DUDLEY WRIGHT (continued 2)

Heracles. The voyage is a long one. For you will come directly to a very big lake of abysmal depth.

Dionysos. Then how shall I get taken across it?

Heracles. In a little boat just so high: an old man who plies that boat will take you across for a fee of two oboles.

Dionysos. Oh dear! How very powerful those two oboles are all over the world. How did they manage to get here?

Heracles. Theseus brought them. After this you will see serpents and wild beasts in countless numbers and very terrible. Then a great slough and overflowing dung; and in this you'll see lying any one who ever yet at any place wronged his guest or beat his mother, or smote his father's jaw, or swore an oath and foreswore himself.... And next a breathing of flutes shall be wafted around you, and you shall see a very beautiful light, even as in this world, and myrtle groves, and happy choirs of men and women, and a loud clapping of hands.

Dionysos. And who are these people, pray?

Heracles. The initiated.

It was regarded as permissible to describe certain scenes of the initiation, and this has been done by many writers, but a complete silence was demanded as to the means employed to realize the end, the rites and ceremonies in which the initiate took part, the emblems which were displayed, and the actual words uttered, and the slightest contravention of this rule rendered the offender liable to the strongest possible condemnation and chastisement.

In the course of the ceremony the hierophant asked the candidates a series of questions, to which written answers had been prepared and committed to memory by the candidates. The holy Mysteries were revealed to them from a book called Petroma, a word derived from petra, a stone, and so called because the writings were kept between two cemented stones which fitted in to each other. The Pheneatians used to swear by and on the Petroma. The domed top held within it a mask of Demeter which the hierophant wore at the celebration of the Mysteries, or during part of the ceremonial. The garments worn by the initiates during the ceremony were accounted sacred and equal to incantations and charms in their power to avert evils. Consequently they were never cast off until torn and tattered. Nor was it usual, even then, to throw them away, but it was customary to make them into swaddling clothes for children or to consecrate them to Demeter and Persephone.

Admission to the third degree took place during the night between the seventh and eighth days of the celebration of the Greater Mysteries. This, the final degree, with the exception of those called to be hierophants, was known as the degree of Epopta. Exactly in what the ceremonial consisted, save in one particular presently to be described, is unknown. Hippolytus is practically the only authority for the main incident of the degree. Certain words and signs were, however, communicated to the initiated which, it was stated, would, when pronounced at the hour of death, ensure the eternal happiness of the soul.

The most solemn part of the ceremony was that which has been described by some writers as the hierogamy, or sacred marriage of Zeus and Demeter, although some have erroneously referred to it as the marriage of Pluto and Persephone. During the celebration of the Mysteries the hierophant and hierophantide descended into a cave or deep recess and, after remaining there for a time, they returned to the assembly, surrounded seemingly by flames, and the hierophant, displaying to the gaze of the initiated an ear of corn, exclaimed with a loud voice: "The divine Brimo has given birth to the holy child Brimos: The strong has brought forth strength." The scene was dramatic and symbolical, and there could have been nothing material in the incident. The torches of the multitude were extinguished while the throng above awaited with anxious suspense the return of the priest and priestess from the murky place into which they had descended, for they believed their own salvation to depend upon the result of the mystic congress. The charges brought against the Eleusinian Mysteries of rioting and debauchery during their Grecian history are brought by those who were not permitted to share their honours, or who were prejudiced in favour of some other form of religion. In the opinion of the majority of contemporary writers these charges were wholly gratuitous, and they maintain that the Eleusinian Mysteries produced a sanctity of manners and a cultivation of virtue. They could not, of course, make a man virtuous against his will and Diogenes, when asked to submit to initiation, replied that Pataecion, a notorious robber, had obtained initiation.

