Volume 3 / Book 13 — BOOK XIII. (continued 2)

Accordingly, when on one occasion Stilpo, at a banquet, was accusing Glycera of seducing the young men of the city, (as Satyrus mentions in his Lives,) Glycera took him up and said, "You and I are accused of the same thing, O Stilpo; for they say that you corrupt all who come to you, by teaching them profitless and amorous sophistries; and they accuse me of the same thing: for if people waste their time, and are treated ill, it makes no difference whether they are living with a philosopher or with a harlot." For, according to Agathon,

47. And Lynceus has recorded many repartees of Gnathæna. There was a parasite who used to live upon an old woman, and kept himself in very good condition; and Gnathæna, seeing him, said, "My young friend, you appear to be in very good case." "What then do you think," said he, "that I should be if I slept by myself?" "Why, I think you would starve," said she. Once, when Pausanius, who was nicknamed Laccus,[35] was dancing, he fell into a cask. "The cellar," says Gnathæna, "has fallen into the cask." On one occasion, some one put a very little wine into a wine-cooler, and said that it was sixteen years old. "It is very little of its age," said she, "to be as old as that." Once at a drinking-party, some young men were fighting about her, and beating one another, and she said to the one who was worsted, "Be of good cheer, my boy; for it is not a contest to be decided by crowns, but by guineas." There was a man who once gave her daughter a mina, and never brought her anything more, though he came to see her very often. "Do you think, my boy," said she, "that now you have once paid your mina, you are to come here for ever, as if you were going to Hippomachus the trainer?" On one occasion, when Phryne said to her, with some bitterness, "What would become of you if you had the stone?" "I would give it to you," said she, "to sharpen your wit upon." For it was said that Gnathæna was liable to the stone, while the other certainly wanted it as Gnathæna hinted. On one occasion, some men were drinking in her house, and were eating some lentils dressed with onions (βολβοφάκη); as the maidservant was clearing the table, and putting some of the lentils in her bosom (κόλπον), Gnathæna said, "She is thinking of making some κολποφάκη."

Once, when Andronicus the tragedian had been acting his part in the representation of the Epigoni with great applause, and was coming to a drinking-party at her house, and sent a boy forward to bid her make preparation to receive him, she said—

And once, when a chattering fellow was relating that he was just come from the Hellespont, "Why, then," said she, "did you not go to the first city in that country?" and when he asked what city, "To Sigeum,"[36] said she. Once, when a man came to see her, and saw some eggs on a dish, and said, "Are these raw, Gnathæna, or boiled?" "They are made of brass, my boy," said she. On one occasion, when Chærephon came to sup with her without an invitation, Gnathæna pledged him in a cup of wine. "Take it," said she, "you proud fellow." And he said, "I proud?" "Who can be more so," said she, "when you come without even being invited?" And Nico, who was nicknamed the Goat (as Lynceus tells us), once when she met a parasite, who was very thin in consequence of a long sickness, said to him, "How lean you are." "No wonder," says he; "for what do you think is all that I have had to eat these three days?" "Why, a leather bottle," says she, "or perhaps your shoes."

COURTESANS.

48. There was a courtesan named Metanira; and when Democles the parasite, who was nicknamed Lagynion, fell down in a lot of whitewash, she said, "Yes, for you have devoted yourself to a place where there are pebbles." And when he sprung upon a couch which was near him, "Take care," said she, "lest you get upset." These sayings are recorded by Hegesander. And Aristodemus, in the second book of his Laughable Records, says that Gnathæna was hired by two men, a soldier and a branded slave; and so when the soldier, in his rude manner, called her a cistern, "How can I be so?" said she; "is it because two rivers, Lycus and Eleutherus, fall into me?" On one occasion, when some poor lovers of the daughter of Gnathæna came to feast at her house, and threatened to throw it down, saying that they had brought spades and mattocks on purpose; "But," said Gnathæna, "if you had those implements, you should have pawned them, and brought some money with you." And Gnathæna was always very neat and witty in all she said; and she even compiled a code of laws for banquets, according to which lovers were to be admitted to her and to her daughters, in imitation of the philosophers, who had drawn up similar documents. And Callimachus has recorded this code of hers in the third Catalogue of Laws which he has given; and he has quoted the first words of it as follows:—"This law has been compiled, being fair and equitable; and it is written in three hundred and twenty-three verses."

49. But a slave who had been flogged hired Callistium, who was nicknamed Poor Helen; and as it was summer, and he was lying down naked, she, seeing the marks of the whip, said, "Where did you get this, you unhappy man?" and he said, "Some broth was spilt over me when I was a boy." And she said, "It must have been made of neats'-leather." And once, when Menander the poet had failed with one of his plays, and came to her house, Glycera brought him some milk, and recommended him to drink it. But he said he would rather not, for there was some γραῦς[37] on it. But she replied, "Blow it away, and take what there is beneath."

Thais said once to a boastful lover of hers, who had borrowed some goblets from a great many people, and said that he meant to break them up, and make others of them, "You will destroy what belongs to each private person." Leontium was once sitting at table with a lover of hers, when Glycera came in to supper; and as the man began to pay more attention to Glycera, Leontium was much annoyed: and presently, when her friend turned round, and asked her what she was vexed at, she said, "Ἡ ὑστέρα[38] pains me."

A lover of hers once sent his seal to Lais the Corinthian, and desired her to come to him; but she said, "I cannot come; it is only clay." Thais was one day going to a lover of hers, who smelt like a goat; and when some one asked her whither she was going, she said—

Phryne, too, was once supping with a man of the same description, and, lifting up the hide of a pig, she said, "Take it, and eat[40] it." And once, when one of her friends sent her some wine, which was very good, but the quantity was small; and when he told her that it was ten years old; "It is very little of its age," said she. And once, when the question was asked at a certain banquet, why it is that crowns are hung up about banqueting-rooms, she said, "Because they delight the mind."[41] And once, when a slave, who had been flogged, was giving himself airs as a young man towards her, and saying that he had been often entangled, she pretended to look vexed; and when he asked her the reason, "I am jealous of you," said she, "because you have been so often smitten."[42] Once a very covetous lover of hers was coaxing her, and saying to her, "You are the Venus of Praxiteles;" "And you," said she, "are the Cupid of Phidias."[43]

COURTESANS.

50. And as I am aware that some of those men who have been involved in the administration of affairs of state have mentioned courtesans, either accusing or excusing them, I will enumerate some instances of those who have done so. For Demosthenes, in his speech against Androtion, mentions Sinope and Phanostrate; and respecting Sinope, Herodicus the pupil of Crates says, in the sixth book of his treatise on People mentioned in the Comic Poets, that she was called Abydus, because she was an old woman. And Antiphanes mentions her in his Arcadian, and in his Gardener, and in his Sempstress, and in his Female Fisher, and in his Neottis. And Alexis mentions her in his Cleobuline, and Callicrates speaks of her in his Moschion; and concerning Phanostrate, Apollodorus, in his treatise on the Courtesans at Athens, says that she was called Phtheiropyle, because she used to stand at the door (πύλη) and hunt for lice (φθεῖρες).

