Volume 21 — CHAPTER VII. THE SEARCH RENEWED. (continued 4)
Reading edition
In the October of 1867 the Eternal City was thrown into a state of excitement and trepidation by the news that Garibaldi, with his horde of desperadoes, was on the march for Rome. The little army of the Pope prepared to make a gallant defence, and a number of chivalrous Roman youths of the best families offered themselves to swell the ranks of the Papal legions. Francis II. and his two brothers were among the first to rush to the defence of the country—the only country which was now left them. Their two orphan sisters, Maria Pia and Maria Immacolata, were consequently left alone in the Farnese Palace. They did not remain long unprotected, for the Holy Father sent for the two princesses, and had them brought into the Vatican, where the magnificent apartment of the Countess Mathilde had been prepared for them. Here they remained until after the battle of Mentana, and the Papal troops returned in triumph to the city. While the children were in the Vatican, they assisted every morning at the Pope’s Mass, and received Holy Communion daily from his hands. Every day, when he went to take his usual walk through the galleries and corridors of the palace, he sent for the orphans, and by his sweet and consoling conversation made them forget the anxiety which tortured them about their brothers. During those days—the happiest of her life—Maria Pia conceived a veneration and love for the Holy Father which she cherished ever afterwards, and which, we may here remark, was characteristic of her mother, Maria Theresa. When the storm had blown over, the orphans returned to the Farnese Palace, and resumed their usually quiet and retired life. It did not last long. This time it was not the Garibaldian hordes that marched upon the city, but the well-disciplined troops of a king who called himself “the dutiful son of Pius IX.” To be brief, the year 1870 was one of woe to the Romans, but to none was it more sorrowful than to the poor persecuted Bourbons. Once more they were forced to fly, and in their flight the noble family was obliged to divide itself. Some of them fled into Bavaria, some to France, while Maria Immacolata went with her sister, now Duchess of Parma, into the Tyrol, and afterwards to Cannes, on the confines of France. She was accompanied by her governess Maria Laserre, her faithful friend and comforter in every trial.
But the cold climate of the mountains was too severe for Immacolata. She was a frail, delicate flower, and under the rough, inclement blasts of a northern winter she began to wilt away. What with her weak health and her strong affection for the Holy Father, she began to pine for Rome, her country, as she called it. All this passed within her own bosom. For the rest, she was patient, resigned, and more forgiving than ever towards those who were the cause of her exile, first from the land of her birth, and afterwards from Rome, to which her heart clung most lovingly. A soul so closely united to God as was hers, soon found the wherewithal to comfort her, and it was with a smile of heavenly joy in her countenance that she brightened up and said to her maid, “Ah! well, there is one consolation left me: the poor I have always with me.” From her infancy she had been noted for her charities. What little she possessed in childhood she gave to the poor joyfully. When she grew up and received a monthly allowance from her mother for ordinary expenses, she gave with such a liberal hand that her allowance used to be exhausted long before the end of the month came. The Queen-Mother had become so accustomed to the charitable prodigalities of her daughter that she used to say when she would hear a modest knock at her door, about the 20th of each month, “Here comes my little prodigal daughter; but, God bless her! she has not wasted her substance.” When the Queen died, and Maria Immacolata came into her inheritance, her charity was more a profusion than a giving; and it was remarked that no one knew anything of her charities. The gospel directed her to give in secret, and the Holy Spirit assured her that the “Father who seeth in secret” would reward her. It was her chief delight, when she went out to take a walk, to gather the young people around her, and ask them the catechism, and teach them how to pray; and in order to stimulate them to study the catechism thoroughly, she would give them rosaries, medals, and pictures, which she had sent to her at regular intervals from Rome. Whenever she met any one who was on the way to the Eternal City, she could not restrain her tears, as she thought of the happiness which was denied to herself; and, she would often remark, “It is so cold here, that not only the body, but the soul too shivers for that warmth which can only be felt near the Vicar of Christ.”
About this time she became acquainted with Henry Bourbon, Count of Bardi, son of Charles III. of Parma, and nephew of the Count of Chambord. Her sister, Maria Pia, had already been married to Robert, Duke of Parma, and the nuptial blessing was pronounced by the Holy Father, in the year 1869. As her sister’s marriage was one of Christian love, not of political or worldly interest, contracted under the influence of religion, and not to keep up the “equilibrium of relationship,” as the saying is in Europe, so was the marriage of Immacolata with the Count of Bardi. Among other motives in favor of accepting his hand in marriage she was wont to adduce this one, that the fact of his having been educated in the college of the Jesuits at Feldkirch was an assurance to her that her marriage would be a happy one. As she had prepared herself for the reception of her First Communion, so by recollection and spiritual exercises did she dispose herself for the Sacrament of Matrimony, and on the 27th of November, 1873, she became the Countess of Bardi. The marriage was a modest celebration throughout. The domestics of the family and the poor of the city were the only merrymakers. As for the young spouses, they were destined only to drink the cup of tribulation. The lily of Bourbon was fast drooping, the color was fading from her cheeks, and the unnatural brilliancy of her eyes told, more clearly than words could, that Immacolata was not destined to live much longer. No one knew this better than herself. Still she was resolved to do her duty, as if she had long years before her. She began by studying the character of her husband. Prior to all, however, she had marked out for herself a simple line of conduct, which she couched in the two words, “affectionate submission.” In the heaven-given light of this resolution, she loved him, and by its influence and the discharge of all those kind and endearing offices which are the noble prerogatives of the gentler sex, she won his confidence, and strengthened his affection, as with a wall of granite. Having acquired a thorough knowledge of his character, she anticipated every desire of his, and executed his every wish with such readiness that he was afterwards known to say that he could not decide whose wish she accomplished, his or her own. In this way she obtained great influence over him, but she only exercised it in the things of God. Wherever she knelt down to pray, there he knelt at her side. When she was gone to her rest, he was heard to say of her, “She took me by the hand, and led me to God.”
On the day after their marriage the young spouses set out on a journey to Egypt. The voyage was long and ill-suited to her delicate constitution; but she went cheerfully, thinking not of herself, but only how she might please her consort. During the forty days they were sailing up the Nile, she lay prostrate with a malignant fever, which, together with the ravages of consumption, reduced her almost to the last extremity. It was hoped that she would rally during their voyage in Upper Egypt, but in vain. When they arrived there, she became weaker and weaker, until, finally, the most they hoped for was that she might live until their return to France. Setting sail from Cairo, they arrived at Marseilles in the March of 1874, where she rallied at the sight of her sister, Maria Pia, and her beloved governess, Maria Laserre, who had come to meet her. In a consultation of her physicians, it was resolved to bring her to Cauterets, a little village in the Upper Pyrenees, and celebrated for its sulphur baths. Maria Immacolata was delighted with the proposal, not because she hoped for any relief from the waters of Cauterets, but because in their journey thither they would pass Lourdes, to which she had long yearned to make a pilgrimage.
Accordingly, they set out for Cauterets, stopping at Lourdes on the way. The weary invalid’s heart throbbed with joy as she knelt for the first time in the holy grotto. For two whole hours she remained absorbed in silent prayer, giving no other sign of life than the long and affectionate gaze which she fixed upon the image of Our Lady. During their stay at Lourdes, she visited the grotto twice every day, and at each visit she prayed long and fervently. Twice she insisted on being immersed in the water, notwithstanding it was exceedingly cold. On being asked what she prayed for, she replied, “That God’s will be done.” The waters of Cauterets gave her no relief. The disease had taken deep root in her system, and was rapidly advancing to a fatal termination. An eminent physician was called from the city of Pau, who gave it as his opinion that it was useless to hope for her recovery. She might live for fifteen days more, and possibly might linger on for a month. The young count thought no longer of the great loss he was about to suffer, but only how he might make the remaining days of her short life as quiet and devoid of pain as possible. It was resolved to bring her to Pau, the principal city of the Lower Pyrenees, where she would receive better attendance, and, above all, have the consolations of her religion. As they carried her on a species of litter from the hotel to the carriage, she said to her husband, “Not long ago I could move about with ease; afterwards they carried me in an arm-chair; now it is a litter; the next will be a bier.” Her sufferings on the road between Lourdes and Pau were very great, but she bore them cheerfully, and only prayed that they would let her die in Pau. After their arrival in that city, she rallied a little, and her husband tried to raise her hopes by saying that she would recover. “Do not be deceived, dear Henry,” she said; “before another month passes away I shall be gone. Bring me a confessor.” One of the Jesuit fathers came immediately, and her first prayer was that they would erect an altar in her room at which Mass might be said on the following day. Meanwhile, she prepared to make a general confession of her whole life, and begged every one in the house to pray for her. Her first care was to fulfil a number of promises which she had made to the Madonna, and calling her husband to her bedside, she begged of him to make them good. Her jewels, wedding-dress, and crown had already been promised to Our Lady of Issoudun. After her death, the Duke of Parma and the Duchess, her sister, repaired to that sanctuary and made the offering. She had also vowed a silver heart to Our Lady of Einsiedeln, and a set of vestments to Our Lady of Lourdes. She had begun to embroider the chasuble herself, but was obliged from sheer weakness to lay it aside. She begged her sister to finish it, and carry it in her name to the holy grotto. In addition to these, she had also vowed to have two hundred Masses celebrated for the suffering souls in purgatory. Opening her purse to fulfil this promise, she found it empty. Indeed, that was its normal condition, and it was said of her that a heavy purse never wore a hole in her pocket. She asked her husband, with child-like simplicity, to give her six hundred francs, and having received them, ordered the sum to be distributed among the churches in the city according to her intention. On the following day, the 20th of August, she confessed and received Holy Communion with edifying fervor. Her only desire now was to remain quiet, that she might commune with God and prepare for her final departure. On the day mentioned, she was visited by Margherita, the wife of Don Carlos. But the dying princess turned her eyes lovingly on the visitor and said, “Pardon me, Margherita, but I must be alone with God.” The Princess Maria Pia and her governess remained by her bedside constantly, and prayed aloud with her. When her confessor entered the room she would say to him, “Must I live many days longer? Pray God not to tarry.” Then she would chide herself for a want of resignation, and say, “As thou wilt!”
