THE PLAIN SPEAKER (continued 6)

Laziness has a great deal to do in the question, and this again is owing to a state of feeling sufficient to itself, and rich in enjoyment without the help of action. Clothilde (the finest and darkest of the Gensano girls) fixes herself at her door about noon (when her day’s work is done): her smile reflects back the brightness of the sun, she darts upon a little girl with a child in her arms, nearly overturns both, devours it with kisses, and then resumes her position at the door, with her hands behind her back and her shoes down at heel. This slatternliness and negligence is the more remarkable in so fine 176a girl, and one whose ordinary costume is a gorgeous picture, but it is a part of the character; her dress would never have been so rich, if she could take more pains about it—they have no nervous or fidgetty feeling whether a thing is coming off or not: all their sensations, as it were, sit loose upon them. Their clothes are no part of themselves,—they even fling their limbs about as if they scarcely belonged to them; the heat in summer requires the utmost freedom and airiness (which becomes a habit), and they have nothing tight-bound or strait-laced about their minds or bodies. The same girl in winter (for ‘dull, cold winter does inhabit here’ also) would have a scaldaletto (an earthen pan with coals in it) dangling at her wrists for four months together, without any sense of incumbrance or distraction, or any other feeling but of the heat it communicated to her hands. She does not mind its chilling the rest of her body or disfiguring her hands, making her fingers look like ‘long purples’—these children of nature ‘take the good the Gods provide them,’ and trouble themselves little about consequences or appearances. Their self-will is much stronger than their vanity—they have as little curiosity about others as concern for their good opinion. Two Italian peasants talking by the roadside will not so much as turn their heads to look at an English carriage that is passing. They have no interest except in what is personal, sensual. Hence they have as little tenaciousness on the score of property as in the acquisition of ideas. They want neither. Their good spirits are food, clothing, and books to them. They are fond of comfort too, but their notion of it differs from ours—ours consists in accumulating the means of enjoyment, theirs in being free to enjoy, in the dear far niente. What need have they to encumber themselves with furniture or wealth or business, when all they require (for the most part) is air, a bunch of grapes, bread, and stone-walls? The Italians, generally speaking, have nothing, do nothing, want nothing,—to the surprise of foreigners, who ask how they live? The men are too lazy to be thieves, the women to be something else. The dependence of the Swiss and English on their comforts, that is, on all ‘appliances and means to boot,’ as helps to enjoyment or hindrances to annoyance, makes them not only eager to procure different objects of accommodation and luxury, but makes them take such pains in their preservation and embellishment, and pet them so when acquired. ‘A man,’ says Yorick, ‘finds an apple, spits upon it, and calls it his.’ The more any one finds himself clinging to material objects for existence or gratification, the more he will take a personal interest in them, and the more will he clean, repair, polish, scrub, scour, and tug at them without end, as if it were his own soul that he was keeping clear 177from spot or blemish. A Swiss dairy-maid scours the very heart out of a wooden pail; a scullion washes the taste as well as the worms out of a dish of broccoli. The wenches are in like manner neat and clean in their own persons, but insipid. The most coarse and ordinary furniture in Switzerland has more pains bestowed upon it to keep it in order, than the finest works of art in Italy. There the pictures are suffered to moulder on the walls; and the Claudes in the Doria Palace at Rome are black with age and dirt. We set more store by them in England, where we have scarce any other sunshine! At the common inns on this side the Simplon, the very sheets have a character for whiteness to lose: the rods and testers of the beds are like a peeled wand. On the opposite side you are thankful when you are not shown into an apartment resembling a three-stalled stable, with horse-cloths for coverlids to hide the dirt, and beds of horse-hair or withered leaves as harbourage for vermin. The more, the merrier; the dirtier, the warmer; live and let live, seem maxims inculcated by the climate. Wherever things are not kept carefully apart from foreign admixtures and contamination, the distinctions of property itself will not, I conceive, be held exceedingly sacred. This feeling is strong as the passions are weak. A people that are remarkable for cleanliness, will be so for industry, for honesty, for avarice, and vice versâ. The Italians cheat, steal, rob (when they think it worth their while to do so) with licensed impunity: the Swiss, who feel the value of property, and labour incessantly to acquire it, are afraid to lose it. At Brigg I first heard the cry of watchmen at night, which I had not heard for many months. I was reminded of the traveller who after wandering in remote countries saw a gallows near at hand, and knew by this circumstance that he approached the confines of civilization. The police in Italy is both secret and severe, but it is directed chiefly to political and not to civil matters. Patriot sighs are heaved unheard in the dungeons of St. Angelo: the Neapolitan bandit breathes the free air of his native mountains!

It may by this time be conjectured why Catholics are less cleanly than Protestants, because in fact they are less scrupulous, and swallow whatever is set before them in matters of faith as well as other things. Protestants, as such, are captious and scrutinising, try to pick holes and find fault,—have a dry, meagre, penurious imagination. Catholics are buoyed up over doubts and difficulties by a greater redundance of fancy, and make religion subservient to a sense of enjoyment. The one are for detecting and weeding out all corruptions and abuses in doctrine or worship: the others enrich theirs with the dust and cobwebs of antiquity, and think their ritual none the worse for the 178tarnish of age. Those of the Catholic Communion are willing to take it for granted that every thing is right; the professors of the Reformed religion have a pleasure in believing that every thing is wrong, in order that they may have to set it right. In morals, again, Protestants are more precise than their Catholic brethren. The creed of the latter absolves them of half their duties, of all those that are a clog on their inclinations, atones for all slips, and patches up all deficiencies. But though this may make them less censorious and sour, I am not sure that it renders them less in earnest in the part they do perform. When more is left to freedom of choice, perhaps the service that is voluntary will be purer and more effectual. That which is not so may as well be done by proxy; or if it does not come from the heart, may be suffered to exhale merely from the lips. If less is owing in this case to a dread of vice and fear of shame, more will proceed from a love of virtue, free from the least sinister construction. It is asserted that Italian women are more gross; I can believe it, and that they are at the same time more refined than others. Their religion is in the same manner more sensual: but is it not to the full as visionary and imaginative as any? I have heard Italian women say things that others would not—it does not therefore follow that they would do them: partly because the knowledge of vice that makes it familiar renders it indifferent; and because the same masculine tone of thinking that enables them to confront vice, may raise them above it into a higher sphere of sentiment. If their senses are more inflammable, their passions (and their love of virtue and of religion among the rest) may glow with proportionable ardour. Indeed the truest virtue is that which is least susceptible of contamination from its opposite. I may admire a Raphael, and yet not swoon at sight of a daub. Why should there not be the same taste in morals as in pictures or poems? Granting that vice has more votaries here, at least it has fewer mercenary ones, and this is no trifling advantage. As to manners, the Catholics must be allowed to carry it over all the world. The better sort not only say nothing to give you pain; they say nothing of others that it would give them pain to hear repeated. Scandal and tittle-tattle are long banished from good society. After all, to be wise is to be humane. What would our English blue-stockings say to this? The fault and the excellence of Italian society is, that the shocking or disagreeable is not supposed to have an existence in the nature of things.^[26]

179

ESSAY XVII THE NEW SCHOOL OF REFORM

A DIALOGUE BETWEEN A RATIONALIST AND A SENTIMENTALIST

R. What is it you so particularly object to this school? Is there any thing so very obnoxious in the doctrine of Utility, which they profess? Or in the design to bring about the greatest possible good by the most efficacious and disinterested means?

S. Disinterested enough, indeed: since their plan seems to be to sacrifice every individual comfort for the good of the whole. Can they find out no better way of making human life run smooth and pleasant, than by drying up the brain and curdling the blood? I do not want society to resemble a Living Skeleton, whatever these ‘Job’s Comforters’ may do. They are like the fox in the fable—they have no feeling themselves, and would persuade others to do without it. Take away the dulce of the poet, and I do not see what is to become of the utile. It is the common error of the human mind, of forgetting the end in the means.

R. I see you are at your Sentimentalities again. Pray, tell me, is it not their having applied this epithet to some of your favourite speculations, that has excited this sudden burst of spleen against them?

S. At least I cannot retort this phrase on those printed circulars which they throw down areas and fasten under knockers. But pass on for that. Answer me then, what is there agreeable or ornamental in human life that they do not explode with fanatic rage? What is there sordid and cynical that they do not eagerly catch at? What is there that delights others that does not disgust them. What that disgusts others with which they are not delighted? I cannot think that this is owing to philosophy, but to a sinister bias of mind; inasmuch as a marked deficiency of temper is a more obvious way of accounting for certain things than an entire superiority of understanding. The Ascetics of old thought they were doing God good service by tormenting themselves and denying others the most innocent amusements. Who doubts now that in this (armed as they were with texts and authorities and awful denunciations) they were really actuated by a morose and envious disposition, that had no capacity for enjoyment itself or felt a malicious repugnance to the idea of it in any one else? What in them took the garb of religion, with us 180puts on the semblance of philosophy; and instead of dooming the heedless and refractory to hell-fire or the terrors of purgatory, our modern polemics set their disciples in the stocks of Utility, or throw all the elegant arts and amiable impulses of humanity into the Limbo of Political Economy.

R. I cannot conceive what possible connection there can be between the weak and mischievous enthusiasts you speak of, and the most enlightened reasoners of the nineteenth century. They would laugh at such a comparison.

