← Table of contents
The Continental Monthly, Vol. 2, No. 2, August, 1862

SKETCHES OF THE ORIENT.

Reading edition

The world is undergoing a wonderful change. Even within the memory of some twenty-five years, what events have occurred to verify the remark. Civilization changes all the preconceived perfections of the past, and introduces new scenes of life; it reforms without injuring, and leaves us undecided as to the value of the progress made. New customs and new habits leave man where he was; his nature is still the same, and perhaps he has only engrafted on a faulty structure what neither embellishes nor improves, and shows how slow is the progress of the human mind toward this goal for which it has, since the commencement of time, been bent.

This is peculiarly verified in the 'Orient,' the most ancient of climes and lands. Through the mist of so many centuries, so many thousands of years, the 'far East' has followed the 'even tenor of its way' through revolutions and systems; its usages have been consecrated by time, and the parent has handed down to his son the usages which were more nearly allied to the natural state of man than those of the more famed and progressing 'West.' The animal has had more sway than the intellectual part of his nature, and what the curious traveler most admires is the still primitive condition of the latter. Violence there reigns superior to reason, and if changes be made, the former consults but little the latter in the measures which it adopts for the prosecution of its plans. There is seldom any appeal made by the reformer to the understandings of the people to be reformed; they must blindly adopt the innovations offered, and this without the means of contrasting what they are thus compelled to receive at the hand of the bestower with what they forsake. Tossed in the billows of doubt, they are exposed to the rocks of misconception, and are too often wrecked through the total absence of any chart to guide them in their new voyage of life. The transitory step is always a dangerous one to a people who have not entire confidence in their leader, for his plans may inspire neither conviction nor approval, and if they fail, leave his followers exposed to all the fury of storms without any haven in which to seek a refuge.

Sultan Mahmoud, believing that European civilization was superior to that of the East, imagined that he adopted it, when he only assumed its exterior, the costume of Frankistan. How little did he know of the defects to which this simplest part of it led. Luckily, he adopted only the habiliments of the male sex, leaving those of the female unchanged. The flowing robes, full of ease and comfort; the turban, soft to the head, and giving it protection from the colds of winter and the heats of summer; the commodious shoe, which leaves the feet uncrumpled and free from the results of the tighter and closer ones of the West, were laid aside for the dress of Europe. The only part of the garb which we use, that he did not assume and compel his people to accept, was the unseemly and uncomfortable hat, and this he would also have taken, had religion not interposed to prevent it. Of all parts of the Christian's costume, the hat is the most calculated to inspire disgust in the sight of the native of the Orient, and if ever he adopts it, it is because it is supposed to cover him with protection against the injustice of his own rulers, and not from any preference or even choice. It is always an object of ridicule, and serves to point many a remark of derision and contempt against the wearer. On the other hand, what is more noble and dignified than the turban, with its snowy white folds, or its varied hues of green or red? Just as the external appearance of the colored man, and the knowledge of his total deprivation of civil abilities perpetuates the existing prejudice against him, so does the dress of the Frank clothe him with all that is distasteful and revolting in the eyes of the native of the East, with his prejudices dating back to the earlier days of the prophets. To pass over the external appearances of the reformed Eastern, let us examine the results of the civilization of Europe with which his costume has clothed him. Tight clothes have unfitted him for the broad and soft luxury of the sofa, and many persons resume the flowing robe and full trowsers within doors, so as to be able to enjoy the comforts which they lost with them. For the same reason, they must sit at a high table, on a high chair. The sleeve of the tight coat scarcely permits of being rolled up, so that the man of the East can return to his primitive use of his fingers in place of the fork, and for this he rejects the coat for the flowing pelisse, or he goes to his meal in his shirt-sleeves. It is amusing to see the homme de bureau, or the humble clerk, endeavoring to sit on his sofa cross-legged, with his writing paraphernalia before him as formerly, or to examine the broad chair which he has had to invent, so as to suit himself to his new transitory state. It may even be doubted whether he has gained any thing by the change, as a cavalier, for the full trowsers were far more comfortable than the present tight pantaloons, and any one who has seen the Bedouin horsemen, with their commodious saddles and flowing robes, must have given them his entire approbation in point of contrasted beauty.