It was no difficult task for one whose heart was detached from the things of this world to make a will, and that of the Princess Immacolata of Bourbon did not give her much anxiety. Still, she observed the legal formalities, and showed such clearness and precision in her dictation to the notary as surprised all present. With the exception of that part of the will which affects her natural heirs, the rest is but one long series of donations for religious purposes—foreign missions, religious houses, orphanages, and the like. She was not content with making a handsome provision for each of her domestics, but even made appropriations for their relatives. The poor are called in the will “my dearest heirs,” and to these, she left the sum of 20,000 francs in gold, the distribution of which she entrusted to her governess, Maria Laserre, begging her especially not to forget the poor families she knew in Rome, and elsewhere, during her wanderings. In short, after disposing of the enormous sum of 107,000 francs in gold, to be bestowed in Christian charity, this generous soul concludes her will in these terms: “I intend, moreover, that what remains, over and above, of my capital be all expended in purchasing sacred vessels and vestments for poor churches.” This last provision has already passed into effect, to our personal knowledge. Among the many charitable institutions which Rome possesses there is one whose members devote themselves especially to making vestments and procuring sacred vessels for poor churches. We know of one, composed of some eminent French ladies, who make it their duty to provide for the poor churches of Italy; only a short time ago, they exhibited a splendid assortment of vestments and church furniture, mostly all purchased on the strength of the donation of Maria Immacolata of Bourbon.
And now, having removed every earthly care from her mind, Maria Immacolata disposed herself to receive the Sacrament of Extreme Unction. She begged her confessor to read aloud from some ascetic work, that her soul might be drawn more closely to God. When he had read for awhile, she said, “Now I am ready,” and in the presence of her brother the Count of Bari, her sister the Duchess of Parma, the Princess Margherita, wife of Don Carlos, and her beloved governess, she received the last sacrament. It was then that her confessor informed her that the following day, August 23d, was the Feast of the Immaculate Heart of Mary, whereat she besought all present to pray that she might obtain the singular favor from God of dying on that day and of receiving the Holy Eucharist once more; and with the holy simplicity and fervor of her childhood, she recited aloud the following prayer: “Most Holy Virgin, I resign myself to suffer still more for your honor, and the glory of your divine Son. O my Mother! you who have permitted your daughter to bear your own sweet name of Immacolata, obtain for me the grace to receive once more the most Sacred Body of your divine Son, and to die on the Feast of your Immaculate Heart.” Both favors were granted. On the following day, Mass was celebrated in her room, and she received her Lord for the last time. Her husband also, her brother Count of Bari, the Duke and Duchess of Parma, the Princess Margherita, and all her maids and domestics, communicated. It was a touching scene that transpired after Mass, when the whole household gathered around the bed of the dying princess, and asked her blessing. A smile of angelic delight mantled her face, and, as she said herself, her soul seemed to be inundated with consolation. She no longer felt the oppression and pain which had tortured her an hour previous. Her sister Maria Pia, desirous of having a precious remembrance in after-life, held her own photograph to her lips, that she might imprint a kiss upon it. When she had kissed it, she asked for a pen, and wrote upon the card, in a trembling hand, “Living or dead, I shall always be near thee. Thy own Maria Immacolata”; and on the photograph which her governess presented to her, she wrote, “In heaven and on earth I shall never have but one heart with you. Your little Mistress.”
Calling every one of her domestics to the bedside, she gave each a souvenir of herself, accompanied with a few words of wise counsel. Turning then to the princes her brothers, her sister, and her brother-in-law, she besought them to live together in harmony, and to love one another for her sake. She then asked for her jewels, and choosing a ring, she put it on the finger of Margherita of Spain; another precious ring she put on the finger of her sister, and a third upon that of her governess. While doing this, she asked them to pray that she might be pardoned for the vanity of wearing those ornaments. She asked pardon three successive times of her maid, Maria Grazia, for all the annoyance she had ever given her, and taking another ring from her own finger, she held it out saying, “This is for your sister Francesca in Naples, of whom I ask pardon from afar.” But the Duchess of Parma had still one favor to ask—a blessing for her four little children in the Castle of Wartegg, in Switzerland. The dying sister answered, “Yes, I will pray for them in heaven,” and pronouncing the name of each she kissed the Crucifix and blessed them. The apostolic Benediction of His Holiness had already been sent to her, and now a second arrived, and with it the plenary indulgence in the hour of death. This was followed by a despatch from the Comte de Chambord which said, “We are in great affliction, and are praying.” While all this was passing, her eyes rested upon the form of her husband, who knelt by her side. But recollecting herself, she said, “My Madonna for Mademoiselle”—meaning her governess. “Now,” said she, “I have naught to give away but my soul, and that I give to God.” Turning to her young husband, she said, “Henry! O my Henry! I leave thee, to go where I am called by that God who made us companions for a few short months on earth; but I leave thee in good hands”; and holding in her right hand the crucifix and her rosary, and inclining her head towards a statue of the Blessed Virgin, as if saluting her, and recommending to her care him who knelt there in sorrow, she died.
NOTRE DAME DE LOURDES.
“THOU WEL OF MERCY, SINFUL SOULES CURE.”—CHAUCER.
Lourdes, apart from any religious interest, is well worth a visit, for it is an old historic place. “Bigerronum arx antiqua fuit Luparda, quæ nunc Lourda est,” says Julius Scaliger. It is associated with the Romans, the Moors, the paladins of Charlemagne, and the flower of French and English chivalry, and is celebrated by Gregory of Tours, Froissart, Monstrelet, and all the ancient chroniclers of the land. Situated at the entrance of the seven valleys of the Lavedan on the one side, and the rich sunny plains of Béarn on the other, under a sky as soft and bright as that of Italy, it is as attractive to the eye of the tourist as to the soul of the archæologist and the pilgrim.
We arrived at Lourdes in less than an hour after leaving Tarbes. The station is some distance from town, and at least a mile from the world-famous grotto; but there are always hacks and omnibuses eager to take the visitor to one of the numerous hotels. The depot is encumbered with luggage and crowded with pilgrims going and coming, and on the side tracks are long trains of empty cars that tell of the importance of the station—an importance solely due to the immense number of pilgrims, who sometimes amount to five hundred thousand a year.
On leaving the station, one naturally looks around to discover the renowned sanctuary of Notre Dame de Lourdes, but not a glimpse of it is to be seen. Nothing meets the eye but a gray picturesque town shut in by the outlying Pyrenees. Nothing could be lovelier than the fresh green valley in which it stands, framed by hills whose sides are blackened with débris from the immense quarries of slate. It is only a pleasant walk to the town in good weather, which gives one an opportunity of taking in the features of the charming landscape. Flowers bloom in the hedge-rows, elms and ash-trees dot the grassy meadows, the hillsides beneath the quarries are luxuriant with vineyards and fields of waving grain. The way is lively with hurrying pilgrims, all intent on their own business and regardless of you; some saying their rosaries, others in a band singing some pious hymn, and many solitary ones absorbed in their own reflections.
We soon reach the town. The houses are of stone with slated roofs. Nearly every one is a hotel, or a lodging-house, or a shop for the sale of religious objects. The windows are full of rosaries, medallions inscribed with the words of the Virgin to Bernadette, miniature grottos, photographs—in short, everything that can recall the wonderful history of the grotto of Massabielle. The very silk kerchiefs in the windows, such as the peasants wear on their heads, are stamped with the Virgin in her niche. The old part of the town has narrow streets, without any sidewalks, paved with cobble-stones quite in harmony with the penitential spirit of a true pilgrim. They are mere lanes, fearful in muddy weather when crowded with people in danger at every step from the carriages.
The Hotel de la Grotte is the nearest to the church of Notre Dame de Lourdes, and very pleasantly situated at a convenient walking distance from it. At one of our visits to the place, we stopped at the Hotel des Pyrénées in the heart of the town, where we were made very comfortable; but the second time, it was in the height of the season, and there was not a room to be had in any of the hotels, and had we not providentially stumbled on a friend with a vacant room at his command, we might have been forced to spend the night in the church—no great penance, to be sure, in so heavenly a place, where Masses begin at midnight and do not cease till afternoon. The only safe way is to secure rooms beforehand, especially when the place is most frequented.
Lourdes is a small town of about five thousand inhabitants, mostly workers in marble, slate, etc., that is, those who do not keep a hotel, or a café, or a shop of some kind; for the good people seem quite ready to avail themselves of every opportunity of benefiting by the piety that brings so many strangers among them. They are shrewd, quick-witted, upright, and kind-hearted; attached to their ancient traditions, and firm in their faith as their rock-built houses. They have always been characterized by their devotion to the Blessed Virgin. Five of the chapels in the parish church are dedicated to her honor. The confraternities of the Scapular and the Rosary are flourishing, and the congregation of the Enfants de Marie is one of the oldest in the country. The dark-eyed women of Lourdes have a Spanish look, and are quite picturesque in their scarlet capulets or black capuchins, but the men have mostly laid aside the Bigorrais cloak, once so sought after that they were exported from the country, and mentioned by learned men. Pope Gregory I., in a letter to Eulogius, Bishop of Alexandria, thus alludes to them: “Sex minora Aquitanica pallia.” S. Paulinus of Nola, in a letter to Ausonius, says: “Dignaque pellitis habitas deserta Bigerris.” “Bigerricam vestem, brevem atque hispidam,” says Sulpicius Severus. And the poet Fortunatus, in his life of S. Martin, says: “Induitur sanctus hirsuta Bigerrica palla.”