"The Athenians," says Hippolytus, "in the initiation of Eleusis, show to the epoptæ the great, admirable, and most perfect mystery of the epoptæ: an ear of corn gathered in silence." The statement is so clear as to leave no doubt whatever on the subject; indeed, it has never been called into question. The presentation of the ear of corn was regarded as a special, indeed the most important, feature of the Mysteries of Eleusis, and it was reserved for the final degree. Much has been made of this incident by many who can see no beauty in pre-Christian or non-Christian systems of religion, their comments being based mainly on a statement of Gregory Nazianus, who stands almost alone in discerning lewdness in the Eleusinian ceremonial. He says: "It is not in our religion that you will find a seduced Cora, a wandering Demeter, a Keleos, and a Triptolemus appearing with serpents; that Demeter is capable of certain acts and that she permits others. I am really ashamed to throw light on the nocturnal orgies of the initiations. Eleusis knows as well as the witnesses the secret of the spectacle, which is with reason kept so profound."

Apart from this isolated statement the Eleusinian Mysteries have not been charged, as many other ancient rites were, with promoting and encouraging immorality. In his account of the doings of the false prophet Alexander of Abountichos, Lucian describes how the impostor instituted rites which were a close parody of those celebrated at Eleusis, and he narrates the details of the travesty. Among the mimetic performances were not only the epiphany and birth of a god but the enactment of a sacred marriage. All preliminaries were gone through, and Lucian says that but for the abundance of lighted torches the marriage would actually have been consummated. The part of the hierophant was taken by the false prophet himself. From the travesty it is evident that in the genuine Mysteries, in silence, in darkness, and in perfect chastity the sacred marriage was symbolized and that immediately afterwards the hierophant came forward and standing in a blaze of torchlight made the announcement to the initiates.

The name Brimo, expressed at full length Obrimo, seems to be a variation of the compound term Ob-Rimon, "the lofty serpent goddess."

The birth of Brimo; and the mighty deeds Of the Titanic hosts; the servitude Of Jove; and the mysterious mountain rites Of Cybelè, when with distracted pace she sought Through the wide world the beauteous Proserpine; The far-fam'd labours of the Machian Hercules; Th' Idèan orgies; and the giant force Of the dread Corybantes; and the wanderings Of Ceres, and the woes of Prosperpine: With these I sung the gifts of the Cabiri; The Mysteries of Bacchus; and the praise Of Lemnos, Samothrace, and lofty Cyprus, Fair Adonean Venus; and the rites Of dread Ogygian Praxidicè; Arinian Minerva's nightly festival; And Egypt's sorrow for the lost Osiris. Orphic Hymn.

Dr. Jevons maintains that this ear of corn was the totem of Eleusis, and this view has been adopted by M. Reinach, who says: "We find in the texts a certain trace not only of the cult but of the adoration and the exaltation (in the Christian meaning of the word) of the ear of corn." But he has omitted to quote the texts on which he relies for this assertion. It would be interesting to know why, among all the plants which die and revive in the course of a year, wheat was chosen for preference, why the ear more than the grain, why it should be emphasized that it was gathered, for what reason the spectacle was reserved for the epoptæ, and in what manner it secured or ensured for the individual a blissful existence after death. The demonstration presupposes that the preceding rites were leading up to this supreme display.

After this demonstration the epoptæ partook of barley meal flavoured with pennyroyal, as a solemn form of communion with Demeter. According to Eustathius, the compound was a kind of thick gruel, half-solid, half-liquid. This done, each of the initiated repeated after the hierophant the following words: "I have fasted, I have drank 'cyceon.' I have taken from the cystos, and after having tasted of it I placed it in the calathos. I again took it from the calathos and put it back in the cystos." This formula, notwithstanding its length, is said to have been the password leading to the third degree.

Justin Martyr gives the oath of initiation as follows: "So help me heaven, the work of God who is great and wise: so help me the word of the Father which he spake when he established the whole universe in his wisdom."

With this ceremony the third degree ended, save that the epoptæ were placed upon exalted seats, around which the priests circled in mystic dances. The day succeeding admission into the final degree was regarded as a rigorous fast, at the conclusion of which the epoptæ drank of the mystic cyceon and ate of the sacred cakes.

