THORNTON NIVEN WILDER

NEW YORK

ALBERT & CHARLES BONI

1926

To my friends at the American Academy in Rome, 1920-1921

The Cabala

Book One: First Encounters Book Two: Marcantonio Book Three: Alix Book Four: Astrée-Luce and the Cardinal Book Five: The Dusk of the Gods

BOOK ONE: FIRST ENCOUNTERS

The train that first carried me into Rome was late, overcrowded and cold. There had been several unexplained waits in an open field, and midnight found us still moving slowly across the Campagna toward the faintly-colored clouds that hung above Rome. At intervals we stopped at platforms where flaring lamps lit up for a moment some splendid weather-moulded head. Darkness surrounded these platforms, save for glimpses of a road and the dim outlines of a mountain ridge. It was Virgil's country and there was a wind that seemed to rise from the fields and descend upon us in a long Virgilian sigh, for the land that has inspired sentiment in the poet ultimately receives its sentiment from him.

The train was overcrowded, because some tourists had discovered on the previous day that the beggars of Naples smelt of carbolic acid. They concluded at once that the authorities had struck a case or two of Indian cholera and were disinfecting the underworld by a system of enforced baths. The air of Naples generates legend. In the sudden exodus tickets for Rome became all but unprocurable, and First Class tourists rode Third, and interesting people rode First.

In the carriage it was cold. We sat in our overcoats meditating, our eyes glazed by resignation or the glare. In one compartment a party drawn from that race that travels most and derives least pleasure from it, talked tirelessly of bad hotels, the ladies sitting with their skirts whipped about their ankles to discourage the ascent of fleas. Opposite them sprawled three American Italians returning to their homes in some Apennine village after twenty years of trade in fruit and jewelry on upper Broadway. They had invested their savings in the diamonds on their fingers, and their eyes were not less bright with anticipation of a family reunion. One foresaw their parents staring at them, unable to understand the change whereby their sons had lost the charm the Italian soil bestows upon the humblest of its children, noting only that they have come back with bulbous features, employing barbarous idioms and bereft forever of the witty psychological intuition of their race. Ahead of them lay some sleepless bewildered nights above their mothers' soil floors and muttering poultry.

In another compartment an adventuress in silver sables leaned one cheek against the shuddering windowpane. Opposite her a glittering-eyed matron stared with challenging persistency, ready to intercept any glance the girl might cast upon her dozing husband. In the corridor two young army officers lolled and preened and angled for her glance, like those insects in certain beautiful pages of Fabre, who go through the ritual of flirtation under futile conditions, before a stone, merely because some associative motors have been touched.

There was a Jesuit with his pupils, filling the time with Latin conversation; a Japanese diplomat reverently brooding over a postage-stamp collection; a Russian sculptor sombrely reading the bony structure of our heads; some Oxford students carefully dressed for tramping, but riding over the richest tramping country in Italy; the usual old woman with a hen and the usual young American, staring. Such a company as Rome receives ten times a day, and remains Rome.

My companion sat reading a trodden copy of the London Times, real estate offers, military promotions and all. James Blair after six years of classical studies at Harvard had been sent to Sicily as archaeological adviser to a motion picture company bent on transferring the body of Greek mythology to the screen. The company had failed and been dispersed, and Blair thereafter had roamed the Mediterranean, finding stray employment and filling immense notebooks with his observations and theories. His mind brimmed with speculation: as to the chemical composition of Raphael's pigments; as to the lighting conditions under which the sculptors of antiquity wished their work to be viewed; as to the date of the most inaccessible mosaics in Santa Maria Maggiore. Of all these suggestions and many more he allowed me to make notes, even to the extent of copying some diagrams in colored inks. In the event of his being lost at sea with all his notebooks—a not improbable one, as he crosses the Atlantic on obscure and economical craft, not mentioned in your paper, even when they founder—it would be my confusing duty to make a gift of this material to the Librarian of Harvard University where its unintelligibility might confer upon it an incomputable value.

Presently discarding his paper, Blair decided to talk: You may have come to Rome to study, but before you settle down to the ancients you see whether there aren't some interesting moderns.

There's no PhD. in modern Romans. Our posterity does that. What moderns do you mean?

Have you ever heard of the Cabala?

Which one?

A kind of a group living around Rome.

No.

They're very rich and influential. Everyone's afraid of them. Everybody suspects them of plots to overturn things.

Political?

No, not exactly. Sometimes.

Social swells?

Yes, of course. But more than that, too. Fierce intellectual snobs, they are. Mme. Agoropoulos is no end afraid of them. She says that every now and then they descend from Tivoli and intrigue some bill through the Senate, or some appointment in the Church, or drive some poor lady out of Rome.

Tchk!

It's because they're bored. Mme. Agoropoulos says they're frightfully bored. They've had everything so long. The chief thing about them is that they hate what's recent. They spend their time insulting new titles and new fortunes and new ideas. In lots of ways they're mediæval. Just in their appearance for one thing. And in their ideas. I fancy it's like this: you've heard of scientists off Australia coming upon regions where the animals and plants ceased to evolve ages ago? They find a pocket of archaic time in the middle of a world that has progressed beyond it. Well, it must be something like that with the Cabala. Here's a group of people losing sleep over a host of notions that the rest of the world has outgrown several centuries ago: one duchess' right to enter a door before another; the word order in a dogma of the Church; the divine right of kings, especially of Bourbons. They're still passionately in earnest about stuff that the rest of us regard as pretty antiquarian lore. What's more, these people that hug these notions aren't just hermits and ignored eccentrics, but members of a circle so powerful and exclusive that all these Romans refer to them with bated breath as The Cabala. They work with incredible subtlety, let me tell you, and have incredible resources in wealth and loyalty. I'm quoting Mme. Agoropoulos, who has a sort of hysterical fear of them, and thinks they're supernatural.

But she must know some of them personally.

Of course she does. So do I.

One isn't afraid of people one knows. Who's in it?

I'm taking you to meet one of them tomorrow, this Miss Grier. She's leader of the whole international set. I catalogued her library for her,—oh, I couldn't have got to know her any other way. I lived in her apartment in the Palazzo Barberini and used to get whiffs of the Cabala. Besides her there's a Cardinal. And the Princess d'Espoli who's mad. And Madame Bernstein of the German banking family. Each one of them has some prodigious gift, and together they're miles above the next social stratum below them. They're so wonderful that they're lonely. I quote. They sit off there in Tivoli getting what comfort they can from one another's excellence.

Do they call themselves the Cabala. Are they organized?

Not as I see it. Probably it never occurred to them that they even constituted a group. I say, you study them up. You ferret it out, the whole secret. It's not my line.

In the pause that followed, fragments of conversation from the various corners of the compartment flowed in upon our minds so recently occupied with semi-divine personages. I haven't the slightest desire to quarrel, Hilda, muttered one of the English-women. Naturally you made the arrangements for the trip as best you could. All I say is that that girl did not clean off the washstand every morning. There were rings and rings.

And from an American Italian: I says it's none of your goddam business, I says. Take your goddam shirt the hell outta here. He run, I tell you; he run so fast you don't see no dust for him he run so.

The Jesuit and his pupils had become politely interested in the postage stamps and the Japanese attaché was murmuring: Oh, most exclusively rare! The four-cent is pale violet and when held up to the light reveals a water-mark, a sea-horse. There are only seven in the world and three are in the collection of the Baron Rothschild.

Symphonically considered, one heard that there had been no sugar in it, that she had told Marietta three mornings running to put sugar in it, or bring sugar, although the Republic of Guatemala had immediately cut than, a few had leaked out to collectors, and that more musk-melons than one would have thought possible were sold annually at the corner of Broadway and 126th Street. Perhaps it was in revulsion against such small change that the impulse first rose in me to pursue these Olympians, who though they might be bored and mistaken, had at least, each of them, "one prodigious gift."

It was in this company then, and in the dejected airs of one in the morning that I first arrived in Rome, in that station that is uglier than most, more hung with advertisements of medicinal waters and more redolent of ammonia. During the journey I had been planning what I should do the moment I arrived: fill myself with coffee and wine, and in the proud middle of the night, run down the Via Cavour. Under the hints of dawn I should behold the tribune of Santa Maria Maggiore, hovering above me like the ark on Ararat, and the ghost of Palestrina in a soiled cassock letting himself out at a side door and rushing home to a large family in five voices; hurry on to the platform before the Lateran where Dante mixes with the Jubilee crowd; overhang the Forum and skirt the locked Palatine; follow the river to the inn where Montaigne groans over his ailments; and fall a-staring at the Pope's cliff-like dwelling, where work Rome's greatest artists, the one who is never unhappy and the one who is never anything else. I would know my way about, for my mind is built upon the map of the city that throughout the eight years of school and college had hung above my desk, a city so longed for that it seemed as though in the depth of my heart I had never truly believed I should see it.

When I arrived finally, the station was deserted; there was no coffee, no wine, no moon, no ghosts. Just a drive through shadowy streets to the sound of fountains, and the very special echo of travertine pavements.