These Marlottes, as Scaliger calls them, are now mostly confined to the mountaineers who cling to the old ways. The people of the valley, however, have not laid aside all their old prejudices with their cloaks. The natives of Lourdes are said to hold in proud disdain those who have had the disadvantage of being born elsewhere, in proof of which it is related that a prisoner of state, named Soulié, once confined in the castle for some offence, at last died from the effects of his captivity. His fellow-prisoners, desirous of showing him suitable honor, as well as giving proper expression to their own regret, paid the bell-ringer to toll a bell of the second class. It appears there were four bells in use for funerals; the first for the clergy; the second, for the grandees of the place; the third, for the common citizen, and the fourth for the poor. The inhabitants were so enraged that such an honor as a bell of the second class should be rung for a stranger, that they condemned the guilty sexton to prison. During his long confinement, he was frequently heard exclaiming with a groan: “Ah! detestable Soulié! Had it only been a savate,[157] I should not be here!”
This is a mere reminiscence of their ancient glory. It is always difficult to bring one’s self to the level of fallen fortunes. The title of stranger is still said to be an original stain that nothing can ever efface. Small and unpretending as Lourdes may now seem, it has its grand old memories. Its origin is lost in the obscurity of remote ages, but where history is at fault, fable generally comes to the rescue.
The glory of founding Lourdes is attributed to an Ethiopian princess. Tarbis, queen of Ethiopia, captivated by the valor and personal attractions of Moses, offered him her throne and hand. Wounded and mortified at his refusal, she abandoned her country to hide her disappointment in the obscurity of the Pyrenean valleys. She founded the city of Tarbes, and her sister Lorda that of Lourdes.
In the Middle Ages the Counts of Bigorre were the Seigneurs of Lourdes, and, like S. Louis under the oak of Vincennes, they seated themselves with patriarchal simplicity on a stone bench under an elm before the church to receive the homage of their vassals. Notre Dame de Bigorre! was then the battle-cry of the people. Then, as now, Mary was the Sovereign Lady of the valley. To her its lords acknowledged themselves vassals and paid tribute, and the arms of the town commemorate her miraculous intervention to deliver it from the hands of the Moors. But as this legend is connected with the history of the castle, we will give a brief sketch of that once strong hold.
The tourist, on his way to Pau, Cauteréts, St. Sauveur, or Bagnères, as he traverses the plateau which overlooks the fertile valley of the Gave, sees an ancient fortress on the top of an inaccessible cliff, that rises straight up from the banks of the river. This is the old citadel of Lourdes, the key of the Seven Valleys, the stronghold of the Counts of Bigorre in the Middle Ages. The eye of the traveller cannot fail to be struck by the antiquity of its gray battlements, crenellated towers, and picturesque situation, and he at once feels it has a marvellous history.
The castle of Lourdes is more than two thousand years old. Here the ancient inhabitants long held out against the attacks of the Romans; and here, when they were forced to yield, their conquerors built the fortifications whose indestructible foundation ages have passed over without leaving any trace. Several centuries later, the castle of Mirambel, as it was then called, was held by the Moors, and their leader, Mirat, defended it for a time against the hosts of Charlemagne, and at length, too haughty to yield to any earthly power, surrendered to the Queen of Heaven, who wrought such a miracle of grace on the proud painim’s heart that he and all his followers went with garlands of hay on their lances to swear fealty to Notre Dame de Puy, and resign all right to Mirambel. Mirat was baptized by the name of Lorus. He received the honors of knighthood, and gave the name of Lordum to the castle he now held in the name of the Virgin.
We are indebted to an English monk, named Marfin, for this legend, and though rejected by many, it was doubtless founded on the popular traditions of the country, which alone account for the arms of the town and the annual tribute the Counts of Bigorre paid to Notre Dame de Puy as long as they held possession of the castle.[158]
Lo ric castel de Lorda having been taken possession of by the Albigenses in the XIIth century, the celebrated Simon de Montfort besieged it, but in vain. The castle remained in their hands till the end of the war.
No one of English origin can look at the hoary walls of this ancient fortress without the greatest interest, for it is associated with the memory of the Black Prince, and the time was when the banner of England floated from its towers and defied the efforts of the bravest knights of France to tear it from its hold.
Lourdes, as well as the whole province of Bigorre (which lay between Béarn and Foix), fell into the hands of the English by the treaty of Bretagne, and constituted a part of the Duchy of Aquitaine, which Edward III. conferred on his son, the Black Prince, who left England to take possession of his domains in 1363. He made Bordeaux his capital, and there, in the church of S. André, Jehan Caubot, consul of Lourdes, and the representatives of Tarbes and other towns, presented themselves at high noon before the most noble and puissant Lord Edward, Prince of Wales and Duke of Aquitaine, and, in the presence of many lords, knights, and citizens, swore fealty to the English prince, beseeching him to confirm the rights and franchises which they had hitherto enjoyed, which he solemnly promised.
The Count of Armagnac (John I.) gave so captivating a description of the beauty of Bigorre that the Black Prince was induced to visit his mountain province. He remained for some time at Tarbes, and while there explored the neighboring valleys, strengthened old fortresses and built several new ones. He was particularly struck with the castle of Lourdes, and the advantage of holding such a position. “It is the key of many countries,” said he, “by which I can find my way into Aragon, Catalonia, and Barcelona.” He strengthened its fortifications, and entrusted the command to Pierre Arnaud of Béarn, a cousin of Gaston Phœbus of Foix, saying: “Master Arnaud, I constitute and appoint you captain of Lourdes, and warden of Bigorre. See that you hold them, and render a good account of your trust to me and my father.”
Arnaud swore fealty to the Prince, who soon after broke up his court at Tarbes and returned to Bordeaux. He could not have left a better commander at Lourdes. Arnaud was one of those men who would rather face death a thousand times than be untrue to their word. He held the castle long after all the rest of Bigorre had been wrested from the English, and the exploits of the brave knights that took refuge here made it the terror of the surrounding country. Froissart’s account of their adventures is more like that of highwaymen than of chivalrous knights. They were continually coming down from their eyry at the head of a band, to scour the country and plunder all they could lay their hands upon. Sometimes they extended their ravages to Toulouse, Alby, and Carcassone, taking castles, robbing merchants and attacking knights, and then rushing back to Lourdes with their booty—cattle, provisions, prisoners they could ransom, etc. They only respected the rights of Gaston Phœbus, their captain’s kinsman.
It is related of Mongat that on one occasion he put on the habit of a monk, and with three of his men similarly attired, he took his way with devout air and mien to Montpellier, where he alighted at the Angel and gave out he was a lord abbot from Upper Gascony on his way to Paris on business. Here he made the acquaintance of the Sire Berenger, who was likewise going to Paris on some affair of importance, and was delighted to be thrown into such holy company. The pretended abbot led him by devious ways to Lourdes, where he ransomed him for a large sum.
In one of his adventures, Mongat came to his end. He had been to Toulouse with two other knights and one hundred and twenty lances, and on their way back with cattle, hogs, sheep, and prisoners, they were attacked by two hundred knights, with the brave Ernauton Bissette at their head, in a forest belonging to the Sire de Barbazan. The fury with which they fought was only equalled by their knightly courtesy. When exhausted, they took off their helmets, refreshed themselves at a stream, and then resumed the contest. Mongat and Ernauton fought hand to hand the whole day, and at length, utterly exhausted, they both fell dead on the field. Hostilities then ceased. Each party bore away its dead, and a cross was raised on the spot where they fell.
Of course the whole country around was eager to dislodge the English from their fortress. The Duke of Anjou, with the celebrated Du Guesclin, attacked it at the head of fifteen thousand of the best soldiers of France. All the other castles of Bigorre had been taken. Tarbes had been readily given up by the captain who had sworn to defend it. Mauvezin had gallantly held out for a time, and then honorably surrendered. Lourdes alone bade defiance to the enemy. The town, built on a slope at the east of the castle, resisted the duke’s army a fortnight. The inhabitants finally took refuge in the castle, and the French took possession of the empty houses, with great rejoicing. For six weeks they laid siege to the castle, but in vain. The duke now sought to obtain it by bribing Arnaud with vast sums of money, but the incorruptible captain replied:
“The fortress is not mine. It is the property of the King of England, and I cannot sell, alienate, or give it up, without proving myself a traitor, which I will not. I will remain loyal to my liege lord on whose hand I swore by my faith, when he appointed me governor of this castle, to defend it against all men, and to yield it to no one whom he had not authorized to demand it, and Pierre Arnaud will keep to his trust till he dies.”
Discouraged and mortified, the duke raised the siege and set fire to the four quarters of the town, which was wholly consumed, with all the titles of the ancient fors and rights. He now determined to obtain the castle by some other means, and despatched a messenger to Gaston Phœbus to convince him it was for his interest to use his influence in driving the English from Lourdes. The count promised to do so and invited Arnaud to Orthez. Somewhat suspicious of his intentions, Arnaud, before leaving Lourdes, appointed his brother John commander of the fortress, making him swear by his faith and honor as a knight to guard it as faithfully as he had done himself, and never to yield it to any one but him who had entrusted it to their care.