And in his oration against Aristagoras, Hyperides says—"And again you have named, in the same manner, the animals called aphyæ." Now, aphyæ, besides meaning anchovies, was also a nickname for some courtesans; concerning whom the before-mentioned Apollodorus says—"Stagonium and Amphis were two sisters, and they were called Aphyæ, because they were white, and thin, and had large eyes." And Antiphanes, in his book on Courtesans, says that Nicostratis was called Aphya for the same reason. And the same Hyperides, in his speech against Mantitheus, who was being prosecuted for an assault, speaks in the following manner respecting Glycera—"Bringing with him Glycera the daughter of Thalassis in a pair-horse chariot." But it is uncertain whether this is the same Glycera who was the mistress of Harpalus; concerning whom Theopompus speaks in his treatise on the Chian Epistle, saying that after the death of Pythionica, Harpalus sent for Glycera to come to him from Athens; and when she came, she lived in the palace which is at Tarsus, and was honoured with royal honours by the populace, and was called queen; and an edict was issued, forbidding any one to present Harpalus with a crown, without at the same time presenting Glycera with another. And at Rhossus, he went so far as to erect a brazen statue of her by the side of his own statue. And Clitarchus has given the same account in his History of Alexander. But the author of Agen, a satyric drama, (whoever he was, whether it was Python of Catana, or king Alexander himself,) says—

51. And Lysias, in his oration against Lais, if, indeed, the speech is a genuine one, mentions these circumstances—"Philyra abandoned the trade of a harlot when she was still quite young; and so did Scione, and Hippaphesis, and Theoclea, and Psamathe, and Lagisca, and Anthea." But perhaps, instead of Anthea, we ought to read Antea. For I do not find any mention made by any one of a harlot named Anthea. But there is a whole play named after Antea, by either Eunicus or Philyllius. And the author of the oration against Neæra, whoever he was, also mentions her. But in the oration against Philonides, who was being prosecuted for an assault, Lysias, if at least it is a genuine speech of his, mentions also a courtesan called Nais. And in his speech against Medon, for perjury, he mentions one by the name of Anticyra; but this was only a nickname given to a woman, whose real name was Hoia, as Antiphanes informs us in his treatise on Courtesans, where he says that she was called Anticyra,[44] because she was in the habit of drinking with men who were crazy and mad; or else because she was at one time the mistress of Nicostratus the physician, and he, when he died, left her a great quantity of hellebore, and nothing else. Lycurgus, also, in his oration against Leocrates, mentions a courtesan named Irenis, as being the mistress of Leocrates. And Hyperides mentions Nico in his oration against Patrocles. And we have already mentioned that she used to be nicknamed the Goat, because she had ruined Thallus the innkeeper. And that the goats are very fond of the young shoots of the olive (θάλλοι), on which account the animal is never allowed to approach the Acropolis, and is also never sacrificed to Minerva, is a fact which we shall dilate upon hereafter. But Sophocles, in his play called The Shepherds, mentions that this animal does browse upon the young shoots, speaking as follows—

COURTESANS.

Alexis also mentions Nannium, in his Tarentines, thus—

jesting upon her as addicted to intoxication. And Menander, in his false Hercules, says—

And Antiphanes, in his treatise on Courtesans, says—"Nannium was nicknamed the Proscenium, because she had a beautiful face, and used to wear very costly garments embroidered with gold, but when she was undressed she was a very bad figure. And Corone was Nannium's daughter, and she was nicknamed Tethe, from her exceedingly debauched habits." Hyperides, in his oration against Patrocles, also speaks of a female flute-player named Nemeas. And we may wonder how it was that the Athenians permitted a courtesan to have such a name, which was that of a most honourable and solemn festival. For not only those who prostituted themselves, but all other slaves also were forbidden to take such names as that, as Polemo tells us, in his treatise on the Acropolis.

52. The same Hyperides also mentions my Ocimum, as you call her, O Cynulcus, in his second oration against Aristagoras, speaking thus—"As Lais, who appears to have been superior in beauty to any woman who had ever been seen, and Ocimum, and Metanira." And Nicostratus, a poet of the middle comedy, mentions her also in his Pandrosus, where he says—

And Menander, in his comedy called The Flatterer, gives the following catalogue of courtesans—

And Philetærus, in his Female Hunter, says—

And Theophilus, in his Amateur of the Flute, says—

53. Now when Myrtilus had uttered all this with extreme volubility, he added:—May no such disaster befal you, O philosophers, who even before the rise of the sect called Voluptuaries, yourselves broke down the wall of pleasure, as Eratosthenes somewhere or other expresses it. And indeed I have now quoted enough of the smart sayings of the courtesans, and I will pass on to another topic. And first of all, I will speak of that most devoted lover of truth, Epicurus, who, never having been initiated into the encyclic series of learning, used to say that those were well off who applied themselves to philosophy in the same way in which he did himself; and these were his words—"I praise and congratulate you, my young man, because you have come over to the study of philosophy unimbued with any system." On which account Timon styles him—

Now, had not this very Epicurus Leontium for his mistress, her, I mean, who was so celebrated as a courtesan? But she did not cease to live as a prostitute when she began to learn philosophy, but still prostituted herself to the whole sect of Epicureans in the gardens, and to Epicurus himself, in the most open manner; so that this great philosopher was exceedingly fond of her, though he mentions this fact in his epistles to Hermarchus.

COURTESANS.

54. But as for Lais of Hyccara—(and Hyccara is a city in Sicily, from which place she came to Corinth, having been made a prisoner of war, as Polemo relates in the sixth book of his History, addressed to Timæus: and Aristippus was one of her lovers, and so was Demosthenes the orator, and Diogenes the Cynic: and it was also said that the Venus, which is at Corinth, and is called Melænis, appeared to her in a dream, intimating to her by such an appearance that she would be courted by many lovers of great wealth;)—Lais, I say, is mentioned by Hyperides, in the second of his speeches against Aristagoras. And Apelles the painter, having seen Lais while she was still a maiden, drawing water at the fountain Pirene, and marvelling at her beauty, took her with him on one occasion to a banquet of his friends. And when his companions laughed at him because he had brought a maiden with him to the party, instead of a courtesan, he said—"Do not wonder, for I will show you that she is quite beautiful enough for future enjoyment within three years." And a prediction of this sort was made by Socrates also, respecting Theodote the Athenian, as Xenophon tells us in his Memorabilia, for he used to say—"That she was very beautiful, and had a bosom finely shaped beyond all description. And let us," said he, "go and see the woman; for people cannot judge of beauty by hearsay." But Lais was so beautiful, that painters used to come to her to copy her bosom and her breasts. And Lais was a rival of Phryne, and had an immense number of lovers, never caring whether they were rich or poor, and never treating them with any insolence.

55. And Aristippus every year used to spend whole days with her in Ægina, at the festival of Neptune. And once, being reproached by his servant, who said to him—"You give her such large sums of money, but she admits Diogenes the Cynic for nothing:" he answered, "I give Lais a great deal, that I myself may enjoy her, and not that no one else may." And when Diogenes said, "Since you, O Aristippus, cohabit with a common prostitute, either, therefore, become a Cynic yourself, as I am, or else abandon her;" Aristippus answered him—"Does it appear to you, O Diogenes, an absurd thing to live in a house where other men have lived before you?" "Not at all," said he. "Well, then, does it appear to you absurd to sail in a ship in which other men have sailed before you?" "By no means," said he. "Well, then," replied Aristippus, "it is not a bit more absurd to be in love with a woman with whom many men have been in love already."

And Nymphodorus the Syracusan, in his treatise on the People who have been admired and eminent in Sicily, says that Lais was a native of Hyccara, which he describes as a strong fortress in Sicily. But Strattis, in his play entitled The Macedonians or Pausanias, says that she was a Corinthian, in the following lines—

And Timæus, in the thirteenth book of his History, says she came from Hyccara, (using the word in the plural number;) as Polemo has stated, where he says that she was murdered by some women in Thessaly, because she was beloved by a Thessalian of the name of Pausanias; and that she was beaten to death, out of envy and jealousy, by wooden footstools in the temple of Venus; and that from this circumstance that temple is called the temple of the impious Venus; and that her tomb is shown on the banks of the Peneus, having on it an emblem of a stone water-ewer, and this inscription—

so that those men talk nonsense who say that she was buried in Corinth, near the Craneum.

56. And did not Aristotle the Stagirite have a son named Nicomachus by a courtesan named Herpyllis? and did he not live with her till his death? as Hermippus informs us in the first book of his History of Aristotle, saying that great care was taken of her in the philosopher's will. And did not our admirable Plato love Archaianassa, a courtesan of Colophon? so that he even composed this song in her honour:—

COURTESANS.

