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The Continental Monthly, Vol. 5, No. 3, March, 1864

LITERARY NOTICES.

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Poems from the Inner Life. By Lizzie Doten. Boston: Wm. White & Co., 'Banner of Light' Office, 158 Washington street, New York: A. J. Davis, 274 Canal street.

This book was written from what is called 'the plane of spiritual experience' of which we, being neither clairvoyant, clairaudient, nor clairsentient, know positively nothing.' Miss Doten says: 'I claim both a general and particular inspiration. I know that many sincere and earnest souls will decide, in the integrity of their well-trained intellects, that my claim to an intercourse with the invisible world is an extravagant assumption, and has no foundation in truth. I cannot conscientiously deny that in the mysteries of my inner life I have been acted upon decidedly and directly by disembodied intelligences, and this sometimes by an inspiration characteristic of the individual, or by a psychological influence similar to that whereby mind acts upon mind in the body. Many of the poems were given by direct spirit influence before public audiences. For many of them I could not obtain the authorship, but for such as I could the names are given.'

Strange statements truly, and yet we see no reason to doubt that Miss Doten fully believes them to be simple records of facts known to herself. We do not doubt her truth and good faith; but we confess ourselves puzzled with the contradictory and inconsequent phenomena of modern spiritualism. These developments never bring any accession to our knowledge. In addition to the curious circumstances attending the creation of these poems, many of them are very beautiful. In those purporting to have been dictated by the spirit of Poe, the similarity of style is quite remarkable. His alliterations, his frequent assonances and rhymes, his chiming and ever-musical rhythms are wonderfully well reproduced. But has he learned nothing new to tell us in those 'supernal spheres'? Has he struck upon no new path in those weird regions, grasped no fresh and startling thought to weave into the perfect music of his lines? Nay, has he learned no new tunes, chimes, or rhythms 'where the angels' feet make music over all the starry floor'? Could he not lift for us the veil of Isis? The 'inspiration' from Shakspeare we regard as a total failure. He who never repeated himself on earth, comes to us who love him, after his long residence in heaven, and travesties his own matchless dramas by weak quotations from them, as if he had been cogitating only his own words through the new scenes of glory which had opened before him. Our great Shakspeare has grown none in the passing centuries—comes from the empyrean to gabble like a dotard of the visions of his youth? We quote from the poem:

'Man learns in this Valhalla of his soul To love, nor ever finds 'Love's Labor Lost.' No two-faced Falstaff proffers double suit; No Desdemona mourns Iago's art; And every Romeo finds his Juliet.'

Trust us, fair and gifted Miss Doten, the spirit who sang this into your soul was not Shakspeare, nor, unless we are much mistaken, even one of his acquaintances.

Faith and Fancy. By John Savage, Author of 'Sibyl, a Tragedy.' New York: James B. Kirker, 599 Broadway. Washington, D. C.: Philip & Solomon.

We are glad to welcome this little volume of poems, some of which were published anonymously, and received general praise from critics and readers. They are vigorous, patriotic, rhythmical, and many of them are marked with imaginative power. The 'Muster of the North' is a bold and striking poem.

Life of Edward Livingston. By Charles Havens Hunt. With an Introduction by George Bancroft. New York: D. Appleton & Co., 443 and 445 Broadway.

Mr. Hunt has had great advantages in the preparation of this interesting life, the only surviving members of Mr. Livingston's immediate family having placed in his hands the whole mass of papers left by him at his death. The work has a double interest. As a man, Mr. Livingston claims our sympathies from his domestic virtues, his unvarying sweetness of demeanor, his high ability and culture; as jurist and statesman, he is closely related to the great epochs of our country. It fell to his lot, after our acquisition of Louisiana, to adjust the old municipal laws derived from France and Spain, to the new condition of the connection with America. 'The code which he prepared at the instance of the State of Louisiana,' says Mr. Bancroft, 'is in its simplicity, completeness, and humanity at once an impersonation of the man and an exposition of the American Constitution. If it has never been adopted as a whole, it has proved an unfailing fountain of reforms, suggested by its principles.' Mr. Livingston will live historically with such men as Bacon, Montesquieu, Beccaria, and Bentham. His great work in its final form was styled 'A System of Penal Law,' and was divided into 'A Code of Crimes and Punishments,' 'A Code of Procedure,' 'A Code of Evidence,' and 'A Code of Reform and Prison Discipline,' besides 'A Book of Definitions.' This work is marked by great unity of design, by the shunning of legal ambiguity, by the preventing rather than avenging crime, and by bringing 'mercy to season justice.'

Space fails to follow Mr. Livingston through his congressional career, his social and domestic life, his many and pleasant relations with General Jackson, George M. Dallas, and most of the leading men of his own times. We close this short notice with a quotation from Charles J. Ingersoll: 'A purer, sweeter, or superior spirit seldom has departed. He belonged to a peerage of which there are very few members.' We doubt not this important record will obtain a wide recognition.

Rambles Among Words: their Poetry, History, and Wisdom. By William Swinton. Revised Edition. New York: Dion Thomas, 142 Nassau street.

We are glad to welcome a new edition of this interesting book. Some fifteen hundred illustrations of the Poetry, History, and Wisdom of Words are presented to the reader in these pages, the greater number of which have never before been etymologically analyzed. Mr. Swinton's classifications are ingenious and suggestive. We have 'The Work of the Senses, 'The Idealism of Words,' 'Fossil Poetries,' 'Fossil Histories,' 'Words of Abuse,' 'Growth of Words,' 'Verbal Ethics,' 'English in America,' &c. Our author says: 'In the growth of Words all the activities of the mind conspire. Language is the mirror of the living inward consciousness. Language is concrete metaphysics. What rays does it let in on the mind's subtile workings! There is more of what there is of essential in metaphysics—more of the structural action of the human mind, in Words, than in the concerted introspection of all the psychologists.' And very skilfully has Mr. Swinton elicited the pregnant meanings, the rich coloring, the 'concrete metaphysics,' the terrors, delights, and wonders of words. Thoughtlessly enough we use them, but they are coins of matchless worth, stamped with the history and marked by the complicated powers of the being in the fire of whose soul they are fused. Truthfulness of derivation, history, erudition, poetry, and imagination meet in the charming pages before us, and enthral the interest. We recommend the work not only to the student, but to all readers of intelligence. Those already familiar with the subject will find much rare and original matter; while those to whom it is new will be astonished and startled with the unsuspected resources of the magical regions through which 'Rambles among Words' will conduct them.

The Vagabonds. By J. T. Trowbridge. With Illustrations by F. O. C. Darley. New York: James G. Gregory, 46 Walker street.

Most of the readers of the Atlantic Monthly will remember 'The Vagabonds'—a poem remarkable for its truth and pathos. Darley has caught the spirit of the 'two travellers'—indeed, the expression of love and pity in the face of the dog is almost human. If we but read this poem aright, a moral lies in every verse, teaching us compassion for erring humanity, and mercy to the dumb creatures whom no sin or degradation can alienate from their loyal affections. We thank Darley for these exquisite and tender illustrations. They are worthy of his fame. May they save our poor four-footed 'Rogers' many a kick, and elicit a deeper sympathy for earth's unfortunate vagabonds!

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