Part 2 — HAYDN'S FIRST LESSONS IN MUSIC AND LOVE.

I.

The Hungarians, like the Austrians and Bohemians, have great love for music. "Three fiddles and a dulcimer for two houses," says the proverb; and it is a true one. It is not unusual, therefore, for some out of the poorer classes, when their regular business fails to bring them in sufficient for their wants, to take to the fiddle, the dulcimer, or the harp, playing on holidays on the highway or in taverns. This employment is generally lucrative enough, if they are not spendthrifts, to enable them not only to live, but to lay by something for future necessities.

An honest wheelwright, called "merry Jobst," on account of his stories and jokes, lived with Elschen his wife, in a cottage in the hamlet Rohrau, on the borders of Hungary and Austria. They were accustomed to sit by the wayside near the inn on holidays; Jobst fiddling, and Elschen playing the harp and singing with her sweet, clear voice. Almost every traveller stopped to listen, well pleased, and on resuming his journey threw often a silver twopence into the lap of the pretty young woman. Jobst and his wife, on returning home in the evening, found their day's work a good one.

The old cantor of the neighboring town of Haimburg passed along the road one afternoon, and in the arbor, opposite the tavern, sat merry Jobst fiddling, and beside him pretty Elschen, playing the harp and singing. Between them, on the ground, sat a little chubby-faced boy about three years old, who had a small board shaped like a violin hung about his neck, on which he played with a willow twig as with a genuine fiddle-bow. The most comical and surprising thing of all was, that the little man kept perfect time, pausing when his father paused and his mother had a solo, then falling in with his father again, and demeaning himself exactly like him. Often, too, he would lift up his clear voice, and join distinctly in the refrain of the song.

"Is that your boy, fiddler?" asked the music-teacher.

"Yes, sir, that is my little Seperl."[58]

"The little fellow seems to have a taste for music."

"Why not? I shall take him as soon as I can to one who can teach him."

The cantor came from this time twice a week to the house of merry Jobst to talk with him about his little son, and the youngster himself was soon the best of friends with the good-natured old man. So matters went on for two years, at the end of which time the cantor said to Jobst, "If you will trust your boy with me, I will take him, and teach him what he must learn to become a brave lad and skilful musician."

Jobst did not hesitate long, for he saw clearly how great an advantage the instruction of Master Wolferl would be to his son. And though it went harder with pretty Elschen to part with Joseph, who was her only child, yet she gave up at last. She packed up the boy's scanty wardrobe in a bundle, gave him a slice of bread and salt and a cup of milk, embraced and blessed him, and accompanied him to the door of the cottage, where she signed him with the sign of the cross three times, and then returned to her chamber. Jobst went with them half way to Haimburg, and then returned, while Wolferl and Joseph pursued their way till they reached Wolferl's house, the end of their journey.

Wolferl was an old bachelor, but one whose heart, despite his gray hairs, was still youthful and warm. He gave daily lessons to the little Joseph, and taught him good principles, as well as how to sing and to play on the horn and kettle-drum; and Joseph profited thereby, as well as by the other instructions he received in music.

Years passed, and Joseph was a well-instructed boy; he had a voice as clear and fine as his mother's, and played the violin as well as his father; he likewise blew the horn, and beat the kettle-drum, in the sacred music prepared by Wolferl for church festivals. Better than all, Joseph had a true and honest heart; had the fear of God continually before his eyes, and was ever contented, and wished well to all.

The more Wolferl perceived the lad's wonderful talent for art, the more earnestly he sought to find a patron for him, for he felt that his own strength could reach little further, when he saw the zeal and ability with which his pupil devoted himself to his studies. Providence so ordered it at length that Master von Reuter, chapel-master and musical director in St. Stephen's Church, Vienna, came to visit the deacon at Haimburg. The deacon told Master von Reuter of the extraordinary boy, the son of the wheelwright Jobst Haydn, the pupil of old Wolferl, and created in the chapel-master much desire to become acquainted with him. The next morning, accordingly, Von Reuter went to Wolferl's house, which he entered quietly and unannounced. Joseph was sitting alone at the organ, playing a simple but sublime piece of sacred music from an old German master. Reuter, astonished and delighted, stood at the door and listened attentively. The boy was so deep in his music that he did not perceive the intruder till the piece was concluded, when, accidentally turning round, he fixed upon the stranger his large dark eyes, expressive of astonishment indeed, but sparkling a friendly welcome.