During the first week Blair helped me find and fit out an apartment. It consisted of five rooms in an old palace across the river and within stone's-throw of the basilica of Santa Maria in Trastevere. The rooms were high and damp and bad Eighteenth Century. The ceiling of the salone was modestly coffered and there were bits of crumbling stucco in the hall, still tinted with faint blues and pinks and gilt; every morning's sweeping carried off a bit more of some cupid's curls or chips of scroll and garland. In the kitchen there was a fresco of Jacob wrestling with the angel, but the stove concealed it. We passed two days in choosing chairs and tables, in loading them upon carts and personally conducting them to our mean street; in haggling over great lengths of gray-blue brocade before a dozen shops, always with a view toward variety in stains and unravellings and creases; in selecting from among the brisk imitations of ancient candelabra those which most successfully simulated age and pure line.

The acquisition of Ottima was Blair's triumph. There was a trattoria at the corner, a lazy casual talkative wine-shop, run by three sisters. Blair studied them for a time, and finally proposed to the intelligent middle-aged humorous one that she come and be my cook "for a few weeks." Italians have a horror of making long-term contracts and it was this last clause that won Ottima. We offered to take on any man she recommended to help her with the heavier work, but she clouded at that and replied that she could very well do the heavier work too. The removal to my rooms must have arrived as a providential solution to some problem in Ottima's life, for she attached herself passionately to her work, to me, and to her companions in the kitchen, Kurt the police dog and Messalina the cat. We each winked at the others' failings and we created a home.

The day following our arrival, then, we called upon the latest dictator of Rome and found a rather boyish spinster with an interesting and ailing face, fretful bird-like motions and exhibiting a perpetual alternation of kindness and irritability. It was nearly six when we walked into her drawing-room in the Palazzo Barberini and found four ladies and a gentleman seated a little stiffly about a table conversing in French. Madame Agoropoulos gave a cry of joy at seeing Blair, the absent-minded scholar to whom she was so attached; Miss Grier echoed it. A thin Mrs. Roy waited until something had been dropped into the conversation about our family connections before she could relax and smile. The Spanish Ambassador and his wife wondered how on earth America could get on without a system of titles whereby one might unerrably recognize one's own people, and the Marquesa shuddered slightly at the intrusion of two coarse young redskins and began composing mentally the faulty French sentence with which she would presently excuse herself. For a time the conversation blew fitfully about, touched with the formal charm of all conversation conducted in a language that is native to no one in the group.

Suddenly my attention was caught by a tension in the room. I sensed the tentatives of an intrigue without being able to gather the remotest notion of the objectives. Miss Grier was pretending to babble, but was in reality quite earnest, and Mrs. Roy was taking notes, mentally. The episode resolved itself into a typical, though not very complicated, example of the Roman social bargain, with its characteristic set of ramifications into religious, political and domestic life. In the light of information received much later, I call your attention to what Mrs. Roy wanted Miss Grier to do for her; and what Miss Grier asked in return for her services:

Mrs. Roy had narrow eyes and a mouth that had just tasted quinine; while she spoke her ear-pendants rattled against her lean clavicles. She was a Roman Catholic, and in her political activity a Black of the Blacks. During her residence in Rome she had occupied herself with the task of bringing the needs of certain American charitable organizations to the attention of the Supreme Pontiff. Slander attributed a diversity of motives to her good works, the least damaging of which was the hope of being named a Countess of the Papal States. The fact is that Mrs. Roy was pressing audiences in the Vatican with the hope of inducing His Holiness to commit a miracle, namely to grant her a divorce under the Pauline Privilege. This consummation, not without precedent, depended upon a number of conditions. Before taking any such step the Vatican would ascertain very carefully how great the surprise would be in Roman Catholic circles; American cardinals would be asked in confidence for a report on the matron's character, and the faithful in Rome and Baltimore, without their being aware of it, would be consulted. This done it would be well to gauge the degree of cynicism or approval the measure would arouse in Protestants. Mrs. Roy's reputation happened to be above reproach, and her right to a divorce indisputable (her husband had offended under every category: he had been unfaithful; he had lapsed from a still greater faith; and he had become an animae periculum, that is, he had tried to draw her into an irreverent argument over the liquefaction of the blood of St. Januarius); but the Protestant imprimatur was needed. Whose opinion would be more valuable for this purpose than that of the austere directress of the American Colony? Miss Grier would be approached—and both women knew it—through channels exquisite in their delicacy and resonance; and if an uncertain note were sounded from the Palazzo Barberini, the familiar verdict Inexpedient would be returned to the petitioner, and the question never reopened.

Mrs. Roy having so much to ask from Miss Grier, wanted to know if there were any service she could render in return.

There was.

No Italian work of art of the classic periods may leave the country without an enormous export tax. How then did Mantegna's "Madonna between St. George and St. Helen" ever arrive at the Alumnae Hall of Vassar College without passing through the customs? It was last seen three years before in the collection of the poor Principessa Gaeta; it was so ascribed in the reports of the Minister of Fine Arts for the following years, in spite of the rumor that it was being offered to the museums of Brooklyn, Cleveland and Detroit. It changed hands six times, but the dealers, savants and curators were so taken up with the problem as to whether or not St. Helen's left foot had been retouched by Bellini (as Vasari affirms) that it had never occurred to them to ask if it had been registered at the border. It was finally bought by a mad old Boston dowager in a lavender wig who, dying, bequeathed it (along with three spurious Botticellis) to that college with which her vicious spelling alone would have prevented her association in any capacity save that of trustee.

The Minister of Fine Arts at Rome had just heard of the donation and was in despair. When the thing became known his position and reputation would be gone. All his vast labors for his country (exempli gratia: he had obstructed the disinterment of Herculaneum for twenty years; he had ruined the facades of twenty gorgeous Baroque churches in the hope of finding a thirteenth century window; etc., etc.) would avail him nothing in the storms of Roman journalism. All loyal Italians suffer at the sight of their art treasures being carried off to America; they are only waiting for some pretext to rend an official and appease their injured honor. The Embassy was already in agonies of conciliation. Vassar could not be expected to give up the picture, nor to pay a smuggler's duty. Tomorrow morning the Roman editorials would picture a barbarous America stealing from Italy her very children and references would be made to Cato, Aeneas, Michelangelo, Cavour and St. Francis. The Senatus Romanus would sit on every bit of delicate business that America was endeavoring to recommend to Italian favor.

Now Miss Grier, too, was a trustee of Vassar. She had a flattering position in the long processions that formed in June among the sun-dials and educative shrubs. She was ready to pay the fine, but not until she had placated the city fathers. This could be done by obtaining the favorable votes of the committee that was to sit that very evening. This committee was composed of seven members, four of whose votes she already commanded; the other three were Blacks. For the matter to be dropped in the interest of the Princess Gaeta a unanimous verdict was necessary.

If Mrs. Roy descended at once to her car, she would have time to drive to the American College in the Piazza di Spagna and confer with dear omniscient Father O'Leary. Marvellous are the accoustics of the Church! Before ten that evening the three Black votes would be decently cast for conciliation. It was Miss Grier's task over the tea-table to convey this long exposition to Mrs. Roy and to intimate the ineffable return she, Miss Grier, would be able to make for any favors. This was complicated by the necessity of making sure that neither Mme. Agoropoulos nor the Ambassadress (men don't matter) suspected the least collusion. Fortunately the Ambassadress could not understand rapid French, and Mme. Agoropoulos, being sentimental, could be continually distracted from the main issue by little sops of prettification and pathos.

Miss Grier played these several cards with the economy and precision of a faultless technique. She had that quality which is a peculiar part of the genuine that invests great monarchs, and which we see notably in Elizabeth and Frederick, the power of adjusting threats to just the degree that stimulates, yet does not antagonize. Mrs. Roy understood at once what was expected of her. She had been packing committees and conciliating soured Papal chamberlains and Italian political dévotes these many years; trading in influence was her daily portion. Moreover joy can exert the happiest sort of influence on the intelligence and she felt her divorce was at hand. She rose hastily.

Will you excuse me if I run? she murmured. I told Julia Howard I would call for her at Rosali's. And I have an errand in the Piazza di Spagna.

She bowed to us and fled. What emotion is it that lends wings to such matter-of-fact feet and blitheness to such thin dispositions? The next year she married a young French yachtsman, half her age; she settled down in Florence and gave birth to a son. The Blacks no longer talked votes when she entered their drawing-rooms. Vassar retains the painting and in its archives a letter from the Italian Secretary for Foreign Affairs which reads like a deed of gift. The influence of a work of art upon the casual passerby is too subtle for determination, but one has faith to believe that the hundreds of girls who pass beneath the Mantegna daily draw from it impulses that make them nobler wives and mothers. At least that is what the Ministry promised the College.

When the others had gone, Miss Grier made a face after them, lowered the lights and bade us talk about New York. She seemed to take some pleasure in such exotic company as ourselves, but her mind strayed until suddenly jumping up, she smoothed out the folds of her gown and bade us hurry off, dress, and come back to dinner at eight. We were surprised but equal to it, and dashed off into the rain.

