The collected works of William Hazlitt, Vol. 11 (of 12)
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1. Front matter2. THE COLLECTED WORKS OF WILLIAM HAZLITT3. BIBLIOGRAPHICAL NOTE4. Introductory material5. ON ABSTRACT IDEAS6. ON THE WRITINGS OF HOBBES7. ON LIBERTY AND NECESSITY8. ON LOCKE’S ESSAY ON THE HUMAN UNDERSTANDING9. ON LOCKE’S ESSAY ON THE HUMAN UNDERSTANDING (continued 2)10. ON TOOKE’S ‘DIVERSIONS OF PURLEY’11. ON SELF-LOVE12. MADAME DE STAËL’S ACCOUNT OF GERMAN PHILOSOPHY AND LITERATURE.13. THE SAME SUBJECT CONTINUED14. THE SAME SUBJECT CONTINUED15. THE SAME SUBJECT CONTINUED (ON ABSTRACTION)16. FINE ARTS. BRITISH INSTITUTION17. THE STAGE.18. FINE ARTS—THE LOUVRE19. WILSON’S LANDSCAPES, AT THE BRITISH INSTITUTION20. ON GAINSBOROUGH’S PICTURES21. MR. KEMBLE’S PENRUDDOCK22. INTRODUCTION TO AN ACCOUNT OF SIR JOSHUA REYNOLDS’S DISCOURSES23. ON GENIUS AND ORIGINALITY24. ON THE IMITATION OF NATURE25. ON THE IDEAL.26. CHARLEMAGNE: OU L’ÉGLISE DÉLIVRÉE.27. THE SAME SUBJECT CONTINUED28. LUCIEN BUONAPARTE’S COLLECTION, ETC.29. BRITISH INSTITUTION30. THE SAME SUBJECT CONTINUED31. THE SAME SUBJECT CONTINUED32. ON MR. WILKIE’S PICTURES33. ON ROCHEFOUCAULT’S MAXIMS.34. ON THE PREDOMINANT PRINCIPLES AND EXCITEMENTS IN THE HUMAN MIND35. THE LOVE OF POWER OR ACTION AS MAIN A PRINCIPLE IN THE HUMAN MIND AS SENSIBILITY TO PLEASURE OR PAIN36. ESSAY ON MANNERS37. KEAN’S BAJAZET AND ‘THE COUNTRY GIRL’38. DOCTRINE OF PHILOSOPHICAL NECESSITY39. PARALLEL PASSAGES IN VARIOUS POETS40. MR. LOCKE A GREAT PLAGIARIST41. SHAKESPEAR’S FEMALE CHARACTERS42. MISS O’NEILL’S WIDOW CHEERLY43. PENELOPE AND THE DANSOMANIE.44. OROONOKO.45. ‘THE PANNEL’ AND ‘THE RAVENS’46. JOHN GILPIN47. DON GIOVANNI AND KEAN’S EUSTACE DE ST. PIERRE48. CHARACTER OF THE COUNTRY PEOPLE49. MR. MACREADY’S MACBETH.50. GUY FAUX51. THE SAME SUBJECT CONTINUED52. THE SAME SUBJECT CONCLUDED53. CHARACTER OF MR. CANNING54. THE DANDY SCHOOL.55. ACTORS AND THE PUBLIC56. FRENCH PLAYS57. FRENCH PLAYS—(Continued)58. THE THEATRES AND PASSION-WEEK59. CHARLES KEAN60. SOME OF THE OLD ACTORS.61. THE COMPANY AT THE OPERA.62. THE BEGGARS’ OPERA63. THE TAMING OF THE SHREW AND L’AVARE64. MRS. SIDDONS65. THE THREE QUARTERS, &c.66. MR. KEAN67. MUNDEN’S SIR PETER TEAZLE68. YOUNG’S HAMLET69. DOWTON IN THE HYPOCRITE70. MISS BRUNTON’S ROSALIND71. MAYWOOD’S ZANGA72. KEAN’S RICHARD III.73. THE WONDER74. VENICE PRESERVED75. SHE STOOPS TO CONQUER76. KEAN’S MACBETH77. KEAN’S OTHELLO78. KEAN AND MISS O’NEILL79. THE HONEY MOON80. MR. KEAN81. KING JOHN82. THE PRESS—COLERIDGE, SOUTHEY, WORDSWORTH, AND BENTHAM83. MR. COLERIDGE’S LECTURES84. CHILDE HAROLD’S PILGRIMAGE (Canto iv.)85. THE OPERA86. ON THE QUESTION WHETHER POPE WAS A POET87. ON RESPECTABLE PEOPLE.88. ON FASHION89. ON NICKNAMES90. THOUGHTS ON TASTE91. THE SAME SUBJECT CONTINUED92. THE SAME SUBJECT CONTINUED93. ON THE PRESENT STATE OF PARLIAMENTARY ELOQUENCE94. HAYDON’S ‘CHRIST’S AGONY IN THE GARDEN’95. POPE, LORD BYRON, AND MR. BOWLES[60]96. ON CONSISTENCY OF OPINION97. ON THE SPIRIT OF PARTISANSHIP98. ‘THE PIRATE’99. ‘PEVERIL OF THE PEAK’100. COMMON PLACES101. NOTES102. NOTES (continued 2)