According to Theo of Smyrna, the full or complete initiation consisted of five steps or degrees, which he sets out as follows:—

"Again, philosophy may be called the initiation into true sacred ceremonies, and the tradition of genuine mysteries; for there are five parts of initiation; the first of which is previous purgation, for neither are the Mysteries communicated to all who are willing to receive them, but there are certain characters who are prevented by the voice of the crier, such as those who possess impure hands and an inarticulate voice, since it is necessary that such as are not expelled from the Mysteries should first be refined by certain purgations, but after purgation the tradition of the sacred rite succeeds. The third part is denominated inspection. And the fourth, which is the end and design of inspection, is the binding of the head and fixing the crown, so that the initiated may, by this means, be enabled to communicate to others the sacred rites in which he has been instructed. Whether after this he becomes a torch-bearer, or an interpreter of the Mysteries, or sustains some other part of the sacerdotal office. But the fifth, which is produced from all these, is friendship with divinity, and the enjoyment of that felicity which arises from intimate converse with the gods. According to Plato, purification is to be derived from the five mathematical disciplines, viz. arithmetic, geometry, stereometry, music, and astronomy."

Apuleius is represented as saying to himself:—

"I approached the confines of death; and, having crossed the threshold of Proserpine, I at length returned, borne along through all the elements. I beheld the sun shining in the dead of night with luminous splendour: I saw both the infernal and the celestial gods. I approached and adored them."

Themistius represents initiation in the following words:—

"Entering now the mystic dome, he is filled with horror and amazement. He is seized with solicitude and a total perplexity. He is unable to move a step forward; and he is at a loss to find the entrance to that road which is to lead him to the place he aspires to. But now, in the midst of his perplexity, the prophet (hierophant) suddenly lays open to him the space before the portals of the temple. Having thoroughly purified him, the hierophant now discloses to the initiated a region all over illuminated and shining with a divine splendour. The cloud and thick darkness are dispersed; and the mind, which before was full of disconsolate obscurity, now emerges, as it were, into day, replete with light and cheerfulness, out of the profound depth into which it had been plunged."

The fee for initiation was a minimum sum of fifteen drachmas (a drachma being of the value of 7 3/4d.), in addition to which there were the usual honoraria to be bestowed upon the various officials, to which reference has already been made. Presumably, also, gifts in kind were made to the principal officials, for an inscription of the fifth century B.C., found at Eleusis, reads:—

"Let the Hierophant and the Torch-bearer command that at the Mysteries the Hellenes shall offer first-fruits of their crops in accordance with ancestral usage.... To those who do these things there shall be many good things, both good and abundant crops, whoever of them do not injure the Athenians, nor the city of Athens, nor the two goddesses."

The Telestrion or Hall of Initiation, sometimes called "The Mystic Temple," was surrounded on all sides by steps, which presumably served as seats for the initiated while the sacred dramas and processions took place on the floor of the hall. These steps were partly built in and partly cut in the solid rock; in later times they appear to have been covered with marble. There were two doors on each side of the hall with the exception of the north-west, where the entrance was cut out of the solid rock, a rock terrace at a higher level adjoining it. This was probably the station of those not yet admitted to full initiation. The roof of the hall was carried by rows of columns which were more than once renewed. The Hall itself did not accommodate more than four thousand people. The building was perhaps more accurately described by Aristophanes, who called it: "The House that welcomed the Mystæ," and he carefully distinguished it from the Temple of Demeter. It was not the dwelling-place of any god, and it, therefore, did not contain any holy image. It was built for the celebration of a definite ritual, and the Eleusinian Hall of Initiation was therefore the only known church of antiquity, if by that term we mean the meeting-place of the congregation.

Mr. James Christie, in his work on Greek Vases, contends that the phantasmal scenes in the Mysteries were shown by transparencies, such as are yet used by the Chinese, Javanese, and Hindus.

V

THEIR MYSTICAL SIGNIFICANCE

Life, as we know it, was looked upon by the ancient philosophers as death. Plato considered the body as the sepulchre of the soul, and in the Cratylus acquiesces in the doctrine of Orpheus that the soul is punished through its union with the body. Empedocles, lamenting his connection with this corporeal world, pathetically exclaimed:—

For this I weep, for this indulge my woe, That e'er my soul such novel realms should know.