At once I harried Blair for more facts about her. He could give me little; the portrait of her mind and even of her features lies in the following account of her ancestry that I made out for myself by reading between the lines and by studying the photographs of a history of the Griers, written by a second cousin, for considerations.

It seems that her great-grandfather had gone to New York in 1800, suffering from ill-health. He took an old house in the country and intended spending his days like a hermit, studying the prophetic passages of the Bible and encouraging the multiplication of four pigs that he had brought across the water in a basket. But his disposition improving with his affairs, he soon discovered himself to be married to the heiress of Dawes Corners, Miss Agatha Frehestocken, the death of whose parents, ten years later, united two farms of considerable extent. Their children, Benjamin and Anne, were brought up with such education as fell to them on rainy afternoons at the caprice of their father. Our Miss Grier's grandfather, a crafty single-minded country boy, disappeared for many years into a whirlpool of obscure activity in town, becoming in turn potboy, newspaper devil and restaurant manager. At last he revisited his parents and forced them to permit his using their land as security for some railroad investments. We have his picture at this stage: the daguerreotype of the Dutch yokel with the protruding lower lip and grinning pugnacious eyes is reproduced in any history of the great American fortunes. Probably the gentle art of horsewhipping one's parents was revived that Sunday evening at Dawes Corners for Anne intimates that she was directed to take her knitting into the feed-house and sit on sacks until she was recalled. The old father cursed the son roundly from the imprecatory psalms and had his curious revenge: the worm of religious introspection was stirred in the brain of Benjamin Grier and a strain of ill-health in his body. Success came of it; he became a deacon and a millionaire at about the same time; he was presently directing five railroads from a wheel-chair. His parents died in a Washington Square mansion, unforgiving to the end.

Benjamin married the daughter of another magnate, a girl who in another age and faith would have retired to a convent and eased the poverty of her mental and spiritual nature in a perpetual flow of damp unexplainable tears. She bore a sickly son to the world of brownstone, a son in whom the æsthetic impulse stifled during so many generations of Griers and Halletts, attained a piteous flowering, a passion for the operas of Rossini, and for things he fondly took to be Italian, garish rosaries, the costumes of the peasant of Capri, and the painting of Domenichino. He married a firm sharp woman, older than himself, who had deliberately chosen him in the vestry of the Presbyterian Church. They were incredibly wealthy, with that wealth that increases in the dark and, untended, doubles in a year. With the affiliation of this determined Grace Benham one last offspring was made possible to the Grier line,—our Miss Grier. To the score of governesses that trod sobbing on one another's heels, she appeared a monster of guile and virulence. She was dragged without rest from New York to Baden-Baden, from Vevey to Rome, and back again; and she grew up without forming any attachment to place or person. Her parents died when she was twenty-four and finally sheer solitude did what exhortation could not do: her character softened in an attempt at piteously luring people to talk to her, live with her, to fill somehow the moneyed emptiness of her days.

Such an account of her extraction, if she read it, would have neither interested her nor embarrassed her. Her mind lay under the hot breath of a great fretfulness; she lived to ridicule and insult the fools and innocents of her social circle. In this fretfulness floated all the enthusiasms and frustrations of her line: her great-grandfather's gloom, her grandfather's whip and his dread of the Valley of Bones, her grandmother's red eyes and her father's repressed loves for the Normas and Semiramides of the Academy of Music. She was restless too, with the masculine capacities inherited from her grandfather, the capacities of a business magnate, that given her sex and situation could find their only outlet in a passion for making women tremble and a mania for interfering in the affairs of others. She was with all this a woman of intelligence and force; she ruled her eccentric and rebellious parish with acrid pleasure and at her death the drawing-rooms of Rome resounded with a strange wild murmur of muted joy.

Her portrait is not complete without an account of her strangest habit, due partly to the sleepless nights of a lifetime of illness, and partly to the fear of ghosts instilled in her by governesses when she was a girl. She was never able to sleep until the coming on of dawn. She feared to be alone; toward one in the morning she could be found urging her last callers to stay a little longer; c'est l'heure du champagne, she would say, offering them that untimely inducement. When finally they went away she would devote the rest of the night to music, for like the German princes of the Eighteenth Century she maintained her own troup of musicians.

These sessions before dawn were not vaguely and sentimentally musical; they were to the last degree eclectic. In one night she would hear all the sonatas of Skriabin or the marches of Medtner; in one night both volumes of the Well-Tempered Clavichord; all the Handel fugues for organ; six Beethoven trios. Gradually she won away from the more easily appreciated music altogether and cultivated only what was difficult and cerebral. She turned to music that was interesting historically and searched out the forgotten rivals of Bach and the operas of Grétry. She paid a group of singers from the Lateran choir to sing her endless Palestrina. She became prodigiously learned. Harold Bauer would listen meekly to her directions on phrasing Bach—he averred that she had the only truly contrapuntal ear of the age—and the Flonzaleys acceded to her request to take certain pages of Lœffler a little faster.

In time I encountered a number of people who for one reason or another were unable to sleep between midnight and dawn, and when I myself tossed sleepless or when I returned late to my rooms through the deserted streets—at the hour when the parricide feels a cat purring against his feet in the darkness—I pictured to myself old Baldassare, in the Borgo, former Bishop of Shantung, Apostolic Visitor to the Far East, rising at two to study with streaming eyes the Church Fathers and the Councils, marvelling he said, at the continuous blooming of the rose-tree of Doctrine; or of Stasia, a Russian refugee who had lost the habit of sleeping after dark during her experience as nurse in the War, Stasia playing solitaire through the night and brooding over the jocose tortures to which her family had been subjected by the soldiers of Taganrog; and of Elizabeth Grier listening the length of her long shadowed room to some new work that d'lndy had sent her or bending over the score while her little troup revived the overture to Les Indes Galantes.

When we remounted the steps an hour later, then, we found the guests already arrived and awaiting their hostess. Among other privileges Miss Grier had long reserved to herself a prerogative of royalty, that of being the last arrival at one's own parties. In the hall the maître-d'hôtel gave me a note reading: Please take in Mlle de Morfontaine, a high Merovingian maiden who may invite you to her villa at Tivoli. In a few moments Miss Grier had slipped in and was greeting her guests in a hurried zigzag across the room. She was dressed after a costume-plate by Fortuny, conceived in salamander red and black. About her neck hung a rare medal of the Renaissance, much larger than any other woman would have ventured to wear.

As this woman wanted to be in a position to hear every word spoken at her table Rome had long had good reason to complain of the crowded arrangements of her dinners; we were packed together like the hurried diners at Modane. But she had still other conventions to challenge: she discussed the food; she reversed the direction of conversation from the right to the left hand at the least convenient opportunities; she talked to the servants, chattily; she shifted the conversation from French to English or Italian capriciously; she referred to guests who had been invited but had not been able to come. One suddenly became aware that she was not eating the courses that were served to us. She began with a little bowl of breadcrumbs and walnuts; to this she added later—while we confronted a faisan Souvaroff dressed with truffles and foie gras and graced with that ultimate dark richness which it is the privilege of Madeira to confer on game—an American cereal, soaked in hot water and touched with butter. Nor could she restrain herself from teasing her guests in a dangerous way, and with almost inspired precision: a political Duke on his dull speeches; Mrs. Osborne-Cady on the career as a concert-pianist that she had sacrificed to a more than usually disappointing home-life. For a moment at the beginning of the meal her electric eyes paused at my place and she began to murmur ominously, but thinking better of it she ordered the servant to offer me some more œufs cardinal adding with a sort of insolence that they were the only œufs cardinal that one could eat in Europe and that Mémé (the elder Princess Galitzine) was a little fool to vaunt her chef, who had received his training in railway-stations, etc., etc.

The high Merovingian maiden at my left was Mademoiselle Marie-Astrée-Luce de Morfontaine, daughter of Claude-Elzéar de Morfontaine and Christine Mézières-Bergh; her grandfather Comte Louis Mézières-Bergh had married Rachel Krantz, the daughter of the great financier Maxi Krantz and had been the French ambassador to the Vatican in 1870. She was then, excessively rich, for she owned, they said, more shares in the Suez Canal than the Rothschilds: She was tall, large-limbed and bony, without somehow being too thin. Her high white face, framed between two carnelian ear pendants, recalled some symbolical figure in a frieze of Giotto, out of drawing, but radiating gaunt spiritual passions. She had a hoarse voice and a rapt manner, and for the first ten minutes said many foolish things because her mind was afar off; one felt vaguely that it would come around in its own time. This it presently did and with considerable impact. She outlined to me the whole Royalist movement in France. She seemed to believe as passionately in its aim as she despised its practice. There can be no king in France, she cried, until Catholicism has had a great revival there. France cannot be great save through Rome. We are Latins; we are not Goths. They are forcing alien systems upon us. Eventually we shall find ourselves, our kings, our faith, our Latin hearts. I shall see France return to Rome before I die, she added clasping her hands before her chin. I replied faintly that both the French and Italian temperaments seemed to me singularly unrepublican, whereupon she laid her long pale hand upon my sleeve and invited me to come that week-end to her villa.