S. Self-knowledge is the last thing which I should lay to the charge of soi-disant philosophers; but a man may be a bigot without a particle of religion, a monk or an Inquisitor in a plain coat and professing the most liberal opinions.

R. You still deal, as usual, in idle sarcasms and flimsy generalities. Will you descend to particulars, and state facts before you draw inferences from them?

S. In the first place then, they are mostly Scotchmen—lineal descendants of the Covenanters and Cameronians, and inspired with the true John Knox zeal for mutilating and defacing the carved work of the sanctuary——

R. Hold, hold—this is vulgar prejudice and personality——

S. But it’s the fact, and I thought you called for facts. Do you imagine if I hear a fellow in Scotland abusing the Author of Waverley, who has five hundred hearts beating in his bosom, because there is no Religion in his works, and a fellow in Westminster doing the same thing because there is no Political Economy in them, that any thing will prevent me from supposing that this is virtually the same Scotch pedlar with his pack of Utility at his back, whether he deals in tape and stays or in drawling compilations of history and reviews?

R. I did not know you had such an affection for Sir Walter——

S. I said the Author of Waverley. Not to like him would be not to love myself or human nature, of which he has given so many interesting specimens: though for the sake of that same human nature, I have no liking to Sir Walter. Those ‘few and recent writers,’ on the contrary, who by their own account ‘have discovered the true principles of the greatest happiness to the greatest numbers,’ are easily reconciled to the Tory and the bigot, because they here feel a certain superiority over him; but they cannot forgive the great historian of life and manners, because he has enlarged our sympathy with human happiness beyond their pragmatical limits. They are not even ‘good haters:’ for they hate not what degrades and afflicts, but what consoles and elevates the mind. Their plan 181is to block out human happiness wherever they see a practicable opening to it.

R. But perhaps their notions of happiness differ from yours. They think it should be regulated by the doctrine of Utility. Whatever is incompatible with this, they regard as spurious and false, and scorn all base compromises and temporary palliatives.

S. Yes; just as the religious fanatic thinks there is no salvation out of the pale of his own communion, and damns without scruple every appearance of virtue and piety beyond it. Poor David Deans! how would he have been surprised to see all his follies—his ‘right-hand defections and his left-hand compliances,’ and his contempt for human learning, blossom again in a knot of sophists and professed illuminés! Such persons are not to be treated as philosophers and metaphysicians, but as conceited sectaries and ignorant mechanics. In neither case is the intolerant and proscribing spirit a deduction of pure reason, indifferent to consequences, but the dictate of presumption, prejudice, and spiritual pride, or a strong desire in the elect to narrow the privilege of salvation to as small a circle as possible, and in ‘a few and recent writers’ to have the whole field of happiness and argument to themselves. The enthusiasts of old did all they could to strike the present existence from under our feet to give us another—to annihilate our natural affections and worldly vanities, so as to conform us to the likeness of God: the modern sciolists offer us Utopia in lieu of our actual enjoyments; for warm flesh and blood would give us a head of clay and a heart of steel, and conform us to their own likeness—‘a consummation not very devoutly to be wished!’ Where is the use of getting rid of the trammels of superstition and slavery, if we are immediately to be handed over to these new ferrets and inspectors of a Police-Philosophy; who pay domiciliary visits to the human mind, catechise an expression, impale a sentiment, put every enjoyment to the rack, leave you not a moment’s ease or respite, and imprison all the faculties in a round of cant-phrases—the Shibboleth of a party? They are far from indulging or even tolerating the strain of exulting enthusiasm expressed by Spenser:—

‘What more felicity can fall to creature

Than to enjoy delight with liberty,

And to be lord of all the works of nature?

To reign in the air from earth to highest sky,

To feed on flowers and weeds of glorious feature,

To taste whatever thing doth please the eye?

Who rests not pleased with such happiness,

Well worthy he to taste of wretchedness!’

Without air or light, they grope their way under-ground, till they are 182made ‘fierce with dark keeping:’^[27] their attention, confined to the same dry, hard, mechanical subjects, which they have not the power nor the will to exchange for others, frets and corrodes; and soured and disappointed, they wreak their spite and mortification on all around them.

R. I cannot but think your imagination runs away with your candour. Surely the writers you are so ready to inveigh against labour hard to correct errors and reform grievances.

S. Yes; because the one affords exercise for their vanity, and the other for their spleen. They are attracted by the odour of abuses, and regale on fancied imperfections. But do you suppose they like any thing else better than they do the Government? Are they on any better terms with their own families or friends? Do they not make the lives of every one they come near a torment to them, with their pedantic notions and captious egotism? Do they not quarrel with their neighbours, placard their opponents, supplant those on their own side of the question? Are they not equally at war with the rich and the poor? And having failed (for the present) in their project of cashiering kings, do they not give scope to their troublesome, overbearing humour, by taking upon them to snub and lecture the poor gratis? Do they not wish to extend ‘the greatest happiness to the greatest numbers,’ by putting a stop to population—to relieve distress by withholding charity, to remedy disease by shutting up hospitals? Is it not a part of their favourite scheme, their nostrum, their panacea, to prevent the miseries and casualties of human life by extinguishing it in the birth? Do they not exult in the thought (and revile others who do not agree to it) of plucking the crutch from the cripple, and tearing off the bandages from the agonized limb? Is it thus they would gain converts, or make an effectual stand against acknowledged abuses, by holding up a picture of the opposite side, the most sordid, squalid, harsh, and repulsive, that narrow reasoning, a want of imagination, and a profusion of bile can make it? There is not enough of evil already in the world, but we must harden our feelings against the miseries that daily, hourly, present themselves to our notice, and set our faces against every thing that promises to afford any one the least gratification or pleasure. This is their idea of a perfect commonwealth: where each member performs his part in the machine, taking care of himself, and no more concerned about his neighbours, than the iron and wood-work, the pegs and nails in a spinning-jenny. Good screw! good wedge! good ten-penny nail! Are they really in earnest, or are they bribed, 183partly by their interests, partly by the unfortunate bias of their minds, to play the game into the adversary’s hands? It looks like it; and the Government give them ‘good œillades’—Mr. Blackwood pats them on the back—Mr. Canning grants an interview and plays the amiable—Mr. Hobhouse keeps the peace. One of them has a place at the India-House: but then nothing is said against the India-House, though the poor and pious Old Lady sweats and almost swoons at the conversations which her walls are doomed to hear, but of which she is ashamed to complain. One triumph of the School is to throw Old Ladies into hysterics!^[28] The obvious (I should still hope not the intentional) effect of the Westminster tactics is to put every volunteer on the same side hors de combat, who is not a zealot of the strictest sect of those they call Political Economists; to come behind you with dastard, cold-blooded malice, and trip up the heels of those stragglers whom their friends and patrons in the Quarterly have left still standing; to strip the cause of Reform (out of seeming affection to it) of every thing like a misalliance with elegance, taste, decency, common sense, or polite literature, (as their fellow labourers in the same vineyard had previously endeavoured to do out of acknowledged hatred)—to disgust the friends of humanity, to cheer its enemies; and for the sake of indulging their unbridled dogmatism, envy and uncharitableness, to leave nothing intermediate between the Ultra-Toryism of the courtly scribes and their own Ultra-Radicalism—between the extremes of practical wrong and impracticable right. Their, our antagonists will be very well satisfied with this division of the spoil:—give them the earth, and any one who chooses may take possession of the moon for them!

R. You allude to their attacks on the Edinburgh Review?

S. And to their articles on Scott’s Novels, on Hospitals, on National Distress, on Moore’s Life of Sheridan, and on every subject of taste, feeling, or common humanity. Sheridan, in particular, is termed ‘an unsuccessful adventurer.’ How gently this Jacobin jargon will fall on ears polite! This is what they call attacking principles and sparing persons: they spare the persons indeed of men in power (who have places to give away), and attack the characters of the dead or the unsuccessful with impunity! Sheridan’s brilliant talents, his genius, his wit, his political firmness (which all but they 184admire) draw forth no passing tribute of admiration; his errors, his misfortunes, and his death (which all but they deplore) claim no pity. This indeed would be to understand the doctrine of Utility to very little purpose, if it did not at the first touch weed from the breast every amiable weakness and imperfect virtue which had—never taken root there. But they make up for their utter want of sympathy with the excellences or failings of others by a proportionable self-sufficiency. Sheridan, Fox, and Burke were mere tyros and school-boys in politics compared to them, who are the ‘mighty land-marks of these latter times’—ignorant of those principles of ‘the greatest happiness to the greatest numbers,’ which a few and recent writers have promulgated. It is one way of raising a pure and lofty enthusiasm, as to the capacities of the human mind, to scorn all that has gone before us. Rather say, this dwelling with overacted disgust on common frailties, and turning away with impatience from the brightest points of character, is ‘a discipline of humanity,’ which should be confined as much as possible to the Westminster School. Believe me, their theories and their mode of enforcing them stand in the way of reform: their philosophy is as little addressed to the head as to the heart—it is fit neither for man nor beast. It is not founded on any sympathy with the secret yearnings or higher tendencies of man’s nature, but on a rankling antipathy to whatever is already best. Its object is to offend—its glory to find out and wound the tenderest part. What is not malice, is cowardice, and not candour. They attack the weak and spare the strong, to indulge their officiousness and add to their self-importance. Nothing is said in the Westminster Review of the treatment of Mr. Buckingham by the East India Company: it might lessen the writer’s sphere of utility, as Mr. Hall goes from Leicester to Bristol to save more souls! They do not grapple with the rich to wrest his superfluities from him (in this they might be foiled) but trample on the poor (a safe and pick-thank office) and wrench his pittance from him with their logical instruments and lying arguments. Let their system succeed, as they pretend it would, and diffuse comfort and happiness around; and they would immediately turn against it as effeminate, insipid, and sickly; for their tastes and understandings are too strongly braced to endure any but the most unpalatable truths and the bitterest ingredients. Their benefits are extracted by the Cæsarean operation. Their happiness, in short, is that—which will never be; just as their receipt for a popular article in a newspaper or review, is one that will never be read. Their articles are never read, and if they are not popular, no others ought to be so. The more any flimsy stuff is read and admired, and the more service it does to the sale of 185a journal, so much the more does it debauch the public taste, and render it averse to their dry and solid lucubrations. This is why they complain of the patronage of my Sentimentalities as one of the sins of the Edinburgh Review; and why they themselves are determined to drench the town with the most unsavoury truths, without one drop of honey to sweeten the gall. Had they felt the least regard to the ultimate success of their principles—of ‘the greatest happiness to the greatest numbers,’ though giving pain might be one paramount and primary motive, they would have combined this object with something like the comfort and accommodation of their unenlightened readers.

