The Easiest WayAct 4 — ACT IV. Laura Murdock's Apartments. The same as Act III.Reading editionChapter navigation15 reading sectionsGo to chapterChoose a chapter…Front matterEUGENE WALTERDAVID BELASCO'S STUYVESANT THEATREACT IV.—The same at Act III. Time—The same afternoon.THE EASIEST WAYCHARACTERS.DESCRIPTION OF CHARACTERS.ACT I. Mrs. Williams' Ranch House or Country Home, perched on the side of Ute Pass, near Colorado Springs, Colorado.ACT II. Laura Murdock's furnished Room, second story back, New York.ACT III. Laura Murdock's Apartments in an expensive Hotel.ACT IV. Laura Murdock's Apartments. The same as Act III.SCENE. The scene is that of the summer country ranch house of MRS. WILLIAMS, a friend of LAURA MURDOCK'S, and a prominent society woman of Denver, perched on the side of Ute Pass, near Colorado Springs. The house is one of unusual pretentiousness, and, to a person not conversant with conditions as they exist in this part of Colorado, the idea might be that such magnificence could not obtain in such a locality. At the left of stage the house rises in the form of a turret, built of rough stone of a brown hue, two stories high, and projecting a quarter of the way out on the stage. The door leads to a small elliptical terrace built of stone, with heavy benches of Greek design, strewn cushions, while over the top of one part of this terrace is suspended a canopy made from a Navajo blanket. The terrace is supposed to extend almost to the right of stage, and here it stops. The stage must be cut here so that the entrance of JOHN can give the illusion that he is coming up a steep declivity or a long flight of stairs. There are chairs at right and left, and a small table at left. There are trailing vines around the balustrade of the terrace, and the whole setting must convey the idea of quiet wealth. Up stage is supposed to be the part of the terrace overlooking the cañon, a sheer drop of two thousand feet, while over in the distance, as if across the cañon, one can see the rolling foot-hills and lofty peaks of the Rockies, with Pike's Peak in the distance, snow-capped and colossal. It is late in the afternoon, and, as the scene progresses, the quick twilight of a cañon, beautiful in its tints of purple and amber, becomes later pitch black, and the curtain goes down on an absolutely black stage. The cyclorama, or semi-cyclorama, must give the perspective of greater distances, and be so painted that the various tints of twilight may be shown.ACT II.SCENE. Two months have elapsed. The scene is at BROCKTON'S apartment in a hotel such as is not over particular concerning the relations of its tenants. There are a number of these hotels throughout the theatre district of New York, and, as a rule, one will find them usually of the same type. The room in which this scene is placed is that of the general living-room in one of the handsomest apartments in the building. The prevailing colour is green, and there is nothing particularly gaudy about the general furnishings. They are in good taste, but without the variety of arrangement and ornamentation which would naturally obtain in a room occupied by people a bit more particular concerning their surroundings. Down stage is a table about three feet square which can be used not only as a general centre-table, but also for service while the occupants are eating. There is a breakfast service on this table, and also a tray and stand behind it. There is a chair at either side of the table, and at right coming up stage, the room turns at a sharp angle of thirty-five degrees, and this space is largely taken up by a large doorway. This is equipped with sliding-doors and hung with green portières, which are handsome and in harmony with the general scheme of the furnishings of the room. This entrance is to the sleeping-room of the apartments.SCENE. The same scene as Act III. It is about two o'clock in the afternoon.Previous chapter ←Act 3 — ACT III. Laura Murdock's Apartments in an expensive Hotel.Next chapter →Act 1 — SCENE. The scene is that of the summer country ranch house of MRS. WILLIAMS, a friend of LAURA MURDOCK'S, and a prominent society woman of Denver, perched on the side of Ute Pass, near Colorado Springs. The house is one of unusual pretentiousness, and, to a person not conversant with conditions as they exist in this part of Colorado, the idea might be that such magnificence could not obtain in such a locality. At the left of stage the house rises in the form of a turret, built of rough stone of a brown hue, two stories high, and projecting a quarter of the way out on the stage. The door leads to a small elliptical terrace built of stone, with heavy benches of Greek design, strewn cushions, while over the top of one part of this terrace is suspended a canopy made from a Navajo blanket. The terrace is supposed to extend almost to the right of stage, and here it stops. The stage must be cut here so that the entrance of JOHN can give the illusion that he is coming up a steep declivity or a long flight of stairs. There are chairs at right and left, and a small table at left. There are trailing vines around the balustrade of the terrace, and the whole setting must convey the idea of quiet wealth. Up stage is supposed to be the part of the terrace overlooking the cañon, a sheer drop of two thousand feet, while over in the distance, as if across the cañon, one can see the rolling foot-hills and lofty peaks of the Rockies, with Pike's Peak in the distance, snow-capped and colossal. It is late in the afternoon, and, as the scene progresses, the quick twilight of a cañon, beautiful in its tints of purple and amber, becomes later pitch black, and the