You will hear the whole argument, she said. And the Cardinal will be there.

I asked which Cardinal? The pain on her face showed me that at least for the circle in which she moved there were not seventy cardinals, but one.

Cardinal Vaini, of course. The College at present is singularly free of uninteresting priests, but surely the only cardinal with learning, with distinction, with charm, is Cardinal Vaini.

I had so often encountered learning, distinction and charm, (to say nothing of piety) in the lower reaches of the Church that I was shocked to learn that these qualities were so rare higher up.

Besides she added, what other is friendly to France, the rebellious daughter? You have not yet met the Cardinal? Such knowledge! And to think that he will not write! If I may say it without disrespect His Eminence is afflicted with a sort of—inertia. The whole world is waiting for an explanation of certain contradictions in the Fathers; he is the only man who can do it; yet he remains silent. We beg him with prayers. It is in his power to effect the re-entry of the Church into literature. Perhaps he might single-handed carry through the cause we all have so at heart.

I asked shyly what cause this might be.

She turned toward me with some surprise. Why, the promulgation of the Divine Right of Kings as a dogma of the Church. We hope to have an Œcumenical Council called for that purpose within the next twenty-five years. I thought that of course you knew; in fact I assumed that you were one of our workers.

I replied that I was both an American and a Protestant, an answer that I felt relieved me of the burden of being a catholic royalist.

Oh, she said, we have many adherents who at first glance would appear to have no interest in the movement: we have Jews and agnostics, artists, and, yes, even anarchists.

I now felt quite sure that I was sitting beside an insane person. They don't lock you up when you have millions, I said to myself. The idea of trying to collect a Council, in the Twentieth Century, to give crowns a supernatural sanction and to enroll the sanction among the articles of obligatory belief, was no mere pious revery; it was lunacy. We were prevented from returning to the subject that evening, but several times I found her spacious half-mad glance resting on me with greater implication of intimacy than I was quite ready to acknowledge.

I will send the car for you at eleven, she murmured as she passed me in leaving the table. You must come. I shall have a great favor to ask of you.

On returning to the drawing-rooms I found myself beside Ada Benoni, daughter of a popular senator. Although she seemed almost too young to go out in the evening, she had that soft cautious sophistication of well brought up Italian girls. I asked her almost at once if she would tell me about the Cabala.

Oh, the Cabala's only some people's joke, she answered. There is no Cabala, really. But I know what you mean. And the young girl's eyes carefully estimated the distance between us and the company on all sides. By Cabala they mean a group of people that are always together and have a lot in common.

Are they all rich? I asked.

No ... she answered thoughtfully. We mustn't speak so loudly. Cardinal Vaini can't be rich, nor the Duchess d'Aquilanera.

But they're all intellectual?

The Princess d'Espoli isn't intellectual.

Then what have they in common?

Oh, they haven't anything in common, except ... except that they despise most people, you and me and my father and so on. They've each got one thing, some great gift and that binds them together.

Do you believe that they work together and plan trouble here and there?

The girl's forehead wrinkled and she reddened slightly. No, I don't think they mean to, she said softly.

But they do? I insisted.

Well, they sit over there in Tivoli and talk about us and somehow, without knowing it, they then do something.

How many of them do you know?

Oh, I know all of them a little, she replied quickly. Everybody knows all of them. Except, of course, the Cardinal. I love them all, too. They're only bad when they're together, she explained.

Mlle. de Morfontaine has asked me to spend the week-end at her villa in Tivoli. Will I see them there?

Oh, yes. We call that the hotbed.

Is it all right? Have you any advice to give me before I go?

No.

Yes, you have.

Well, she admitted, drawing her eyebrows together, I advise you to be ... to be stupid. It's hard. You must expect them to be very cordial at first. They have a way of getting very excited about people and then getting tired of them and dropping them. Except every now and then they find someone they like and they adopt him or her for good, and there's a new member of the Cabala. Rome's full of people who went through the rapids and didn't stick. Miss Grier's especially that way. She's just met you lately hasn't she?

Why, yes,—just this afternoon.

Well, she'll have you around every minute of the day for a while. She's coming over in a minute to ask you to stay to her midnight supper. She has famous midnight suppers.

But I can't. I was here to tea and immediately asked to dinner. It would be ridiculous to stay to midnight....

It's not ridiculous in Rome. You're just getting into the rapids, that's all. Everybody cultivates their friendships in rushes. It's very exciting. Don't try and fight against it. If you do that you lose the best of everything. Do you want to know how I know about your being in the rapids? Well, I'll tell you. My fiancé was to have come to the dinner tonight, and an hour before, a note was brought to his house asking him to come next Friday instead and go to the Opera also. She does that often and it only means that she has found some new friend she insists on keeping by her that evening. Of course the second invitation, the consoling one, is always bigger and more showy than the first, but we get angry.

I should say so. I'm sorry I was the one to prevent ...

Oh, that's all right, she answered. Vittorio's out waiting for me in the car now.

So it was that when Blair and I presented ourselves before Miss Grier to take our leave, she drew me aside with an irresistible vehemence and standing against my ear said: You are to come back here tonight. There will be some people in to a late supper whom I want you to meet. You can, can't you?

I made some show of protest, and the effect was appalling. But, my dear young man, she cried. I'll have to ask you to trust me. There is something of the first importance that I want to put to you. The fact is I have already telephoned a very dear friend of mine.... Please now, just as a favor to me, put off what you had planned. There's a very great service we want to ask you.

Of course with that I fairly folded up, as much with surprise as compliance. Apparently the whole Cabala wanted me to do favors.

Thank you, thank you so much. About twelve.

It was then about ten. Two hours to kill. We were about to go to the Circus, when Blair exclaimed:

Say, do you mind if I drop in and see a friend of mine for a minute. If I'm going Tuesday I ought to say goodbye and see how he is. Do you hate sick people?

No.

He's a nice fellow, but he hasn't long to live. He's published some verse in England; one of the thousand, you know. It got an awful rap. Maybe he's quite a poet, but he can't get over that diction. He's awfully adjectival.

We climbed down the Spanish Steps and turned in at the left. On the stairs Blair stopped and whispered: I forgot to tell you that he's watched over by a friend, a sort of water-colourist. They're dead-poor and it's all they can do to get a doctor. I meant to lend them some more money—what have you with you?

We assembled a hundred lire and knocked at the door. Receiving no answer we pushed it open. There was a lamp burning in the further of two mean rooms. It stood beside a bed and cast its light on the remorseless details of a barricade built during the last stages of consumption against a light vaulter; bowls and bottles and stained cloths. The sleeping invalid was sitting high in bed, his head turned away from us.

The artist must have gone out for a minute to look for some money, said Blair. Let's stay around a bit.

We went into the other room and sat in the dark looking at the moonlight that filled the Fountain of the Boat. There were fireworks on the Pincian Hill in memory of some battle on the Piave and the tender green of the sky seemed to tremble behind the Chinese blooms that climbed the night. A friendly tram entered the square at intervals, stopped inquiringly, and bustled out again. I tried to remember whether Virgil had died in Rome ... no, buried near Naples. Tasso? Some piercing-sweet pages of Goethe, the particular triumph of Moissi who brings to them his wide-open eyes and elegiac voice. Presently we heard a call from the next room: Francis. Francis.

Blair went in: I guess he's gone out a minute. Can I do something for you? I'm going in a day or two and I called around to see how much better you are. Would it tire you if we sat with you a bit? ... Come on in, say!

For the moment Blair had forgotten the poet's name and our introduction was slurred over. The sick man looked his extremity, but his fever gave to his eyes an eager and excited air; he seemed willing to listen or to talk for hours. My eye fell upon a rough pencilled note that lay on the table beyond the invalid's reach: Dear Dr. Clarke: he spat up about two cupfuls of blood at 2 P.M. He complained so of hunger that I had to give him more than you said. Be back at once. F. S.

Have you been able to write anything lately? Blair began.

No.

Do you read much?

Francis reads to me. He pointed to a Jeremy Taylor on his feet. You're Americans, aren't you? I have a brother in America. In New Jersey. I was to have gone over there.

The conversation lapsed, but he kept staring at us, smiling and bright-eyed, as though it were swift and rare.

By the way, are there any books you'd like us to lend you?

Thank you. That would be fine.

What, for instance?

Anything.

Think of one you'd like especially.

Oh, anything. I'm not particular. Only I suppose it would be hard to find any translations from the Greek?

Here I offered to bring in a Homer in the original and stammer out an improvised translation.

Oh, I should like that most of all, he cried. I know Chapman's well.

I replied, unthinking, that Chapman's was scarcely Homer at all, and suddenly beheld a look of pain, as of a mortal wound, appear upon his face. To regain control of himself he bit his finger and tried to smile. I hastened to add that in its way it was very beautiful, but I could not recall my cruelty; his heart seemed to have commenced bleeding within him.

Blair asked him if he had almost enough poems for a new book.

I don't think about books any more, he said. I just write to please myself.