R. I see no ground for this philippic, except in your own imagination.

S. Tell me, do they not abuse poetry, painting, music? Is it, think you, for the pain or the pleasure these things give? Or because they are without eyes, ears, imaginations? Is that an excellence in them, or the fault of these arts? Why do they treat Shakespear so cavalierly? Is there any one they would set up against him—any Sir Richard Blackmore they patronise; or do they prefer Racine, as Adam Smith did before them? Or what are we to understand?

R. I can answer for it, they do not wish to pull down Shakespear in order to set up Racine on the ruins of his reputation. They think little indeed of Racine.

S. Or of Moliere either, I suppose?

R. Not much.

S. And yet these two contributed something to ‘the greatest happiness of the greatest numbers;’ that is, to the amusement and delight of a whole nation for the last century and a half. But that goes for nothing in the system of Utility, which is satisfied with nothing short of the good of the whole. Such benefactors of the species, as Shakespear, Racine, and Moliere, who sympathised with human character and feeling in their finest and liveliest moods, can expect little favour from ‘those few and recent writers,’ who scorn the Muse, and whose philosophy is a dull antithesis to human nature. Unhappy they who lived before their time! Oh! age of Louis XIV. and of Charles II., ignorant of the Je ne sçais quoi and of the sçavoir vivre! Oh! Paris built (till now) of mud! Athens, Rome, Susa, Babylon, Palmyra—barbarous structures of a barbarous period—hide your diminished heads! Ye fens and dykes of Holland, ye mines of Mexico, what are ye worth! Oh! bridges raised, palaces adorned, cities built, fields cultivated without skill or science, how came ye to exist till now! Oh! pictures, statues, temples, altars, 186hearths, the poet’s verse, and solemn-breathing airs, are ye not an insult on the great principles of ‘a few and recent writers’? How came ye to exist without their leave? Oh! Arkwright, unacquainted with spinning-jennies! Oh, Sir Robert Peel, unversed in calico-printing! Oh! generation of upstarts, what good could have happened before your time? What ill can happen after it?

R. But at least you must allow the importance of first principles?

S. Much as I respect a dealer in marine stores, in old rags and iron: both the goods and the principles are generally stolen. I see advertised in the papers—‘Elements of Political Economy, by James Mill,’ and ‘Principles of Political Economy, by John Macculloch.’ Will you tell me in this case, whose are the First Principles? which is the true Simon Pure?

‘Strange! that such difference there should be

‘Twixt Tweedle-dum and Tweedle-dee!’

R. You know we make it a rule to discountenance every attempt at wit, as much as the world in general abhor a punster.

S. By your using the phrase, ‘attempts at wit,’ it would seem that you admit there is a true and a false wit; then why do you confound the distinction? Is this logical, or even politic?

R. The difference is not worth attending to.

S. Still, I suppose, you have a great deal of this quality, if you chose to exert it?

R. I fancy not much.

S. And yet you take upon you to despise it! I have sometimes thought that the great professors of the modern philosophy were hardly sincere in the contempt they express for poetry, painting, music, and the Fine Arts in general—that they were private amateurs and prodigious proficients under the rose, and, like other lovers, hid their passion as a weakness—that Mr. M—— turned a barrel-organ—that Mr. P—— warbled delightfully—that Mr. Pl—— had a manuscript tragedy by him, called ‘The Last Man,’ which he withheld from the public, not to compromise the dignity of philosophy by affording any one the smallest actual satisfaction during the term of his natural life.

R. Oh, no! you are quite mistaken in this supposition, if you are at all serious in it. So far from being proficients, or having wasted their time in these trifling pursuits, I believe not one of the persons you have named has the least taste or capacity for them, or any idea corresponding to them, except Mr. Bentham, who is fond of music, and says, with his usual bonhomie (which seems to increase with his 187age) that he does not see why others should not find an agreeable recreation in poetry and painting.^[29]

S. You are sure this cynical humour of theirs is not affectation, at least?

R. I am quite sure of it.

S. Then I am sure it is intolerable presumption in them to think their want of taste and knowledge qualifies them to judge (ex cathedrâ) of these Arts; or is a standard by which to measure the degree of interest which others do or ought to take in them. It is the height of impertinence, mixed up with a worse principle. As to the excesses or caprices of posthumous fame, like other commodities, it soon finds its level in the market. Detur optimo is a tolerably general rule. It is not of forced or factitious growth. People would not trouble their heads about Shakespear, if he had given them no pleasure, or cry him up to the skies, if he had not first raised them there. The world are not grateful for nothing. Shakespear, it is true, had the misfortune to be born before our time, and is not one of ‘those few and recent writers,’ who monopolise all true greatness and wisdom (though not the reputation of it) to themselves. He need not, however, be treated with contumely on this account: the instance might be passed over as a solitary one. We shall have a thousand Political Economists, before we have another Shakespear.

R. Your mode of arriving at conclusions is very different, I confess, from the one to which I have been accustomed, and is too wild and desultory for me to follow it. Allow me to ask in my turn, Do you not admit Utility to be the test of morals, as Reason is the test of Utility?

S. Pray, what definition have you (in the School) of Reason and of Utility?

R. Nay, they require no definition; the meaning of both is obvious.

S. Indeed, it is easy to dogmatize without definitions, and to repeat broad assertions without understanding them. Nothing is so convenient as to begin with gravely assuming our own infallibility, and we can then utter nothing but oracles, of course.

R. What is it you understand by Reason?

S. It is your business to answer the question; but still, if you choose, I will take the onus upon myself, and interpret for you.

188R. I have no objection, if you do it fairly.

S. You shall yourself be judge. Reason, with most people, means their own opinion; and I do not find your friends a particular exception to the rule. Their dogmatical tone, their arrogance, their supercilious treatment of the pretensions of others, their vulgar conceit and satisfaction in their own peculiar tenets, so far from convincing me that they are right, convince me that they must be wrong (except by accident, or by mechanically parroting others); for no one ever thought for himself, or looked attentively at truth and nature, that did not feel his own insufficiency and the difficulty and delicacy of his task. Self-knowledge is the first step to wisdom. The Rational Dissenters (who took this title as a characteristic distinction, and who professed an entire superiority over prejudice and superstition of all sorts,) were as little disposed to have their opinions called in question as any people I ever knew. One of their preachers thanked God publicly for having given them a liberal religion. So your School thank God in their hearts for having given them a liberal philosophy: though what with them passes for liberal is considered by the rest of the world as very much akin to illiberality.

R. May I beseech you to come to the point at once?

S. We shall be there soon enough, without hurrying. Reason, I conceive, in the sense that you would appeal to it, may signify any one of three things, all of them insufficient as tests and standards of moral sentiment, or (if that word displeases) of moral conduct:—1. Abstract truth, as distinct from local impressions or individual partialities; 2. Calm, inflexible self-will, as distinct from passion; 3. Dry matter of fact or reality, as distinct from sentimentality or poetry.

R. Let me hear your objections; but do for once adhere to the track you have chalked out.

S. ‘Thereafter as it happens.’ You may drag your grating go-cart of crude assumptions and heavy paralogisms along your narrow iron rail-way, if you please: but let me diverge down ‘primrose paths,’ or break my neck over precipices, as I think proper.

R. Take your own course. A wilful man must have his way. You demur, if I apprehend you right, to founding moral rectitude on the mere dictates of the Understanding. This I grant to be the grand arcanum of the doctrine of Utility. I desire to know what other foundation for morals you will find so solid?

