by itself declaring the sacredness of the image.5