John solemnly swore as he was desired, and his brother proceeded to Orthez, where he was graciously received by the Count of Foix. It was not till the third day he was summoned to give up the castle. Arnaud at once comprehended the danger of his situation, but undauntedly replied: “My lord, I doubtless owe you duty and regard, for I am a poor knight of your land and race, but the castle of Lourdes I cannot surrender. You have sent for me and can do with me whatever you please, but what I hold from the King of England, I will surrender to no one but him.”
“Ha, traitor!” cried the count in a rage, drawing his dagger, “do you tell me you will not do it? By my head, you shall pay for such a speech”; and he stabbed him to the heart.
Arnaud cried: “Ah! my lord, you act not as beseemeth gentle knight. You invited me here and it is thus you put me to death.”
This base act did no good. John was as faithful to his trust as his brother Arnaud. His appointment was confirmed by the King of England,[159] and the English flag was not taken down till the year 1425, when the citadel of Lourdes surrendered to John of Foix, the companion in arms of Dunois the brave, and the illustrious Barbazan, first to be styled Sans peur et sans reproche. Then the war-cry, “S. George for Lourdes!” was heard for the last time in the land, and the red flag of England taken down for ever.
Lourdes was attacked by the Huguenots in 1573. The town was taken by assault, pillaged, and partly burned, but they made no impression on the castle. A cry of alarm, however, resounded all through the Seven Valleys. The mountaineers of Lavedan knew the importance of the castle, which, once taken, would expose them to an invasion it would be impossible to resist, and they seized their arms and gathered under the banners of the lords of Vieuzac and Arras to defend the entrance to their valleys. The Huguenots, astonished at their determined resistance, were obliged to retreat to Béarn.
The union of Bigorre with the crown of France by Henry IV. was favorable to the prosperity and happiness of Lourdes, but fatal to the military importance of the castle. After being for ages the chief defence of the land, it now became the most unimportant fortress in the country.
In the XVIIIth century it was made the Bastile of the Pyrenees—a prison “created by despotism on the frontiers of liberty”—and was called the Royal Prison of Lourdes. Here, as the Comte de Marcellus says:
“Dans d’effroyables cachots, Entouré d’épaisses ténèbres, Plus d’un captif, couché sous des voûtes funèbres, Attendrissait leurs lugubres échos Par ses gémissements, ses pleurs et ses sanglots. … Sous ses sombres donjons, l’œil, d’abime en abime, Voit le Gave rouler et bondir furieux; Et les monts hérissés qui portent jusqu’ aux cieux De leurs rocs décharnés l’inaccessible cime, Redoublent la tristesse et l’horreur de ces lieux.”
Père Lacombe, the spiritual director, or rather disciple, of the famous Mme. Guyon, was confined in the castle of Lourdes in 1687. The see of Tarbes was vacant at the time, but when a bishop was appointed, in 1695, he obtained the deliverance of the poor prisoner, who did not, however, enjoy his liberty long. His mind became so affected that he was again confined at Charenton, where he died.
In the time of Napoleon I., Lord Elgin, the famous spoliator of the Parthenon, on his way back from Constantinople, came for the recovery of his health to the springs of Barrèges, where he was arrested by the government and brought to the castle of Lourdes. He characteristically profited by his confinement here to strip the fortress of all the antiquities he could secure, and carry them off to his residence in Fifeshire.
The castle ceased to be a prison at the restoration of the monarchy. It is now a military post, and accessible to the tourist, who enters a postern gate at the east, and ascends the cliff by a winding stone staircase, at the top of which he comes out on a court with a clump of trees and a few flowers, guarded by a sentinel ferocious-looking enough to strike terror into the heart of the fearless Barbazan himself, but whom we found to be the mildest of warriors, and the most accommodating of guides around the old château-fort. Unless you looked at him, you would never have supposed him brought up on the marrow of lions!
From the battlements there is a magnificent view of the valley of the Gave. Never was fairer picture framed among majestic mountains. The river flows directly beneath, through a meadow of wonderful freshness. On the right bank stands the spacious monasteries of Mt. Carmel and S. Benedict, not yet completed, and the other side, directly in front of the castle, rises the new fortress of Our Lady of Lourdes—stronghold of the faith—where the whole world comes, like the ancient Barons of Bigorre, to pay tribute to Mary. It is high time to turn our steps thither.
Leaving the town of Lourdes by a narrow street to the west, we come out into the open valley in full view of the Gave—a clear, broad stream, fed by mountain torrents, which rushes impetuously over a rocky bed towards the Adour and the ocean. It comes from the south, but here turns abruptly away from the cliff—that rises straight up from its banks to the height of three hundred feet, crowned with its old historic castle—and flows to the west. In this sharp bend of the river is the cliff of Massabielle, from the side of which rises before us into the clear blue heavens a tall spire with a golden cross. It is the celebrated church of Notre Dame de Lourdes, a pure white edifice worthy of the spotless Virgin whose immaculate purity it commemorates—the object of so many vows, the spot to which so many hearts are turned, and so many feet are wending, from every part of the Christian world.
The road between the town and church is bordered by small booths for the sale of rosaries, medals, and every conceivable object of devotion, including pilgrims’ staves and scallop shells, and stacks of tall candles to burn before Our Lady of Lourdes. There are over two hundred of these little shops, altogether too many for the place, though there is a pretty brisk trade during the season of pilgrimages. At every step you are called upon to buy, just as at Loretto, the owner advertising his wares with the volubility and something of the style of the London apprentices in the time of Lord Nigel. Crossing the bridge, we stop to look down into the clear, green, turbulent waters of the Gave. The mountaineers say reproachfully to their troublesome wives: “Maridat lou Gabé, que staré”—Marry the Gave, and it will remain quiet. However refractory this virgin stream may be, the valley is peaceful enough to bring the heart and soul into harmony with the place we are approaching. All along the wayside are the blind and the lame in every stage of horrible infirmity, appealing to the charity of the passers-by in the name of the Sainte Vierge of Lourdes, which no one can resist in the very sight of her altar, and we stop every now and then to buy, in this way, “a pennyworth of paradise,” like the prudent M. Géborand, of miserable memory. We pick our way along through the crowds of pilgrims, going and coming with arms full of tapers and great wooden rosaries, and a bleeding heart upon their breasts, like a decoration. We are thrust aside by a procession hurrying off to the station, joyously singing some song of praise, and we turn for a moment into a soft green meadow on the banks of the river, with pleasant winding paths among umbrageous trees, leading to an immense ring with rustic roof and open sides, provided with seats and tables of beautiful Pyrenean marble—where pilgrims can rest and take their lunch—the gift of M. Henri Lasserre, the author of “Our Lady of Lourdes,” so admirably translated for The Catholic World. At one end of the meadow is a pretty châlet given the Bishop of Tarbes by some pious individual for his residence when he comes to Lourdes. Turning into the road again, we come to a fork—one path leading up over the cliff to the church, and the other along the shore of the river beneath. Taking the latter, we find a chain stretched across the way, beyond which no vender of holy wares can go, or carriage pass. We keep on beneath the cliff of Massabielle, crowned with its fair white church far above our heads. The few rods that separate it from the Gave is crowded with people. We hurry on. A slight turn brings us suddenly before the Grotto of the Apparition, towards, which every eye is turned.…
“O Light Divine! Thy Presence and thy power were here.”
No words can express the emotions of the heart at the very sight of this place of benediction. You at once feel it has some mysterious connection with the unseen world. A thousand memories of its history, its eighteen apparitions, its countless miracles, come over you. You forget the crowd around you. Like the rest, you kneel on the pavement to adore and pray.…
The grotto has wisely been left to nature. It stands open, facing the Gave, tapestried with ivy, and rosebushes, and pretty ferns that grow in the clefts of the rocks. The birds that build their nests among the vines undisturbed are flying to and fro, their songs filling the air above the hushed crowd. On one side of the grotto in a small niche—the very place where Bernadette beheld the Marvellous Vision—is a statue of the Virgin of pure white Carrara marble, standing with folded hands, palm to palm, and uplifted eyes. A blue girdle is tied around the waist, a crystal rosary hangs from her arm, and Je suis l’Immaculée Conception, in silver letters, form a glory around her head.
The grotto is all aflame with an immense pyramidal stand of tapers. Enormous wax candles, several inches in circumference, burn on the pavement among pots of lilies. The sides of the cave are hung with innumerable crutches, canes, shoes, models of hands and arms, etc., etc., in pious commemoration of the wonderful cures wrought here. The pavement is strewn with bouquets of beautiful flowers and more practical offerings in the form of money, voluntarily thrown in to aid in the construction of the church. Letters peep out of the clefts of the rocks, each with its tale of suffering, its prayer for aid.
Of course every pilgrim wishes to enter the grotto, examine it, touch it with his hands, and kiss it with profound respect. He wishes to pluck a branch from the vine around the niche of the Virgin, and even appropriate a fragment of the walls. The necessity will at once be seen of placing some bounds to the manifestations of a piety praiseworthy in its nature, but serious in its results. To protect the grotto, therefore, a solid iron grating bars the entrance, but allows a clear view of the interior. It is unlocked from time to time to admit a knot of pilgrims, so all can have an opportunity of praying in so sacred a place. Before the grating kneel countless pilgrims in the open air, on the cold pavement which extends to the very edge of the Gave, thrust back from its course to give additional space. There are a few benches for the weary and infirm. The different classes of people gathered here, the variety of costumes worn by peasants from different provinces, and the clergy and sisters of various orders, to say nothing of the fashionable dresses of the upper classes, are a study for the artist who has set up an easel before the stone bench along the banks of the river. Beyond is a long avenue of trees furnished with seats where pilgrims are gathered in knots around huge lunch-baskets. At the left of the grotto are several faucets over a long stone basin, fed by water from the miraculous fountain. Over them is the inscription: “Allez boire à la fontaine et vous laver.” Around are crowded people drinking the healing waters, or filling their cans and bottles to carry away. Close by is a room furnished with cans of all dimensions for the accommodation of the pilgrim. Beyond are the bathing rooms, to so many a pool of Siloam where the angel is never weary of troubling the waters. Around these doors of hope is always a sad array of the blind, the deaf, the lame, and the paralytic.