S. I know of none so flimsy. What! would you suspend all the natural and private affections on the mere logical deductions of the Understanding, and exenterate the former of all the force, tenderness, and constancy they derive from habit, local nearness or immediate 189sympathy, because the last are contrary to the speculative reason of the thing? I am afraid such a speculative morality will end in speculation, or in something worse. Am I to feel no more for a friend or a relative (say) than for an inhabitant of China or of the Moon, because, as a matter of argument, or setting aside their connection with me, and considered absolutely in themselves, the objects are, perhaps, of equal value? Or am I to screw myself up to feel as much for the Antipodes (or God knows who) as for my next-door neighbours, by such a forced intellectual scale? The last is impossible; and the result of the attempt will be to make the balance even by a diminution of our natural sensibility, instead of an universal and unlimited enlargement of our philosophic benevolence. The feelings cannot be made to keep pace with our bare knowledge of existence or of truth; nor can the affections be disjoined from the impressions of time, place, and circumstance, without destroying their vital principle. Yet, without the sense of pleasure and pain, I do not see what becomes of the theory of Utility, which first reduces everything to pleasure and pain, and then tramples upon and crushes these by its own sovereign will. The effect of this system is, like the touch of the torpedo, to chill and paralyse. We, notwithstanding, find persons acting upon it with exemplary coolness and self-complacency. One of these ‘subtilised savages’ informs another who drops into his shop that news is come of the death of his eldest daughter, adding, as matter of boast—‘I am the only person in the house who will eat any dinner to-day: they do not understand the doctrine of Utility!’ I perceive this illustration is not quite to your taste.

R. Is it any thing more than the old doctrine of the Stoics?

S. I thought the system had been wholly new—the notable project of a ‘few and recent writers.’ I could furnish you with another parallel passage in the Hypocrite.^[30]

R. Is it not as well, on any system, to suppress the indulgence of inordinate grief and violent passion, that is as useless to the dead as it is hurtful to the living?

190S. If we could indulge our affections while they run on smoothly, and discard them from our breasts the instant they fail of their objects, it might be well. But the feelings, the habitual and rooted sentiments of the soul, are not the creatures of choice or of a fanciful theory. To take the utmost possible interest in an object, and be utterly and instantaneously indifferent to the loss of it, is not exactly in the order of human nature. We may blunt or extirpate our feelings altogether with proper study and pains, by ill-humour, conceit, and affectation, but not make them the playthings of a verbal paradox. I fancy if Mr. —— had lost a hundred pounds by a bad debt, or if a lump of soot had fallen into his broth, it would have spoiled his dinner. The doctrine of Utility would not have come to his aid here. It is reserved for great and trying occasions; or serves as an excuse for not affecting grief which its professors do not feel. So much for reason against passion.

R. But if they do not possess all the softness and endearing charities of private life, they have the firmness and unflinching hardihood of patriotism and devotion to the public cause.

S. That is what I have yet to learn. They are a kind of Ishmaelites, whose hand is against others—what or who they are for (except themselves) I do not know. They do not willingly come forward into the front nor even show themselves in the rear of the battle, but are very ready to denounce and disable those who are indiscreet enough to do so. They are not for precipitating a crisis, but for laying down certain general principles, which will do posterity a world of good and themselves no harm. They are a sort of occult reformers, and patriots incognito. They get snug places under Government, and mar popular Elections—but it is to advance the good of the cause. Their theories are as whole and as sleek as their skins, but that there is a certain jejuneness and poverty in both which prevents their ever putting on a wholesome or comfortable appearance.

R. But at least you will not pretend to deny the distinction (you just now hinted at) between things of real Utility and merely fanciful interest?

S. No, I admit that distinction to the full. I only wish you and others not to mistake it.

R. I have not the slightest guess at what you mean.

S. Is there any possible view of the subject that has not been canvassed over and over again in the School? Or do you pass over all possible objections as the dreams of idle enthusiasts? Let me ask, have you not a current dislike to any thing in the shape of sentiment or sentimentality? for with you they are the same. Yet 191a thing and the cant about it are not the same. The cant about Utility does not destroy its essence. What do you mean by sentimentality?

R. I do not know.

S. Well: you complain, however, that things of the greatest use in reality are not always of the greatest importance in an imaginary and romantic point of view?

R. Certainly; this is the very pivot of all our well-grounded censure and dissatisfaction with poetry, novel-writing, and other things of that flimsy, unmeaning stamp.

S. It appears, then, that there are two standards of value and modes of appreciation in human life, the one practical, the other ideal,—that that which is of the greatest moment to the Understanding is often of little or none at all to the Fancy, and vice versâ. Why then force these two standards into one? Or make the Understanding judge of what belongs to the Fancy, any more than the Fancy judge of what belongs to the Understanding? Poetry would make bad mathematics, mathematics bad poetry: why jumble them together? Leave things, that are so, separate. Cuique tribuito suum.

R. I do not yet comprehend your precise drift.

S. Nay, then, you will not. It is granted that a certain thing, in itself highly useful, does not afford as much pleasure to the imagination, or excite as much interest as it ought to do, or as some other thing which is of less real and practical value. But why ought it to excite this degree of interest, if it is not its nature to do so? Why not set it down to its proper account of Utility in any philosophical estimate—let it go for what it is worth there, valeat quantum valet—and let the other less worthy and (if you will) more meretricious object be left free to produce all the sentiment and emotion it is capable of, and which the former is inadequate to, and its value be estimated accordingly!

R. Will you favour me with an illustration—with any thing like common sense?

S. A table, a chair, a fire-shovel, a Dutch-stove are useful things, but they do not excite much sentiment—they are not confessedly the poetry of human life.

R. No.

S. Why then endeavour to make them so; or in other words, to make them more than they are or can become? A lute, a sonnet, a picture, the sound of distant bells can and do excite an emotion, do appeal to the fancy and the heart (excuse this antiquated phraseology!)—why then grudge them the pleasure they give to the human mind, 192and which it seems, on the very face of the argument, your objects of mere downright Utility (which are not also objects of Imagination) cannot? Why must I come to your shop, though you expressly tell me you have not the article I want? Or why swear, with Lord Peter in the Tale of a Tub, that your loaf of brown bread answers all the purposes of mutton? Why deprive life of what cheers and adorns, more than of what supports it? A chair is good to sit in (as a matter of fact), a table to write on, a fire to warm one’s self by—No one disputes it; but at the same time I want something else to amuse and occupy my mind, something that stirs the breath of fancy, something that but to think of is to feel an interest in. Besides my automatic existence, I have another, a sentimental one, which must be nourished and supplied with proper food. This end the mere circumstance of practical or real Utility does not answer, and therefore is so far good for nothing.

R. But is it not to be feared that this preference should be carried to excess, and that the essential should be neglected for the frivolous?

S. I see no disposition in mankind to neglect the essential. Necessity has no choice. They pursue the mechanical mechanically, as puss places herself by the fireside, and snuffs up the warmth:—they dream over the romantic; and when their dreams are golden ones, it is pity to disturb them. There is as little danger as possible of excess here; for the interest in things merely ideal can be only in proportion to the pleasure, that is, the real benefit which attends them. A calculation of consequences may deceive, the impulses of passion may hurry us away: sentiment alone is infallible, since it centres and reposes on itself. Like mercy, ‘its quality is not strained: it droppeth as the gentle dew from heaven upon the place beneath!’—

R. You have asked me what Reason is: may I ask you what it is that constitutes Sentiment?

S. I have told you what Reason is: you should tell me what Sentiment is. Or I will give your learned professors and profound Encyclopedists, who lay down laws for the human mind without knowing any of the springs by which it acts, five years to make even a tolerable guess at what it is in objects that produces the fine flower of Sentiment, and what it is that leaves only the husk and stalk of Utility behind it.

R. They are much obliged to you, but I fancy their time is better employed.

S. What! in ringing the changes on the same cant-phrases, one after the other, in newspapers, reviews, lectures, octavo volumes, 193examinations, and pamphlets, and seeing no more of the matter all the while than a blind horse in a mill?

R. I have already protested against this personality. But surely you would not put fiction on a par with reality?

S. My good friend, let me give you an instance of my way of thinking on this point. I met Dignum (the singer) in the street the other day: he was humming a tune; and his eye, though quenched, was smiling. I could scarcely forbear going up to speak to him. Why so? I had seen him in the year 1792 (the first time I ever was at a play), with Suett and Miss Romanzini and some others, in No Song No Supper; and ever since, that bright vision of my childhood has played round my fancy with unabated, vivid delight. Yet the whole was fictitious, your cynic philosophers will say. I wish there were but a few realities that lasted so long, and were followed with so little disappointment. The imaginary is what we conceive to be: it is reality that tantalizes us and turns out a fiction—that is the false Florimel!

R. But the Political Economists, in directing the attention to ‘the greatest happiness of the greatest numbers,’ wish to provide for the solid comforts and amelioration of human life.

S. Yes, in a very notable way, after their fashion. I should not expect from men who are jealous of the mention of any thing like enjoyment, any great anxiety about its solid comforts. Theirs is a very comfortable theory indeed! They would starve the poor outright, reduce their wages to what is barely necessary to keep them alive, and if they cannot work, refuse them a morsel for charity. If you hint at any other remedy but ‘the grinding law of necessity’ suspended in terrorem over the poor, they are in agonies and think their victims are escaping them: if you talk of the pressure of Debt and Taxes, they regard you as a very common-place person indeed, and say they can show you cases in the reign of Edward III. where, without any reference to Debt or Taxes, the price of labour was tripled—after a plague! So full is their imagination of this desolating doctrine, that sees no hope of good but in cutting off the species, that they fly to a pestilence as a resource against all our difficulties—if we had but a pestilence, it would demonstrate all their theories!