And did not Pericles the Olympian (as Clearchus tells us in the first book of his treatise on Amatory Matters) throw all Greece into confusion on account of Aspasia, not the younger one, but that one who associated with the wise Socrates; and that, too, though he was a man who had acquired such a vast reputation for wisdom and political sagacity? But, indeed, Pericles was always a man much addicted to amorous indulgences; and he cohabited even with his own son's wife, as Stesimbrotus the Thasian informs us; and Stesimbrotus was a contemporary of his, and had seen him, as he tells us in his book entitled a Treatise on Themistocles, and Thucydides, and Pericles. And Antisthenes, the pupil of Socrates, tells us that Pericles, being in love with Aspasia, used to kiss her twice every day, once when he entered her house, and once when he left it. And when she was impeached for impiety, he himself spoke in her behalf, and shed more tears for her sake than he did when his own property and his own life were imperilled. Moreover, when Cimon had had an incestuous intrigue with Elpinice, his sister, who was afterwards given in marriage to Callias, and when he was banished, Pericles contrived his recall, exacting the favours of Elpinice as his recompense.

And Pythænetus, in the third book of his History of Ægina, says that Periander fell violently in love with Melissa, the daughter of Procles of Epidaurus, when he had seen her clothed in the Peloponnesian fashion (for she had on no cloak, but a single tunic only, and was acting as cup-bearer to the young men,) and he married her. And Tigris of Leucadia was the mistress of Pyrrhus king of Epirus, who was the third in descent from the Pyrrhus who invaded Italy; but Olympias, the young man's mother, took her off by poison.

57. And Ulpian, as if he had got some unexpected gain, while Myrtilus was still speaking, said:—Do we say ὁ τίγρις in the masculine gender? for I know that Philemon says this in his play called Neæra:—

And Myrtilus said to him:—Since you interrupted us when we were making out a catalogue of women, not like the lists of Sosicrates the Phanagorite, or like the catalogue of women of Nilænetus the Samian or Abderitan (whichever was really his native country), I, digressing a little, will turn to your question, my old Phœnix. Learn, then, that Alexis, in his Pyraunus, has said τὸν τίγριν, using the word in the masculine gender; and these are his words:

And I might quote other evidences of the fact, but I postpone them for the present, while I finish my catalogue, as far as it comprehends the beautiful women.

58. For Clearchus speaks thus concerning Epaminondas: "Epaminondas the Theban behaved with more dignity than these men did; but still there was a want of dignity in the way in which he was induced to waver in his sentiments in his association with women, as any one will admit who considers his conduct with the wife of Lacon." But Hyperides the orator, having driven his son Glaucippus out of his house, received into it that most extravagant courtesan Myrrhina, and kept her in the city; and he also kept Aristagora in the Piræus, and Phila at Eleusis, whom he bought for a very large sum, and then emancipated; and after that he made her his housekeeper, as Idomeneus relates. But, in his oration in defence of Phryne, Hyperides confesses that he is in love with the woman; and yet, before he had got cured of that love, he introduced the above-mentioned Myrrhina into his house.

59. Now Phryne was a native of Thespiæ; and being prosecuted by Euthias on a capital charge, she was acquitted: on which account Euthias was so indignant that he never instituted any prosecution afterwards, as Hermippus tells us. But Hyperides, when pleading Phryne's cause, as he did not succeed at all, but it was plain that the judges were about to condemn her, brought her forth into the middle of the court, and, tearing open her tunic and displaying her naked bosom, employed all the end of his speech, with the highest oratorical art, to excite the pity of her judges by the sight of her beauty, and inspired the judges with a superstitious fear, so that they were so moved by pity as not to be able to stand the idea of condemning to death "a prophetess and priestess of Venus." And when she was acquitted, a decree was drawn up in the following form: "That hereafter no orator should endeavour to excite pity on behalf of anyone, and that no man or woman, when impeached, shall have his or her case decided on while present."

COURTESANS.

But Phryne was a really beautiful woman, even in those parts of her person which were not generally seen: on which account it was not easy to see her naked; for she used to wear a tunic which covered her whole person, and she never used the public baths. But on the solemn assembly of the Eleusinian festival, and on the feast of the Posidonia, then she laid aside her garments in the sight of all the assembled Greeks, and having undone her hair, she went to bathe in the sea; and it was from her that Apelles took his picture of the Venus Anadyomene; and Praxiteles the statuary, who was a lover of hers, modelled the Cnidian Venus from her body; and on the pedestal of his statue of Cupid, which is placed below the stage in the theatre, he wrote the following inscription:—

And he gave Phryne the choice of his statues, whether she chose to take the Cupid, or the Satyrus which is in the street called the Tripods; and she, having chosen the Cupid, consecrated it in the temple at Thespiæ. And the people of her neighbourhood, having had a statue made of Phryne herself, of solid gold, consecrated it in the temple of Delphi, having had it placed on a pillar of Pentelican marble; and the statue was made by Praxiteles. And when Crates the Cynic saw it, he called it "a votive offering of the profligacy of Greece." And this statue stood in the middle between that of Archidamus, king of the Lacedæmonians, and that of Philip the son of Amyntas; and it bore this inscription—"Phryne of Thespiæ, the daughter of Epicles," as we are told by Alcetas, in the second book of his treatise on the Offerings at Delphi.

60. But Apollodorus, in his book on Courtesans, says that there were two women named Phryne, one of whom was nicknamed Clausigelos,[46] and the other Saperdium. But Herodicus, in the sixth book of his Essay on People mentioned by the Comic Poets, says that the one who is mentioned by the orators was called Sestos, because she sifted (ἀποσήθω) and stripped bare all her lovers; and that the other was the native of Thespiæ. But Phryne was exceedingly rich, and she offered to build a wall round Thebes, if the Thebans would inscribe on the wall, "Alexander destroyed this wall, but Phryne the courtesan restored it;" as Callistratus states in his treatise on Courtesans. And Timocles the comic poet, in his Neæra, has mentioned her riches (the passage has been already cited); and so has Amphis, in his Curis. And Gryllion was a parasite of Phryne's, though he was one of the judges of the Areopagus; as also Satyrus, the Olynthian actor, was a parasite of Pamphila. But Aristogiton, in his book against Phryne, says that her proper name was Mnesarete; and I am aware that Diodorus Periegetes says that the oration against her which is ascribed to Euthias, is really the work of Anaximenes. But Posidippus the comic poet, in his Ephesian Women, speaks in the following manner concerning her:—

61. And I would have you all to know that Democles, the orator, became the father of Demeas, by a female flute-player who was a courtesan; and once when he, Demeas, was giving himself airs in the tribune, Hyperides stopped his mouth, saying, "Will not you be silent, young man? why, you make more puffing than your mother did." And also Bion of the Borysthenes, the philosopher, was the son of a Lacedæmonian courtesan named Olympia; as Nicias the Nicæan informs us in his treatise called the Successions of the Philosophers. And Sophocles the tragedian, when he was an old man, was a lover of Theoris the courtesan; and accordingly, supplicating the favour and assistance of Venus, he says—

COURTESANS.

And these verses are some of those which are at times attributed to Homer. But he mentions Theoris by name, speaking thus in one of his plain choruses:—

And towards the end of his life, as Hegesander says, he was a lover of the courtesan Archippa, and he left her the heiress of all his property; but as Archippa cohabited with Sophocles, though he was very old, Smicrines, her former lover, being asked by some one what Archippa was doing, said very wittily, "Why, like the owls, she is sitting on the tombs."