No wonder miracles are wrought here. There is such simple, unbounded faith in the divine mercy and power, that mountains might be moved. What would be marvellous elsewhere, only seems the natural order of things here. Dr. Dozous, a physician of the place—who often accompanied Bernadette in her visits to the grotto, and has watched with interest the gradual development of the devotion to Notre Dame de Lourdes; and witnessed a great number of miracles of all kinds, including the cure of those who had been blind, or deaf and dumb, from their birth—says, in a book he has recently published:
“The cures of which I have so often been the ocular witness, and which I am about to relate, have convinced me, beyond the possibility of doubt, of the importance of Bernadette’s visits to the grotto of Massabielle, and the reality of the visions she was there favored with.”
M. Artus, an Alsace refugee at Bordeaux, whose niece had been miraculously cured of a serious malady by recourse to Notre Dame de Lourdes, has offered ten thousand francs to any one who will prove the falseness of any of the statements in M. Lasserre’s book, but, though two years have since passed, no one has been found quite ready to take up the offer.
Miracles are so constantly wrought here, that not half of them are recorded. Five occurred the day before our arrival, one, a deaf-mute to whom the faculty of speech was instantaneously given. We dared not hope to witness anything of the kind, nor did we need it to increase our faith in the power of Omnipotence, though human nature is always seeking some sign. But the piety of the multitude around obtained the grace we should not have ventured to ask for ourselves. We were praying one morning in the grotto, when suddenly there was an unusual movement in the crowd without, and an increasing wave-like murmur that broke at last into a tumultuous shout. A gentleman beside us seemed to catch the meaning, for he sprang up and exclaimed at the top of his voice, Vive Marie! which was answered by hundreds of voices. The effect was electrical, and the feeling that came over us was something new in our experience. Tears sprang to the eye. We hurried out of the grotto, and the movement of the crowd brought us close to a young girl raised above the excited multitude, pale, smiling with joy, and waving a hand covered with the marks of ineffectual human remedies, and that had been utterly paralyzed an hour before. Every one crowded around her to see, examine, test the use of her arm, and assure themselves of the truth of the case. She had been fourteen months in a hospital at Marseilles, and had come with a large number of pilgrims from that place who were ready to testify to her previous helplessness. The whole scene was thrilling. Bands of pilgrims with blue badges of the Virgin sang hymns of joy. A wave of excitement every now and then passed over the crowd and found vent in repeated vivas. The girl was finally released from the examination and admitted into the grotto, when the Magnificat was intoned.
The cliff of Massabielle has been cut down and levelled off to serve as the foundation of the church, which stands on the top at a distance of seventy or eighty feet directly above the grotto. The title of minor basilica was conferred on it by His Holiness Pius IX., in March, 1874. A path leads up to it from the shore, its windings along the edge of the cliff forming the monogram of Mary, among hedges of roses and arbor-vitæ, glistening with dew, and overhung with acacias and evergreens—a charming ascent, each step of which leads to a rarer atmosphere, a lovelier and more extended view, and nearer the altar of Mary.
There are two churches, one above the other; the lower one, dim and solemn with penitential gloom; the upper, radiant with the light and purity that ought to surround
“Our tainted nature’s solitary boast.”
Let us first enter the crypt. In the vestibule is a statue of S. Germaine of Pibrac with her crook and legendary apron of roses, and a lamb at her feet—the gift of a band of pilgrims from Toulouse. An arched passage leads each side of the crypt with banners hung over the confessionals in the recesses. Passing through one of these, we found ourselves in a low, gloomy nave crowded with columns to support the upper church. It is chiefly lighted by the numerous lamps hanging on every side, and the large stands of candles that burn before the Virgin, who is over the altar embowered among roses. The pavement is covered with kneeling forms—ladies, soldiers, peasants. You hear the whispered prayer, you catch glimpses of devout faces, quivering lips, and upturned eyes. Everything here is solemn and mysterious, and inclines one to serious reflection. On the pillars hang the different scenes of the great Passion in which we all had so sad a part. They strike new terror into the soul in this sepulchral church that seems hewn out of the living rock.
“Low I sit, In sorrow, penitence-stricken, and deep woe, ’Mid shades of death, thine arrow drinks my blood; For I thine innocent side have piercéd deep. I dare not look upon thy bleeding brow, For I have circled it with thorny crown, Thou Holy One, and here I sit and weep, Bowed with the o’erwhelming burden down to earth.”
The carved confessionals at the end suggest comforting thoughts. There
“The great Absolver with relief Stands by the door, and bears the key O’er Penitence on bended knee.”
There are five chapels—a mystic number associated with five sorrowful mysteries—each with two small windows pierced through the thick walls, looking like the loop-holes of a fort. Their sides are covered with votive pictures and small marble tablets with inscriptions, some of which we copy:
“Reconnaissance éternelle à la toute puissante Notre Dame de Lourdes pour la grace qu’elle m’a obtenue.
Paris, 30 Juillet, 1872.
“M. M.”
“Amour et reconnaissance à Notre Dame de Lourdes. Deux cœurs guéris et consolés.”
“A Notre Dame de Lourdes, Colonel L. S.
“6 Aout, 1870.”
“Reconnaissance éternelle à Notre Dame de Lourdes qui a guèri notre fille.”
There is a countless number of similar inscriptions, which are so many leaves torn from domestic histories, extremely touching and suggestive to read. They are eternal expressions of gratitude, which are doubtless pleasing to the Divine Benefactor, who is not regardless of one who returns to give thanks.
Our last visit to the crypt will never be forgotten. We had arrived at Lourdes the evening before, in a pouring rain, which still continued when we went at half-past four in the morning to attend the Mass of a clerical friend. It was with difficulty we made our way into the nave, crammed with pilgrims from Bretagne and La Vendée. The five chapels were filled with priests waiting for their turn to say Mass. Our friend had been there since two o’clock, and it was nearly seven before he found a vacancy at the altar. Masses likewise had been continually succeeding each other since midnight in the fifteen chapels of the church above. The place, it will be seen, is one of perpetual prayer.
Our devotions over at a late hour, we ascended a flight of twenty-six steps, which brought us to a broad terrace before the upper church commanding a lovely view of the valley, with the picturesque old castle directly in front. The sun had come out after the rain, and nothing could be more fresh and enchanting. On the terrace stood the four bells given by the Prince of Viana, and not yet hung. They were baptized August 11, by Cardinal Donnet of Bordeaux, in presence of a numerous crowd, including Don Sebastian de Bourbon, Infante of Spain, the Duc de Nemours, and the Prince of Béarn and Viana.
Before entering the church, we pause in front of the Gothic portal to look up at the representation of our Saviour over the central arch. His face is turned towards Lourdes, a cruciform nimbus surrounds his head, the Alpha and Omega are at the side, and his right hand is raised to bless the pilgrim beneath. At each side are the winged emblems of the Evangelists. And lower down is the Virgin Mother, her hands crossed on her breast, her face,
“The most resembling Christ,”
sweet and thoughtful. She seems to be awaiting all who seek through her the Divine Redeemer, who by her has been given to mankind. Felix cœli porta, we say as we pass beneath.
Entering the church, we are at once struck with its immaculate purity. It is in the style of the XIIIth century. The height is about double the width, which makes the arches seem loftier than they really are. The spotless white walls are relieved by the beautiful banners hanging on every side. There are about four hundred of these banners, richly embroidered with religious symbols and devices, and the arms of different cities and provinces. Conspicuous among them are the banners of Alsace and Lorraine bordered with crape. They were wrought in secret, and brought over the frontier in the night to escape the vigilance of the Prussian police. They were presented by faithful Christians, one of whom was a valiant officer whose breast was covered with decorations, and received by the Archbishop of Auch (to whose province Lourdes belongs), who wept as he pressed them to his lips, affecting the vast crowd to tears.
Around the nave of the church is an unique frieze of votive golden hearts, so arranged as to form inscriptions in immense letters, taken from the words of the Virgin to Bernadette: “Vous prierez pour la conversion des pécheurs. Allez boire à la fontaine et vous y laver.—Allez dire aux prêtres qu’il doit se bâtir ici une chapelle, et qu’on doit y venir en procession.”
The main altar in the centre of the choir is dedicated to the mystery of the Immaculate Conception. It is of pure white marble, and on the front are five compartments on which are sculptured the Annunciation, Visitation, Assumption, Coronation, and the Apparition of the Blessed Virgin in the grotto. The altar is adorned with white lilies. Over it in a golden niche is a statue of Mary Most Pure, “above all women glorified,” the very embodiment of purity and love. Above her, like a crown, is a constellation of beautiful lamps of filigree and enamel. Rich votive offerings are fastened to the walls—crosses of the Legion of Honor, epaulettes, swords crossed above flags, a miniature ship, the mitre of Mgr. Lawrence, etc. On the keystone of the arch are sculptured the arms of Pope Pius IX.
The main altar with its Madonna is the central object in the church, and the focus of its splendor. Around it, like so many rays around the Immaculate Conception, are five apsidal chapels. Directly behind it is the chapel of the Sacred Heart, where of course the Blessed Sacrament is kept. At the left is Notre Dame du Mont Carmel, in honor of the last apparition to Bernadette, which took place on the festival of that name. Next is the chapel of Notre Dame des Victoires, in commemoration of the celebrated archconfraternity at Paris, which has effected so many conversions, wrought so many miracles, and prepared the way, as it were, for the triumph of the Immaculate Conception.