He also calls this material abode, or the realms of generation,

a joyless region, Where slaughter, rage, and countless ills reside.

Philolaus, the celebrated Pythagorean, wrote: "The ancient theologists and priests testify that the soul is united with the body for the sake of suffering punishment, and that it is buried in the body as in a sepulchre"; while Pythagoras himself said: "Whatever we see when awake is death, and when asleep a dream."

This is the truth intended to be expressed in the Mysteries. Sallustius, the neo-Platonic philosopher, in his treatise Peri Theon kai Kosmou, "Concerning the gods and the existing state of things," explains the rape of Persephone as signifying the descent of the soul. Other writers have explained the real element of the Mysteries as consisting in the relations of the universe to the soul, more especially after death, or as intimating obscurely by splendid visions the felicity of the soul here and hereafter when purified from the defilements of a material nature. The intention of all mystic ceremonies, according to Sallustius, was to conjoin the world and the gods. Plotinus says that to be plunged into matter is to descend and then fall asleep. The initiate had to withstand the dæmons and spectres, which, in later times, illustrated the difficulties besetting the soul in its approach to the gods, so also the Uasarian had to repel or satisfy the mystic crocodiles, vipers, avenging assessors, dæmons of the gate, and other dread beings whom he encountered in his trying passage through the valley of the shadow of death. Pindar, speaking of the Eleusinian Mysteries, says: "Blessed is he who, on seeing those common concerns under the earth, knows both the end of life and the given end of Jupiter."

Psyche is said to have fallen asleep in Hades through rashly attempting to behold corporeal beauty, and the truth intended to be taught in the Eleusinian Mysteries was that prudent men who earnestly employed themselves in divine concerns were, above all others, in a vigilant state, and that imprudent men who pursued objects of an inferior nature were asleep, and engaged only in the delusion of dreams; and that if they happened to die in this sleep before they were aroused they would be afflicted with similar, but still sharper, visions in a future state.

Matter was regarded by the Egyptians as a certain mire or mud. They called matter the dregs or sediment of the first life. Before the first purification the candidate for initiation into the Eleusinian Mysteries was besmeared with clay or mud which it was the object of the purification to wash away. It also intimated that while the soul is in a state of servitude to the body it lives confined, as it were, in bonds through the dominion of this Titanic life. Thus the Greeks laid great stress upon the advantages to be derived from initiation. Not only were the initiates placed under the protection of the State, but the very act of initiation was said to assist in the spreading of goodwill among men, keep the soul from sin and crime, place the initiates under the special protection of the gods, and provide them with the means of attaining perfect virtue, the power of living a spotless life, and assure them of a peaceful death and of everlasting bliss hereafter. The hierophants assured all who participated in the Mysteries that they would have a high place in Elysium, a clearer understanding, and a more intimate intercourse with the gods, whereas the uninitiated would for ever remain in outer darkness. Indeed, in the third degree the epoptæ were said to be admitted to the presence of and converse with the goddesses Demeter and Persephone, under whose immediate care and protection they were said to be placed. Initiation was referred to frequently as a guarantee of salvation conferred by outward and visible signs and by sacred formulæ.

The Lesser Mysteries were intended to symbolize the condition of the soul while subservient to the body, and the liberation from this servitude, through purgative virtues, was what the wisdom of the Ancients intended to signify by the descent into Hades and the speedy return from those dark abodes. They were held to contain perfective rites and appearances and the tradition of the sacred doctrines necessary to the perfection or accomplishment of the most splendid visions. The perfective part, said Proclus, precedes initiation, as initiation precedes inspection.

"Hercules," said Proclus also in Plat. Polit., "being purified by sacred initiations and enjoying undefiled fruits, obtained at length a perfect establishment among the gods"; that is, freed from the bondage of matter ascending beyond the reach of its hands.