"Very well played, my son!" said Von Reuter at last. "Where is your foster-father?"

"In the garden," said the boy; "shall I call him?"

"Call him, and say to him that the chapel-master Von Reuter wishes to speak to him. Stop a moment! You are Joseph Haydn, are you not?"

"Yes, I am Seperl."

"Well, then, go."

Joseph went and brought his old master, Wolferl, who with uncovered head and low obeisance welcomed the chapel-master and music director at St. Stephen's to his humble abode. Von Reuter, on his part, praised the musical skill of his protégé, inquired particularly concerning the lad's attainments, and examined him formally himself. Joseph passed the examination in such a manner that Reuter's satisfaction increased with every answer. After this he spent some time in close conference with old Wolferl; and it was near noon before he took his departure. Joseph was invited to accompany him and spend the rest of the day at the deacon's.

Eight days after, old Wolferl, Jobst, and pretty Elschen, the younger son, little Michael, on her lap, sat very dejectedly together, and talked of the good Joseph, who had gone that morning with Master von Reuter to Vienna, to take his place as chorister in St. Stephen's church.

II.

Wenzel Puderlein, a noted hair-dresser in the Leopoldstadt of Vienna, was one day dressing the hair of the Baron von Swieten, first physician to the empress, when he heard the great man's son ask permission to present to him a wonderful young musician, whose talents were beginning to attract public attention. Puderlein was happy to say he knew all about him, having long been hair-dresser to the chapel-master Von Reuter, in whose house young Haydn had lived ten or eleven years. He had been chorister at St. Stephen's, but had been obliged to relinquish the position two years before, having lost his fine, clear soprano voice after a severe illness.

"And what does young Haydn now?" asked the baron.

"Ah! your honor, the poor fellow must find it hard to live by giving lessons, playing, and thus picking up what he can; he sometimes also composes, or what do they call it? He lives in the house with Metastasio; not in the first story, like the court poet, but in the fifth; and when it is winter, he has to lie in bed and work, to keep himself from freezing; he has a fireplace in his chamber, but no money to buy wood to burn therein."

"This must not be; this shall not be!" cried the Baron von Swieten, as he rose from his seat. "Am I ready?"

"One moment, your honor—only the string around the hair-bag."

"It is very good as it is. Now begone!"

Puderlein vanished.

"And you, help me on with my coat, give me my stick and hat, and bring me your young teacher this afternoon." Therewith he departed; and young Von Swieten, full of joy, went to the writing-table to indite an invitation to Haydn to come to his father's house.

Meanwhile Joseph Haydn sat sorrowful, and almost despairing, in his chamber. He had passed the morning, contrary to his usual custom, in idle brooding over his condition. Now it appeared quite hopeless, and his cheerfulness seemed about to take leave of him for ever, like his only friend and protectress, Mademoiselle de Martinez. That young lady had left the city a few hours before. Haydn had instructed her in singing, and in playing the harpsichord; and by way of recompense, he enjoyed the privilege of boarding and lodging in the fifth story in the house of Metastasio. All this now ceased with the lady's departure, and Joseph was poorer than before; for all that he had saved he had sent conscientiously to his parents, only keeping so much as sufficed to furnish him with decent though plain clothing.

"But where now?" thought he; and asked himself, sobbing aloud, "Where shall I go, without money?"

Just then, without any previous knocking, the door of his chamber was opened, and, with bold carriage and sparkling eyes, entered Master Wenzel Puderlein.

"Come to me!" cried the hair-dresser, while he stretched his curling-irons like a sceptre toward Joseph, and pressed his powder-bag with an air of feeling to his heart. "To me! I will be your father; I will foster and protect you; for I have feeling for the grand and the sublime, and have discerned your genius. I will lead you to art—I myself; and if, before long, you be not in full chase, and have not captured her, why, you must be a fool, and I will give you up!"