But the insult to Chapman had been working in him; he now turned his face away and great tears fell upon his hands. Excuse me. Excuse me, he said. I'm not well, and I seem to ... to do this about nothing.

There was a search for a handkerchief, but none being found he was persuaded to use mine.

I don't want to go away without seeing Francis, said Blair. Do you know where I might find him?

Yes, yes. He's around the corner at the Café Greco. I begged him to go and get some coffee; he'd been here all day.

So Blair left me with the poet, who seemed to have forgiven me and was ready for the hazards of further conversation. Feeling it was better I did the talking, I began to discourse upon everything, on the fireworks, on the wildflowers of Lake Albano, on Pizzetti's sonata, on a theft in the Vatican library. His face showed dearly what matter pleased him; I experimented on it, and discovered that he was hungry for hearing things praised. He was beyond feeling indignant at abuses, beyond humor, beyond sentiment, beyond interest in any bits of antiquarian lore. Apparently for weeks together in the wretched atmosphere of the sick-room Francis had neglected to speak highly of anything and the poet wanted before he left the strange world to hear some portion of it praised. Oh, I laid it on. His eyes glowed and his hands trembled. Most of all he desired the praise of poetry. I launched upon a history of poetry, calling the singers by name, getting them wrong, assigning them to the wrong ages and languages, characterizing them with the worn epithets of an encyclopœdist, and drawing upon what anecdotage I could,—all bad, but somehow marshalling the glorious throng. I spoke of Sappho; of how a line of Euripides drove mad the citizens of Abdera; of Terence pleading with audiences to come to him rather than to the tight-rope walkers; of Villon writing his mother's prayers before the great picture-book of a cathedral wall; of Milton in his old age, holding a few olives in his hand to remind himself of his golden year in Italy.

Quite suddenly in the middle of the catalogue he burst out fiercely: I was meant to be among those names. I was.

The boast must have revolted me a little and my face have shown it, for he cried again: I was. I was. But now it's too late. I want every copy of my books destroyed. Let every word die, die. When I'm dead I don't want a soul to remember me.

I murmured something about his getting well.

I know more about it than the doctor, he replied, staring at me with stem fury. I studied to be a doctor. And I watched my mother and brother die, just as I am dying now.

There was no answer for that. We sat silent. Then in a gentler voice he said:

Will you promise me something? My things weren't good enough; they were just beginning to be better. When I am dead I want you to make sure that Francis does what he promised. There must be no name on my grave. Just write: Here lies one whose name was writ in water.

There was a noise in the next room. Blair had returned with the water-colourist. We withdrew. The poet was too sick to see us again and when I came back from the country he had died and his fame had begun to spread over the whole world.

BOOK TWO: MARCANTONIO

La Duchessa D'Aquilanera was a Colonna and came from the conservative wing of a family that cannot forget its cardinalitial, royal and papal traditions. Her husband had come of a Tuscan house that had received its illustration by the thirteenth century, was praised in the histories of Machiavelli and execrated in Dante. Neither family had counted a misalliance in twenty-two generations, and even in the twenty-third incurred only such stigma as attaches to marriage with an illegitimate Medici or a Pope's "niece". The Duchess could never forget—among a thousand similar honors—that her grandfather's grandfather, Timoleo Nerone Colonna, Prince of Velletri, had carried many an insulting message to the ancestors of the present King of Italy, the old but apologetic house of Savoy; and that her father had refused a Grandeeship at the court of Spain because it had been withheld from his father; and that through herself she carried to her son the titles of Chamberlain of the Court of Naples (if there were one). Prince of the Holy Roman Empire (if that superb organization had only survived) and Duke of Brabant, a title which unfortunately reappears among the pretensions of the royal families of Spain, Belgium and France. She had the best of claims to an Altesse, and even to an Altesse Royale; at least to the Sérénissime, for her mother had been the last member of the royal family of Craburg-Hottenlingen. She had the largest cousinage outside the Buddhist priesthood. The heralds of the European courts bowed to her with a particular distinction realizing that by some accident many diverse and lofty lines converged in her odd person.

She was fifty when I met her, a short, black-faced woman with two aristocratic wens on the left slope of her nose, yellow, dirty hands, covered with paste emeralds (an allusion to her Portuguese claims; she was Archduchess of Brazil, if Brazil had only remained Portuguese), lame with the limp that pursues the Della Quercia, just as her aunt had been epileptic with the epilepsy of the true Vani. She lived in a tiny apartment in the Palazzo Aquilanera, Piazza Aracœli, from the windows of which she watched the sumptuous weddings of her rivals, ceremonies to which she had been invited, but dared not attend, foreseeing that she would be assigned to places that fell below her pretensions; to accept a humble seat would be to admit that one had relinquished the whole bundle of vast historic claims. She had left many a great function abruptly on discovering that her chair was behind some of those Colonna cousins who had cast away all right to aristocratic distinction by marrying theatre women or Americans. She refused to be seated behind pillars among dubious Neapolitan titles—in the shadow of her own family tombs; to be left among the footmen at the door of a musicale; to be invited at the eleventh hour; and to be kept waiting in antechambers. For the most part she clung to her ugly stuffy rooms, brooding on the disregarded glories of her line and envying the splendors of her richer relatives. The fact is that from the point of view of a middle-class Italian she was not really poor; but she was too poor to afford the limousine and livery and great entertainments; to be without these and yet invested with her pretensions was to be poorer than the last nameless body fished out of the Tiber.

Recently however she had begun to receive unexpected and thrilling recognitions. Little though she went out, when she did appear in society, her austere face, her majestic limp, and her strange jewels carried conviction. People were afraid of her. The arbiters of precedence in Rome dared at last to intimate to the Odescalchi and Colonna and Sermoneta that this almost shabby little woman whom they snubbed and shoved like some half-wit poor relation, had every right to precede them at a formal function. French circles, such as had not lost all seigneurial deferences under the sponge of republicanism recognized her ultramontane alliances. She was the first to notice the improvement in her reception, and if a bit bewildered it did not take her long to set her sails to the unexpected breeze. She had a son and daughter to advance and it was for them that she now resolved to immolate her pride. From the earliest signs of her rehabilitation she forced herself to sally out into the world, and finding that her stock was higher in the international colony she stooped distastefully to call upon the American peeresses and on the South American representatives. Eventually she found herself at Miss Grier's midnight suppers. The reflection of the consideration she received in such places finally reached her own people and she was gradually spared the more obvious humiliations.

It became necessary for her now to drop her former friends, the dull soured old women, more plaintive than herself, and with less reason, with whom she had been accustomed to fret away the long afternoons and evenings behind the drawn blinds of the Piazza Aracœli. She was obliged likewise to abandon a sordid habit that linked her no less surely to the previous centuries, namely that of rushing into law-suits. The innate capacity for affairs which abounded in this woman had found during the days of her obscurity this extraordinary outlet. She went about scenting out old claims and deeds, the slips of tradesmen and the subtle omissions of lawyers. She was always protecting her shyer friends from imposition, and she was always successful and often made a good deal of money. She employed obscure boy-lawyers and when she was called upon as a witness, relying on her distinctions to prevent her being interrupted, she used the occasion as an opportunity to sum up the whole case. The middle classes seeing in the morning paper that S. A. Leda Matilda Colonna duchessa d'Aquilanera was attacking the City of Rome over the valuation of property near a railroad, or contesting the bill of some popular stationer or fruiterer on the Corso, suffered willingly the inconvenience of holding a seat in court for hours in order to see the malignant resourceful woman and to hear her trenchant sarcasms and her irresistible accumulation of evidence. Yet her relatives had always sneered at this passion, failing to see that she represented more clearly than themselves the qualities that had always gone to characterize the aristocracy.

It was this woman then whom we confronted when we returned at midnight for our third engagement that day in the old palace. Supper was served in a larger, brighter apartment than I had yet seen. As I entered the huge doorway my eyes fell upon a strange figure that I knew at once must be a Cabalist. A short, dark, ugly woman, holding a cane between her knees was staring at me with magnificent fierce eyes. With the bodiced dress and eagle's head I became aware of her jewels, seven huge lumpy amethysts strung about her neck on a golden rope. I was presented to this witch who at once, and by the blackest art, made one like her. On hearing that Blair was leaving Rome shortly she centered her attention on me.

For a moment she sat before me, sliding the end of her stick nervously about on the floor, drawing in her upper lip, and gazing hard into my eyes. She asked me my age. I was twenty-five.

I am the Duchess d'Aquilanera, she began. What language shall we speak? I think we will talk English. I do not talk it good, but we must be plain. It must be so you must understand me quite perfectly. I am a great friend of Miss Grier. I have often talked over with her a great problem—a sorrow, my young friend—that is in my home. Suddenly tonight at seven o'clock she call me up on the telephone and told me she have found someone who could help me: she mean you. Now listen: I have a son of sixteen. He is important because he is somebody. How you say?—he is a personage. We are of a very old house. Our family has been in the front of Italy, everyone in her triumph and in her trouble. You are not sympathetic to that kind of greatness in America, not? But you must have read history, no? ancient times and the middle times and like that? You must realize how important the great families are ... have always been to ... countries ...

