FAMOUS COPYRIGHT BOOKS IN POPULAR PRICED EDITIONS

Re-issues of the great literary successes of the time. Library size. Printed on excellent paper—most of them with illustrations of marked beauty—and handsomely bound in cloth. Price, 75 cents a volume, postpaid.

BEVERLY OF GRAUSTARK. By George Barr McCutcheon. With Color Frontispiece and other illustrations by Harrison Fisher. Beautiful inlay picture in colors of Beverly on the cover.

"The most fascinating, engrossing and picturesque of the season's novels."—Boston Herald. "'Beverly' is altogether charming—almost living flesh and blood."—Louisville Times. "Better than 'Graustark'."—Mail and Express. "A sequel quite as impossible as 'Graustark' and quite as entertaining."—Bookman. "A charming love story well told."—Boston Transcript.

HALF A ROGUE. By Harold MacGrath. With illustrations and inlay cover picture by Harrison Fisher.

"Here are dexterity of plot, glancing play at witty talk, characters really human and humanly real, spirit and gladness, freshness and quick movement. 'Half a Rogue' is as brisk as a horseback ride on a glorious morning. It is as varied as an April day. It is as charming as two most charming girls can make it. Love and honor and success and all the great things worth fighting for and living for the involved in 'Half a Rogue.'"—Phila. Press.

THE GIRL FROM TIM'S PLACE. By Charles Clark Munn. With illustrations by Frank T. Merrill.

"Figuring in the pages of this story there are several strong characters. Typical New England folk and an especially sturdy one, old Cy Walker, through whose instrumentality Chip comes to happiness and fortune. There is a chain of comedy, tragedy, pathos and love, which makes a dramatic story."—Boston Herald.

THE LION AND THE MOUSE. A story of American Life. By Charles Klein, and Arthur Hornblow. With illustrations by Stuart Travis, and Scenes from the Play.

The novel duplicated the success of the play; in fact the book is greater than the play. A portentous clash of dominant personalities that form the essence of the play are necessarily touched upon but briefly in the short space of four acts. All this is narrated in the novel with a wealth of fascinating and absorbing detail, making it one of the most powerfully written and exciting works of fiction given to the world in years.

BARBARA WINSLOW, REBEL. By Elizabeth Ellis. With illustrations by John Rae, and colored inlay cover.

The following, taken from story, will best describe the heroine: A TOAST: "To the bravest comrade in misfortune, the sweetest companion in peace and at all times the most courageous of women."—Barbara Winslow. "A romantic story, buoyant, eventful, and in matters of love exactly what the heart could desire."—New York Sun.

SUSAN. By Ernest Oldmeadow. With a color frontispiece by Frank Haviland. Medallion in color on front cover.

Lord Ruddington falls helplessly in love with Miss Langley, whom he sees in one of her walks accompanied by her maid, Susan. Through a misapprehension of personalities his lordship addresses a love missive to the maid. Susan accepts in perfect good faith, and an epistolary love-making goes on till they are disillusioned. It naturally makes a droll and delightful little comedy; and is a story that is particularly clever in the telling.

WHEN PATTY WENT TO COLLEGE. By Jean Webster. With illustrations by C. D. Williams.

"The book is a treasure."—Chicago Daily News. "Bright, whimsical, and thoroughly entertaining."—Buffalo Express. "One of the best stories of life in a girl's college that has ever been written."—N. Y. Press. "To any woman who has enjoyed the pleasures of a college life this book cannot fail to bring back many sweet recollections; and to those who have not been to college the wit, lightness, and charm of Patty are sure to be no less delightful."—Public Opinion.

THE MASQUERADER. By Katherine Cecil Thurston. With illustrations by Clarence F. Underwood.

"You can't drop it till you have turned the last page."—Cleveland Leader. "Its very audacity of motive, of execution, of solution, almost takes one's breath away. The boldness of its denouement is sublime."—Boston Transcript. "The literary hit of a generation. The best of it is the story deserves all its success. A masterly story."—St. Louis Dispatch. "The story is ingeniously told, and cleverly constructed."—The Dial.

THE GAMBLER. By Katherine Cecil Thurston. With illustrations by John Campbell.

"Tells of a high strung young Irish woman who has a passion for gambling, inherited from a long line of sporting ancestors. She has a high sense of honor, too, and that causes complications. She is a very human, lovable character, and love saves her."—N. Y. Times.

GROSSET & DUNLAP, — NEW YORK

[Transcriber's Note: A table of contents has been created for this electronic book. In addition, the following typographical errors from the original edition have been corrected.

In Chapter III, a triple quotation mark following "You were not here when I entered" and a single quotation mark preceding "Your future wife will swear" were changed to double quotation marks, and "sip the sweeest wine" was changed to "sip the sweetest wine".

In Chapter VI, a quotation mark was added following "a found treasure".

In Chapter VIII, "the fulfilment of her puropse" was changed to "the fulfilment of her purpose", and "every detal of his dress" was changed to "every detail of his dress".

In Chapter IX, quotation marks were removed in front of "Don't you want to speak to her?" and ""With a wild cry", "the indignation of the yiung artist" was changed to "the indignation of the young artist", and "He advanced determedly" was changed to "He advanced determinedly".

In the advertisements, a comma following "Boston Transcript" was changed to a period, "dominant personalties" was changed to "dominant personalties", and "Medalion in color" was changed to "Medallion in color".

No other corrections were made to the text.]