R. Leave Political Economy to those who profess it, and come back to your mystical metaphysics. Do you not place actual sensations before sentimental refinements, and think the former the first things to be attended to in a sound moral system?

S. I place the heart in the centre of my moral system, and the senses and the understanding are its two extremities. You leave nothing but gross, material objects as the ends of pursuit, and the dry, 194formal calculations of the understanding as the means of ensuring them. Is this enough? Is man a mere animal, or a mere machine for philosophical experiments? All that is intermediate between these two is sentiment: I do not wonder you sometimes feel a vacuum, which you endeavour to fill up with spleen and misanthropy. Can you divest the mind of habit, memory, imagination, foresight, will? Can you make it go on physical sensations, or on abstract reason alone? Not without making it over again. As it is constituted, reflection recals what sense has once embodied; imagination weaves a thousand associations round it, time endears, regret, hope, fear, innumerable shapes of uncertain good still hover near it. I hear the sound of village bells—it ‘opens all the cells where memory slept’—I see a well-known prospect, my eyes are dim with manifold recollections. What say you? Am I only as a rational being to hear the sound, to see the object with my bodily sense? Is all the rest to be dissolved as an empty delusion, by the potent spell of unsparing philosophy? Or rather, have not a thousand real feelings and incidents hung upon these impressions, of which such dim traces and doubtful suggestions are all that is left? And is it not better that truth and nature should speak this imperfect but heart-felt language, than be entirely dumb? And should we not preserve and cherish this precious link that connects together the finer essence of our past and future being by some expressive symbol, rather than suffer all that cheers and sustains life to fall into the dregs of material sensations and blindfold ignorance? There, now, is half a definition of Sentiment: for the other half we must wait till we see the article in the Scotch Encyclopedia on the subject. To deprive man of sentiment, is to deprive him of all that is interesting to himself or others, except the present object and a routine of cant-phrases, and to turn him into a savage, an automaton, or a Political Economist. Nay more, if we are to feel or do nothing for which we cannot assign a precise reason, why we cannot so much as walk, speak, hear, or see, without the same unconscious, implicit faith—not a word, not a sentence but hangs together by a number of imperceptible links, and is a bundle of prejudices and abstractions.

R. I can make nothing of you or your arguments.

S. All I would say is, that you cannot take the measure of human nature with a pair of compasses or a slip of parchment: nor do I think it an auspicious opening to the new Political Millennium to begin with setting our faces against all that has hitherto kindled the enthusiasm, or shutting the door against all that may in future give pleasure to the world. Your Elysium resembles Dante’s Inferno—‘Who enters there must leave all hope behind!’

195R. The poets have spoiled you for all rational and sober views of men and society.

S. I had rather be wrong with them, than right with some other persons that I could mention. I do not think you have shewn much tact or consecutiveness of reasoning in your defence of the system: but you have only to transcribe the trite arguments on the subject, set your own and a bookseller’s name to them, and pass off for the head of a school and one of the great lights of the age!

ESSAY XVIII ON THE QUALIFICATIONS NECESSARY TO SUCCESS IN LIFE

It is curious to consider the diversity of men’s talents, and the causes of their failure or success, which are not less numerous and contradictory than their pursuits in life. Fortune does not always smile on merit:—‘the race is not to the swift, nor the battle to the strong’: and even where the candidate for wealth or honours succeeds, it is as often, perhaps, from the qualifications which he wants as from those which he possesses; or the eminence which he is lucky enough to attain, is owing to some faculty or acquirement, which neither he nor any body else suspected. There is a balance of power in the human mind, by which defects frequently assist in furthering our views, as superfluous excellences are converted into the nature of impediments; and again, there is a continual substitution of one talent for another, through which we mistake the appearance for the reality, and judge (by implication) of the means from the end. So a Minister of State wields the House of Commons by his manner alone; while his friends and his foes are equally at a loss to account for his influence, looking for it in vain in the matter or style of his speeches. So the air with which a celebrated barrister waved a white cambrick handkerchief passed for eloquence. So the buffoon is taken for a wit. To be thought wise, it is for the most part only necessary to seem so; and the noisy demagogue is easily translated, by the popular voice, into the orator and patriot. Qualities take their colour from those that are next them, as the cameleon borrows its hue from the nearest object; and unable otherwise to grasp the phantom of our choice or our ambition, we do well to lay violent hands on something else within our reach, which bears a general resemblance to it; and the impression of which, in proportion as the thing itself is cheap and worthless, is likely to be gross, obvious, 196striking, and effectual. The way to secure success, is to be more anxious about obtaining than about deserving it; the surest hindrance to it is to have too high a standard of refinement in our own minds, or too high an opinion of the discernment of the public. He who is determined not to be satisfied with any thing short of perfection, will never do any thing at all, either to please himself or others. The question is not what we ought to do, but what we can do for the best. An excess of modesty is in fact an excess of pride, and more hurtful to the individual, and less advantageous to society, than the grossest and most unblushing vanity—

Aspiring to be Gods, if angels fell,

Aspiring to be angels, men rebel.

If a celebrated artist in our own day had staid to do justice to his principal figure in a generally admired painting, before he had exhibited it, it would never have seen the light. He has passed on to other things more within his power to accomplish, and more within the competence of the spectators to understand. They see what he has done, which is a great deal—they could not have judged of, or given him credit for the ineffable idea in his own mind, which he might vainly have devoted his whole life in endeavouring to embody. The picture, as it is, is good enough for the age and for the public. If it had been ten times better, its merits would have been thrown away: if it had been ten times better in the more refined and lofty conception of character and sentiment, and had failed in the more palpable appeal to the senses and prejudices of the vulgar, in the usual ‘appliances and means to boot,’ it would never have done. The work might have been praised by a few, a very few, and the artist himself have pined in penury and neglect.—Mr. Wordsworth has given us the essence of poetry in his works, without the machinery, the apparatus of poetical diction, the theatrical pomp, the conventional ornaments; and we see what he has made of it. The way to fame, through merit alone, is the narrowest, the steepest, the longest, the hardest of all others—(that it is the most certain and lasting, is even a doubt)—the most sterling reputation is, after all, but a species of imposture. As for ordinary cases of success and failure, they depend on the slightest shades of character or turn of accident—‘some trick not worth an egg’—

There’s but the twinkling of a star

Betwixt a man of peace and war;

A thief and justice, fool and knave,

A huffing officer and a slave;

197A crafty lawyer and pick-pocket,

A great philosopher and a blockhead;

A formal preacher and a player,

A learn’d physician and manslayer.

Men are in numberless instances qualified for certain things, for no other reason than because they are qualified for nothing else. Negative merit is the passport to negative success. In common life, the narrowness of our ideas and appetites is more favourable to the accomplishment of our designs, by confining our attention and ambition to one single object, than a greater enlargement of comprehension or susceptibility of taste, which (as far as the trammels of custom and routine of business are concerned) only operate as diversions to our ensuring the mainchance; and, even in the pursuit of arts and science, a dull plodding fellow will often do better than one of a more mercurial and fiery cast—the mere unconsciousness of his own deficiencies, or of any thing beyond what he himself can do, reconciles him to his mechanical progress, and enables him to perform all that lies in his power with labour and patience. By being content with mediocrity, he advances beyond it; whereas the man of greater taste or genius may be supposed to fling down his pen or pencil in despair, haunted with the idea of unattainable excellence, and ends in being nothing, because he cannot be every thing at once. Those even who have done the greatest things, were not always perhaps the greatest men. To do any given work, a man should not be greater in himself than the work he has to do; the faculties which he has beyond this, will be faculties to let, either not used, or used idly and unprofitably, to hinder, not to help. To do any one thing best, there should be an exclusiveness, a concentration, a bigotry, a blindness of attachment to that one object; so that the widest range of knowledge and most diffusive subtlety of intellect will not uniformly produce the most beneficial results;—and the performance is very frequently in the inverse ratio, not only of the pretensions, as we might superficially conclude, but of the real capacity. A part is greater than the whole: and this old saying seems to hold true in moral and intellectual questions also—in nearly all that relates to the mind of man, which cannot embrace the whole, but only a part.

I do not think (to give an instance or two of what I mean) that Milton’s mind was (so to speak) greater than the Paradise Lost; it was just big enough to fill that mighty mould; the shrine contained the Godhead. Shakespear’s genius was, I should say, greater than any thing he has done, because it still soared free and unconfined beyond whatever he undertook—ran over, and could not be ‘constrained by mastery’ of his subject. Goldsmith, in his Retaliation, 198celebrates Burke as one who was kept back in his dazzling, wayward career, by the supererogation of his talents—

Though equal to all things, for all things unfit,

Too nice for a statesman, too proud for a wit.