At the right of the chapel of the Sacred Heart is that of Notre Dame du Rosaire, recalling the rosary the Virgin held on her arm in all her apparitions to Bernadette. Then, Notre Dame de la Sallette, reminding us that the tears the Mother of Sorrows once shed over the woes of France in the mountains of Dauphine, have been succeeded by the smiles of Marie Immaculée in the grotto of the Pyrenees.
Each of these five chapels recall the Holy Trinity by the number of their windows, as the rose window in the façade is typical of the Divine Unity. These windows are of stained glass—the gift of the Prince of Viana. The main altar and the statue of the Immaculate Conception are from an anonymous benefactor, and many of the other altars are the gifts of private individuals.
Ten lateral chapels open out of the nave, and communicate with each other for convenience. The four nearest the choir bring around Mary the principal members of her family: S. Anne, S. Joachim, S. Joseph, and S. John the Baptist. Then come the chapel of S. Peter, still living in our “Pope of the Immaculate Conception,” who so glorified Mary on the 8th of December, 1854; S. John, the beloved disciple, who was appointed her son on Mt. Calvary; S. Francis of Assisi, the patriarch of the Seraphic Order that has always been the advocate of the Immaculate Conception; S. Francis Xavier, patron of the Society for the Propagation of the Faith, one of the glories of this age of Mary; S. Bertrand, the illustrious bishop of Commines and the patron saint of Mgr. Lawrence, whose name will ever be associated with the church of Notre Dame de Lourdes; and S. Germaine, the humble shepherdess of Pibrac, so like the little bergère of Lourdes.
Thus four of the great religious orders of the church are represented before the Virgin’s throne—the Carmelite, Dominican, Franciscan, and Jesuit. Each chapel, sacred to some holy mystery, has its beautiful altar, its carved oaken confessional, its circular golden chandelier, its station of the cross, its banners, and its statues.
The carved oak pulpit on the left side of the nave was given by the Bishop of Marseilles.
The windows of the side chapels, that await a donor, will depict the history of Notre Dame de Lourdes, beginning with the first apparition and ending with the consecration of the church. And the clerestory windows will represent the history of the devotion to the Immaculate Conception. The decoration of the church is by no means complete. It is to be in harmony with the architecture, so pure in outline and light in form. In the seventy-six arcatures of the triforium the saints most devoted to the Immaculate Conception are to be represented on a gilt ground.
To see this beautiful church crowded with devout pilgrims, priests at every altar of the fifteen chapels, a grand service going on in the choir with all the solemn pomp displayed in great cathedrals, the numerous clergy in the richest vestments, and to hear the grand music of Palestrina executed with perfect harmony and exquisite taste—the whole congregation heartily joining in the chants, and the peal of the trumpets contrasting admirably with their earnest voices—is to the ravished soul like a vision of the heavenly Jerusalem. The lofty arches seem to sway with the undulations of the music, sometimes soft as the murmur of a rivulet, and again as deep as a mountain torrent falling over rocks. The eye is never weary of gazing at this fair temple with its pure outlines, so harmonious in all its parts, the soft light coming in floods through the lofty windows and mingling with the brilliancy of the lights and flowers; the immense oriflammes hanging from the arches to give testimony to the glory of the Immaculate Conception and the Pontiff who crowned that glory; the mysterious words on the wall that fell from the smiling lips of the Virgin in the grotto; and the Most Pure herself, unveiled to all eyes, standing in the midst of all this splendor above the altar, in a golden atmosphere, raising heavenward her look of inspiration, her hands joined in prayer, her heart swelling with love—adoring love for Him who dwells in the tabernacle; and maternal love for her children gathered around the fountain opened for the salvation of the world. O Immaculate One! we here feel thy sweet presence, and the creative power of thy word: “Go, tell the priests I wish a chapel to be built on this spot.”
Never was greater miracle wrought by humbler instrumentality—never was the Divine Hand more manifest than in the upspringing of this mountain chapel—the lily of the Immaculate Conception, sweetest flower of this age of Mary. Human intelligence is confounded at what has been effected by the mouth of a poor peasant girl of this obscure valley. It grasps at the assurance of faith in Mary who has wrought it. Before her the Gave that beat against the cliff has fallen back—image of the torrent that approached Mary at the moment of her creation, and, just as she was about to receive the fatal stain, the wave of corruption, that bears all of us poor children of Eve on its impure waters, fell back before the ark of the new covenant, Fœderis Arca.
The very cliffs have bowed down at her presence, and these stones, these walls, these columns, these arches, and the fountain of indisputable potency that has sprung out of the bowels of the earth, bear witness to her wonderful apparitions and power.
One of the most imposing spectacles at Lourdes is a procession of pilgrims, especially when seen, as we saw one, from the mount above coming from the town—a very forest of crosses, banners, and lanterns, borne by thousands of people with that slow, measured, solemn, harmonious step that is in itself a prayer. We thought of good Mother Hallahan and her delight in nine miles of prayer. Here were whole leagues of praise.
“On the ear Swells softly forth some virgin hymn; The white procession windeth near, With glimmering lights in sunshine dim. Mother of Purity and Peace! They sing the Saviour’s name and thine: Clothe them forever with the fleece Unspotted of thy Lamb Divine!”
From one end of the immense procession to the other rose chants without discord—here from a band of maidens and innocent children, yonder from harmonious choirs of maturer years. From time to time a peal of trumpets drowned the murmur of the Gave and awoke the echoes of the mountains. In the procession were hundreds of men organized into pious confraternities as in the Middle Ages. They follow the path taken by Bernadette, when she was irresistibly led on to the place of the wondrous vision. They all stop to make a genuflection where she knelt before the Beautiful Lady, and begin the Litany of Loretto in the sweet plaintive air peculiar to the country. It is delightful to hear Mary’s name swelling along the valley and up the rocky heights! Thus chanting they ascend the winding path on the cliff, forming a living monogram of the Virgin’s name, among roses that give out their perfume, through cedars of Lebanon and other rare trees that bend down their branches laden with dew. And above this verdure, these perfumes, and these chanted supplications, the white marble Church of the Immaculate Conception sends heavenward the silent prayer of its gleaming walls, its pillars, its turrets and pinnacles. They wind around the church like a wreath and disappear within its sculptured portal chanting: Lætatus sum in his quæ dicta sunt mihi—I was glad at the things that were said to me. We will go into the house of the Lord.… Our feet were wont to stand in thy courts, O Jerusalem! Jerusalem which is built as a city that is at unity with itself.… Plenteousness be to them that love thee!
At the particular request of the Prince of Viana, one of the greatest benefactors to the church, his Holiness Pope Pius IX. has granted a partial indulgence to all who visit the church, and a plenary indulgence to those who here approach the sacraments and pray for concord among Christian princes the extirpation of heresies, and the exaltation of our holy Mother the Church.
A winding road leads from the church by gentle ascent up the picturesque mount behind, along which are to be built fifteen chapels in honor of the Mysteries of the Rosary, where the words once spoken by the angel will ascend the mountain side in one long and incessant Ave Maria! Along this holy way will continually ascend and descend the pious votary in “pilgrim’s cowl and lowly weed”
“Dropping on each mystic bead To Mary, Mother Mild, a contrite tear.”
A certain party, desirous of bringing pilgrimages into disrepute, and inclined to seek some human cause for everything supernatural, attributes a political object to this great crusade of prayer which the impious instinctively tremble before, and not without reason. M. Lasserre thus closes an address to the visitor to Notre Dame de Lourdes:
“Pilgrims of France! Your politics at the grotto of Lourdes is to pray, to begin a new life, to sanctify yourselves, and to become in this corrupt age the chosen righteous who are to save the wicked cities of the land. It is thus you will labor efficaciously for the prosperity of your country and bring back its past splendor and glory. A nation desirous of salvation in heaven, is a nation saved on earth.”
We close by echoing one of the acclamations sung alternately by clergy and people at the solemn celebration in this place of benediction:
V. Omnibus nobis peregrinantibus, et universo Christiano populo, Fidei, Spei, et Charitatis augmentum et gaudium æternum.
R. Amen. Amen. Salvos fac servos tuos, Domine, et benedic hæreditati tuæ, et rege eos, et extolle illos usque in æternum.
Fiat. Fiat. Amen.
THE HOUSE OF JOAN OF ARC.
I am writing these lines in a small inn of Domrémy, on the evening of my pilgrimage to the lowly dwelling of Jeanne d’Arc. My table is an old coffer, shakily placed on the rugged and disjointed paving stones which form the floor, and my only companion a kitten gambolling in the red rays of the setting sun. I thus begin my account of that house which has been well called the santa casa of France.
Arriving at Domrémy while yet its green valleys were enveloped in the white vapors rising from the Meuse, my first sight of the place was through the mist of early morning.
It is a small village of Lorraine, near the confines of Champagne. God, who so often wills to choose a mere nothing through which to exercise his power, chose it as the starting-point of his work for the deliverance of France. For Domrémy was a little village also in the year 1425, when there the heavenly light appeared, there the angel descended, and the voices not of earth were heard.
The mutilation of this province by the German invasion has only rendered Domrémy more lorrain than ever: and the Vosges Mountains raise their blue summits along the horizon and lengthen their shadows as if the better to guard the home of her who was the good angel of her country.
The village consists of scarcely more than a hundred houses, clustered round the venerable church and the old walls of the cottage which sheltered the infancy and youth of the daughter of Jaques d’Arc and his wife Isabelle Romée.