(Here she grew nervous, and blew several bubbles and expended herself in those splendid Italian gestures denoting difficulty, perhaps futility, and resignation before the impossible. I hastened to assure her that I had great respect for the aristocratic principle.)

Perhaps you have and perhaps you haven't, she said at last. In all events, think of my son as a prince whose blood contains all sorts of kings and noble people. Well, now I must tell you he has fallen in bad ways. Some women have got hold of him and I do not know him any more. All our boys in Italy go that way when they are sixteen, but Marcantonio, my god, I do not know what is the matter with him and I shall go crazy. Now in America you are all descended from your Puritans, are you not, and your ideas are very different. There is only one thing to do, and that is: you must save my boy. You must talk to him. You must play tennis with him. I have talked to him; the priest has talked to him, and a good friend of mine, a Cardinal, has talked to him and still he does nothing but go to that dreadful place. Elizabeth Grier says that most boys in America at your age are just ... naturally ... good. You are vieilles filles; you are as temperate as I do not know what. It's very strange, if it's true, and I do not think I believe it; at all events it's not wise. At all events you must talk to Marcantonio and make him stay away from that dreadful place or we shall go mad. My plan is this: next Wednesday we are going for a week to our beautiful villa in the country. It is the most beautiful villa in Italy. You must come with us. Marcantonio will begin to admire you, you can play tennis and shoot and swim and then you can have long talks and you can save him. Now, won't you do that for me, because no one has ever come to you in such trouble as I have come to you in today?

Hereupon, in sudden fear that all her efforts had been in vain, she began waving her stick to attract Miss Grier's attention. That lady had been watching us from a corner of her eye and now came running up. The Duchess burst into a flood of tears, crying into her pocket handkerchief: Elisabetta, speak to him. Oh, my god, I have failed. He not want us and all is lost.

I was divided between anger and laughter and kept muttering into Miss Grier's ear: I'd be glad to meet him. Miss Grier, but I can't lecture the fellow. I'd feel like a fool. Besides what would I do with a whole week....

She's put it to you wrongly, said Miss Grier. Let's not say anything more about it tonight.

At this the Black Queen began rolling about in her chair, the motions preparatory to rising. She rammed her stick against my shoe for leverage on the polished floor and stood up. We must pray to God to find another way. I am a fool. I do not blame the young man. He cannot realize the importance of our family.

Nonsense, Leda, said Miss Grier, firmly in Italian. Be quiet a moment. Then turning to me: Would you like to pass a week-end at the Villa Colonna-Stiavelli, or not? There's no stipulation about lecturing the Prince. If you like him, you'll feel like talking to him anyway, and if you don't like him, you're welcome to leave him alone.

Two Cabalists were begging me to take a glimpse of the most famous of Renaissance villas, one moreover that was obstinately closed to the public and that had to be peered at from the road half a mile away. I turned to the Duchess and bowing low accepted her invitation. Whereupon she kissed the shoulder of my coat, murmured with a beautiful smile: Christiano! Christiano! and bidding us good night, passed bowing from the room.

I shall see you Sunday at Tivoli, said Miss Grier, and tell you all about it there.

During the next few days my mind lay under the dread of the two engagements that lay ahead of me: the week-end at the Villa Horace and the missionary enterprise at the Villa Colonna. I stayed in my rooms, depressed, reading a little, or took long walks through the Trasteverine underworld, thinking about Connecticut.

The car that called for me Saturday morning already contained a fellow-guest. He introduced himself as M. Léry Bogard, adding that Mlle. de Morfontaine had offered to send for us separately, but that he had taken the liberty of requesting that we be called for together, not only because any company in crossing the Campagna is better than none, but because he had heard many things of me that led him to believe that we would not be uncongenial. I replied in that language wherein all courtesy sounds sincere, that the possibility of being congenial to so distinguished a member of the French Academy and to so profound a scholar was a greater honor than I dared hope for. These overtures did not tend to chill the encounter. M. Bogard was a fragile elderly gentleman, immaculately dressed. His face was delicately tinted by exquisite reading and expensive food, russet and violet about the eyes, his cheeks a pale plum from which rose the ivory-white of his nose and chin. His manner was soft and conciliatory, expressed for the most part in the play of his eyelids and hands both of which fluttered in unison like petals about to fall upon the breeze. I spoke hesitantly of the pleasure I had derived from his works, especially from those pages, so faintly tinctured with venom, on Church History. But now he cried out at once: Do not mention them! My early indiscretions! Horrible! What would I not give to withdraw them. Can that nonsense have reached as far as America? You must let your friends know, young man, that those books no longer represent my attitude. Since then I have become an obedient son of the Church and nothing would give me greater comfort than to hear that they had been burned.

What may I tell my friends now represents your real views? I asked.

Why read me at all? he cried in mock grief. There are too many books in the world already. Let us read no more, my son. Let us seek out some congenial friends. Let us sit about a table (well-spread, pardi!) and talk of our church and our king and perhaps of Virgil.

My face must have shown a trace of the suffocation I experienced at this plan of life, for M. Bogard became at once more impersonal. The country we are traversing now, he said, has known stirring times ... and he began an instructive travelogue, as though I were some stupid acquaintance, his hostess' son, and as though he were not, nor ever had been, a distinguished scholar.

On arriving at the Villa we were met by the steward and shown to our rooms. The Villa had been a monastery for many years and in purchasing it Mlle. de Morfontaine had obtained likewise the adjoining church which still served the peasants of the hillside. She claimed that the Villa was the very one that Maecenas had given to Horace: local tradition affirmed it; the foundations were of the best opus reticulatum; and the location fulfilled the rather vague requirements of classical allusion; even onomatopoea testified, declared our hostess, asserting that from her window the waterfall could be literally heard to lisp

In furnishing her monastery our hostess had combined, as best she could, a delight in æsthetic effects and a longing for severity. A long low rambling plaster building, without grace of line, was the Villa Horace. Disordered rose gardens surrounded it, with intentionally neglected gravel paths, and chipped marble benches. One entered a long hall at the end of which several steps descended to a library. The hall was lined with doors at regular intervals on both sides, doors to what had once been cells now thrown together into reception rooms. Many of these doors stood open during the day and the long corridor paved with russet tile, was striped with the sunshine that fell across it. The ceiling had been coffered, and like the doors touched with dark green and gilt, and with that rich wasted brick-red that is the color of Neapolitan tiles. The walls were yellow white, of caked and crumbling plaster, and the beauty of the view with the optical illusion of distance and the depth and the lightness of the library seen like some great green-golden well at the further end, appealed to that sense of balance and one's tactile imagination as do the vistas in the paintings of Raphael whose spell is said to reside in that secret. To the left lay the reception rooms, carpeted in one color, hung with tabernacles and Italian primitives, while huge candelabra, pots of flowers and tables covered with brocades and crystals and uncut jewels, relieved the severity of unfreshened walls. Towards the end of the hall at the right one ascended a few steps to the refectory, the barest room in the house. By day the refectory was a meaningless casual club-room. Luncheon was a negligible affair at the Villa; one's conversation must be saved for dinner; at luncheon one barely looked at one another, one talked about the last rains and the next drought, or any subject that did not faintly allude to the devouring passions of the house, religion and aristocracy and literature. The beauty of the refectory was purely a matter of lighting and at eight o'clock the greatness of the room lay in the pool of wine-yellow light that was shed on the red table cloth, the dark green crested plates, the silver and the gold, the wineglasses, the gowns and decorations of the guests, the ambassadorial ribbons, the pontifical violets, and the little army of satin-clad footmen that suddenly appeared from nowhere.

On the night of my arrival the Cardinal was the last to appear at dinner, and entered directly into the refectory where we stood waiting for him. His expression was benignant, even beaming. While he blessed the meal, Mlle. de Morfontaine knelt on her admirable yellow gown and M. Bogard dropped on one knee and shaded his eyes. The grace was in English, a strange affair discovered by our erudite guest among the literary remains of some disappointed Cambridge parson.