"Ah! worthy Master Puderlein," cried Haydn, surprised, "you would not receive me when I know not where to go nor what to do?"

"Now, sit you down on that stool," said Puderlein, "and do not stir till I give you leave. I will show the world what a man of genius can make of an indifferent head."

"Are you determined, then, to do me the honor of dressing my hair, Master von Puderlein?"

"Ask no questions; but sit still."

Joseph obediently seated himself, and Wenzel began to dress his hair according to the latest mode.

When he had done, he said with much self-congratulation, "Really, Haydn, when I look at you and think what you were before I set your head right, and what you are now, I may, without presumption, call you a being of my own creation. Now pay attention: you are to dress yourself as quickly as possible, and collect your movables together, that I may send to fetch them this evening. Then betake yourself to the Leopoldstadt, to my house on the Danube, No. 7; go up the steps, knock at the door, present my compliments to the young lady my daughter, and tell her you are so and so, and that Master von Puderlein sent you; and if you are hungry and thirsty, call for something to eat and a glass of Ofener or Klosteruenburger; after which you may remain quiet till I come home, and tell you further what I design for you. Adieu!"

Therewith Master Wenzel Puderlein rolled himself out of the door, and Joseph stood awhile with his hair admirably well dressed, but a little disconcerted, in the middle of his chamber. When he had collected his thoughts at length, he gave thanks with tears to God, who had inclined the heart of his generous protector toward him, and put an end to his bitter necessity; then he gathered, as Puderlein had told him, his few clothes and many musical notes together, dressed himself carefully in his best, shut up his chamber, and after he had taken leave, not without emotion, of the rich Metastasio, walked away cheerfully and confidently, his heart full of joy and his head full of new melodies, toward the Leopoldstadt and the house of his patron.

III.

When young Von Swieten came half an hour later to ask for the young composer, Signor Metastasio could not inform him where "Giuseppe" had gone. How many hours of despondency did this forgetfulness on the part of the renowned poet prepare for the poor, unknown, yet incomparably greater artist, Haydn!

When Joseph, after a long walk, stood at length before Puderlein's house, he experienced some novel sensations, which may have been consequent on the thought that he was to introduce himself to a young lady and converse with her; an idea which, from his constitutional bashfulness and his ignorance of the world, was rather formidable to him. But the step must be taken, nevertheless. He summoned all his courage and knocked at the door. It was opened, and a handsome damsel of eighteen or nineteen presented herself before the trembling young man.

In great embarrassment he faltered forth his compliments and his message from Master Wenzel. The pretty Nanny listened to him with an expression of pleasure, and of sympathy for the forlorn condition of her visitor. When he had ended, she took him by the hand, to his no small terror, without the least embarrassment, and led him into the parlor, saying in insinuating tones, "Come in, Master Haydn; it is all right. I am sure my papa means well with you; for he concerns himself for every dunce he meets, and would take a poor wretch in for having only good hair on his head! But you must give in to his humors a little; for he is sometimes a trifle peculiar. Now tell me, what will you have? Do not be bashful; it is a good while since noon, and you must be hungry from your long walk."

Joseph could not deny that such was the case, and modestly asked for a piece of bread and a glass of water. Nanny, laughing, tripped out of the room. Ere long she returned, followed by an apprentice whom she had loaded with cold meats, a flask of wine, tumblers, etc. She arranged the table, filled Joseph's glass, and invited him to help himself to the cold pastry and whatever else awaited his choice. The youth fell to, timidly at first, then with more courage, till, after he had, at Nanny's persuasion, emptied a couple of glasses, he took heart to attack the cold meats more vigorously than he had done for a long time before; making the observation mentally that if Mademoiselle Nanny Puderlein was not quite as distingué and accomplished as his departed patroness, the honored Mademoiselle de Martinez, still, as far as youth, beauty, and polite manners were concerned, she would not suffer by a comparison with the most distinguished dames in Vienna. When Master Wenzel Puderlein came home an hour or two later, he found Joseph in high spirits, with sparkling eyes and cheeks like the rose, already more than half in love with the pretty Nanny.