This church, to which her earliest steps were bent, the place of her prayers and inspirations, where she armed her soul with virtue and heroism before arming her breast like a brave warrior preparing for battle—this church is more than lowly, it is poor; and it is matter for wonder that, if no one else does so, at least that the maidens of France do not organize themselves into an association which should make it their chosen sanctuary, and by which they would engage themselves not only to provide it with what is necessary and fitting, but with pious generosity to enrich and beautify their privileged altar.
At the threshold of the church stands a ridiculous statue of Jeanne d’Arc. It seems a sort of sacrilege so to have misrepresented the features of the Maid; and the best way to dispose of this image would be to throw it into a furnace and melt it down in company with the still more objectionable equestrian statue recently erected in the Place des Pyramides at Paris, which insults the modest virgin by placing her astride on her charger, in a complete suit of armor, instead of the steel breastplate which alone she wore over her womanly apparel. Then, out of the metal of these molten caricatures might be struck medals of worthier design, to be distributed in the country.
Among the trees at a few paces from the church is a little Greek monument supported by four columns, beneath which is a bust of Jeanne in white marble. Facing this little monument, about a stone’s throw off, stands her dwelling. This house is separated from the road by two pavilions connected by a railing of gilt arrows. Trees envelop its walls with their overshadowing branches, and a third part of the roof is covered with ivy. Above the door, which is low, are three shields of armorial bearings, the Arms of France, charged with a sword, and those of the family of D’Arc; or, to speak more exactly, the door is surmounted by three escutcheons, namely, that of Louis XI., who caused the cottage to be embellished; that which was granted to one of the brothers of Jeanne, together with the name of Lys; and a third, which bears a star and three ploughshares, to symbolize Jeanne’s heavenly mission and the lowly condition of her parents. Two inscriptions in uncial Gothic are graven on the stone: “Vive Labeur!”—the motto of Jeanne and the resumé of her history; and “Vive le Roi Loys!”—the resumé of her great work.
On the left of the door is a lattice window with diamond-shaped panes. Two rooms constitute the whole of the house. Jeanne was born in the first and larger of the two; the second and inner one is dimly lighted by a small window opening towards the church. Here it was that Jeanne listened to the heavenly voices, and here she heard the church bells summoning to prayer, or sounding the tocsin, when the village was attacked by marauding bands who came to sack the place and cut down the partisans of the throne of France.
On several occasions fugitives were concealed by her in this obscure chamber. She gave up her bed to them, and went to rest in the hayloft.
Facing the hearth in the entrance room is a statue in bronze, reduced from the expressive figure by the Princess Mary of Orleans.[160] Garlands of moss surround this statue, and rose-leaves are scattered at its feet. The nuns who are in charge of the house assemble every evening in this room with the young girls of the village, to sing hymns. On the wall hangs a crucifix, and beneath it stands an image of the Blessed Virgin; and here the nuns with their little flock keep the month of Mary, celebrating the praises of the Royal Virgin of Judah, who was so dear to the heart of the virgin of Domrémy.
Here and there upon the walls are ex votos, slabs of marble and bronze relating facts worthy of remembrance in honor of Jeanne, or recalling historic dates. The beams and rafters of the ceiling are dinted by axe and sabre strokes given by the Prussians in 1814, not by any means from disrespect, or motives of jealousy, but merely from an outbreak of destructive devotion. They entered the house, silent, and with their hats off, but they did not wish to leave it without taking from it some relics to carry into their own country.
Numerous pilgrims have been guilty of the low and objectionable proceeding of carving their names on the stones of the house, although a register is kept at hand on purpose to receive the visitors’ names and impressions. The piece of furniture on which the volumes are placed was presented last year by a prince of France, and accompanied by the gift of a piece of Gobelin tapestry representing the entry of King Charles VII. and Jehanne la bonne Lorraine into the city of Rheims.
The latest volume of the register commences in 1871, after the disasters and misfortunes of France. To every name inscribed in its pages, whether of aristocrat or commoner, officers of the army or men of the rank and file, thoughts are elaborated of more or less pretension to literary merit, in prose or verse, but the dominant idea is prayer to God for the salvation of France, and grateful love to Jeanne d’Arc; while here and there are appeals to the Sovereign Pontiff for the beatification of the young patriot martyr, or at any rate for a solemn affirmation of the miraculous nature of her call and the sanctity of her life.
A touching incident occurred not quite a year ago. One evening in the month of May, two English ladies, nuns of the Order of Servites, visited the house, accompanied by a priest of Vaucouleurs, and had no sooner crossed the threshold than, falling on their knees, they burst into tears, entreating God to pardon England, guilty of the death of Joan of Arc, and making a fervent act of reparation for their country, their ancestors, and themselves. Nor did they rise before they had kissed the floor of that lowly cottage where she had so often knelt in prayer to God and in converse with his glorified saints, and where she had lived in the fulfilment of the daily duties of her lowly estate.
On another occasion a band of volunteers, on their way to join the army, came to ask La Pucelle to help them to be good soldiers, and begging her blessing on themselves and their arms as they would that of a canonized saint. A cavalry officer made a visit to Domrémy expressly to remind her that one of his comrades in arms died at Gravelotte repeating her name. A great number of officers who made their escape from Germany also came hither direct from the frontier, to return thanks for their safety, before returning to the homes where their families were anxiously awaiting them.
A great pope has said, “France will not perish, for God has always a miracle in reserve to save her.”
The miracle came in the middle of the XVth century, in the person of Jeanne d’Arc. It may come again through her instrumentality; not this time leading on the victors at Orleans, Patay, Troyes, Rheims, Compeigne, Paris, or dying at Rouen amid the flames, but crowned a saint upon the Church’s altars, as a powerful intercessor for her native land. Mgr. Dupanloup has given a great impetus to the desire for forwarding her cause at the infallible tribunal of the Catholic Church.
Gerson, the great and pious chancellor, and the contemporary of Joan of Arc, ardently desired the same cause, which is now taken to heart, not only by the illustrious bishop, but also by the clergy, the magistrature, and the army in Orleans, who are at the head of various commissions employed in obtaining the evidence necessary for aiding the judgment of the Sovereign Pontiff. He will have a pleasant task who may be entrusted to collect the popular traditions which linger like a fragrance at Domrémy, of the innocent and holy life of Joan of Arc, and to him the very walls of her cottage birthplace will be eloquent: lapides clamabunt.[161]
SONNET.
Mark yonder gentle doe! her one loved fawn Close at her side, just where the leafy wood, With all its summer charms of solitude, Steps o’er the verdant edges of our lawn! Mark their shy grace at this chaste hour of dawn! While culling spicy birch-twigs, their cropped food Dew-drops impearl, and morning shadows brood O’er dells, towards which their timid feet are drawn. Thus have I seen, within a cloister’s shade, A widowed mother and one tender child Close at her side; one habit on them laid; Both, by a kindred exaltation mild, Led to the service of the Mother Maid, With her to seek Heaven’s peace through pathways undefiled.
DOMINIQUE DE GOURGUES, THE AVENGER OF THE HUGUENOTS IN FLORIDA, A CATHOLIC.
The traveller between Bordeaux and Bayonne who takes an eastward train at Morcenx, will arrive in less than an hour at Mont-de-Marsan, a small town of four or five thousand inhabitants, on the borders of the Landes, at the confluence of the Douze and Midou, which form the Midouze. Some say it was founded on the site of an old temple of Mars, by Charlemagne, on his return from Roncesvalles. If so, the place was afterwards destroyed by the Saracen or Norman invaders, for the fifth Vicomte de Marsan, desirous of purging the forest of Maremsin of the robbers who endangered the lives and property of the merchants and pilgrims who passed that way, built a castle at the junction of the two rivers, on a spot which bore a name of ominous meaning: Maü-pas, or Mauvais-pas—doubtless a bad place to fall into, on account of the frequent robberies. Around this castle gathered the vassals of the neighboring abbey of S. Sever for protection. They came from the parish of S. Pierre-du-Mont, and brought their devotion to S. Peter with them. The arms of the town are still two keys en pal, between the letters M. M. (Mons Martianus); and the parish church that stood till the Revolution, was dedicated to S. Peter, where the mayor, before entering on his functions, took the following curious oath in three languages—the Gascon, Latin, and French:
Per Diu et per aquet monsegné Saint Pé, Jou juri que bon et lejau a la bille jou seré Lous bens daquere jou proucureré, Et lous maux esbiteré. Las causes doubtouses dab conselt jou feré, Justice tan au petit com au gros jou faré, Com an heit lous autes maires et millou si jou sé, Ansi me adjudé Diu et monsegné Saint Pé. Per Deum et sanctum Petrum juro Quod urbi bonus et legalis ero, Ejus bona procurabo, Ejus mala vitabo: Dubia faciam cum consilio, Et justitiam tam parvo quam magno, Sicut alii magistratus et melius si scio, Sic non ero sine Dei ac sancti Petri adjutorio. Je jure par le Dieu vivant et par Saint Pierre, Que jè seray bon et légal à la ville; Que j’en procureray les biens et eviteray les maux, Que je ne feray jamais les choses douteuses sans conseil, Que je feray justice, au petit comme au grand, De même que les autres maires, et mieux si je scay; Ainsi me puisse toujours ayder mon Dieu et Saint Pierre.[162]
In 1256, the town passed into the possession of the lords of Béarn, and to keep it in due subjection Gaston Phœbus built the castle of Nou-li-bos, i.e., You-do-not-wish-it-there, referring to the opposition of the inhabitants—a name that recalls the famous Quiquengrogne erected by Anne of Bretagne to keep the town of S. Malo in check, and the Bridle built by Louis XII. at the entrance of the harbor of Genoa.