The Cardinal, though unimpaired in mind and body, looked all of his eighty years. The expression of dry serenity that never left his yellow face with its drooping moustache and pointed beard gave him the appearance of a Chinese sage that has lived a century. He was born of peasants on the plain between Milan and Como, and had begun his education at the hands of the local priests who soon discovered in him a veritable genius for latinity. He was passed upward from school to school gaining in his progress all the prizes the Jesuits had to offer. The attention of a large body of influential churchmen was gradually drawn to him and at the time of his graduation from the great college on the Piazza Santa Maria sopra Minerva (presenting a thesis of unparalleled brilliance and futility on the forty-two cases in which suicide is permissible and the twelve occasions on which a priest may take up arms without danger of homicide) a choice between three great careers was offered to him. The details of each had been prepared under the highest patronage: he might become a fashionable preacher; or one of the courtier-secretaries of the Vatican; or a learned teacher and disputant. To the amazement and grief of his professors he suddenly announced his intention of following a road that to them meant ruin; he declared for Missions. His foster-fathers raged and wept and called on heaven to witness his ingratitude; but the boy would hear of nothing less than the Church's most dangerous post in Western China. Thither in due time he departed with scarcely a blessing from his teachers who had already turned their attention to more docile if less brilliant pupils. Through fire, famine, riots, and even torture, the young priest labored for twenty-five years in the province of Sze-chuen. This missionary fever however did not entirely spring from piety. The boy, conscious of the great powers raging within him, had been throughout his youth insolent, contemptuous of his teachers and of his companions. He knew and despised every type of a churchman to be found in Italy; never had he seen a thing adequately done by them, and now he dreamed of a field of work where he would be answerable to no fool. In the whole realm of the Church there was only one region that filled his requirements; a month's travelling by crude wagon separates one from the next priest in Sze-chuen. There, then, after a shipwreck, some months of slavery, and other experiences that he never related, but which reached the world from his native helpers, he settled in an inn, dressed as a native, grew a pigtail, and lived among the villagers for six years without mentioning his faith. He passed the time studying the language, the classics, the manners, ingratiating himself with the officials and so perfectly identifying himself with the daily life of the city that in time he all but lost the odor of foreignness. When at last he began to declare his mission to those merchants and officials in whose homes he had become an almost nightly visitor his work was rapid. Perhaps the greatest of all the Church's missionaries since the Middle Age, he turned many a compromise that was destined to shock Rome profoundly. He somehow achieved a harmonization of Christianity and the religions and accepted ideas of China that had its parallel only in those daring readings that Paul discovered in his Palestinian cult. So subtle were the priest's adaptations that it never occurred to his first converts to be even conscious of repudiating their old faith until at last after twenty lectures he showed them how far they had gone and how charred were the bridges that lay behind them. Once he had them baptized however, he could give them only the bitterest bread to eat: the foundations of his cathedral lay squarely on a score of martyrs' graves, but once built suffered no further assault and grew slowly and irresistibly. Finally sheer statistics did what envy could not prevent and he was made a bishop. At the end of his fifteenth year in the East he returned to Rome for the first time and was received with cold dislike. His health had been partly undermined, and he was granted a year's repose, during which he worked in the Vatican library on a thesis relative to nothing in China, the donation of Constantine. This was considered shocking in a missionary and when it was published its learning and impersonality won it the neglect of the ecclesiastical reviewers. He was treated with condescension by the courtiers of the Palace; by implication they described to him their idea of his great creation in Western China: a low mud-brick meeting-house and a congregation of beggars who pretended to a conversion in order to be fed. He did not trouble to describe to them the stone cathedral with two awkward but lofty towers, the vast porch, the schools and library and hospital; the processions on Feast days carrying garish but ardent banners entering the great cavern of the Church and singing the correctest Gregorian; nor of the governmental honors, the tax-exemptions, the military respect during revolutions, the co-operation of the city.

At last he returned, willingly enough, to sink himself for another ten years into the remote interior. His visit to Rome had not altered his boyish attitude toward his fellowmen. He had heard strange tales about himself,—how he had amassed a huge fortune by taking bribes from the Chinese merchants, how he had interpreted the atonement in Buddhist terms and had allowed pagan symbols to be stamped upon the Host itself.

The ecclesiastical honors that eventually arrived must have been extravagantly deserved, for they came without his or any friend's negotiation. Sheer accomplishment must so have stared the Vatican in the face that it had felt torn from its hands the trophies it was accustomed to relinquish only on the receipt of petitions bearing ten thousand signatures or at the instance of wealth or power. To receive these new distinctions, the Bishop returned to Rome again after an absence of ten years. This time he meant to remain in Italy, having decided that henceforth his work would be better in the hands of natives. The ecclesiastics viewed this return with considerable trepidation, for if he returned as a scholar eager for doctrinal debates they dreaded seeing exposed their lack of interest or equipment; if he came as a critic of the Propaganda, they were all in danger. They watched him settle down with two Chinese servants and an absurd peasant woman whom he insisted on referring to as his sister, in a tiny villa on the Janiculum, join the Papal Archaeological Society and apply himself to reading and gardening. Within five years his retirement had become a greater embarrassment to the Church than his pamphlets might have been. His fame among Romanists outside Rome was unbounded; every distinguished visitor rushed from the station to get an introduction to the recluse of Janiculum; the Pope himself was a little tried by the zeal of visitors who imagined that His Holiness enjoyed nothing better than discussing the labors, the illness, and the modesty of the Cathedral Builder of China. English Catholics and American Catholics and Belgian Catholics who did not understand the exquisite subtlety of these matters and should let them alone, kept crying: Why isn't something being done for him? He humbly refused a high honorary Librarianship in the Vatican, but his refusal was not accepted and his name crowned the stationery; the same thing happened with the great committees on Propaganda; he did not appear at the meetings, but no speech was so influential as the report of chance words let fall in conversation with disciples at the Villino Wei Ho. His very lack of ambition frightened the Churchmen; they supposed it must arise from a similar emotion to that which kept Achilles sulking in his tent, and dreaded the moment when he would ultimately arise, swinging his mighty prestige and crush them for the honors they begrudged him; finally he was offered the Hat, by a committee from the College all in a perspiration lest he refuse it. This time he accepted their offer and went through the forms with a rigid decorum and with an observance of traditional minutiae that had to be elaborately explained to his Irish American colleagues.

It would be hard to say what his thoughts were those dear mornings as he sat among his flowers and rabbits, a volume of Montaigne fallen on to the gravel path from the tabouret beside him, what were his thoughts as he gazed at his yellow hands and listened to the hushed excitement of the Aqua Paola exclaiming in eternal praise of Rome. He must surely have asked himself often in what year his faith and joy had fled. Some said that he had become attached to a convert who had relapsed into paganism; some said that one day under torture he had renounced Christianity to save his life from the hands of brigands. Perhaps it was only that he had attempted the hardest task in the world and found it not so difficult after all; and reflecting that he could have built up a huge fortune in the financial world with half the energy and one-tenth the gifts; that he was the only person living who could write a Latin that would have entranced the Augustans; that he was the last man who would be able to hold in his head at one moment all the learning of the Church; and that to become a Prince of the Church required nothing but a devoted indifference to its workings,—reflecting on these things he may well have felt the world not to be worth the thunder of admiration and applause that was so continually mounting to Heaven in its praise. Perhaps one of the other stars is more worthy of one's best efforts.

Grace concluded, the meal could not be begun until the Cardinal was informed as to Alix. But where's Alix?

Alix is always late.

Are you sure she's coming?

She telephoned this afternoon, that ...

Now isn't that too bad of her! She's coming in panting when the dinner's half over. Then apologies. Father, you're too kind to her. You always forgive her directly. You must act cross.

We must all act cross.

Everybody look angry when Alix comes in.

I had assumed that the conversation of the Cabala in camera in camera would be vertiginous. If I anticipated the wit and eloquence of its table-talk I dreaded their gradual discovery that I was tongue-tied or doltish. When, therefore, the conversation at last broke forth I had the mixed sensation of discovering that it was not unlike that of a house party on the Hudson. Wait, I told myself, they will warm up. Or perhaps it is my presence here that prevents them from being at their best. I recalled the literary tradition that the gods of antiquity had not died but still drifted about the earth shorn of the greater part of their glory—Jupiter and Venus and Mercury straying through the streets of Vienna as itinerant musicians, or roaming the South of France as harvesters. Casual acquaintances would not be able to sense their supernaturalism; the gods would take good care to dim their genius but once the outsider had gone would lay aside their cumbersome humanity and relax in the reflections of their ancient godhead. I told myself that I was the obstacle, that these Olympians chattered and chaffed for a season until my departure, when the air would change,—what divine conversation....

Presently in burst their Alix, the Princess d'Espoli, panting and a-flutter with apologies. She knelt to the Cardinal's sapphire. No one looked the least bit cross. The very servants beamed. We are to know a great deal about the Princess later; suffice it to say that she was a Frenchwoman of the utmost smallness and elegance, sandyhaired, pretty, and endowed with a genius for conversation in which every shade of wit, humor, pathos and even tragic power followed in close succession. Within a few moments she was enchanting the company with a lot of nonsense about a horse who had started talking on the Pincian Hill and the efforts of the Police Force to suppress such an aberration of nature. As I was presented to her she murmured quickly: Miss Grier told me to tell you that she will be here at about ten-thirty.

After dinner Madame Bernstein played the piano for a time. She was still the power behind the great German banking house. Without ever venturing into her sons' offices or directors' meetings she yet disposed of all the larger decisions of the firm, by curt remarks at their dinner tables, by postscripts to her letters and by throaty injunctions at the moment of saying goodnight. She wanted the sensation of having retired from its direction, her whole middle life have been expended in a magnificent display of generalship and financial imagination, yet she could not keep her mind off its problems. The friendship of the Cabala was beginning to reconcile her to advancing age, and drawing her further and further into her love for music.