62. But Isocrates also, the most modest of all the orators, had a mistress named Metanira, who was very beautiful, as Lysias relates in his Letters. But Demosthenes, in his oration against Neæra, says that Metanira was the mistress of Lysias. And Lysias also was desperately in love with Lagis the courtesan, whose panegyric Cephalus the orator wrote, just as Alcidamas the Elæan, the pupil of Gorgias, himself wrote a panegyric on the courtesan Nais. And, in his oration against Philonides, who was under prosecution for an assault, (if, at least, the oration be a genuine one,) Lysias says that Nais was the mistress of Philonides, writing as follows:—"There is then a woman who is a courtesan, Nais by name, whose keeper is Archias; but your friend Philonides states himself to be in love with her." Aristophanes also mentions her in his Gerytades, and perhaps also in his Plutus, where he says—

For perhaps here we ought to read Nais, and not Lais. But Hermippus, in his Essay on Isocrates, says that Isocrates, when he was advancing in years, took the courtesan Lagisca to his house, and had a daughter by her. And Strattis speaks of her in these lines:—

And Lysias, in his speech against Lais, (if, at least, the oration be a genuine one,) mentions her, giving a list of other courtesans also, in the following words:—"Philyra indeed abandoned the trade of a courtesan while she was still young; and Scione, and Hippaphesis, and Theoclea, and Psamathe, and Lagisca, and Anthea, and Aristoclea, all abandoned it also at an early age."

63. But it is reported that Demosthenes the orator had children by a courtesan; at all events he himself, in his speech about gold, introduced his children before the court, in order to obtain pity by their means, without their mother; although it was customary to bring forward the wives of those who were on their trial; however, he did this for shame's sake, hoping to avoid calumny. But this orator was exceedingly addicted to amorous indulgences, as Idomeneus tells us. Accordingly, being in love with a youth named Aristarchus, he once, when he was intoxicated, insulted Nicodemus on his account, and struck out his eyes. He is related also to have been very extravagant in his table, and his followers, and in women. Therefore, his secretary once said, "But what can any one say of Demosthenes? For everything that he has thought of for a whole year, is all thrown into confusion by one woman in one night." Accordingly, he is said to have received into his house a youth named Cnosion, although he had a wife; and she, being indignant at this, went herself and slept with Cnosion.

COURTESANS.

64. And Demetrius the king, the last of all Alexander's successors, had a mistress named Myrrhina, a Samian courtesan; and in every respect but the crown, he made her his partner in the kingdom, as Nicolaus of Damascus tells us. And Ptolemy the son of Ptolemy Philadelphus the king, who was governor of the garrison in Ephesus, had a mistress named Irene. And she, when plots were laid against Ptolemy by the Thracians at Ephesus, and when he fled to the temple of Diana, fled with him: and when the conspirators had murdered him, Irene seizing hold of the bars of the doors of the temple, sprinkled the altar with his blood till they slew her also. And Sophron the governor of Ephesus had a mistress, Danae, the daughter of Leontium the Epicurean, who was also a courtesan herself. And by her means he was saved when a plot was laid against him by Laodice, and Laodice was thrown down a precipice, as Phylarchus relates in his twelfth book in these words: "Danae was a chosen companion of Laodice, and was trusted by her with all her secrets; and, being the daughter of that Leontium who had studied with Epicurus the natural philosopher, and having been herself formerly the mistress of Sophron, she, perceiving that Laodice was laying a plot to murder Sophron, revealed the plot to Sophron by a sign. And he, understanding the sign, and pretending to agree to what she was saying to him, asked two days to deliberate on what he should do. And, when she had agreed to that, he fled away by night to Ephesus. But Laodice, when she learnt what had been done by Danae, threw her down a precipice, discarding all recollection of their former friendship. And they say that Danae, when she perceived the danger which was impending over her, was interrogated by Laodice, and refused to give her any answer; but, when she was dragged to the precipice, then she said, that "many people justly despise the Deity, and they may justify themselves by my case, who having saved a man who was to me as my husband, am requited in this manner by the Deity. But Laodice, who murdered her husband, is thought worthy of such honour."

The same Phylarchus also speaks of Mysta, in his fourteenth book, in these terms: "Mysta was the mistress of Seleucus the king, and when Seleucus was defeated by the Galatæ, and was with difficulty able to save himself by flight, she put off the robes of a queen which she had been accustomed to wear, and assumed the garment of an ordinary servant; and being taken prisoner, was carried away with the rest of the captives. And being sold in the same manner as her handmaidens, she came to Rhodes; and there, when she had revealed who she was, she was sent back with great honour to Seleucus by the Rhodians."

65. But Demetrius Phalereus being in love with Lampito, a courtesan of Samos, was pleased when he himself was addressed as Lampito, as Diyllus tells us; and he also had himself called Charitoblepharos.[47] And Nicarete the courtesan was the mistress of Stephanus the orator; and Metanira was the mistress of Lysias the sophist; and these women were the slaves of Casius the Elean, with many other such, as Antea, Stratola, Aristoclea, Phila, Isthmias, and Neæra. But Neæra was the mistress of Stratoclides, and also of Xenoclides the poet, and of Hipparchus the actor, and of Phrynion the Pæanian, who was the son of Demon and the nephew of Demochares. And Phrynichus and Stephanus the orator used to have Neæra in turn, each a day, since their friends had so arbitrated the matter for them; and the daughter of Neæra, whose name was Strymbela, and who was afterwards called Phano, Stephanus gave (as if she had been his own daughter) in marriage to Phrastor of Ægialea; as Demosthenes tells us in his oration against Neæra. And he also speaks in the following manner about Sinope the courtesan: "And you punished Archias the hierophant, when he was convicted before the regular tribunals of behaving with impiety, and offering sacrifices which were contrary to the laws of the nation. And he was accused also of other things, and among them of having sacrificed a victim on the festival of Ceres, which was offered by Sinope the courtesan, on the altar which is in the court of the temple at Eleusis, though it is against the law to sacrifice any victims on that day; and though, too, it was no part of his duty to sacrifice at all, but it belonged to the priestess to do so."

66. Plangon the Milesian was also a celebrated courtesan; and she, as she was most wonderfully beautiful, was beloved by a young man of Colophon, who had a mistress already whose name was Bacchis. Accordingly, when this young man began to address his solicitations to Plangon, she, having heard of the beauty of Bacchis, and wishing to make the young man abandon his love for her, when she was unable to effect that, she required as the price of her favours the necklace of Bacchis, which was very celebrated. And he, as he was exceedingly in love, entreated Bacchis not to see him totally overwhelmed with despair; and Bacchis, seeing the excited state of the young man, gave him the necklace. And Plangon, when she saw the freedom from jealousy which was exhibited by Bacchis, sent her back the necklace, but kept the young man: and ever after Plangon and Bacchis were friends, loving the young man in common; and the Ionians being amazed at this, as Menetor tells us in his treatise concerning Offerings, gave Plangon the name of Pasiphila.[48] And Archilochus mentions her in the following lines:—

COURTESANS.

That Menander the poet was a lover of Glycera, is notorious to everybody; but still he was not well pleased with her. For when Philemon was in love with a courtesan, and in one of his plays called her "Excellent," Menander, in one of his plays, said, in contradiction to this, that there was no courtesan who was good.

67. And Harpalus the Macedonian, who robbed Alexander of vast sums of money and then fled to Athens, being in love with Pythionica, spent an immense deal of money on her; and she was a courtesan. And when she died he erected a monument to her which cost him many talents. And as he was carrying her out to burial, as Posidonius tells us in the twenty-second book of his History, he had the body accompanied with a band of the most eminent artists of all kinds, and with all sorts of musical instruments and songs. And Dicæarchus, in his Essay on the Descent to the Cave of Trophonius, says,—"And that same sort of thing may happen to any one who goes to the city of the Athenians, and who proceeds by the road leading from Eleusis, which is called the Sacred Road; for, if he stops at that point from which he first gets a sight of Athens, and of the temple, and of the citadel, he will see a tomb built by the wayside, of such a size that there is none other near which can be compared with it for magnitude. And at first, as would be natural, he would pronounce it to be the tomb, beyond all question, of Miltiades, or Cimon, or Pericles, or of some other of the great men of Athens. And above all, he would feel sure that it had been erected by the city at the public expense; or at all events by some public decree; and then, again, when he heard it was the tomb of Pythionica the courtesan, what must be his feelings?"