Plutarch wrote:—

"To die is to be initiated into the great mysteries,... Our whole life is but a succession of errors, of painful wanderings, and of long-journeys by tortuous ways, without outlet. At the moment of quitting it, fears, terrors, quiverings, mortal sweats, and a lethargic stupor come and overwhelm us; but, as soon as we are out of it, we pass into delightful meadows, where the purest air is breathed, where sacred concerts and discourses are heard; where, in short, one is impressed with celestial visions. It is there that man, having become perfect through his new initiation, restored to liberty, really master of himself, celebrates, crowned with myrtle, the most august mysteries, holds converse with just and pure souls, and sees with contempt the impure multitude of the profane or uninitiated, ever plunged and sinking itself into the mire and in profound darkness."

Dogmatic instruction was not included in the Mysteries; the doctrine of the immortality of the soul traces its origin to sources anterior to the rise of the Mysteries. At Eleusis the way was shown how to secure for the soul after death the best possible fate. The miracle of regeneration, rather than the eternity of being, was taught.

Plato introduces Socrates as saying: "In my opinion those who established the Mysteries, whoever they were, were well skilled in human nature. For in these rites it was of old signified to the aspirants that those who died without being initiated stuck fast in mire and filth; but that he who was purified and initiated should, at his death, have his habitation with the gods."

Plato, again, in the seventh book of the Republic says: "He who is not able by the exercise of his reason to define the idea of the good, separating it from all other objects and piercing as in a battle through every kind of argument; endeavouring to confute, not according to opinion but according to evidence, and proceeding with all these dialectical exercises with an unshaken reason—he who cannot accomplish this, would you not say that he neither knows the good itself, nor anything which is properly demonstrated good? And would you not assert that such a one when he apprehended it rather through the medium of opinion than of science, that in the present life he is sunk in sleep and conversant with delusions and dreams; and that before he is roused to a vigilant state he will descend to Hades, and be overwhelmed with sleep perfectly profound?"

Olympiodorus, in his MS. Commentary on the Georgias of Plato, says of the Elysian fields: "It is necessary to know that the fortunate islands are said to be raised above the sea.... Hercules is reported to have accomplished his last labour in the Hesperian regions, signifying by this that, having vanquished an obscure and terrestrial life, he afterwards lived in open day—that is, in truth and resplendent light. So that he who in the present state vanquishes as much as possible a corporeal life, through the exercise of the cathartic virtues, passes in reality into the fortunate islands of the soul, and lives surrounded with the bright splendours of truth and wisdom proceeding from the sun of good."

The esoteric teaching was not, of course, grasped by all the initiates; the majority merely recognized or grasped the exoteric doctrine of a future state of rewards and punishments. Virgil, in his description, in the Æneid, of the Mysteries, confines himself to the exoteric teaching. Æneas, having passed over the Stygian lake, meets with the three-headed Cerberus. By Cerberus must be understood the discriminative part of the soul, of which a dog, by reason of its sagacity, is an emblem. The three heads signify the intellective, dianoetic, and doxatic powers. "He dragg'd the three-mouth'd dog to upper day"—i.e. by temperance, continence, and other virtues he drew upwards the various powers of the soul. The teaching of the Mysteries was not in opposition to the ordinary creed: it deepened it rather, revived it in a spiritual manner and gave to religion a force and a power it had not hitherto possessed.

The fable of Persephone, as belonging to the Mysteries, was properly of a mixed nature, composed of all four species of fable—theological, physical, animistic, and material. According to the arcana of ancient theology, the Coric order—i.e. that belonging to Persephone—is twofold, one part supermundane and the other mundane.

Proclus says: "According to the rumour of theologists, who delivered to us the most holy Eleusinian Mysteries, Persephone abides on high, in those dwellings of her mother which she prepared for her in inaccessible places, exempt from the sensible world. But she likewise dwells with Pluto, administering terrestrial concerns, governing the recesses of the earth and imparting soul to beings which are of themselves inanimate and dead."