As a girl she had often heard Liszt and Tausig in her mother's home; by dint of never playing Schumann or Brahms she had kept her fingers all silver and crystal, and even now, practically in her old age, she evoked the great era of virtuosi, a time when the orchestra had not led piano technique into a desperate imitation of brass and strings. Mlle. de Morfontaine sat holding in the cup of her hand the muzzle of one or other of her splendid dogs. Her eyes were filled with tears, but whether they were the facile tears of her half-mad nature or the witness of memories brought back on the tide of Chopin's sonata, we cannot know. The Cardinal had retired early and the Princess sat in the shadows, not listening to the music, but pursuing some of the phantoms of her most secretive mind.

Barely had the army with banners ceased drilling in the wintry sunlight of the last movement when a servant whispered to me that the Cardinal wished to see me.

I found him in the first of the two small rooms that had been set aside for him at the Villa. He was writing a letter, standing up to it at one of those high desks known to the clerks of Dickens and the illuminators of the Middle Age. I was later to receive many of those famous letters, never more nor less than four pages long, never falling short of their amazing suavity, never very witty nor vivid yet never untouched from beginning to end by the quality of their composer's mind. Whether he declined an invitation or suggested a reading of Freud's book on Leonardo, or gave suggestions on the feeding of rabbits, always from the first sentence he foresaw his last and always like a movement from Mozart's chamber-music the whole unit lay under one spirit and the perfection of details played handmaid to the perfection of the form. He seated me in a chair that suffered all the light that was in the room, treating himself to a fine shadow.

He began by saying that he had heard that I was to keep an eye on Donna Leda's son for a while.

I became warm and unintelligible in an effort at protesting that I could guarantee nothing; that I was most reluctant; and that I still reserved the right to withdraw at any moment.

Let me tell you about him, he began. Perhaps I should say first that I am a sort of old uncle in the family, and their confessor for many years. Well,—this Marcantonio. What shall I say? Have you seen him?

No.

The boy is full of good things. He ... he ... Full of good things. Perhaps that's his trouble. You say you haven't met him yet?

No.

Everything seemed to start well. He was good in his studies. He made a lot of friends. He was particularly good in the ceremonial that his rank requires, his attendance at Court and at the Vatican. His mother was a little anxious about his boyish dissipations. She had his father in mind, I suspect, and wanted the boy to get over them as soon as possible. Donna Leda is a more than usually foolish woman. She was very pleased when he set up his own apartment off on the Via Po and became very secretive about it.

Here the Cardinal began to grope about again, perhaps surprised at his own awkwardness. Presently however he gathered up the reins with new determination and said: And then, my dear young man, something went wrong. We thought he would go through the usual experience of a Roman young man of his class and come out. But he has never come out. Perhaps you can tell me why this young fellow couldn't have had his five or six little affairs and gotten over it?

I showed myself as quite unequal to answering this question. In fact I was so amazed at the five or six little liaisons for a boy of sixteen, that it was all I could do to keep my face casual. I wanted badly not to appear shocked and endeavored by a lift of an eyebrow to imply that the boy might have a score if he liked.

Marcantonio, continued the priest, went around with a group of boys older than himself. His greatest wish was to be like them. You could see them at the races, in the music-halls, at Court, in the tea-rooms and hotel lobbies. They wore monocles and American hats, and all they talked about was women and their own successes. Euh ... perhaps I should begin at the beginning.

There was a pause.

He was first initiated—perhaps I should use a stronger word—on Lake Como. He used to play tennis with some very warm little South American girls, heiresses from Brazil, I believe, from whom no secrets were hid. I fancy our Tonino merely meant to pay them a shy compliment or two, a sudden kiss under the laurel-bushes. But he soon found himself with a little ... a sort of Rubens riot on his hands. Well, it began in imitation of his older friends. From imitation it went to an exercise of vanity. What was Vanity became Pleasure. Pleasure became a Habit. Habit became a Mania. And that's where he is now.

There was another pause.

You must have heard of how certain insane persons become enormously intelligent—that is, they become sly and secretive—trying to conceal their delusion from their guards? Yes; and I am told that vicious children perform feats of duplicity worthy of the most expert criminals, in an effort to conceal their tricks from their parents. You have heard of such things? Well, that is where Marcantonio is now. What can be done? Some people would say that we should let him go and make himself thoroughly sick. Perhaps they are right, but we should like to step in before that, if possible. Especially since there has a come a new development into the story.

My mood at that moment was overwhelmingly against new developments. In the distance I could hear that Madame Bernstein had resumed her Chopin. I would have given a lot for the power of being rude enough to leap for the doorknob and bid my host goodnight, a long goodnight to the wallowing little Prince and his mother.

Yes, continued the Cardinal, his mother has at last found a marriage for him. To be sure she does not believe there is a house in the world that can bring any new distinction to her own, but she has found a girl with an old name and some money and expects me to do the rest. But the girl's brothers know Marcantonio. They are in the group I described to you. They refuse to permit the marriage until Marcantonio has, well—been quiet for a while.

Now my face must have shown a rich mixture of horror and amusement and anger and astonishment, for the Cardinal became perplexed. You never can tell what will surprise an American, he probably said to himself.

No, no. Excuse me, father. I can't, I can't.

What do you mean?

You want me to go to the country to hold him down to a few weeks of temperance. I don't understand how you can mean such a thing, but you do. He's a sort of Strassburg goose whom you want to stuff with virtue, don't you, against his marriage. Don't you see...?

You exaggerate!

Excuse me if I sound rude, Father: No wonder you couldn't make an impression on the boy,—you didn't believe in what you were saying. You don't really believe in temperance.

Believe in it. Of course I do. Am I not a priest?

Then why not make the boy...?

But after all, we are in the world.

I laughed. I shouted with a laughter that would have been insulting, if it hadn't contained a touch of hysteria. Oh, I thank thee, dear Father Vaini, I said to myself. I thank thee for that word. How clear it makes all Italy, all Europe. Never try to do anything against the bent of human nature. I came from a colony guided by exactly the opposite principle.

Excuse me, Father, I said at last. I can't go on with it. Under any conditions I should' feel an awful hypocrite talking to the boy. But if I knew it were only a measure to keep him good a month or two I should feel ten times more so. It can't be argued; it's just a matter one feels. I must tell Miss Grier I cannot visit her friend. She is driving out here at ten-thirty. If you will excuse me I shall go and find her in the music-room now.

Do not be angry with me, my son. Perhaps you are right. Probably I do not believe these things.

Hardly had I re-entered the music-room with my revolt written all over me when the Princess d'Espoli came forward. By that telepathy which the Cabala employed in its affairs she already knew that I had to be persuaded all over again. She made me sit down beside her and with the briefest outlay of those gifts of suppliance and enchantment of which she held the secret, she won my promise. In two minutes she had made it seem the most natural thing in the world that I should play stern older brother to a gifted drifting friend of hers.

As by the click of some invisible stage-manager Miss Grier entered.

How are you, how are you? she said, trailing her russet draperies across the tiles toward me. You can't guess who drove me out. I must hurry back. The Lateran choir is coming to sing Palestrina to me about twelve,—perhaps you know the motets from the Song of Songs? No? Marcantonio brought me here. He loves high-powered cars, and as his mother can't give him one I let him play with mine. Can you come out and meet him now? You'd better get your coat. Do you like night rides?

She led me out to the road where behind two blinding headlights a motor was humming impatiently. Antonino, she called. This is an American friend of your mother's. Do show him the car for half an hour, will you? Don't kill anybody.

An incredibly slight and definite little elegant, looking exactly his sixteen years, with spark-like black eyes bowed stiffly to me in the faint light over the wheel. Italian princes do not rise at the approach of ladies.

Don't hurt my car or my friend, Marcantonio.

No.

Where are you going?

But he did not choose to answer and the aroused motor drowned out the lady's questions. For ten minutes we sat in silence while the road rose to the headlights. After a harrowing struggle with his own selfishness Don Marcantonio asked me if I wanted to take the wheel. Assured that nothing would alarm me more, he settled down to driving with an almost voluptuous application. He made nice distinctions with grades and corners, took long descents cantabilemente, and played scherzi on cobblestones. The outlines of the Alban hills stood out against the stars that like a swarm of golden bees recalled that haughty Barberini who had declared that the sky itself was the scutcheon of his house. All lights were out on the farms, but occasionally we passed through a village whose francobollo shop showed a lantern and a group of card players. Many a wakeful soul in those enormous family beds must have turned over, crossing himself, at the sighing whistle of our flight.

Presently however the driver wanted to talk. He asked a great many questions about the United States. Could one plunge into the life of the Wild West any minute? Were there many big cities as big as Rome? What language was spoken in San Francesco? in Philadelphia? Where did our athletes train for the Olympic Games? Was the public allowed to watch them? Did I know about such things? I replied that at school and college one couldn't help picking up hints on form and training. He then disclosed the fact that at the Villa Colonna he had directed the gardeners to make a running-track, cinders and hurdles and pit and shed and embanked corners. And that we were to use it every morning. He dreamed of himself doing incredible distances in incredible time. He outlined a plan to me whereby under my direction he would begin by running a mile every morning, and should add a half-mile daily for weeks. This would go on for years and then he would be ready to enter the Paris Olympics of 1924.