And Theopompus also, in his letter to Alexander, speaking reproachfully of the profligacy of Harpalus, says,—"But just consider and listen to the truth, as you may hear from the people of Babylon, as to the manner in which he treated Pythionica when she was dead; who was originally the slave of Bacchis, the female flute-player. And Bacchis herself had been the slave of Sinope the Thracian, who brought her establishment of harlots from Ægina to Athens; so that she was not only trebly a slave, but also trebly a harlot. He, however, erected two monuments to her at an expense exceeding two hundred talents. And every one marvelled that no one of all those who died in Cilicia, in defence of your dominions and of the freedom of the Greeks, had had any tomb adorned for them either by him or by any other of the governors of the state; but that a tomb should be erected to Pythionica the courtesan, both in Athens and in Babylon; and they have now stood a long time. For a man who ventured to call himself a friend to you, has dared to consecrate a temple and a spot of ground to a woman whom everybody knew to have been common to every one who chose at the same fixed price, and to call both the temple and the altar those of Pythionica Venus; and in so doing, he despised also the vengeance of the Gods, and endeavoured to insult the honours to which you are entitled." Philemon also mentions these circumstances, in his comedy called the Babylonian, where he says—

Alexis also mentions her in his Lyciscus.

COURTESANS.

68. But after the death of Pythionica, Harpalus sent for Glycera, and she also was a courtesan, as Theopompus relates, when he says that Harpalus issued an edict that no one should present him with a crown, without at the same time paying a similar compliment to his prostitute; and adds,—"He has also erected a brazen statue to Glycera in Rhossus of Syria, where he intends to erect one of you, and another of himself. And he has permitted her to dwell in the palace in Tarsus, and he permits her to receive adoration from the people, and to bear the title of Queen, and to be complimented with other presents, which are only fit for your own mother and your own wife." And we have a testimony coinciding with this from the author of the Satyric drama called Agen, which was exhibited, on the occasion when the Dionysian festival was celebrated on the banks of the river Hydaspes, by the author, whether he was Pythen of Catana or Byzantium, or the king himself. And it was exhibited when Harpalus was now flying to the sea-shore, after he had revolted; and it mentions Pythionica as already dead; and Glycera, as being with Harpalus, and as being the person who encouraged the Athenians to receive presents from Harpalus. And the verses of the play are as follows:—

And the author of the play calls Harpalus Pallides in this passage; but in what follows, he speaks of him by his real name, saying—

69. Naucratis also has produced some very celebrated courtesans of exceeding beauty; for instance, Doricha, whom the beautiful Sappho, as she became the mistress of her brother Charaxus, who had gone to Naucratis on some mercantile business, accuses in her poetry of having stripped Charaxus of a great deal of his property. But Herodotus calls her Rhodopis, being evidently ignorant that Rhodopis and Doricha were two different people; and it was Rhodopis who dedicated those celebrated spits at Delphi, which Cratinus mentions in the following lines—

Posidippus also made this epigram on Doricha, although he had often mentioned her in his Æthiopia, and this is the epigram—

Archedice also was a native of Naucratis; and she was a courtesan of great beauty. "For some how or other," as Herodotus says, "Naucratis is in the habit of producing beautiful courtesans."

70. There was also a certain courtesan named Sappho, a native of Eresus, who was in love with the beautiful Phaon, and she was very celebrated, as Nymphis relates in his Voyage round Asia. But Nicarete of Megara, who was a courtesan, was not a woman of ignoble birth, but she was born of free parents, and was very well calculated to excite affection by reason of her accomplishments, and she was a pupil of Stilpon the philosopher.

There was also Bilisticha the Argive, who was a very celebrated courtesan, and who traced her descent back to the Atridæ, as those historians relate who have written the history of the affairs of Argolis. There was also a courtesan named Leæna, whose name is very celebrated, and she was the mistress of Harmodius, who slew the tyrant. And she, being tortured by command of Hippias the tyrant, died under the torture without having said a word. Stratocles the orator also had for his mistress a courtesan whose name was Leme,[49] and who was nicknamed Parorama, because she used to let whoever chose come to her for two drachmas, as Gorgias says in his treatise on Courtesans.

COURTESANS.

Now though Myrtilus appeared to be intending to say no more after this, he resumed his subject, and said:—But I was nearly forgetting, my friends, to tell you of the Lyda of Antimachus, and also of her namesake Lyda, who was also a courtesan and the mistress of Lamynthius the Milesian. For each of these poets, as Clearchus tells us in his Tales of Love, being inflamed with love for the barbarian Lyde, wrote poems, the one in elegiac, and the other in lyric verse, and they both entitled their poems "Lyde." I omitted also to mention the female flute-player Nanno, the mistress of Mimnermus, and Leontium, the mistress of Hermesianax of Colophon. For he inscribed with her name, as she was his mistress, three books of elegiac poetry, in the third of which he gives a catalogue of things relating to Love; speaking in the following manner:—

COURTESANS.

72. But in this Hermesianax is mistaken when he represents Sappho and Anacreon as contemporaries. For the one lived in the time of Cyrus and Polycrates; but Sappho lived in the reign of Alyattes, the father of Crœsus. But Chameleon, in his treatise on Sappho, does assert that some people say that these verses were made upon her by Anacreon—

And he says, too, that Sappho says this to him—

But it is plain enough in reality that this piece of poetry is not Sappho's. And I think myself that Hermesianax is joking concerning the love of Anacreon and Sappho. For Diphilus the comic poet, in his play called Sappho, has represented Archilochus and Hipponax as the lovers of Sappho.

Now it appears to me, my friends, that I have displayed some diligence in getting up this amorous catalogue for you, as I myself am not a person so mad about love as Cynulcus, with his calumnious spirit, has represented me. I confess, indeed, that I am amorous, but I do deny that I am frantic on the subject.

as Æschylus the Alexandrian has said in his Amphitryon. And this is the same Æschylus who composed the Messenian poems—a man entirely without any education.

LOVE.

73. Therefore I, considering that Love is a mighty and most powerful deity, and that the Golden Venus is so too, recollect the verses of Euripides on the subject, and say—

And that most magnificent poet Æschylus, in his Danaides, introduces Venus herself speaking thus—

74. And again, in the Hippolytus[53] of Euripides, Venus says—

And, therefore, in the case of a young man who had every other imaginable virtue, this one fault alone, that he did not honour Venus, was the cause of his destruction. And neither Diana, who loved him exceedingly, nor any other of the gods or demi-gods could defend him; and accordingly, in the words of the same poet,—

And the wise Anacreon, who is in everybody's mouth, is always celebrating love. And, accordingly, the admirable Critias also speaks of him in the following manner:—

75. But Archytas the Harmonist, as Chamæleon calls him, says that Alcman was the original poet of amatory songs, and that he was the first poet to introduce melodies inciting to lawless indulgence, ... being, with respect to women.... On which account he says in one of his odes—

He says also that he was in a moderate degree in love with Megalostrate, who was a poetess, and who was able to allure lovers to her by the charms of her conversation. And he speaks thus concerning her—

And Stesichorus, who was in no moderate degree given to amorous pursuits, composed many poems of this kind; which in ancient times were called παιδιὰ and παιδικά. And, in fact, there was such emulation about composing poems of this sort, and so far was any one from thinking lightly of the amatory poets, that Æschylus, who was a very great poet, and Sophocles, too, introduced the subject of the loves of men on the stage in their tragedies: the one describing the love of Achilles for Patroclus, and the other, in his Niobe, the mutual love of her sons (on which account some men have given an ill name to that tragedy); and all such passages as those are very agreeable to the spectators.