Joseph Haydn lived thus many months in the house of Wenzel Puderlein, burgher and renowned friseur in the Leopoldstadt of Vienna, and not a man in the imperial city knew where the poor but gifted and well-educated artist and composer was gone. In vain he was sought by his few friends; in vain by young Von Swieten; in vain, at last, by Metastasio himself. Joseph had disappeared from Vienna without leaving a trace. Wenzel Puderlein kept his abode carefully concealed, and wondered and lamented, like the rest, over his loss, when his aristocratic customers, believing he knew every thing, asked him if he could give them any information as to what had become of Joseph. He thought he had good reason and undoubted right to exercise now the hitherto unpractised virtue of silence; because, as he said to himself, he only aimed at making Joseph the happiest man in the world!

Joseph cheerfully resigned himself to the purposes of his friend, and was only too happy to be able undisturbed to study Sebastian Bach's works, to try his skill in composing quartettos, to eat as much as he wanted, and, day after day, to see and chat with the fair Nanny. It never occurred to him to notice that he lived, in a manner, as a prisoner in Puderlein's house; that all day he was banished to the garden behind the dwelling or to his own snug chamber, and only permitted to go out in the evening with Wenzel and his daughter. It never occurred to him to wish for other acquaintances than their nearest neighbors, among whom he was known simply as "Master Joseph;" and he cheerfully delivered every Saturday to Master Wenzel the stipulated number of minuets, waltzes, etc., which he was ordered to compose. Puderlein carried the pieces regularly to a music-dealer in the Leopoldstadt, who paid him two convention-guilders for every full-toned minuet, and for other pieces in proportion. This money the hair-dresser conscientiously locked up in a chest, to use it, when the time should come, for Joseph's advantage. With this view, he inquired earnestly about Joseph's greater works, and whether he would not soon be prepared to produce something which would do him credit in the eyes of the more distinguished part of the public.

"Ah! yes, indeed," replied the young man. "This quartetto, when I shall have finished it, might be ventured before the public; for I hope to make something good of it. Yet what can I do? No publisher would take it, because I have no distinguished patron to whom I could dedicate it!"

"That will all come in time," said Puderlein, smiling. "Do you get the thing ready, yet without neglecting the dances."

Joseph went to work; yet every day he appeared more deeply in love with the pretty Nanny; and the damsel herself looked with very evident favor on the dark though handsome youth. Wenzel saw the progress of things with satisfaction; the lovers behaved with great propriety, and he suffered matters to go on in their own way, only interfering, with a little assumed surliness, if Joseph at any time forgot his tasks in idle talk, or Nanny her housekeeping.

But not with such eyes saw Mosjo Ignatz, Puderlein's journeyman and factotum hitherto; for he thought himself possessed of a prior claim to the love of Nanny. It was gall and wormwood to Ignatz to see Joseph and the fair girl together. He would often fain have interposed his powder-bag and curling-irons between them when he heard them singing tender duets; for Nanny had really a charming voice, was very fond of music, and was Joseph's zealous pupil in singing.

At length Ignatz could no longer endure the torments of jealousy. One morning he sought out the master of the house, to discover to him the secret of the lovers. How great was his astonishment when Master Wenzel, instead of falling into a violent passion and turning Joseph out of doors without further ado, replied, with a smile, that he was well pleased to have it so. In vain Ignatz urged his own prior claims to Nanny's favor, and the encouragement he had received from father and daughter. His pretensions were treated with the utmost scorn.

The journeyman declared he would instantly quit the hair-dresser's treacherous roof, and him and his periwig stock. He hastened to pack up his goods, demanded and received his wages, and left the house vowing vengeance against its inmates. Puderlein was incensed; Nanny laughed; Joseph sat in the garden, troubling himself about nothing but his quartetto, at which he was working.