The Orphic poet describes Persephone as "the life and the death of mortals," and as being the mother of Eubuleus or Bacchus by an ineffable intercourse with Jupiter. Porphyry asserts that the wood pigeon was sacred to her and that she was the same as Maia, or the great mother, who is usually claimed as the parent of the Arkite god Mercury.

According to Nösselt the following may be taken as the meaning of the myth of Demeter and her lost daughter: "Persephone, the daughter of the all-productive earth (Demeter), is the seed. The earth rejoices at the sight of the plants and flowers, but they fade and wither, and the seed disappears quickly from the face of the earth when it is strewn on the ground. The dreaded monarch of the underworld has taken possession of it. In vain the mother searches for her child, the whole face of nature mourns her loss, and everything sorrows and grieves with her. But, secretly and unseen, the seed develops itself in the lap of the earth, and at length it starts forth: what was dead is now alive; the earth, all decked with fresh green, rejoices at the recovery of her long-lost daughter, and everything shares in the joy."

Demeter was worshipped in a twofold sense by the Greeks, as the foundress of agriculture and as goddess of law and order. They used to celebrate yearly in her honour the Thesmorphoria, or Festival of Laws. According to some ancient writers the Greeks, prior to the time of Demeter and Triptolemus, fed upon the acorns of the ilex, or the evergreen oak. Acorns, according to Virgil, were the food in Epiros, and in Spain, according to Strabo. The Scythians made bread with acorns. According to another tradition, before Demeter's time, men neither cultivated corn nor tilled the ground, but roamed the mountains and woods in search for the wild fruits which the earth produced. Isocrates wrote: "Ceres hath made the Athenians two presents of the greatest consequence: corn, which brought us out of a state of brutality; and the Mysteries, which teach the initiated to entertain the most agreeable expectations touching death and eternity." The coins of Eleusis represented Demeter in a car drawn by dragons or serpents which were sometimes winged. The goddess had two ears of corn in her right hand or, as some imagined, torches, indicating that she was searching for her daughter. George Wheler, in his Journey into Greece, published in 1682, says: "We observed many large stones covered with wheat-ears and bundles of poppy bound together; these being the characters of Ceres." At Copenhagen there is a statue representing Demeter holding poppies and ears of corn in her left hand. On a coin of Lampsacus of the fourth century B.C., Persephone is described in the act of rising from the earth.

According to Taylor, the Platonist, Demeter in the legend represents the evolution of that self-inspective part of our nature which we properly determine intellect, and Persephone that vital, self-moving, and animate part which we call soul. Pluto signifies the whole of our material nature, and, according to Pythagoras, the empire of this god commences downwards from the Galaxy or Milky Way.

Sallust says that among the mundane divinities Ceres is the deity of the planet Saturn. The cavern signifies the entrance into mundane life accomplished by the union of the soul with the terrestrial body. Demeter, who was afraid lest some violence be offered to Persephone on account of her inimitable beauty, conveyed her privately to Sicily and concealed her in a house built on purpose by the Cyclops, while she herself directed her course to the temple of Cybele, the mother of the gods. Here we see the first cause of the soul's descent, viz. her desertion of a life wholly according to intellect, occultly signified by the separation of Demeter and Persephone. Afterwards Jupiter instructed Venus to go and betray Persephone from her retirement, that Pluto might be enabled to carry her away, and, to prevent any suspicion in the virgin's mind, he commanded Diana and Pallas to bear her company. The three goddesses on arrival found Persephone at work on a scarf for her mother, on which she had embroidered the primitive chaos and the formation of the world. Venus, says Taylor, is significant of desire, which, even in the celestial regions (for such is the residence of Persephone until she is ravished by Pluto), begins silently and fraudulently in the recesses of the soul. Minerva is symbolical of the rational power of the soul; and Diana represents nature, or the merely natural and vegetable part of our composition, both ensnared through the allurements of desire.