76. Ibycus, too, of Rhegium, speaks loudly as follows—

LOVE.

And Pindar, who was of an exceedingly amorous disposition, says—

On which account Timon, in his Silli, says—

and adds that it is not well to wait until some one else shall say, in the words of this same philosopher—

Pindar also mentions Theoxenus of Tenedos, who was much beloved by him; and what does he say about him?—

77. And many men used to be as fond of having boys for their favourites as women for their mistresses. And this was a frequent fashion in many very well regulated cities of Greece. Accordingly, the Cretans, as I have said before, and the Chalcidians in Eubœa, were very much addicted to the custom of having boy-favourites. Therefore Echemenes, in his History of Crete, says that it was not Jupiter who carried off Ganymede, but Minos. But the before-mentioned Chalcidians say that Ganymede was carried off from them by Jupiter; and they show the spot, which they call Harpagius;[55] and it is a place which produces extraordinary myrtles. And Minos abandoned his enmity to the Athenians, (although it had originated in consequence of the death of his son, out of his love for Theseus: and he gave his daughter Phædra to him for his wife,) as Zenis, or Zeneus, the Chian, tells us in his treatise on Country.

78. But Hieronymus the Peripatetic says that the ancients were anxious to encourage the practice of having boy-favourites, because the vigorous disposition of youths, and the confidence engendered by their association with each other, has often led to the overthrow of tyrannies. For in the presence of his favourite, a man would choose to do anything rather than to get the character of a coward. And this was proved in practice in the case of the Sacred Band, as it was called, which was established at Thebes by Epaminondas. And the death of the Pisistratidæ was brought about by Harmodius and Aristogiton; and at Agrigentum in Sicily, the mutual love of Chariton and Melanippus produced a similar result, as we are told by Heraclides of Pontus, in his treatise on Amatory Matters. For Melanippus and Chariton, being informed against as plotting against Phalaris, and being put to the torture in order to compel them to reveal their accomplices, not only did not betray them, but even made Phalaris himself pity them, on account of the tortures which they had undergone, so that he dismissed them with great praise. On which account Apollo, being pleased at this conduct, gave Phalaris a respite from death; declaring this to the men who consulted the Pythian priestess as to how they might best attack him. He also gave them an oracle respecting Chariton, putting the Pentameter before the Hexameter, in the same way as afterwards Dionysius the Athenian did, who was nicknamed the Brazen, in his Elegies; and the oracle runs as follows—

LOVE.

The circumstances, too, that happened to Cratinus the Athenian, are very notorious. For he, being a very beautiful boy, at the time when Epimenides was purifying Attica by human sacrifices, on account of some old pollution, as Neanthes of Cyzicus relates in the second book of his treatise on Sacrifices, willingly gave himself up to secure the safety of the woman who had brought him up. And after his death, Apollodorus, his friend, also devoted himself to death, and so the calamities of the country were terminated. And owing to favouritism of this kind, the tyrants (for friendships of this sort were very adverse to their interests) altogether forbad the fashion of making favourites of boys, and wholly abolished it. And some of them even burnt down and rased to the ground the palæstræ, considering them as fortresses hostile to their own citadels; as, for instance, Polycrates the tyrant of Samos did.

79. But among the Spartans, as Agnon the Academic philosopher tells us, girls and boys are all treated in the same way before marriage: for the great lawgiver Solon has said—

as Æschylus and Sophocles have openly made similar statements; the one saying, in the Myrmidons—

and the other, in his Colchian Women, speaking of Ganymede, says—

But I am not ignorant that the stories which are told about Cratinus and Aristodemus are stated by Polemo Periegetes, in his Replies to Neanthes, to be all mere inventions. But you, O Cynulcus, believe that all these stories are true, let them be ever so false. And you take the greatest pleasure in all such poems as turn on boys and favourites of that kind; while the fashion of making favourites of boys was first introduced among the Grecians from Crete, as Timæus informs us. But others say that Laius was the originator of this custom, when he was received in hospitality by Pelops; and that he took a great fancy to his son, Chrysippus, whom he put into his chariot and carried off, and fled with to Thebes. But Praxilla the Sicyonian says that Chrysippus was carried off by Jupiter. And the Celtæ, too, although they have the most beautiful women of all the barbarians, still make great favourites of boys.... And the Persians, according to the statement of Herodotus, learnt from the Greeks to adopt this fashion.

80. Alexander the king was also very much in the habit of giving in to this fashion. Accordingly, Dicæarchus, in his treatise on the Sacrifice at Troy, says that he was so much under the influence of Bagoas the eunuch, that he embraced him in the sight of the whole theatre; and that when the whole theatre shouted in approval of the action, he repeated it. And Carystius, in his Historic Commentaries, says,—"Charon the Chalcidian had a boy of great beauty, who was a great favourite of his: but when Alexander, on one occasion, at a great entertainment given by Craterus, praised this boy very much, Charon bade the boy go and salute Alexander: and he said, 'Not so, for he will not please me so much as he will vex you.' For though the king was of a very amorous disposition, still he was at all times sufficiently master of himself to have a due regard to decorum, and to the preservation of appearances. And in the same spirit, when he had taken as prisoners the daughters of Darius, and his wife, who was of extraordinary beauty, he not only abstained from offering them any insult, but he took care never to let them feel that they were prisoners at all; but ordered them to be treated in every respect, and to be supplied with everything, just as if Darius had still been in his palace; on which account, Darius, when he heard of this conduct, raised his hands to the Sun and prayed that either he might be king, or Alexander."

But Ibycus states that Talus was a great favourite of Rhadamanthus the Just. And Diotimus, in his Heraclea, says that Eurystheus was a great favourite of Hercules, on which account he willingly endured all his labours for his sake. And it is said that Argynnus was a favourite of Agamemnon; and that they first became acquainted from Agamemnon seeing Argynnus bathing in the Cephisus. And afterwards, when he was drowned in this river, (for he was continually bathing in it,) Agamemnon buried him, and raised a temple on the spot to Venus Argynnis. But Licymnius of Chios, in his Dithyrambics, says that it was Hymenæus of whom Argynnus was a favourite. And Aristocles the harp-player was a favourite of King Antigonus: and Antigonus the Carystian, in his Life of Zeno, writes of him in the following terms:—"Antigonus the king used often to go to sup with Zeno; and once, as he was returning by daylight from some entertainment, he went to Zeno's house, and persuaded him to go with him to sup with Aristocles the harp-player, who was an excessive favourite of the king's."

LOVE.

81. Sophocles, too, had a great fancy for having boy-favourites, equal to the addiction of Euripides for women. And accordingly, Ion the poet, in his book on the Arrival of Illustrious Men in the Island of Chios, writes thus:—"I met Sophocles the poet in Chios, when he was sailing to Lesbos as the general: he was a man very pleasant over his wine, and very witty. And when Hermesilaus, who was connected with him by ancient ties of hospitality, and who was also the proxenus[56] of the Athenians, entertained him, the boy who was mixing the wine was standing by the fire, being a boy of a very beautiful complexion, but made red by the fire: so Sophocles called him and said, 'Do you wish me to drink with pleasure?' and when he said that he did, he said, 'Well, then, bring me the cup, and take it away again in a leisurely manner.' And as the boy blushed all the more at this, Sophocles said to the guest who was sitting next to him, 'How well did Phrynichus speak when he said—

And a man from Eretria, or from Erythræ, who was a schoolmaster, answered him,—'You are a great man in poetry, O Sophocles; but still Phrynichus did not say well when he called purple cheeks a mark of beauty. For if a painter were to cover the cheeks of this boy with purple paint he would not be beautiful at all. And so it is not well to compare what is beautiful with what is not so.' And on this Sophocles, laughing at the Eretrian, said,—'Then, my friend, I suppose you are not pleased with the line in Simonides which is generally considered among the Greeks to be a beautiful one—