Wenzel Puderlein saw the hour approaching when the attention of the imperial city, and of the world, would be directed to him as the protector and benefactor of a great musical genius. The dances Joseph had composed for the music-dealer in the Leopoldstadt were played again and again in the halls of the nobility. All praised the lightness, the sprightliness and grace that distinguished them; but all inquiries were vain, at the music-dealer's, respecting the name of the composer. None knew him, and Joseph himself had no idea what a sensation the pieces he had thrown off so easily created in the world. Master Wenzel, however, was well aware of it, and waited with impatience the completion of the first quartetto. At length the manuscript was ready. Puderlein received it, took it to the music publisher, and had it sent to press immediately, which the sums he had from time to time laid by for Joseph enabled him to do. Haydn, who was confident his protector would do every thing for his advantage, committed all to his hands; he commenced a new quartetto, and the old one was soon nearly forgotten.

They were not forgotten, however, by Mosjo Ignatz Schuppenpelz, who was continually on the watch to play Master Puderlein some ill trick. The opportunity soon offered; his new principal sent him one morning to dress the hair of the Baron von Fürnberg. Young Von Swieten chanced to be at the baron's house, and in the course of conversation mentioned the balls frequently given by Prince Esterhazy, and the delightful new dances by the unknown composer. In the warmth of his description the youth stepped up to the piano and began a piece which caused Ignatz to prick up his ears, for he recognized it too well; it was Nanny's favorite waltz, which Joseph had executed expressly for her.

"I would give fifty ducats," cried the baron, when Von Swieten had ended, "to know the name of the composer."

"Fifty ducats!" repeated Ignatz. "Your honor, I can tell your honor the name of the composer."

"If you can, and with certainty, the fifty ducats are yours," answered Fürnberg and Von Swieten.

"I can, your honor. It is Pepi Haydn."

"How? Joseph Haydn? How do you know? Speak!" cried both gentlemen to the friseur, who proceeded to inform them of Haydn's abode and seclusion in the house of Wenzel Puderlein; nor did the ex-journeyman lose the opportunity of be-powdering his ancient master plentifully with abuse as an old miser, a surly fool, and an arch tyrant.

"Horrible!" cried his auditors, when Ignatz had concluded his story. "Horrible! This old friseur makes the poor young man, hidden from all the world, labor to gratify his avarice, and keeps him prisoner! We must set him at liberty."

Ignatz assured the gentlemen they would perform a good deed by doing so; and informed them when it was likely Puderlein would be from home, so that they could find an opportunity of speaking alone with young Haydn. Young Von Swieten resolved to go that very morning, during the absence of Puderlein, to seek his favorite; and took Ignatz along with him. The hair-dresser was not a little elated to be seated opposite the baron, in a handsome coach, which drove rapidly toward Leopoldstadt. When they stopped before Puderlein's house, Ignatz remained in the coach, while the baron alighted, entered the house, and ran up stairs to the chamber before pointed out to him, where Joseph Haydn sat deep in the composition of a new quartetto.

Great was the youth's astonishment when he perceived his distinguished visitor. He did not utter a word, but kept bowing to the ground. Von Swieten, however, hesitated not to accost him with all the ardor of youth, and described the affliction of his friends (who they were Joseph knew not) at his mysterious disappearance. Then he spoke of the applause his compositions had received, and of the public curiosity to know who the admirable composer was and where he lived. "Your fortune is now made," concluded he. "The Baron von Fürnberg, a connoisseur, my father, I myself—we will all receive you; we will present you to Prince Esterhazy; so make ready to quit this house, and to escape, the sooner the better, from the illegal and unworthy tyranny of an avaricious periwig-maker."

Joseph knew not what to reply; for with every word of Von Swieten his astonishment increased. At length he faltered, blushing, "Your honor is much mistaken, if you think I am tyrannized over in this house; on the contrary, Master Puderlein treats me as his own son, and his daughter loves me as a brother. He took me in when I was helpless and destitute, without the means of earning my bread."

"Be that as it may," interrupted young Von Swieten impatiently, "this house is no longer your home; you must go into the great world under very different auspices, worthy of your talents. To-morrow the baron and I come to fetch you away." Therewith he embraced young Haydn with cordiality, quitted the house, and drove back to the city, while Joseph stood and rubbed his forehead, and hardly knew whether all was a dream or reality.