As yet the Oriental has made no innovation in his domestic life and habits, or if any, it is that his ladies wear the slender botine of the Christian lady in place of the loose slipper of former years. As yet there is no commingling of the sexes, no excursions by land and sea in boats or carriages together, in undisturbed and unrestricted familiar intercourse. The lady of the house has not yet met her husband's friends at the dinner-table, at the social soirée, or in the ball-room. He is quite willing to go to these, at the house of his Frank friend, but he has not been convinced of the propriety of the change, and his sovereign has not carried his reforms into harem life. It will require some years yet to fit the Oriental for witnessing the displays of female beauty at such places with the calm indifference of the more accustomed native of Frankistan. He is willing, however, to commingle with the females of his European neighbors' household, even to embrace them in the mysteries of the mazy polka or waltz; but he hesitates admitting that such are the advantages or benefits of civilization. Indeed, it may be doubted whether his own wife and daughters would suffer such, were they told that they might do so without fear of reproach; for it is mostly to the mothers and wives that the Eastern world owes its tardy progress in the civilization of the West. Some time since, during the late Carnival, there was a Persian ambassador present at a ball given by the Italian minister, attended by the ambassador extraordinary of the Shah of Persia, who had never been to Europe or in a 'civilized European' society. Being asked by a foreign gentleman how he was, and how he liked the ball, he frankly replied, that such an exhibition as that of the beautiful ladies assembled there decollé, etc., had taken him quite by surprise; that it was more than his nerves could stand, and he felt so bad that he thought of leaving the ball and retiring to his own quarters. The same gentleman, to induce him to remain, jocosely told him that it was the paradise of the Christian, whilst his (that of Mussulmans) was in the life to come. At this he smiled, and turning toward a bevy of very handsome young ladies, dressed in the hight of the fashion, his eyes gloating on the fair scene, answered, that he admired the Christian paradise very much, and as the other was somewhat uncertain, he thought he could be satisfied with the persons now around him. It is quite possible that, except for the loss of dignity which would have attended the act, the Shah's ambassador might easily have been induced to join in a polka with one of the infidel houris then present.

Many of the Mussulmans (Turks) of Stamboul come over the Golden Horn to Pera, to witness the merry scenes of the Christian Carnival. They do not select the most fashionable places of resort, and consequently fall into rather doubtful company. They come sometimes with a companion or two, but prefer to have only their own people with them, or at most a toady or two to keep them in countenance. Such a person finds a conspicuous place, where he can see what is going on, throws off his more than half European coat, puts on his loose pelisse, calls for his Tchibook, or pipe, and, it must be added, something very much like hot punch, and goes in for the full enjoyment of the evening. In an hour or two, he is rather 'pulverized,' and very disregardful of what he says and does. The true semi-barbarian then comes to view; he becomes very ostentatious, and is disposed to act the fast man; a friend will always find him a lady, whom he invites to accompany him over to his konak, (private dwelling in Stamboul,) which she refuses; he urges her to play faro or rouge et noir with his money, which she does, until his purse is rather light, and by this time our Turk is so far insensible as to require to be conveyed to his carriage by the toadies or private attendants above mentioned. This he thinks is all right, and calls it à la Franka, or conformably with European civilization and fashion.

The Armenian and Greek ladies, too, are adopting the same ideas of reform and improvement in social life. One of the former, a fair, married lady, of good family, having lately fallen in with a young and handsome foreigner attached to one of the legations, allowed his visits to become more and more frequent, so that one day her husband, returning home rather sooner than expected, caught the couple in flagrante delicto. This was carrying European civilization somewhat to a delicate point; but she shielded herself against the husband's reproaches by the assertion that it was à la Franka, and the matter was compromised without any 'secession movement.'

The late Sultan built a theatre, and had a corps of ballet-girls for private amusement. He frequently gave entertainments at the former to the foreign legations, and one season even attended a bal paré at the British Embassy, and a bal en ordinaire at the French. This rather startled some of his subjects; but as such things were considered à la Franka, it passed over without any serious results. At the former, it is said, an amusing incident occurred, which, if not altogether true, is bon troveto. The late Sultan was extremely sensitive about coming in close contact with non-believers in the principles of the blessed Prophet. He never could touch the letter accrediting a foreign ambassador without hastening to perform ablutions, and as to conforming to the custom of shaking hands with an infidel, it was too horrible to be thought of for a moment. All animals, except horses, he held in abhorrence, and changed his entire costume several times a day, if he happened to have occasion to expose himself even to the winds blowing from the direction of the infidel hill on which Pera, the residences of the Christians, are built. On his arrival at the ball in question, he was, as is customary, shown into a private apartment, for a moment's repose previous to entering the salon in which hundreds of gay visitors were collected. The apartment happened to be that of the lady of the Ambassador, in fact, her boudoir, in which her poodle-dog, Bijou, had been accustomed to stay. Scarcely had the Sultan taken a seat, before poor Bijou made his appearance, and was at once driven away by some of the frightened attendants; but soon after returning unnoticed, the spiteful brute approached the Sultan, and offered the greatest indignity in his power to the pantaloons of the sensitive monarch. Imagine the indignation which occurred, and the designs of the wily British Ambassador to civilize the Turkish Sultan would have been wholly frustrated had not the chief gardien of the Sultan's wardrobe fortunately brought with him a full fresh suit for his master, in case of eventualities.

On the same occasion, the British Ambassador, for the same laudable purpose of civilizing the various clergy of the Ottoman capital, had insisted upon the Armenian, Greek, and Catholic Armenian Bishops and the Greek Rabbi of the Jews appearing at his bal paré in their canonicals! Against this they strongly remonstrated, but the influence of the Ambassador was greater than their own, and they had to make their débût at his ball in full dress. But this was, however, soon forgotten, as it was all à la Franka.