Dr. Johnson, in Boswell’s Life, tells us that the only person whose conversation he ever sought for improvement was George Psalmanazar: yet who knows any thing of this extraordinary man now, but that he wrote about twenty volumes of the Universal History—invented a Formosan alphabet and vocabulary—being a really learned man, contrived to pass for an impostor, and died no one knows how or where! The well known author of the ‘Enquiry concerning Political Justice,’ in conversation has not a word to throw at a dog; all the stores of his understanding or genius he reserves for his books, and he has need of them, otherwise there would be hiatus in manuscriptis. He says little, and that little were better left alone, being both dull and nonsensical; his talk is as flat as a pancake, there is no leaven in it, he has not dough enough to make a loaf and a cake; he has no idea of any thing till he is wound up, like a clock, not to speak, but to write, and then he seems like a person risen from sleep or from the dead. The author of the Diversions of Purley, on the other hand, besides being the inventor of the theory of grammar, was a politician, a wit, a master of conversation, and overflowing with an interminable babble—that fellow had cut and come again in him, and

‘Tongue with a garnish of brains;’

but it only served as an excuse to cheat posterity of the definition of a verb, by one of those conversational ruses de guerre by which he put off his guests at Wimbledon with some teazing equivoque which he would explain the next time they met—and made him die at last with a nostrum in his mouth! The late Professor Porson was said to be a match for the Member for Old Sarum in argument and raillery:—he was a profound scholar, and had wit at will—yet what did it come to? His jests have evaporated with the marks of the wine on the tavern table; the page of Thucydides or Æschylus, which was stamped on his brain, and which he could read there with equal facility backwards or forwards, is contained, after his death, as it was while he lived, just as well in the volume on the library shelf. The man of perhaps the greatest ability now living is the one who has not only done the least, but who is actually incapable of ever doing any thing worthy of him—unless he had a hundred hands to write with, and a hundred mouths to utter all that it hath entered into his heart to conceive, and centuries before him to embody the endless 199volume of his waking dreams. Cloud rolls over cloud; one train of thought suggests and is driven away by another; theory after theory is spun out of the bowels of his brain, not like the spider’s web, compact and round, a citadel and a snare, built for mischief and for use; but, like the gossamer, stretched out and entangled without end, clinging to every casual object, flitting in the idle air, and glittering only in the ray of fancy. No subject can come amiss to him, and he is alike attracted and alike indifferent to all—he is not tied down to any one in particular—but floats from one to another, his mind every where finding its level, and feeling no limit but that of thought—now soaring with its head above the stars, now treading with fairy feet among flowers, now winnowing the air with winged words—passing from Duns Scotus to Jacob Behmen, from the Kantean philosophy to a conundrum, and from the Apocalypse to an acrostic—taking in the whole range of poetry, painting, wit, history, politics, metaphysics, criticism, and private scandal—every question giving birth to some new thought, and every thought ‘discoursed in eloquent music,’ that lives only in the ear of fools, or in the report of absent friends. Set him to write a book, and he belies all that has been ever said about him—

Ten thousand great ideas filled his mind,

But with the clouds they fled, and left no trace behind.

Now there is ——, who never had an idea in his life, and who therefore has never been prevented by the fastidious refinements of self-knowledge, or the dangerous seductions of the Muse, from succeeding in a number of things which he has attempted, to the utmost extent of his dulness, and contrary to the advice and opinion of all his friends. He has written a book without being able to spell, by dint of asking questions—has painted draperies with great exactness, which have passed for finished portraits—daubs in an unaccountable figure or two, with a back-ground, and on due deliberation calls it history—he is dubbed an Associate after being twenty times black-balled, wins his way to the highest honours of the Academy, through all the gradations of discomfiture and disgrace, and may end in being made a foreign Count! And yet (such is the principle of distributive justice in matters of taste) he is just where he was. We judge of men not by what they do, but by what they are. Non ex quovis ligno fit Mercurius. Having once got an idea of ——, it is impossible that any thing he can do should ever alter it—though he were to paint like Raphael and Michael Angelo, no one in the secret would give him credit for it, and ‘though he had all knowledge, and could speak with the tongues of angels,’ yet without genius he would be 200nothing. The original sin of being what he is, renders his good works and most meritorious efforts null and void. ‘You cannot gather grapes of thorns, nor figs of thistles.’ Nature still prevails over art. You look at ——, as you do at a curious machine, which performs certain puzzling operations, and as your surprise ceases, gradually unfolds other powers which you would little expect—but do what it will, it is but a machine still; the thing is without a soul!

Respice finem, is the great rule in all practical pursuits: to attain our journey’s end, we should look little to the right or to the left; the knowledge of excellence as often deters and distracts, as it stimulates the mind to exertion; and hence we may see some reason, why the general diffusion of taste and liberal arts is not always accompanied with an increase of individual genius.

As there is a degree of dulness and phlegm, which, in the long run, sometimes succeeds better than the more noble and aspiring impulses of our nature (as the beagle by its sure tracing overtakes the bounding stag), so there is a degree of animal spirits and showy accomplishment, which enables its possessors ‘to get the start of the majestic world,’ and bear the palm alone. How often do we see vivacity and impertinence mistaken for wit; fluency for argument; sound for sense; a loud or musical voice for eloquence! Impudence again is an equivalent for courage; and the assumption of merit and the possession of it are too often considered as one and the same thing. On the other hand, simplicity of manner reduces the person who cannot so far forego his native disposition as by any effort to shake it off, to perfect insignificance in the eyes of the vulgar, who, if you do not seem to doubt your own pretensions, will never question them; and on the same principle, if you do not try to palm yourself on them for what you are not, will never be persuaded you can be any thing. Admiration, like mocking, is catching: and the good opinion which gets abroad of us begins at home. If a man is not as much astonished at his own acquirements—as proud of and as delighted with the bauble, as others would be if put into sudden possession of it, they hold that true desert and he must be strangers to each other: if he entertains an idea beyond his own immediate profession or pursuit, they think very wisely he can know nothing at all: if he does not play off the quack or the coxcomb upon them at every step, they are confident he is a dunce and a fellow of no pretensions. It has been sometimes made a matter of surprise that Mr. Pitt did not talk politics out of the House; or that Mr. Fox conversed like any one else on common subjects; or that Walter Scott is fonder of an old Scotch ditty or antiquarian record, than of listening to the praises of the Author of Waverley. On the contrary, I cannot conceive 201how any one who feels conscious of certain powers, should always be labouring to convince others of the fact; or how a person, to whom their exercise is as familiar as the breath he draws, should think it worth his while to convince them of what to him must seem so very simple, and at the same time, so very evident. I should not wonder, however, if the author of the Scotch Novels laid an undue stress on the praises of the Monastery. We nurse the ricketty child, and prop up our want of self-confidence by the opinion of friends. A man (unless he is a fool) is never vain, but when he stands in need of the tribute of adulation to strengthen the hollowness of his pretensions; nor conceited, but when he can find no one to flatter him, and is obliged secretly to pamper his good opinion of himself, to make up for the want of sympathy in others. A damned author has the highest sense of his own merits, and an inexpressible contempt for the judgment of his contemporaries; in the same manner that an actor who is hissed or hooted from the stage, creeps into exquisite favour with himself, in proportion to the blindness and injustice of the public. A prose-writer, who has been severely handled in the Reviews, will try to persuade himself that there is nobody else who can write a word of English: and we have seen a poet of our time, whose works have been much, but not (as he thought) sufficiently admired, undertake formally to prove, that no poet, who deserved the name of one, was ever popular in his life-time, or scarcely after his death!

There is nothing that floats a man sooner into the tide of reputation, or oftener passes current for genius, than what might be called constitutional talent. A man without this, whatever may be his worth or real powers, will no more get on in the world than a leaden Mercury will fly into the air; as any pretender with it, and with no one quality beside to recommend him, will be sure either to blunder upon success, or will set failure at defiance. By constitutional talent I mean, in general, the warmth and vigour given to a man’s ideas and pursuits by his bodily stamina, by mere physical organization. A weak mind in a sound body is better, or at least more profitable, than a sound mind in a weak and crazy conformation. How many instances might I quote! Let a man have a quick circulation, a good digestion, the bulk, and thews, and sinews of a man, and the alacrity, the unthinking confidence inspired by these; and without an atom, a shadow of the mens divinior, he shall strut and swagger and vapour and jostle his way through life, and have the upper-hand of those who are his betters in every thing but health and strength. His jests shall be echoed with loud laughter, because his own lungs begin to crow like chanticleer, before he has 202uttered them; while a little hectic nervous humourist shall stammer out an admirable conceit that is damned in the doubtful delivery—vox faucibus hæsit.—The first shall tell a story as long as his arm, without interruption, while the latter stops short in his attempts from mere weakness of chest: the one shall be empty and noisy and successful in argument, putting forth the most common-place things ‘with a confident brow and a throng of words, that come with more than impudent sauciness from him,’ while the latter shrinks from an observation ‘too deep for his hearers,’ into the delicacy and unnoticed retirement of his own mind. The one shall never feel the want of intellectual resources, because he can back his opinions with his person; the other shall lose the advantages of mental superiority, seek to anticipate contempt by giving offence, court mortification in despair of popularity, and even in the midst of public and private admiration, extorted slowly by incontrovertible proofs of genius, shall never get rid of the awkward, uneasy sense of personal weakness and insignificance, contracted by early and long-continued habit. What imports the inward to the outward man, when it is the last that is the general and inevitable butt of ridicule or object of admiration?—It has been said that a good face is a letter of recommendation. But the finest face will not carry a man far, unless it is set upon an active body, and a stout pair of shoulders. The countenance is the index of a man’s talents and attainments: his figure is the criterion of his progress through life. We may have seen faces that spoke ‘a soul as fair—

‘Bright as the children of yon azure sheen’—

yet that met with but an indifferent reception in the world—and that being supported by a couple of spindle-shanks and a weak stomach, in fulfilling what was expected of them,

‘Fell flat, and shamed their worshippers.’