But the pretty Nanny, who, listening in the kitchen, had heard all, ran in grief and affright to meet her father when he came home, and told him every thing.

Puderlein was dismayed; but he soon collected himself, and commanded his daughter to follow him, and to put her handkerchief to her eyes.

Thus prepared, he went up to Haydn's chamber. Joseph, as soon as he heard him coming, opened the door and went to meet him, to inform him of the strange visit he had received.

But Puderlein pushed him back into the chamber, entered himself, followed by the weeping Nanny, and cried in a pathetic tone, "I know all; you have betrayed me, and are now going to leave me like a vagabond."

"Surely not, Master Puderlein. But listen to me."

"I will not listen! Your treachery is clear; your falsehood to me and to my daughter! O ingratitude! see here thine image. I loved this boy as my own son. I received him, when he was destitute, under my hospitable roof; clothed and fed him. I have dressed his hair with my own hands, and labored for his renown; and for my thanks, he has betrayed me and my innocent daughter!"

"Master Puderlein, listen to me. I will not be ungrateful; on the contrary, I will thank you all the days of my life for what you have done for me."

"And marry that girl?"

"Marry her?" repeated Joseph, astonished. "Marry her? I—your daughter?"

"Who else? Have you not told her she was handsome? that you liked her?"

"I have indeed; but—"

"No buts; you must marry her, or you are a shameless traitor! Think you a virtuous damsel of Vienna lets every callow bird tell her she is handsome and agreeable? My innocent Nanny thought you wished to marry her, and made up her mind honestly to have you. She loves you; and now will you desert her and leave her to grief and shame?"

Joseph stood in dejected silence. Puderlein continued, "And I—have I deserved such black ingratitude from you, eh? have I?" With these words, Master Wenzel drew forth a roll of paper, unfolded and held it up before the disconcerted Joseph, who uttered an exclamation of surprise as he read these words engraved on it, "Quartetto for two violins, bass viol, and violoncello. Composed by Master Joseph Haydn, performer and composer in Vienna. Vienna, 1751."

"Yes!" cried Puderlein, triumphantly, when he saw Haydn's joyful surprise—"yes, cry out and make your eyes as large as bullets. I did that; with the money I received in payment for your dances I paid for paper and press-work, that you might present the public with a great work. Still more: I have labored to such purpose among my customers of rank that you have the appointment of organist to the Carmelites. Here is your appointment. Now go, ingrate, and bring my daughter and me with sorrow to the grave."

Joseph went not; with tears in his eyes he threw himself into Puderlein's arms, who struggled and resisted vigorously, as if he would have repelled him. But Joseph held him fast, saying, "Master Puderlein! listen to me! There is no treachery in me! Let me call you father; give me Nanny for my wife."

Master Wenzel was at last quiet. He sank exhausted into an arm-chair, and cried to the young couple, "Come hither, my children; kneel before me, that I may give you my blessing. This evening shall be the betrothal, and a month hence we will have the wedding."

Joseph and Nanny knelt down and received the paternal benediction. All was festivity in No. 7, on the Danube, that evening, when the organist, Joseph Haydn, was solemnly betrothed to the fair Nanny, the daughter of Wenzel Puderlein, burgher and proprietor in the Leopoldstadt in Vienna.

The Baron Von Fürnberg and young Von Swieten were not a little astonished, when they came the next morning to take Haydn from Puderlein's house, to find him affianced to the pretty Nanny. They remonstrated with him earnestly in private; but Joseph remained immovable, and kept his word, pledged to Puderlein and his bride, like an honorable young man.

At a later period he had reason to acknowledge that the step he had taken was somewhat precipitate; but he never repented it, and consoled himself, when his earthly muse caused a little discord among his tones, with the companionship of that immortal partner, ever lovely, ever young, who attends the skilful artist through life, and who proved herself so true to him that the name of Joseph Haydn shall, after the lapse of centuries, be pronounced with joyful and sacred emotion by our latest posterity.

FROM THE REVUE DU MONDE CATHOLIQUE.