Note 404 — Chapter II
Reading edition
In later art, indeed, the figure sometimes occurs on baptismal fonts, in mosaics, and in architecture, but probably as a mere ornament, without any religious meaning. In Byzantine art it is unknown except as a natural representation, for example, of fish swimming in the water, or, in frescoes of the last judgment, as restoring human limbs which they had devoured, illustrative of the passage, “And the sea gave up the dead which were in it.”—Rev. xx, 13.