Some years ago, the late Sultan, on the occasion of the circumcision of one or two of his sons, gave a series of entertainments to his own functionaries, and one to the foreign diplomatic corps, in one of the valleys on the Asiatic side of the Bosphorus, called Hyder Pacha. With the view of properly amusing the foreign legations, à la Franka, the Sultan got up an extemporary theatre, adjoining the splendid pavilion, in which his guests were assembled. The play selected as best calculated for the purpose, was the Milliner's Shop, the like of which the Sultan had noticed while passing through the great street of Pera—the windows filled with bonnets, dress-caps, crinolines, etc., and very handsome dolls, some quite as 'large as life,' decollé, and thanks to the miniature crinolines, often showing very well-made chaussures and ankles. The little stage was not much raised above the green sward of the valley—a ditch had been dug out for the use of the orchestra, and the counter of the milliner separated this from the audience. As the whole affair had been got up rather hurriedly, the entrepreneur had not been able to procure a sufficient number of blocks on which to exhibit the bonnets and caps, and as men were readily obtained for the purpose, holes were cut in the counter, through which these thrust their heads, and on them rested the articles in question. A man also figured against the wall, on whom to hang up a ready-made dress or two, while his head also served as a block for a first-rate bonnet with flowers and feathers to suit the occasion. Now the weather had threatened a change, and much to the regret of the Sultan and his Court, who had it at heart to give such an entertainment to the diplomatic corps of Europe as would tell largely in the papers, and prove the great progress made by him in civilization, just as the play commenced, the rain began to fall in torrents. In their pavilion, the foreign ambassadors, etc., were somewhat secure, but not so the dramatis personæ. The ditch soon filled with water, and the orchestra had to hold their instruments above their heads, while the water rose to their waists, and finally drove them to open 'secession.' But the man-blocks which supported the millinery were still more to be pitied. Their heads were fast in the holes made, and partially closed again in the centre, so that they were unable to escape from the rain which deluged the whole affair. The water fell in torrents over the gay bonnets, caps, crinolines, etc., until they became a mass of tawdry, and the bare pates of those under them came ludicrously into view. It required the assistance of a carpenter and his aids to get the poor fellows free from their bondage, and enable them to seek safety in flight. As to the man fastened against the wall, he bore his torture, and the merriment which he occasioned among the audience, for some time, but finally was compelled to put an end to his part of the entertainment by a timely retreat.

Sultan Mahmoud was the first reformer of the Ottoman Empire, and his second son, Sultan Abd-ul-Aziz, the last. The reforms of the late Sultan, Abd-ul-Mejid, nearly ruined him, and the consequence is, that the present sovereign has wisely concluded to fall back upon some of the older fashions of his people. Mahmoud thought to drive away the remembrance of the Dervish-Janissaries whose violences seldom allowed a Sultan to die of disease, and never of old age. To effect this, he disbanded their several corps, and created new ones, in another dress. Perhaps this was wise at the time, but the object once reached, he might—or his successor, at most—have restored the broken spirit of his people, by a return to their national costume. It was only by force and fear that he induced his new troops to adopt the dress of the deeply detested Ghiaours, and the measure greatly alienated the respect and affections of his subjects, especially those of the interior of the empire. The higher classes of the capital assumed it with less reserve, on account of the economy which it admitted, and because it was à la mode, but the lower were less disposed to lay that one aside which had been worn by their ancestors, and served to designate the true Mussulman. The picturesque costume of the natives of Arabia, of Egypt, Syria, and Albania, had to be thrown aside for the tight pantaloons and coat of the Infidel, and Mahmoud went so far even as to require the Bombardiers of his army to wear a head-dress, black, and tall as a hat, differing from it by the absence of a rim, and open on the top, covered only with a bag of dark silk, drawn together with a cord. This, how-ever, disappeared in the reign of his successor.

The present Sultan has adopted a middle course. Without either restoring the costumes of the Janissaries, or even assimilating the habiliments of his troops to that which they wear in their own country, which would have inspired a strong and useful esprit de corps, he has accepted the uniform of the Zouave and Turcos of the French army. It is sufficiently Oriental to meet the object desired, and is very popular in the Sultan's army. It leaves to the wearer the free use of his limbs, but as a parade-dress will not show so favorably, to European eyes, as the more dignified dress of the Guards. The most difficult part of a military costume is the head-dress; and the common red cap of the Turks, called the Fez, is even more objectionable than the unseemly slouched hat worn in the regular army of the United States. Around this cap the Sultan has had a small turban bound, in one or two folds, which is a relief to the eye, and easily kept in order. It is readily taken off, in case of need, and may be bound around the waist as a sash, or girdle.

This change in the dress of his army has given to his people the idea that their new Sultan is anti-Christian, and will restore the Ottoman Empire to its former state and condition. How far this will be verified, still rests to be seen. Reforms not entirely needed, and but half carried out, leave the recipients in that transitory state which weakens and demoralizes without effecting any permanent and real benefit. An external change is certainly less efficient than a moral one, but it goes far toward influencing the feelings of patriotism and loyalty which are so essential to man in his political condition, and it is more than probable that the anti-reforms of Sultan Abd-ul-Aziz will effect more real good in his capital, and elsewhere, than the boasted reforms of his illustrious father.

Explore with AITake your curiosity a little further.

Reading settings