Calvinism, of course, took some root here in the time of Jeanne d’Albret. Theodore Beza sent preachers to win over the people, but the Catholics organized under the Seigneur de Ravignan and for a while kept the Huguenots from any excesses. Montgomery, however, soon swept over the country, sacking all the churches and monasteries, many of which he razed to the ground. Among these was the convent of Bayries, a community of Clarist nuns in the vicinity of Mont-de-Marsan, founded in 1270 by Gaston Phœbus and his wife Amate, which numbered Catherine d’Albret, a cousin of Francis I., among its abbesses. Marie d’Albret, another relative of the king’s, was abbess when the marriage between him and Eleanore of Austria took place here, July 6, 1530. This house of historic interest was stripped of every valuable by the Huguenots, and then burned to the ground, the nuns barely escaping with their lives.
The redoubtable Monluc soon avenged all these sacrileges by taking Mont-de-Marsan, and despatching all who opposed the passage of his troops. The few Huguenot soldiers left, he threw from the windows of the formidable Nou-li-bos, to avenge, as he said, the brother-in-arms, whose officers were treacherously butchered by the Huguenots after the capitulation of Orthez.
This castle of terrible memory has a pleasanter association, for in it passed the early childhood of the poet François Le Poulchre, the king’s knight, and lord of La Motte-Messemé, who boasted of descending from the ancient Roman consul, Appius Pulcher, who displayed such conspicuous valor under the famous Lucullus,
“Un Appius Pulcher, gentilhomme Romain, Duquel s’est maintenu le nom de main en main Jusques au temps présent, jusqu’à moi qui le porte.”
He took for his device: Suum cuique pulchrum, in allusion to his name.
As his father was superintendent of the household of Margaret, queen of Navarre, sister of Francis I., François Le Poulchre had the honor of having that king for his godfather, and Margaret for his godmother. The latter conceived such an affection for him that she kept him at her castle at Marsan, and made him eat at her table as soon as he was old enough. He says himself:
“J’eus l’honneur pour parrain d’avoir le roi François, Pour marraine sa sœur, Royne des Navarrois, Qui me favorisa jusque là elle mesme Me tenir sur les fons le iour de mon baptesme, Faict par un grand preslat l’evesque de Loron. (Oloron). … “Me faisant mesmement à sa table manger En présence des siens, ou de quelque estranger Qui peut y arriver, ne changeant onc de place.”
With little taste for study Le Poulchre left college at an early age to embrace the profession of arms.
“Avecque ce grand duc, non moins vaillant que bon, Race de Saint Louis, dit Louis de Bourbon,”
—that is to say, under the great Condé. He has given us his own life and adventures under the title of Les honnestes Loisirs du Seigneur de la Motte-Messemé, which is divided into seven books bearing the title of the seven planets, as the history of Herodotus bears the name of the nine muses, and the poetical Zodiac of Marcellus Palingenesis bears the names of the twelve signs of the zodiac. To compose it, he retired to the Château de Bouzemont in Lorraine. We trust he was more skilful in the use of the sword than of the pen. One of his sonnets, however, is pleasing. It is like a single flower in a barren parterre. It is addressed to the dame de ses pensées, to whom, after acknowledging she hears Mass devoutly, fasts with due strictness, goes to confession regularly, and is always charitable to the poor, he says:
“Vous faictes tout cela, mais ce seroit resver De croire que cela tout seul vous pust sauver. Ne vous y arrestez pas, je vous prie, Madame; D’aller en Paradis le plus certain moyen C’est de rendre à chacun ce que l’on a du sien: Rendez-moi donc mon cœur, vous sauverez vostre ame;”
—You do all this, but it is a dream to suppose this alone can save you. Do not stop here, madam, I pray you; the surest means of gaining paradise is to restore to every one what belongs to him: Give me back my heart, then, and you will save your soul!
Among other historic memories evoked by Le Poulchre in his seven cantos, he relates how, going to kiss the hand of the young King Charles IX., Anne d’Este,
“Veufve du grand Lorrain, Qu’avait meschantement d’une traisteresse main Blecé d’un coup de plomb Poltrot, son domestique,”
—came not to seek vengeance on Poltrot, for he had already been drawn and quartered before St. Jean de Grève, but on Coligny, whom, in the presence of the king, the Cardinal de Guise, and others, in the nave of the chapel of the château de Vincennes, she accused of being an accomplice in the crime of February 18, 1563.
It was not long after this the king,
“Se hastant de traverser les Lanes Pour aller voir sa sœur la Reyne des Espagnes,”
stopped at Mont-de-Marsan, where he made Le Poulchre escuyer d’escuyrie ordinaire, as the poet does not fail to record, and shortly after he received the collar of knighthood from the same royal hand.
The château of Gaston Phœbus, which had received so many princes and princesses within its walls, and been the witness of so many tragedies, was, after being taken anew from the Huguenots, totally demolished by the order of Louis XIII A charming promenade, called the Pépinière, surrounded by the Douze, is now the spot.
Mont-de-Marsan was formerly a centre of considerable trade, and the entrepôt of the country around. Wine, grain, turpentine, wool, etc., were brought here to be sent down the Midouze. This was a source of considerable revenue to the place, and explains the extensive warehouses, now unused in consequence of the railway and the diversion of trade. There is still a little wharf, where are moored several barks laden with wood or turpentine, but there is not business enough to disturb the quietness of the place. No one would suppose it had ever been the theatre of terrible events. The most striking feature is a peculiar oblong court, surrounded by houses of uniform style, with numerous balconies for the spectators to witness the bull-fights occasionally held here—an amusement that accords with the fiery nature and pastoral pursuits of the people around, and is still clung to in several places in the Landes and among the Pyrenees. This square is, by a singular anomaly, called the Place St. Roch, from a saint regarded throughout the region as the patron of animals; and they certainly have need of his protection in a place where they are exposed to such cruelty.
Such are some of the characteristics and memories of the small inland town in which was born Dominique de Gourgues, the leader of the celebrated expedition against the Spaniards in Florida. He was the third son of Jean de Gourgues and Isabella de Lau, his wife.
He was born in the year 1537, in an age of religious conflict, when party spirit ran too high for any one to remain neutral, whatever their grade of piety. It might therefore seem surprising there should ever have been any doubt as to the religious convictions of De Gourgues. Because he was the avenger of the massacre of the Huguenots in Florida, he has often been identified with the Protestant party. Because he lived in an age when provincial and sectarian spirit often prevailed over patriotism, it has been taken for granted that sympathy with the religious sentiments of the victims of the Spaniards could alone have induced him to sell his property to provide for a distant and dangerous expedition that would never repay him even if successful. In a work entitled, La France Protestante, by MM. Haag, a kind of dictionary of Protestant celebrities in France, issued in 1853 by a proselyting press, whose works are everywhere to be found, De Gourgues is made a Huguenot. No proof is given, no doubt expressed—the surest and shortest way of carrying one’s point in these days. Assurance always produces a certain effect even on the thoughtfully-minded. They take it for granted it has some real foundation.
The Revue Protestante[163] makes the same assertion, appealing to De Thou and other historians.
Francis Parkman, in his Pioneers of France in the New World, says: “There was a gentleman of Mont-de-Marsan, Dominique de Gourgues, a soldier of ancient birth and high renown. That he was a Huguenot is not certain. The Spanish annalist Barcia calls him a terrible heretic; but the French Jesuit, Charlevoix, anxious the faithful should share the glory of his exploits, affirms, that, like his ancestors before him, he was a good Catholic. If so, his faith sat lightly upon him, and Catholic or heretic, he hated the Spaniards with a mortal hate.”
The English made the Catholic Church responsible for the massacre of the Huguenots. The account of Le Moyne, published in England under the patronage of Raleigh, inflamed anew the public mind against Catholicity, and the terrible words of the Spanish leader, El que fuere herege morira, were regarded as the echo of the church. Consequently the avengers of the deed were supposed to be necessarily Protestants—not only De Gourgues, but all his followers. Nor is this all. The whole family of the latter is said to have been converted to Calvinism in the XVIth century.
M. le Vicomte de Gourgues, the present representative of the family, desirous of vindicating the orthodoxy of his ancestors, and, in particular, of so illustrious a relative as Dominique de Gourgues, has given to the public incontrovertible proofs that the whole family was eminently Catholic, that Dominique lived and died in the faith, and that his expedition to Florida was a patriotic deed in which religious zeal had no part. He felt the anger of a man of honor against the cruelty of the Spaniards. A great national injury was to be avenged, and he was too good a soldier not to wish to be foremost in the conflict. And perhaps some private motives excited him to vengeance, for he had been taken himself by the Spaniards, and narrowly escaped death at their hands, and could therefore feel for these new victims of their barbarity. Moreover, his expedition was the expression of public sentiment in France concerning the massacre—the mere outburst of the electric current that ran over the country at such an insult to the honor of France. The assertion that De Gourgues was a Protestant is a modern invention without a shadow of foundation. None of the old French historians express any doubt as to his orthodoxy. Even the romances in which he figures represent him as a Catholic, as if his religion were a prominent feature in his character. Some years ago, a novel was published in the Siècle called “La Peine du Talion,” of which the Chevalier de Gourgues is the hero, and on his Catholicity turns the interest of the story. He is represented as a brilliant cavalier who has served in the wars of Italy, and is now an officer in the service of the Duke of Guise, whose favor he enjoys. An attachment is formed between him and Estiennette de Nérac, whose hand he requests in marriage. The Seigneur de Nérac expresses great surprise that Messire Dominique should forget the insuperable abyss there is between an ardent Catholic in the service of the house of Lorraine and his Protestant daughter.