curtain goes down on an absolutely black stage. The cyclorama, or semi-cyclorama, must give the perspective of greater distances, and be so painted that the various tints of twilight may be shown.All chapters and sections (15)Opening pagesFront matterOther sectionsEUGENE WALTERDAVID BELASCO'S STUYVESANT THEATREActs4Act 4 · Other sectionsTHE EASIEST WAYCHARACTERS.DESCRIPTION OF CHARACTERS.Act 1 · Acts1Act 2 · Acts2Act 3 · Acts3Act 4 · Acts4Act 1 · Other sectionsSCENE. The scene is that of the summer country ranch house of MRS. WILLIAMS, a friend of LAURA MURDOCK'S, and a prominent society woman of Denver, perched on the side of Ute Pass, near Colorado Springs. The house is one of unusual pretentiousness, and, to a person not conversant with conditions as they exist in this part of Colorado, the idea might be that such magnificence could not obtain in such a locality. At the left of stage the house rises in the form of a turret, built of rough stone of a brown hue, two stories high, and projecting a quarter of the way out on the stage. The door leads to a small elliptical terrace built of stone, with heavy benches of Greek design, strewn cushions, while over the top of one part of this terrace is suspended a canopy made from a Navajo blanket. The terrace is supposed to extend almost to the right of stage, and here it stops. The stage must be cut here so that the entrance of JOHN can give the illusion that he is coming up a steep declivity or a long flight of stairs. There are chairs at right and left, and a small table at left. There are trailing vines around the balustrade of the terrace, and the whole setting must convey the idea of quiet wealth. Up stage is supposed to be the part of the terrace overlooking the cañon, a sheer drop of two thousand feet, while over in the distance, as if across the cañon, one can see the rolling foot-hills and lofty peaks of the Rockies, with Pike's Peak in the distance, snow-capped and colossal. It is late in the afternoon, and, as the scene progresses, the quick twilight of a cañon, beautiful in its tints of purple and amber, becomes later pitch black, and the curtain goes down on an absolutely black stage. The cyclorama, or semi-cyclorama, must give the perspective of greater distances, and be so painted that the various tints of twilight may be shown.Act 2 · Acts2Act 3 · Other sectionsSCENE. Two months have elapsed. The scene is at BROCKTON'S apartment in a hotel such as is not over particular concerning the relations of its tenants. There are a number of these hotels throughout the theatre district of New York, and, as a rule, one will find them usually of the same type. The room in which this scene is placed is that of the general living-room in one of the handsomest apartments in the building. The prevailing colour is green, and there is nothing particularly gaudy about the general furnishings. They are in good taste, but without the variety of arrangement and ornamentation which would naturally obtain in a room occupied by people a bit more particular concerning their surroundings. Down stage is a table about three feet square which can be used not only as a general centre-table, but also for service while the occupants are eating. There is a breakfast service on this table, and also a tray and stand behind it. There is a chair at either side of the table, and at right coming up stage, the room turns at a sharp angle of thirty-five degrees, and this space is largely taken up by a large doorway. This is equipped with sliding-doors and hung with green portières, which are handsome and in harmony with the general scheme of the furnishings of the room. This entrance is to the sleeping-room of the apartments.Act 3 · Acts3TIME. The afternoon of the same day.◇← ACT III. Laura Murdock's Apartments in an expensive Hotel.SCENE. The scene is that of the summer country ranch house of MRS. WILLIAMS, a friend of LAURA MURDOCK'S, and a prominent society woman of Denver, perched on the side of Ute Pass, near Colorado Springs. The house is one of unusual pretentiousness, and, to a person not conversant with conditions as they exist in this part of Colorado, the idea might be that such magnificence could not obtain in such a locality. At the left of stage the house rises in the form of a turret, built of rough stone of a brown hue, two stories high, and projecting a quarter of the way out on the stage. The door leads to a small elliptical terrace built of stone, with heavy benches of Greek design, strewn cushions, while over the top of one part of this terrace is suspended a canopy made from a Navajo blanket. The terrace is supposed to extend almost to the right of stage, and here it stops. The stage must be cut here so that the entrance of JOHN can give the illusion that he is coming up a steep declivity or a long flight of stairs. There are chairs at right and left, and a small table at left. There are trailing vines around the balustrade of the terrace, and the whole setting must convey the idea of quiet wealth. Up stage is supposed to be the part of the terrace overlooking the cañon, a sheer drop of two thousand feet, while over in the distance, as if across the cañon, one can see the rolling foot-hills and lofty peaks of the Rockies, with Pike's Peak in the distance, snow-capped and colossal. It is late in the afternoon, and, as the scene progresses, the quick twilight of a cañon, beautiful in its tints of purple and amber, becomes later pitch black, and the curtain goes down on an absolutely black stage. The cyclorama, or semi-cyclorama, must give the perspective of greater distances, and be so painted that the various tints of twilight may be shown. →