Hence the successes of such persons did not correspond with their deserts. There was a natural contradiction between the physiognomy of their minds and bodies! The phrase, ‘a good-looking man,’ means different things in town and country; and artists have a separate standard of beauty from other people. A country-squire is thought good-looking, who is in good condition like his horse: a country-farmer, to take the neighbours’ eyes, must seem stall-fed, like the prize-ox; they ask, ‘how he cuts up in the caul, how he tallows in the kidneys.’ The letter-of-recommendation face, in general, is not one that expresses the finer movements of thought or of the soul, but that makes part of a vigorous and healthy form. It is one in which Cupid and Mars take up their quarters, rather than Saturn or 203Mercury. It may be objected here that some of the greatest favourites of fortune have been little men. ‘A little man, but of high fancy,’ is Sterne’s description of Mr. Hammond Shandy. But then they have been possessed of strong fibres and an iron constitution. The late Mr. West said, that Buonaparte was the best-made man he ever saw in his life. In other cases, the gauntlet of contempt which a puny body and a fiery spirit are forced to run, may determine the possessors to aim at great actions; indignation may make men heroes as well as poets, and thus revenge them on the niggardliness of nature and the prejudices of the world. I remember Mr. Wordsworth’s saying, that he thought ingenious poets had been of small and delicate frames, like Pope; but that the greatest (such as Shakespear and Milton) had been healthy, and cast in a larger and handsomer mould. So were Titian, Raphael, and Michael Angelo. This is one of the few observations of Mr. Wordsworth’s I recollect worth quoting, and I accordingly set it down as his, because I understand he is tenacious on that point.

In love, in war, in conversation, in business, confidence and resolution are the principal things. Hence the poet’s reasoning:

‘For women, born to be controll’d,

Affect the loud, the vain, the bold.’

Nor is this peculiar to them, but runs all through life. It is the opinion we appear to entertain of ourselves, from which (thinking we must be the best judges of our own merits) others accept their idea of us on trust. It is taken for granted that every one pretends to the utmost he can do, and he who pretends to little, is supposed capable of nothing. The humility of our approaches to power or beauty ensures a repulse, and the repulse makes us unwilling to renew the application; for there is pride as well as humility in this habitual backwardness and reserve. If you do not bully the world, they will be sure to insult over you, because they think they can do it with impunity. They insist upon the arrogant assumption of superiority somewhere, and if you do not prevent them, they will practise it on you. Some one must top the part of Captain in the play. Servility however chimes in, and plays Scrub in the farce. Men patronise the fawning and obsequious, as they submit to the vain and boastful. It is the air of modesty and independence, which will neither be put upon itself, nor put upon others, that they cannot endure—that excites all the indignation they should feel for pompous affectation, and all the contempt they do not show to meanness and duplicity. Our indolence, and perhaps our envy take part with our cowardice and vanity in all this. The obtrusive claims of empty ostentation, played 204off like the ring on the finger, fluttering and sparkling in our sight, relieve us from the irksome task of seeking out obscure merit: the scroll of virtues written on the bold front, or triumphing in the laughing eye, save us the trouble of sifting the evidence and deciding for ourselves: besides, our self-love receives a less sensible shock from encountering the mere semblance than the solid substance of worth; folly chuckles to find the blockhead put over the wise man’s head, and cunning winks to see the knave, by his own good leave, transformed into a saint.

‘Doubtless, the pleasure is as great

In being cheated, as to cheat.’

In all cases, there seems a sort of compromise, a principle of collusion between imposture and credulity. If you ask what sort of adventurers have swindled tradesmen of their goods, you will find they are all likely men, with plausible manners or a handsome equipage, hired on purpose:—if you ask what sort of gallants have robbed women of their hearts, you will find they are those who have jilted hundreds before, from which the willing fair conceives the project of fixing the truant to herself—so the bird flutters its idle wings in the jaws of destruction, and the foolish moth rushes into the flame that consumes it! There is no trusting to appearances, we are told; but this maxim is of no avail, for men are the eager dupes of them. Life, it has been said, is ‘the art of being well deceived;’ and accordingly, hypocrisy seems to be the great business of mankind. The game of fortune is, for the most part, set up with counters; so that he who will not cut in because he has no gold in his pocket, must sit out above half his time, and lose his chance of sweeping the tables. Delicacy is, in ninety-nine cases out of a hundred, considered as rusticity; and sincerity of purpose is the greatest affront that can be offered to society. To insist on simple truth, is to disqualify yourself for place or patronage—the less you deserve, the more merit in their encouraging you; and he who, in the struggle for distinction, trusts to realities and not to appearances, will in the end find himself the object of universal hatred and scorn. A man who thinks to gain and keep the public ear by the force of style, will find it very up-hill work; if you wish to pass for a great author, you ought not to look as if you were ignorant that you had ever written a sentence or discovered a single truth. If you keep your own secret, be assured the world will keep it for you. A writer, whom I know very well, cannot gain an admission to Drury-lane Theatre, because he does not lounge into the lobbies, or sup at the Shakespear—nay, the same person having written upwards of sixty columns of original matter on politics, 205criticism, belles-lettres, and virtù in a respectable Morning Paper, in a single half-year, was, at the end of that period, on applying for a renewal of his engagement, told by the Editor ‘he might give in a specimen of what he could do!’ One would think sixty columns of the Morning Chronicle were a sufficient specimen of what a man could do. But while this person was thinking of his next answer to Vetus, or his account of Mr. Kean’s performance of Hamlet, he had neglected ‘to point the toe,’ to hold up his head higher than usual (having acquired a habit of poring over books when young), and to get a new velvet collar to an old-fashioned great coat. These are ‘the graceful ornaments to the columns of a newspaper—the Corinthian capitals of a polished style!’ This unprofitable servant of the press found no difference in himself before or after he became known to the readers of the Morning Chronicle, and it accordingly made no difference in his appearance or pretensions. ‘Don’t you remember,’ says Gray, in one of his letters, ‘Lord C—— and Lord M—— who are now great statesmen, little dirty boys playing at cricket? For my own part, I don’t feel myself a bit taller, or older, or wiser, than I did then.’ It is no wonder that a poet, who thought in this manner of himself, was hunted from college to college,—has left us so few precious specimens of his fine powers, and shrunk from his reputation into a silent grave!

‘I never knew a man of genius a coxcomb in dress,’ said a man of genius and a sloven in dress. I do know a man of genius who is a coxcomb in his dress, and in every thing else. But let that pass.

‘C’est un mauvais métier que celui de médire.’

I also know an artist who has at least the ambition and the boldness of genius, who has been reproached with being a coxcomb, and with affecting singularity in his dress and demeanour. If he is a coxcomb that way, he is not so in himself, but a rattling hair-brained fellow, with a great deal of unconstrained gaiety, and impetuous (not to say turbulent) life of mind! Happy it is when a man’s exuberance of self-love flies off to the circumference of a broad-brimmed hat, descends to the toes of his shoes, or carries itself off with the peculiarity of his gait, or even vents itself in a little professional quackery;—and when he seems to think sometimes of you, sometimes of himself, and sometimes of others, and you do not feel it necessary to pay to him all the finical devotion, or to submit to be treated with the scornful neglect of a proud beauty, or some Prince Prettyman. It is well to be something besides the coxcomb, for our own sake as well as that of others; but to be born wholly without this faculty or 206gift of Providence, a man had better have had a stone tied about his neck, and been cast into the sea.

In general, the consciousness of internal power leads rather to a disregard of, than a studied attention to external appearance. The wear and tear of the mind does not improve the sleekness of the skin, or the elasticity of the muscles. The burthen of thought weighs down the body like a porter’s burthen. A man cannot stand so upright or move so briskly under it as if he had nothing to carry in his head or on his shoulders. The rose on the cheek and the canker at the heart do not flourish at the same time; and he who has much to think of, must take many things to heart; for thought and feeling are one. He who can truly say, Nihil humani a me alienum puto, has a world of cares on his hands, which nobody knows any thing of but himself. This is not one of the least miseries of a studious life. The common herd do not by any means give him full credit for his gratuitous sympathy with their concerns; but are struck with his lack-lustre eye and wasted appearance. They cannot translate the expression of his countenance out of the vulgate; they mistake the knitting of his brows for the frown of displeasure, the paleness of study for the languor of sickness, the furrows of thought for the regular approaches of old age. They read his looks, not his books; have no clue to penetrate the last recesses of the mind, and attribute the height of abstraction to more than an ordinary share of stupidity. ‘Mr. —— never seems to take the slightest interest in any thing,’ is a remark I have often heard made in a whisper. People do not like your philosopher at all, for he does not look, say, or think as they do; and they respect him still less. The majority go by personal appearances, not by proofs of intellectual power; and they are quite right in this, for they are better judges of the one than of the other. There is a large party who undervalue Mr. Kean’s acting, (and very properly, as far as they are concerned,) for they can see that he is a little ill-made man, but they are incapable of entering into the depth and height of the passion in his Othello. A nobleman of high rank, sense, and merit, who had accepted an order of knighthood, on being challenged for so doing by a friend, as a thing rather degrading to him than otherwise, made answer—‘What you say, may be very true; but I am a little man, and am sometimes jostled, and treated with very little ceremony in walking along the streets; now the advantage of this new honour will be that when people see the star at my breast, they will every one make way for me with the greatest respect.’ Pope bent himself double and ruined his constitution by over-study when young. He was hardly indemnified by all his posthumous fame, ‘the flattery that soothes the dull cold ear of death,’ nor by the 207admiration of his friends, nor the friendship of the great, for the distortion of his person, the want of robust health, and the insignificant figure he made in the eyes of strangers, and of Lady Mary Wortley Montague. Not only was his diminutive and misshapen form against him in such trivial toys, but it was made a set-off and a bar to his poetical pretensions by his brother-poets, who ingeniously converted the initial and final letters of his name into the invidious appellation A. P. E. He probably had the passage made under-ground from his garden to his grotto, that he might not be rudely gazed at in crossing the road by some untutored clown; and perhaps started to see the worm he trod upon writhed into his own form, like Elshie the Black Dwarf. Let those who think the mind everything and the body nothing, ‘ere we have shuffled off this mortal coil,’ read that fine moral fiction, or the real story of David Ritchie—believe and tremble!^[31]