In Ovid we have Narcissus, the metamorphosis of a youth who fell a victim to love of his own corporeal form. The rape of Persephone, according to the Homeric Hymn to Demeter, was the immediate consequence of her gathering this wonderful flower. By Narcissus falling in love with his shadow in the limpid stream we behold the representation of a beautiful soul, which, by prolonged gaze upon the material form, becomes enamoured of a corporeal life and changed into a being consisting wholly of the mere energies of nature. Plato, forcing his passage through the earth, seizes on Persephone and carries her away, despite the resistance of Minerva and Diana, who were forbidden by Jupiter to attempt her deliverance after her abduction. This signifies that the lapse of the soul into a material nature is contrary to the genuine wish and proper condition. Pluto having hurried Persephone into the infernal regions, marriage succeeds. That is to say, the soul having sunk into the profoundities of a material nature, unites with the dark tenement of the material body. Night is with great beauty and propriety introduced, standing by the nuptial couch and confirming the oblivious league. That is to say, the soul, by union with a material body, becomes familiar with darkness and subject to the empire of night, in consequence of which she dwells wholly with delusive phantoms and till she breaks her fetters is deprived of the perception of that which is real and true.

The nine days of the Festival are said to be significant of the descent of the soul. The soul, in falling from her original, divine abode in the heavens, passes through eight spheres, viz. the inerratic sphere and the seven planets, assuming a different body and employing different energies in each, finally becoming connected with the sublunary world and a terrene body on the ninth. Demeter and the foundation of the art of tillage are said to signify the descent of intellect into the realms of generation, the greatest benefit and ornament which a material nature is capable of receiving. Without the possibility of the participation of intellect in the lower material sphere nothing but an irrational and a brutal life would subsist.

But, according to some writers, the initiates into the third degree were taught that the gods and goddesses were only dead mortals, subject while alive to the same passions and infirmities as themselves; and they were taught to look upon the Supreme Cause, the Creator of the Universe, as pervading all things by His virtue and governing all things by His power. Thus the meaning of Mystes is given as "one who sees things in disguise," and that of Epopt as "one who sees things as they are, without disguise." The Epopt, after passing through the ceremonial of exaltation, was said to have received Autopsia, or complete vision. Virgil declared that the secret of the Mysteries was the Unity of the Godhead, and Plato owned it to be "difficult to find the Creator of the Universe, and, when found, impossible to discover Him to all the world." Varro, in his work Of Religions, says that "there were many truths which it was inconvenient for the State to be generally known; and many things which, though false, it was expedient the people should believe, and that, therefore, the Greeks shut up their Mysteries in the silence of their sacred enclosures." The Mysteries declared that the future life was not the shadowy, weary existence which it had hitherto been supposed to be, but that through the rites of purification and sacrifices of a sacramental character man could secure a better hope for the future. Thus the Eleusinian Mysteries became the chief agent in the conversion of the Greek world from the Homeric view of Hades to a more hopeful belief as to man's state after death. Tully promulgated a law forbidding nocturnal sacrifices in which women were permitted to take part, but made an express exception in favour of the Eleusinian Mysteries, giving as his reason: "Athens hath produced many excellent, even divine inventions and applied them to the use of life, but she has given nothing better than those Mysteries by which we are drawn from an irrational and savage life and tamed, as it were, and broken to humanity. They are truly called Initia, for they are indeed the beginnings of a life of reason and virtue."

Secrecy was enjoined because it was regarded as essential that the profane should not be permitted to share the knowledge of the true nature of Demeter and Persephone, as if it were known that these goddesses were only mortal women their worship would become contemptible. Cicero says that it was the humanity of Demeter and Persephone, their places of interment, and several facts of a like nature that were concealed with so much care. Diagoras, the Melian, was accounted an atheist because he revealed the real secret of the Eleusinian. Mysteries. The charge of atheism was the lot of any who communicated a knowledge of the one, only God. Pindar says, referring to the Mysteries: "Happy is he who has seen these things before leaving this world: he realizes the beginning and the end of life, as ordained by Zeus"; and Sophocles wrote: "Oh, thrice blessed the mortals, who, having contemplated these Mysteries, have descended to Hades; for those only will there be a future life of happiness—the others there will find nothing but suffering."

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