And you do not either like the poet who spoke of the golden-haired Apollo; for if a painter were to represent the hair of the god as actually golden, and not black, the picture would be all the worse. Nor do you approve of the poet who spoke of rosy-fingered.[58] For if any one were to dip his fingers in rosy-coloured paint he would make his hands like those of a purple-dyer, and not of a pretty woman.' And when they all laughed at this, the Eretrian was checked by the reproof; and Sophocles again turned to pursue the conversation with the boy; for he asked him, as he was brushing away the straws from the cup with his little finger, whether he saw any straws: and when he said that he did, he said, 'Blow them away, then, that you may not dirty your fingers.' And when he brought his face near the cup he held the cup nearer to his own mouth, so as to bring his own head nearer to the head of the boy. And when he was very near he took him by the hand and kissed him. And when all clapped their hands, laughing and shouting out, to see how well he had taken the boy in, he said, 'I, my friends, am meditating on the art of generalship, since Pericles has said that I know how to compose poetry, but not how to be a general; now has not this stratagem of mine succeeded perfectly?' And he both said and did many things of this kind in a witty manner, drinking and giving himself up to mirth: but as to political affairs he was not able nor energetic in them, but behaved as any other virtuous Athenian might have done.

LOVE.

82. And Hieronymus of Rhodes, in his Historic Commentaries, says that Sophocles was not always so moderate, but that he at times committed greater excesses, and gave Euripides a handle to reproach him, as bringing himself into disrepute by his excessive intemperance.

83. And Theopompus, in his treatise on the Treasures of which the Temple at Delphi was plundered, says that "Asopichus, being a favourite of Epaminondas, had the trophy of Leuctra represented in relief on his shield, and that he encountered danger with extraordinary gallantry; and that this shield is consecrated at Delphi, in the portico." And in the same treatise, Theopompus further alleges that "Phayllus, the tyrant of Phocis, was extremely addicted to women; but that Onomarchus used to select boys as his favourites: and that he had a favourite, the son of Pythodorus the Sicyonian, to whom, when he came to Delphi to devote his hair to the god (and he was a youth of great beauty), Onomarchus gave the offerings of the Sybarites—four golden combs. And Phayllus gave to the daughter of Diniades, who was a female flute-player, a Bromiadian,[59] a silver goblet of the Phocæans, and a golden crown of ivy-leaves, the offering of the Peparethians. And," he says, "she was about to play the flute at the Pythian games, if she had not been hindered by the populace.

"Onomarchus also gave," as he says, "to his favourite Lycolas, and to Physcidas the son of Tricholaus (who was very handsome), a crown of laurel, the offering of the Ephesians. This boy was brought also to Philip by his father, but was dismissed without any favour. Onomarchus also gave to Damippus, the son of Epilycus of Amphipolis, who was a youth of great beauty, a present which had been consecrated to the god by Plisthenes.

"And Philomelus gave to Pharsalia, a dancing-woman from Thessaly, a golden crown of laurel-leaves, which had been offered by the Lampsacenes. But Pharsalia herself was afterwards torn to pieces at Metapontum, by the soothsayers, in the market-place, on the occasion of a voice coming forth out of the brazen laurel which the people of Metapontum had set up at the time when Aristeas of Proconnesus was sojourning among them, on his return, as he stated, from the Hyperboreans, the first moment that she was seen entering the market-place. And when men afterwards inquired into the reason for this violence, she was found to have been put to death on account of this crown which belonged to the god."

84. Now I warn you, O philosophers, who indulge in unnatural passions, and who treat the great goddess Venus with impiety, to beware, lest you be destroyed in the same manner. For boys are only handsome, as Glycera the courtesan said, while they are like women: at least, this is the saying attributed to her by Clearchus. But my opinion is that the conduct of Cleonymus the Spartan was in strict conformity with nature, who was the first man to take such hostages as he took from the Metapontines—namely, two hundred of their most respectable and beautiful virgins; as is related by Duris the Samian, in the third book of his History of Agathocles. And I too, as is said by Epicrates in his Antilais,

But you, my philosophical friends, even when you are in love with women . . . as Clearchus says. For a bull was excited by the sight of the brazen cow at Pirene: and in a picture that existed of a bitch, and a pigeon, and a goose; and a gander came up to the goose, and a dog to the bitch, and a male pigeon to the pigeon, and not one of them discovered the deception till they got close to them; but when they got near enough to touch them, they desisted; just as Clisophus the Salymbrian did. For he fell in love with a statue of Parian marble that then was at Samos, and shut himself up in the temple to gratify his affection; but when he found that he could make no impression on the coldness and unimpressibility of the stone, then he discarded his passion. And Alexis the poet mentions this circumstance in his drama entitled The Picture, where he says—

And Philemon mentions the same fact, and says—

LOVE.

But the statue spoken of is the work of Ctesicles; as Adæus of Mitylene tells us in his treatise on Statuaries. And Polemo, or whoever the author of the book called Helladicus is, says—"At Delphi, in the museum of the pictures, there are two boys wrought in marble; one of which, the Delphians say, was so fallen in love with by some one who came to see it, that he made love to it, and shut himself up with it, and presented it with a crown; but when he was detected, the god ordered the Delphians, who consulted his oracle with reference to the subject, to dismiss him freely, for that he had given him a handsome reward.

85. And even brute beasts have fallen in love with men: for there was a cock who took a fancy to a man of the name of Secundus, a cup-bearer of the king; and the cock was nicknamed the Centaur. But this Secundus was a slave of Nicomedes the king of Bithynia; as Nicander informs us in the sixth book of his essay on the Revolutions of Fortune. And, at Ægium, a goose took a fancy to a boy; as Clearchus relates in the first book of his Amatory Anecdotes. And Theophrastus, in his essay on Love, says that the name of this boy was Amphilochus, and that he was a native of Olenus. And Hermeas the son of Hermodorus, who was a Samian by birth, says that a goose also took a fancy to Lacydes the philosopher. And in Leucadia (according to a story told by Clearchus), a peacock fell so in love with a maiden there, that when she died, the bird died too. There is a story also that, at Iasus, a dolphin took a fancy to a boy (and this story is told by Duris, in the ninth book of his History); and the subject of that book is the history of Alexander, and the historian's words are these: "He likewise sent for the boy from Iasus. For near Iasus there was a boy whose name was Dionysius, and he once, when leaving the palæstra with the rest of the boys, went down to the sea and bathed; and a dolphin came forward out of the deep water to meet him, and taking him on his back, swam away with him a considerable distance into the open sea, and then brought him back again to land." But the dolphin is an animal which is very fond of men, and very intelligent, and one very susceptible of gratitude. Accordingly Phylarchus, in his twelfth book, says—"Coiranus the Milesian, when he saw some fishermen who had caught a dolphin in a net, and who were about to cut it up, gave them some money and bought the fish, and took it down and put it back in the sea again. And after this it happened to him to be shipwrecked near Myconos, and while every one else perished, Coiranus alone was saved by a dolphin. And when, at last, he died of old age in his native country, as it so happened that his funeral procession passed along the sea-shore close to Miletus, a great shoal of dolphins appeared on that day in the harbour, keeping only a very little distance from those who were attending the funeral of Coiranus, as if they also were joining in the procession and sharing in their grief."

The same Phylarchus also relates, in the twentieth book of his History, the great affection which was once displayed by an elephant for a boy. And his words are these: "But there was a female elephant kept with this elephant, and the name of the female elephant was Nicæa; and to her the wife of the king of India, when dying, entrusted her child, which was just a month old. And when the woman did die, the affection for the child displayed by the beast was most extraordinary; for it could not endure the child to be away; and whenever it did not see him, it was out of spirits. And so, whenever the nurse fed the infant with milk, she placed it in its cradle between the feet of the beast; and if she had not done so, the elephant would not take any food; and after this, it would take whatever reeds and grass there were near, and, while the child was sleeping, beat away the flies with the bundle. And whenever the child wept, it would rock the cradle with its trunk, and lull it to sleep. And very often the male elephant did the same."