It may be urged that there is a remedy for all this in the appeal from the ignorant many to the enlightened few. But the few who are judges of what is called real and solid merit, are not forward to communicate their occult discoveries to others; they are withheld partly by envy, and partly by pusillanimity. The strongest minds are by rights the most independent and ingenious: but then they are competitors in the lists, and jealous of the prize. The prudent (and the wise are prudent!) only add their hearty applause to the acclamations of the multitude, which they can neither silence nor dispute. So Mr. Gifford dedicated those verses to Mr. Hoppner, when securely seated on the heights of fame and fortune, which before he thought might have savoured too much of flattery or friendship. Those even who have the sagacity to discover it, seldom volunteer to introduce obscure merit into publicity, so as to endanger their own pretensions: they praise the world’s idols, and bow down at the altars which they cannot overturn by violence or undermine by stealth! Suppose literary men to be the judges and vouchers for literary merit:—but 208it may sometimes happen that a literary man (however high in genius or in fame) has no passion but the love of distinction, and hates every person or thing that interferes with his inadmissible and exorbitant claims. Dead to every other interest, he is alive to that, and starts up, like a serpent when trod upon, out of the slumber of wounded pride. The cold slime of indifference is turned into rank poison at the sight of your approach to an equality or competition with himself. If he is an old acquaintance, he would keep you always where you were, under his feet to be trampled on: if a new one, he wonders he never heard of you before. As you become known, he expresses a greater contempt for you, and grows more captious and uneasy. The more you strive to merit his good word, the farther you are from it. Such characters will not only sneer at your well-meant endeavours, and keep silent as to your good qualities, but are out of countenance, ‘quite chop-fallen,’ if they find you have a cup of water, or a crust of bread. It is only when you are in a jail, starved or dead, that their exclusive pretensions are safe, or their Argus-eyed suspicions laid asleep. This is a true copy, nor is it taken from one sitting, or a single subject.—An author now-a-days, to succeed, must be something more than an author,—a nobleman, or rich plebeian: the simple literary character is not enough. ‘Such a poor forked animal,’ as a mere poet or philosopher turned loose upon public opinion, has no chance against the flocks of bats and owls that instantly assail him. It is name, it is wealth, it is title and influence that mollifies the tender-hearted Cerberus of criticism—first, by placing the honorary candidate for fame out of the reach of Grub-street malice; secondly, by holding out the prospect of a dinner or a vacant office to successful sycophancy. This is the reason why a certain Magazine praises Percy Bysshe Shelley, and vilifies ‘Johnny Keats:’^[32] they know very well that they cannot ruin the one in fortune as well as in fame, but they may ruin the other in both, deprive him of a livelihood together with his good name, send him to Coventry, and into the Rules of a prison; and this is a double incitement to the exercise of their laudable and legitimate vocation. We do not hear that they plead the good-natured motive of the Editor of the Quarterly Review, that ‘they did it for his good,’ because some one, in consequence of that critic’s abuse, had sent the author a present of five-and-twenty pounds! One of these writers went so far, in a sort of general profession of literary servility, as to declare broadly that there had been no great English poet, and that no one had a right to pretend to the character of a man of genius in 209this country, who was not of patrician birth—or connections by marriage! This hook was well baited.

These are the doctrines that enrich the shops,

That pass with reputation through the land,

And bring their authors an immortal name.

It is the sympathy of the public with the spite, jealousy, and irritable humours of the writers, that nourishes this disease in the public mind; this, this ‘embalms and spices to the April day again,’ what otherwise ‘the spital and the lazar-house would heave the gorge at!’

ESSAY XIX ON THE LOOK OF A GENTLEMAN

‘The nobleman-look? Yes, I know what you mean very well: that look which a nobleman should have, rather than what they have generally now. The Duke of Buckingham (Sheffield^[33]) was a genteel man, and had a great deal the look you speak of. Wycherley was a very genteel man, and had the nobleman-look as much as the Duke of Buckingham.—Pope.

He instanced it too in Lord Peterborough, Lord Bolingbroke, Lord Hinchinbroke, the Duke of Bolton, and two or three more.’—Spence’s Anecdotes of Pope.

I have chosen the above motto to a very delicate subject, which in prudence I might let alone. I, however, like the title; and will try, at least, to make a sketch of it.

What it is that constitutes the look of a gentleman is more easily felt than described. We all know it when we see it; but we do not know how to account for it, or to explain in what it consists. Causa latet, res ipsa notissima. Ease, grace, dignity have been given as the exponents and expressive symbols of this look; but I would rather say, that an habitual self-possession determines the appearance of a gentleman. He should have the complete command, not only over his countenance, but over his limbs and motions. In other words, he should discover in his air and manner a voluntary power over his whole body, which with every inflection of it, should be under the controul of his will. It must be evident that he looks and does as he likes, without any restraint, confusion, or awkwardness. He is, in fact, master of his person, as the professor of any art or 210science is of a particular instrument; he directs it to what use he pleases and intends. Wherever this power and facility appear, we recognise the look and deportment of the gentleman,—that is, of a person who by his habits and situation in life, and in his ordinary intercourse with society, has had little else to do than to study those movements, and that carriage of the body, which were accompanied with most satisfaction to himself, and were calculated to excite the approbation of the beholder. Ease, it might be observed, is not enough; dignity is too much. There must be a certain retenu, a conscious decorum, added to the first,—and a certain ‘familiarity of regard, quenching the austere countenance of controul,’ in the other, to answer to our conception of this character. Perhaps propriety is as near a word as any to denote the manners of the gentleman; elegance is necessary to the fine gentleman; dignity is proper to noblemen; and majesty to kings!

Wherever this constant and decent subjection of the body to the mind is visible in the customary actions of walking, sitting, riding, standing, speaking, &c. we draw the same conclusion as to the individual,—whatever may be the impediments or unavoidable defects in the machine, of which he has the management. A man may have a mean or disagreeable exterior, may halt in his gait, or have lost the use of half his limbs; and yet he may shew this habitual attention to what is graceful and becoming in the use he makes of all the power he has left,—in the ‘nice conduct’ of the most unpromising and impracticable figure. A hump-backed or deformed man does not necessarily look like a clown or a mechanic; on the contrary, from his care in the adjustment of his appearance, and his desire to remedy his defects, he for the most part acquires something of the look of a gentleman. The common nick-name of My Lord, applied to such persons, has allusion to this—to their circumspect deportment, and tacit resistance to vulgar prejudice. Lord Ogleby, in the Clandestine Marriage, is as crazy a piece of elegance and refinement, even after he is ‘wound up for the day,’ as can well be imagined; yet in the hands of a genuine actor, his tottering step, his twitches of the gout, his unsuccessful attempts at youth and gaiety, take nothing from the nobleman. He has the ideal model in his mind, resents his deviations from it with proper horror, recovers himself from any ungraceful action as soon as possible; does all he can with his limited means, and fails in his just pretensions, not from inadvertence, but necessity. Sir Joseph Banks, who was almost bent double, retained to the last the look of a privy-counsellor. There was all the firmness and dignity that could be given by the sense of his own importance to so distorted and disabled a trunk. Sir 211Charles B—nb—ry, as he saunters down St. James’s-street, with a large slouched hat, a lack-lustre eye, and aquiline nose, an old shabby drab-coloured coat, buttoned across his breast without a cape,—with old top-boots, and his hands in his waistcoat or breeches’ pockets, as if he were strolling along his own garden-walks, or over the turf at Newmarket, after having made his bets secure,—presents nothing very dazzling, or graceful, or dignified to the imagination; though you can tell infallibly at the first glance, or even a bow-shot off, that he is a gentleman of the first water (the same that sixty years ago married the beautiful Lady Sarah L—nn—x, with whom the king was in love). What is the clue to this mystery? It is evident that his person costs him no more trouble than an old glove. His limbs are, as it were, left to take care of themselves; they move of their own accord; he does not strut or stand on tip-toe to show