LOVE.

86. But you, O philosophers, are far fiercer than dolphins and elephants, and are also much more untameable; although Persæus the Cittiæan, in his Recollections of Banquets, says loudly,—"It is a very consistent subject of conversation at drinking parties for men to talk of amatory matters; for we are naturally inclined to such topics after drinking. And at those times we should praise those who indulge in that kind of conversation to a moderate and temperate degree, but blame those who go to excess in it, and behave in a beastly manner. But if logicians, when assembled in a social party, were to talk about syllogisms, then a man might very fairly think that they were acting very unseasonably. And a respectable and virtuous man will at times get drunk; but they who wish to appear extraordinarily temperate, keep up this character amid their cups for a certain time, but afterwards, as the wine begins to take effect on them, they descend to every kind of impropriety and indecency. And this was the case very lately with the ambassadors who came to Antigonus from Arcadia; for they sat at dinner with great severity of countenance, and with great propriety, as they thought,—not only not looking at any one of us, but not even looking at one another. But as the wine went round, and music of different kinds was introduced, and when the Thessalian dancing-women, as their fashion is, came in, and danced quite naked, except that they had girdles round their waists, then the men could not restrain themselves any longer, but jumped up off the couches, and shouted as if they were beholding a most gratifying sight; and they congratulated the king because he had it in his power to indulge in such pastimes; and they did and said a great many more vulgar things of the same kind.

"And one of the philosophers who was once drinking with us, when a flute-playing girl came in, and when there was plenty of room near him, when the girl wished to sit down near him, would not allow her, but drew himself up and looked grave. And then afterwards, when the girl was put up to auction, as is often the fashion at such entertainments, he was exceedingly eager to buy her, and quarrelled with the man who sold her, on the ground that he had knocked her down too speedily to some one else; and he said that the auctioneer had not fairly sold her. And at last this grave philosopher, he who at first would not permit the girl even to sit near him, came to blows about her." And perhaps this very philosopher, who came to blows about the flute-playing girl, may have been Persæus himself; for Antigonus the Carystian, in his treatise on Zeno, makes the following statement:—"Zeno the Cittiæan, when once Perseus at a drinking-party bought a flute-playing girl, and after that was afraid to bring her home, because he lived in the same house with Zeno, becoming acquainted with the circumstance, brought the girl home himself, and shut her up with Persæus." I know, also, that Polystratus the Athenian, who was a pupil of Theophrastus, and who was surnamed the Tyrrhenian, used often to put on the garments of the female flute-players.

87. Kings, too, have shown great anxiety about musical women; as Parmenion tells us in his Letter to Alexander, which he sent to that monarch after he had taken Damascus, and after he had become master of all the baggage of Darius. Accordingly, having enumerated all the things which he had taken, he writes as follows:—"I found three hundred and twenty-nine concubines of the king, all skilled in music; and forty-six men who were skilful in making garlands, and two hundred and seventy-seven confectioners, and twenty-nine boilers of pots, and thirteen cooks skilful in preparing milk, and seventeen artists who mixed drinks, and seventy slaves who strain wine, and forty preparers of perfumes." And I say to you, O my companions, that there is no sight which has a greater tendency to gladden the eyes than the beauty of a woman. Accordingly Œneus, in the play of Chæremon the tragedian, speaking of some maidens whom he had seen, says, in the play called Œneus,—

88. And the same poet, being passionately fond of flowers, says also in his Alphesibœa—

BEAUTY OF WOMEN.

And in his Io he calls the flowers children of spring, where he says—

And in his Centaur, which is a drama composed in many metres of various kinds, he calls them children of the meadow—

And in his Bacchus he says—

And in his Ulysses he speaks thus of roses:—

And in his Thyestes he says—

And in his Minyæ he says—

89. Now there have been many women celebrated for their beauty (for, as Euripides says—

There was, for instance, Thargelia the Milesian, who was married to fourteen different husbands, so very beautiful and accomplished was she, as Hippias the Sophist says, in his book which is entitled Synagoge. But Dinon, in the fifth book of his History of Persia, and in the first part of it, says that the wife of Bagazus, who was a sister of Xerxes by the same father, (and her name was Anytis,) was the most beautiful and the most licentious of all the women in Asia. And Phylarchus, in his nineteenth book, says that Timosa, the concubine of Oxyartes, surpassed all women in beauty, and that the king of Egypt had originally sent her as a present to Statira, the wife of the king.

And Theopompus, in the fifty-sixth book of his History, speaks of Xenopithea, the mother of Lysandrides, as the most beautiful of all the women in Peloponnesus. And the Lacedæmonians put her to death, and her sister Chryse also, when Agesilaus the king, having raised a seditious tumult in the city, procured Lysandrides, who was his enemy, to be banished by the Lacedæmonians. Pantica of Cyprus was also a very beautiful woman; and she is mentioned by Phylarchus, in the tenth book of his History, where he says that when she was with Olympias, the mother of Alexander, Monimus, the son of Pythion, asked her in marriage. And, as she was a very licentious woman, Olympias said to him—"O wretched man, you are marrying with your eyes, and not with your understanding." They also say that the woman who brought back Pisistratus to assume the tyranny, clad in the semblance of Minerva the Saviour, was very beautiful, as indeed she ought to have been, seeing that she assumed the appearance of a goddess. And she was a seller of garlands; and Pisistratus afterwards gave her in marriage to Hipparchus his son, as Clidemus relates in the eighth book of his Returns, where he says—"And he also gave the woman, by name Phya, who had been in the chariot with him, in marriage to his son Hipparchus. And she was the daughter of a man named Socrates. And he took for Hippias, who succeeded him in the tyranny, the daughter of Charmus the polemarch, who was extraordinarily beautiful."

And it happened, as it is said, that Charmus was a great admirer of Hippias, and that he was the man who first erected a statue of Love in the Academy, on which there is the following inscription—

Hesiod, also, in the third book of his Melampodia, calls Chalcis in Eubœa,

for the women there are very beautiful, as Theophrastus also asserts. And Nymphodorus, in his Voyage round Asia, says that there are nowhere more beautiful women than those in Tenedos, an island close to Troy.

PRAISE OF MODESTY.

90. I am aware, too, that on one occasion there was a contest of beauty instituted among women. And Nicias, speaking of it in his History of Arcadia, says that Cypselus instituted it, having built a city in the plain which is watered by the Alpheus; in which he established some Parrhasians, and consecrated a plot of sacred ground and an altar to Ceres of Eleusis, in whose festival it was that he had instituted this contest of beauty. And he says that the woman who gained the victory in this contest was Herodice. And even to this day this contest is continued; and the women who contend in it are called Goldbearing. And Theophrastus says that there is also a contest of beauty which takes place among the Eleans, and that the decision is come to with great care and deliberation; and that those who gain the victory receive arms as their prize, which Dionysius of Leuctra says are offered up to Minerva. And he says, too, that the victor is adorned with fillets by his friends, and goes in procession to the temple; and that a crown of myrtle is given to him (at least this is the statement of Myrsilus, in his Historical Paradoxes). "But in some places," says the same Theophrastus, "there are contests between the women in respect of modesty and good management, as there are among the barbarians; and at other places also there are contests about beauty, on the ground that this also is entitled to honour, as for instance, there are in Tenedos and Lesbos. But they say that this is the gift of chance, or of nature; but that the honour paid to modesty ought to be one of a greater degree. For that it is in consequence of modesty that beauty is beautiful; for without modesty it is apt to be subdued by intemperance."